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me when im drooling on all kinds of bullshit

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My psychic gf: we are getting dunkin donuts right i can see we're getting dunkin donuts very soon we are approaching the threshold of the timeline dunkin is reaching 90% likelihood can you feel it
Me: you know i can't fucking drive with you flashing 8k resolution images of donuts into my fucking head right
Boug Walker on my windshield:
Сommission for moyaofthemist QwQ/<3
I feel this
Fiftyvolts on Twitter made this and someone shared it to my Facebook group.
Desire borrows one of Despair’s crocs…

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still amazes me that by season 45 or whatever, Supernatural was being exclusively watched by delusionally hopeful women with flamingo-salinity tolerance for bad writing and the creators still couldn’t pander to them because maybe there was 1 straight guy out there still accidentally watching it
The 1 straight was Jensen
shadow the hedgehog is cool. gunblades are cool. vampires are cool. scythes are cool. white hair is cool. we need to stop lying about what is not cool

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ok hear me out guys
I’m listening
okay listen closely
ok ready
look me boots
this movie is so fucking creepy jesus fuck
It’s by Tim Burton, what did you honestly expect?
Actually, it’s Henry Selick, who was the director of The Nightmare Before Christmas. The book was written by Neil Gaiman, though, and is far…far….worse.
Sorry, I’m about to geek the hell out.
The movie is captivating, but the book is twenty kinds of terrifying, even now, ten years after I first read it. As disturbing as the movie may have been to some, the things Selick added really serve to cushion just how horrific the story really is.
First of all, the character of Wybie does not exist in the book. Coraline is facing all of this nearly alone, with her only help coming from the sly comments of the cat, a warning from the circus mice, and the stone given to her by her neighbor, presented with no comment but that it “makes the unseen seen.”
Second, the Other Parents are never quite as warm (and, dare I say, normal) as they are in the gifs above. They’re described as having paper-white skin and the Other Mother’s hair is said to move on its own, and her long, red, claw-like nails don’t ease any uncertainty that she is absolutely, positively up to no good. The first time Coraline meets them, they (and the rest of the Others) seem to be playing roles (for whatever reason, Coraline does not seem to pick up on this), like they all know what to say and what to do and are simply waiting for Coraline to make her move in their terrifying play world. This is shown to be partly true when the Other Parents tell her they know she’ll be back soon after she refuses the buttons - this time, to stay.
Third, the Other Mother commits atrocities that really should not have been in a book for anyone not fully grown up. She physically deforms the world around Coraline to slow her progress in their game beyond any mild traps the movie portrays, and, instead of turning the Other Father into the wandering pumpkin-thing seen in the film, she simply ceases to use him and throws his body away in the cellar, leaving him to rot with whatever bit of sentience he has left. She begins to lose her touch, as Coraline gains the upper hand. Her world doesn’t just become a nightmare - it falls apart completely. No creepy but oddly cool bug furniture here, just the house that now appears to be a child’s drawing. Whatever the Other Mother is (a beldame, but something tells me she’s much more ancient and powerful than that), she does not give half a hump about what she has to do to ensnare Coraline. Destroy the supporting characters of her twisted creation? Done. Allow herself to be dismembered to ruin Coraline’s life in the normal world? Not even gonna bat an eyelash.
On a final, personal note, imagine eight year-old me, ignored by my parents, absorbed in the story and identifying with Coraline from the start. Imagine me finishing this bloodcurdling book and immediately thinking of my basement, where there is still a locked door that my grandmother swears up and down is nothing more than a storage room, but has not once in my (or my mother’s) lifetime unlocked.
Can you see why this book still scares me?
Fun fact I learned from seeing neil gaiman speak: when he first wanted the book published, his editor said it was too scary. He suggested she read it to her young daughter, and then decide. So she did, and her daughter wasn’t afraid, and it was published. Years later, Gaiman was sitting next to that daughter at an event and told her this story, and she said “oh I was terrified I just didn’t want to tell my mom”.
Coraline WAS too scary to be published, but exists anyway because a girl lied to her mother.
@neil-gaiman, is this true about the publisher’s daughter?
It was my literary agent, Merrilee Heifetz who read it and said “you can’t seriously expect this to be published as a children’s book.” So I suggested she read it to her daughters. And she called me back a week later and said “They love it and they weren’t scared at all. I’ll take it to Harper Children’s.”
A decade later, at the Opening Night of the Coraline musical, I was sitting next to Morgan, Merilee’s youngest daughter, and told her how her not being scared had made the book happen. And she said “I was terrified. But I needed to find out what happened next. So nobody knew.”
So, yes.
This website can be toxic at times, but the fact that people can just tag Neil Gaiman to get his input, like a sorcerer invoking a benevolent spirit, is definitely a bright spot.
Sinclair Clark (1902-1999) was a legendary tanner. He was known throughout the taxidermy industry for his expertise in tanning animal skin to give them the suppleness required to create lifelike, long-lasting displays. His most famous works includes “Henry” the African Bush Elephant at the National Museum of Natural History and the racehorse Phar Lap at the Melbourne Museum.
Sinclair was recently inducted into the Taxidermy Hall of Fame in 2021.
Sinclair Clark was credited for tanning nearly all of the Akeley Hall of African Mammals at the NMNH including four of the original elephants. Carl Akeley is considered to be the father of modern taxidermy, and Sinclair Clark worked closely with him, even being invited to join him on what was to be Akeley’s final excursion to Africa.
He also worked as a tannery manager for The Jonas Brothers (no not those Jonas Brothers) for many years. The Jonas Brothers contributed to many displays at The Field Museum, the Smithsonian Institution, the American Museum of Natural History, and more. Here’s an image of Phar Lap as he was being mounted. The hide looks incredibly pliable and soft for something tanned before modern tanning methods (which Sinclair Clark also helped develop).
Tanners are not well know outside of the taxidermy industry, but it’s a very important job even if it not the same glamor of being a taxidermist. It’s difficult to say just how many museums and specimens Sinclair contributed his tanning expertise to, but his legacy is nothing to glance over.
Spider-man/Deadpool #69
Part One (Page 1-8)
certified soup post

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WHO DO YOU THINK YOU ARE I AM
I’m his crying wife
You have to understand the part that’s so iconic about this is this isn’t a clip of him winning the tournament this of a clip of him coming in fourth
Oh my fucking god no it’s not XD He won with that strike. That was like his fifth national championship win. Why would you lie about that. Why would anyone lie about that.
my favorite character type is a character that is gay but they have no romantic chemistry with anyone because of how fucking insane they are
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