scientists are trying to discover something harder than getting out of bed to go to work in the morning. and dont make a fucking penis joke ok they already checked everyoneâs dick and it doesnât even come close
styofa doing anything

if i look back, i am lost
ojovivo
$LAYYYTER

izzy's playlists!
will byers stan first human second
Lint Roller? I Barely Know Her
NASA

romaâ
TVSTRANGERTHINGS

Origami Around
Show & Tell

⣠Chile in a Photography âŁ
"I'm Dorothy Gale from Kansas"
noise dept.
Misplaced Lens Cap


çĽćĽ / Permanent Vacation
trying on a metaphor

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from TĂźrkiye
seen from Canada
seen from United States
seen from Italy
seen from United States
seen from United States
@railgunjane
scientists are trying to discover something harder than getting out of bed to go to work in the morning. and dont make a fucking penis joke ok they already checked everyoneâs dick and it doesnât even come close

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
ăˇăŁă¤ăăłă°ăŹăłăă by YD@ydh2101
ᯤ
adjusted this one a bit for the sticker shop

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
ăăŻăăšăăŠăš
Her name was Judy-Lynn del Rey. And she became the most powerful editor in science fiction history.
Born in 1943 with achondroplastic dwarfism, Judy-Lynn grew up devouring science fiction in New York City's public libraries. At a time when the genre was dismissed as pulp fiction for teenage boys, she saw something else entirely: the future of storytelling.
She started at the bottomâan office assistant at Galaxy, the most prestigious science fiction magazine of the 1960s. Within four years, she was managing editor.
Then Ballantine Books came calling.
When she arrived at Ballantine in 1973, science fiction and fantasy were afterthoughts in publishing. Fantasy in particular was considered unsellableâunless you were Tolkien. Judy-Lynn thought that was nonsense.
Her first major move was audacious: she cut ties with one of Ballantine's bestselling authors, John Norman, whose "Gor" novels were popular but notoriously misogynistic. It was a risk. She didn't care.
Then came the gamble that changed everything.
In 1976, someone brought her an opportunity: the novelization rights to an upcoming space movie by a young director named George Lucas. Hollywood thought the film would bomb. Studio executives were skeptical. Most publishers passed.
Judy-Lynn said yes.
The Star Wars novelization sold 4.5 million copies before the movie even premiered.
She would later call herself the "Mama of Star Wars."
In 1977, she launched Del Rey Booksâher own imprint, with her husband Lester editing fantasy while she oversaw everything else. Their first original novel was Terry Brooks's The Sword of Shannara. It became a phenomenon.
She didn't stop there.
Remember The Princess Bride? The original 1973 novel had flopped. It was headed for obscurity. Judy-Lynn rescued it, reissuing it in 1977 with a striking gate-fold cover and an aggressive marketing campaign. Without her intervention, there might never have been a movie.
She published the Star Trek Log series. She championed Stephen R. Donaldson's Thomas Covenant trilogyâconvincing Ballantine to release all three books on the same day from a completely unknown author. Unprecedented.
She published Anne McCaffrey's The White Dragonâthe first science fiction novel ever to hit #1 on the New York Times bestseller list.
And she did all of this while competitors called her imprint "Death-Rey Books"âbecause she was utterly dominant.
Between 1977 and 1990, Del Rey Books had 65 titles reach bestseller lists. That was more than every other science fiction and fantasy publisher combined.
Arthur C. Clarke called her "the most brilliant editor I ever encountered."
Philip K. Dick went further: "The greatest editor since Maxwell Perkins"âthe legendary editor of Hemingway and Fitzgerald.
But here's what burns: the science fiction community never nominated her for a Hugo Award while she was alive. Not once. The men who ran the industry praised her in private and overlooked her in public.
In October 1985, Judy-Lynn suffered a brain hemorrhage. She died four months later, at 42.
Only then did the Hugo committee vote to give her the Best Professional Editor award.
Her husband Lester refused to accept it.
He said Judy-Lynn would have objectedâthat it was given only because she had just died. That it came too late.
He was right.
Judy-Lynn del Rey transformed science fiction from a niche hobby into a cultural force. She made fantasy into a mainstream publishing category. She bet on Star Wars when no one else would. She saved The Princess Bride from oblivion. She published the first #1 New York Times science fiction bestseller.
She did all of this standing 4'1" tall in an industry run by men who underestimated her at every turn.
The next time you pick up a fantasy novel, or watch a Star Wars movie, or quote The Princess Brideâ
Now you know who made it possible.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Instagram: Once We Were Spacemen
Deadline: Nathan Fillion Says âFireflyâ Animated Series In Development With Co-Stars Set To Reprise Roles; Concept Art Revealed
TL;DR: It's an animated series and Joss Whedon has given his blessing, but he is not directly involved in the project.
MORE DETAILS:
Today, Sunday, March 15th 2026, Nathan Fillion and the remaining core crew of Serenity announced at Awesome Con in DC that they are bringing back Firefly as an animated series called Firefly: Still Flyin'.
In the video posted on the Once We Were Spacemen (OWWS) Instagram account, Nathan detailed what they would need and who has signed on to the project thus far:
"Joss' blessing - I have it"
The rights from 20th Century Fox/ Disney: "They got excited - they said yes"
Showrunners: a married couple who met through Firefly! Tara Butters (Dollhouse, Agent Carter, Reaper) and Marc Guggenheim (DCâs Legends of Tomorrow, Arrow)
A script - "We got it." A screenshot in the video shows the first page of a shooting script for Firefly: Still Flyin' Episode #1: "Athenia" written by Tara Butters & Marc Guggenheim.
An animation studio: Oscar and Emmy-award-winning animation studio ShadowMachine - another screenshot in the video shows some initial concept art
In the video, Nathan goes on to say that the last thing they need is a home. He asks everyone to like, comment on, and tag your friends in this post to spread the word and get Firefly: Still Flyin' a home.
While it was not explicitly stated in Nathan's video, Deadline's article on the announcement states:
"Joss Whedon, who created the original series, is not involved in the animated project."

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
It's been a while. This is the FA of a comic I enjoyed reading recently.