RADIANTLIGHT9

In my research, I was delighted to find the magic which resides in the nakshatra Anuradha. Unfortunately, I haven't yet understood Vishakha so I cannot speak on the spiritual journey of Anuradha coming from Vishakha. But there is something about Anuradha that is so powerful that it stands on its own.

This nakshatra literally has the power of transformation (8H) through imagination (mostly occultism but I will be touching a lot on fantasy in this post). It is symbolized by the lotus, a flower that is able to grow in dirty waters as long as there is stillness. This is interesting as I often associate this water sign with a muddy pond-- which would signify Scorpio's ability to navigate through the murky or unseen aspects of life.

In Anuradha, Scorpio uses imagination as a tool to explore themes of humanity or challenge societal norms. Reality can be so harsh for Anuradha that it often escapes to pure fantasies, if not the occult, where they can actually take lessons from other worlds and transform for the better. Here, the still waters represent the real world for Anuradha; reality can be so oppressive and unchanging, and yet the lotus still grows despite its powerlessness over the waters. Their real power is learned from other realms. Here it is imagination that develops the resilience of Anuradha, this resilience and their newfound power signifying Saturn which is the lord that rules over this nakshatra.

The best film to first mention is "Pan's Labyrinth", which is written and directed by Guillermo del Toro who is Anuradha Moon. There is also a book version which was written by him and co-written by Cornelia Funke who is also Anuradha Moon.

The story follows a little girl who lives in the harsh realities of post-war Spain in 1944. She travels with her pregnant mother to go live with a sadistic, psychopathic military officer -- that happens to be her stepfather -- in an extremely isolated area (8H/signs of coming danger).

The little girl discovers a mysterious labyrinth near this remote area, and she meets a mythological creature who reveals to her that she is the reincarnation of the Princess of the Underworld. This faun-like creature then gives her three life-risking tasks to prove herself as the rightful ruler of the Underworld.

A little similar to Alice In Wonderland, as she navigates this magical, fantasy realm in which she encounters many other mythical creatures. Her reality outside remains the same. She still lives under the authority of her evil stepfather who becomes increasingly violent and overbearing. Yet, despite her unchanging reality, the tasks that she was assigned to in the labyrinth prove to be a metaphor of her strength, resilience, and her transformation which helps her face the harsher real world while still retaining her innocence/imagination and morality.

The oppressive figure in her life is something of a prominent theme for Saturn nakshatras so it is interesting how it plays into Anuradha; and how the tasks she was assigned to in this mystical world push her beyond her comfort zone which is Saturn simply refining her through difficulties and the 8H putting her in extremely dangerous situations.

Despite this story being the epitome of Anuradha, I still have some more examples.

The movie "Bridge to Terabithia"; which is about an artistically-driven boy who befriends a girl who is known for her creativity & imagination (played by Anna Sophia Robb who has Rahu in Anuradha). This movie is based on the book with the same name written by Anuradha Moon Katherine Paterson who literally explores the themes of resilience built from imagination to overcome harsh reality.

The two friends team up in creating an imaginary kingdom called Terabithia just in the woods near where they live. This kingdom becomes a place they escape to when they go through extreme difficulties that they as kids are powerless in. They use their imaginations to overcome challenges and build their confidence through.

And, "The Chronicles of Narnia" which was written by C.S. Lewis who was Anuradha Sun.

The story follows the Pevensie siblings during the harsh and challenging reality of World War II. They lived in London but have moved to the countryside due to the bombing raids which have affected their homes. Very interesting how this story also sets in around the times of war where there is loss of all comfort and security -- much like Pan's Labyrinth. Both very 8H themed.

Also, Pevensie siblings almost all the Saturn-ruled nakshatra moons.

And Lucy Pevensie, who is played by Anuradha Moon Georgina Helen Henley, is actually the one who first discovered the world Narnia through the wardrobe (another gateway similar to the labyrinth in the Pan's Labyrinth).

C.S Lewis explored many universal moral and ethical concepts by using Narnia as a sort of playground to take the Pevensie siblings through a journey of self-discovery, redemption, and transformations with many dilemmas they have to face which further builds virtuous character/resilience. They come out all the more wiser and better as people from their journey in Narnia -- and this leads to their eventual crowning as kings and queens of Narnia which further signifies the rewards reaped from Saturn from the total refinement and transformations.

And Aslan, who was voiced by Anuradha Moon Liam Neeson, is an agent of transformation and great influence on each characters' path to growth/redemption.

He encourages virtues such as courage, strength, kindness and sacrifice. His character is very pure, and he even acts as a father figure especially to the youngest sibling, Lucy, who is also Anuradha Moon.

Very interesting how Aslan literally is an important role in the natural order of Narnia as his presence seems to be closely tied with the changing of the seasons and the restoration of harmony in the world of Narnia. This literally bears a resemblance to Lord Mitra's role in maintaining cosmic order and harmony in the universe. Very similarly to Mitra, Aslan embodies virtues like justice and nobility. This character is the embodiment of the retained purity of one's soul in a world full of the push-&-pull of good and evil forces.

Now onto Alice in Wonderland, which was written by Lewis Carroll who was a double Anuradha.

Now, Alice does not seem to come from any hardships at all. She is simply portrayed as a curious little girl whose character still grows in Wonderland. The story shows how she struggles with her identity and fitting in in Wonderland, as this world challenges everything she thought she knew. I did establish that Anuradha seems to use fantasy as a canvas to challenge norms, logic and point to the absurdity of societal norms. These themes are leaning in Ketu territories, and it can validate Scorpio being co-ruled by Ketu as perceptions of reality and the fluidity of truth is often highlighted throughout the story. Especially through the characters Chesire Cat and the Mad Hatter.

A little off topic, but very interesting that Chesire Cat was voiced by Swati Sun Jim Cummings in the 1951 film version and the 2010 version was voiced by Magha Sun&ASC Stephen Fry which is literally just a darker version of the character. This character is very nodal influenced as it understands the madness in Wonderland, shamelessly embracing the absurd nature of the world which may or may not be illusory. (Also, Mad Hatter -- in the 1951 film -- was voiced by Swati Sun Ed Wynn AND Johnny Depp played a darker version of the Mad Hatter in the 2010 film and he has his Ketu conjunct his Moon).

Anyways, Lewis Carroll actually uses the Mad Hatter to shed light on the societal issues of that era. Anuradha utilizing fiction and imagination as a tool to explore Nodal themes would make sense as they have an understanding that the world doesn't really change (but that doesn't stop one from transformation/education). Anuradha is supposed to reject societal norms, but natives can feel really stifled by their reality and even by themselves sometimes.

But this nakshatra literally can unlock the power of bringing imagination to life, which is shown in an obviously exaggerated way in the book "Inkheart" written by Anuradha Moon Cornelia Funke. And the movie based on that was actually directed by Anuradha Sun Iain Softley. This story is about a man, named Silvertongue, who has the ability to bring fictional characters to life from simply just reading a book aloud.

Very interesting that 'Silvertongue' is portrayed by a Jyestha Sun -- Mercury being a function in him speaking things to life.

Now, Anuradha is a Saturn nakshatra which obviously means that the other nakshatras ruled by the same lord will trine it and pick up on very similar themes. So just gonna throw some examples out there.

Like the film "Jumanji" (1995) which starred Pushya Sun Robin Williams who plays a character that got sucked into the world of a mysterious board game since he was a kid. He's brought back to the real world when he's his adult self (Anuradha/Saturn theme of growing and learning survival in another realm) -- but his release comes with the cost of the creatures from the board game being brought into the real-world to wreak havoc. The movie is just a bit similar to Inkheart, in the element of two different worlds colliding; as in Inkheart, the character Silvertongue brings a fictional villain into the real world which leads to a series of dangerous events.

The film "Jumanji" is directed by Joe Johnston who has Rahu in Uttara Bhadrapada and the movie is based on a children's book with the same name written by Uttara Bhadrapada Moon Chris Van Allsburg.

The animated film "Caroline" is written and directed by Anuradha Sun Henry Selick.

This story follows a young girl, voiced by Pushya Moon Dakota Fanning, who finds a secret hidden door in the new home she just moved in with her parents. This doorway leads to a parallel world where her 'Other mother' and 'Other father' seem so loving towards her as compared to her real parents who neglect her and are always so busy.

Her 'Other parents' are so attentive to her every desire but as Caroline explores this very twisted reality, she discovers just how sinister 'Other mother' is and the world that was once so perfect to her was actually designed as a trap to keep her there (4H themes). Despite this film having the Anuradha outline of the native finding a doorway to another world, this trope of the evil mother is literally Pushya-coded. Actually, I'll quickly touch on this as this is what I got so far regarding Pushya:

In the film "Tangled", Rapunzel -- voiced by Pushya Moon Mandy Moore -- has been continuously manipulated and exploited by her mother figure, Gothel, who has designed the tower, with which they lived in, as a way to trap Rapunzel in so that she never leaves her side, so that she'll continue exploiting her for the rest of her life. Very obvious that these are Cancer/4H themes mixed together with Saturn -- making the mother the oppressive figure in this Saturnian's life.

I find it interesting that Pushya Sun Gypsy Rose literally identified herself with Rapunzel, having even once said that "Tangled" is her favourite movie. It makes so much sense with what her mother put her through, she literally is Rapunzel in the real world if you think about it.

There is a movie already out that's based on her life events, and she is of course played by a Pushya Sun actress Joey King, in the film "The Act".

Anyways back to Saturn nakshatras being otherwordly; the author of "The Shadowhunters" books is Pushya Sun Cassandra Clare.

There are two media adaptions of her books, and it is fitting that they both star Saturn nakshatra women playing the same character, 'Clary'. At the start of the story, Clary is able to perceive creatures, symbols and buildings invisible to the regular human's eye. She is then involuntarily pulled into a whole new world she didn't think possible, and her character grows from there as she befriends different beings.

In the series version, Anuradha Sun&Moon Katherine McNamara portrays Clary. And the film version, Uttara Bhadrapada Sun Lily Collins plays Clary.

Clary, in the beginning of the story, being able to perceive what any other human couldn't pick up on and being played by both an Anuradha and an Uttara Bhadrapada makes a lot of sense. Anuradha is the truth seeker and Uttara Bhadrapada's deity contains the truths of the world. In the film "The Golden Compass", a young girl discovers a fascinating device, called Golden Compass, which can reveal the truth and answer to any question asked of it.

Any truth she seeks, the answer is always so close. The truth will be easily perceivable to a gifted Saturn nakshatra. The movie of this film is directed by Anuradha Sun Chris Weitz.

Now, my last example. The film "The Neverending Story" is directed by a Ketu in Uttara Bhadrapada native Wolfgang Petersen. The story follows a boy who becomes immersed with a fantasy storybook.

This boy faces hardships in his reality; not only is he bullied at school but he's also experiencing the grief from the loss of his mother. In this film there is no secret doorway that leads to an otherworldly adventure, but the boy becomes deeply engrossed in the fantasy book. He finds himself deeply connecting with the fictional characters, and especially with the events in the book to such an extent that his own life starts to literally intertwine with the storybook.

His life begins to not only reflect but also impact the events occurring in the book. The line between his real life and the story literally becomes blurred. This being a theme in Anuradha which emphasizes the bridge of humanity between other worlds and our "real" world.

Anuradha builds a bridge between extremes that most people don't care to consider in their personal lives. Being under Saturn makes it feel impossible to physically overcome hardships and it is in this nakshatra that there is a theme of finding solace in imagination, but also building oneself from imagination as reality/circumstances can make it impossible to grow. This is a profound lesson from all Saturn nakshatras, but this is the main theme for Anuradha being ruled by the 8H. It is the 8H that makes us go within and explore our own realms and face the shadows of our subconscious mind to come out transformed & elevated -- thus rising above circumstances we were once powerless in. In Anuradha, innocence and purity is retained despite how destructive the 8H/Saturn and the reality it creates is. Again, going right back to the lotus growing in the still, muddy waters.

Actually missed the chance to add the movie "Lucy" (2014) to further validate the theme of the awakened/gifted Saturn nakshatra natives perceiving reality beyond the average human's understanding. This film is literally written and directed by Uttarabhadrapada Sun AND Pushya Ascendant Luc Besson.

And stars Anuradha Sun & Ascendant Scarlett Johansson, who portrays a character that gains the ability to use her consciousness to the fullest capacity, which makes her receptive to the codings and symbols of the universe.

This Anuradha native has the ability to decode the data of reality, receiving and scanning these secrets of the universe (which aren't really secrets, they've always been right in front of us but it is Anuradha who has the power to translate them).

This movie being written by a Pisces -- an Uttarabhadrapada at that -- also validates this nakshatra, and other Saturn nakshatras, having the ability to reach higher powers through the power of their subconscious/imagination.

Lucy, having reached the fullest capacity of her consciousness, is in literal alignment with reality and can bend it to her will. She can morph, shift, time travel,

and she can alter her DNA/body with just her mind,

because she's becoming the universe. She's transcended so much that she's becoming everything.

In my research, I was delighted to find the magic which resides in the nakshatra Anuradha. Unfortunately, I haven't yet understood Vishakha so I cannot speak on the spiritual journey of Anuradha coming from Vishakha. But there is something about Anuradha that is so powerful that it stands on its own.

This nakshatra literally has the power of transformation (8H) through imagination (mostly occultism but I will be touching a lot on fantasy in this post). It is symbolized by the lotus, a flower that is able to grow in dirty waters as long as there is stillness. This is interesting as I often associate this water sign with a muddy pond-- which would signify Scorpio's ability to navigate through the murky or unseen aspects of life.

In Anuradha, Scorpio uses imagination as a tool to explore themes of humanity or challenge societal norms. Reality can be so harsh for Anuradha that it often escapes to pure fantasies, if not the occult, where they can actually take lessons from other worlds and transform for the better. Here, the still waters represent the real world for Anuradha; reality can be so oppressive and unchanging, and yet the lotus still grows despite its powerlessness over the waters. Their real power is learned from other realms. Here it is imagination that develops the resilience of Anuradha, this resilience and their newfound power signifying Saturn which is the lord that rules over this nakshatra.

The best film to first mention is "Pan's Labyrinth", which is written and directed by Guillermo del Toro who is Anuradha Moon. There is also a book version which was written by him and co-written by Cornelia Funke who is also Anuradha Moon.

The story follows a little girl who lives in the harsh realities of post-war Spain in 1944. She travels with her pregnant mother to go live with a sadistic, psychopathic military officer -- that happens to be her stepfather -- in an extremely isolated area (8H/signs of coming danger).

The little girl discovers a mysterious labyrinth near this remote area, and she meets a mythological creature who reveals to her that she is the reincarnation of the Princess of the Underworld. This faun-like creature then gives her three life-risking tasks to prove herself as the rightful ruler of the Underworld.

A little similar to Alice In Wonderland, as she navigates this magical, fantasy realm in which she encounters many other mythical creatures. Her reality outside remains the same. She still lives under the authority of her evil stepfather who becomes increasingly violent and overbearing. Yet, despite her unchanging reality, the tasks that she was assigned to in the labyrinth prove to be a metaphor of her strength, resilience, and her transformation which helps her face the harsher real world while still retaining her innocence/imagination and morality.

The oppressive figure in her life is something of a prominent theme for Saturn nakshatras so it is interesting how it plays into Anuradha; and how the tasks she was assigned to in this mystical world push her beyond her comfort zone which is Saturn simply refining her through difficulties and the 8H putting her in extremely dangerous situations.

Despite this story being the epitome of Anuradha, I still have some more examples.

The movie "Bridge to Terabithia"; which is about an artistically-driven boy who befriends a girl who is known for her creativity & imagination (played by Anna Sophia Robb who has Rahu in Anuradha). This movie is based on the book with the same name written by Anuradha Moon Katherine Paterson who literally explores the themes of resilience built from imagination to overcome harsh reality.

The two friends team up in creating an imaginary kingdom called Terabithia just in the woods near where they live. This kingdom becomes a place they escape to when they go through extreme difficulties that they as kids are powerless in. They use their imaginations to overcome challenges and build their confidence through.

And, "The Chronicles of Narnia" which was written by C.S. Lewis who was Anuradha Sun.

The story follows the Pevensie siblings during the harsh and challenging reality of World War II. They lived in London but have moved to the countryside due to the bombing raids which have affected their homes. Very interesting how this story also sets in around the times of war where there is loss of all comfort and security -- much like Pan's Labyrinth. Both very 8H themed.

Also, Pevensie siblings are almost all Saturn-ruled nakshatra moons.

And Lucy Pevensie, who is played by Anuradha Moon Georgina Helen Henley, is actually the one who first discovered the world Narnia through the wardrobe (another gateway similar to the labyrinth in the Pan's Labyrinth).

C.S Lewis explored many universal moral and ethical concepts by using Narnia as a sort of playground to take the Pevensie siblings through a journey of self-discovery, redemption, and transformations with many dilemmas they have to face which further builds virtuous character/resilience. They come out all the more wiser and better as people from their journey in Narnia -- and this leads to their eventual crowning as kings and queens of Narnia which further signifies the rewards reaped from Saturn from the total refinement and transformations.

And Aslan, who was voiced by Anuradha Moon Liam Neeson, is an agent of transformation and great influence on each characters' path to growth/redemption.

He encourages virtues such as courage, strength, kindness and sacrifice. His character is very pure, and he even acts as a father figure especially to the youngest sibling, Lucy, who is also Anuradha Moon.

Very interesting how Aslan literally is an important role in the natural order of Narnia as his presence seems to be closely tied with the changing of the seasons and the restoration of harmony in the world of Narnia. This literally bears a resemblance to Lord Mitra's role in maintaining cosmic order and harmony in the universe. Very similarly to Mitra, Aslan embodies virtues like justice and nobility. This character is the embodiment of the retained purity of one's soul in a world full of the push-&-pull of good and evil forces.

Now onto Alice in Wonderland, which was written by Lewis Carroll who was a double Anuradha.

Now, Alice does not seem to come from any hardships at all. She is simply portrayed as a curious little girl whose character still grows in Wonderland. The story shows how she struggles with her identity and fitting in in Wonderland, as this world challenges everything she thought she knew. I did establish that Anuradha seems to use fantasy as a canvas to challenge norms, logic and point to the absurdity of societal norms. These themes are leaning in Ketu territories, and it can validate Scorpio being co-ruled by Ketu as perceptions of reality and the fluidity of truth is often highlighted throughout the story. Especially through the characters Chesire Cat and the Mad Hatter.

A little off topic, but very interesting that Chesire Cat was voiced by Swati Sun Jim Cummings in the 1951 film version and the 2010 version was voiced by Magha Sun&ASC Stephen Fry which is literally just a darker version of the character. This character is very nodal influenced as it understands the madness in Wonderland, shamelessly embracing the absurd nature of the world which may or may not be illusory. (Also, Mad Hatter -- in the 1951 film -- was voiced by Swati Sun Ed Wynn AND Johnny Depp played a darker version of the Mad Hatter in the 2010 film and he has his Ketu conjunct his Moon).

Anyways, Lewis Carroll actually uses the Mad Hatter to shed light on the societal issues of that era. Anuradha utilizing fiction and imagination as a tool to explore Nodal themes would make sense as they have an understanding that the world doesn't really change (but that doesn't stop one from transformation/education). Anuradha is supposed to reject societal norms, but natives can feel really stifled by their reality and even by themselves sometimes.

But this nakshatra literally can unlock the power of bringing imagination to life, which is shown in an obviously exaggerated way in the book "Inkheart" written by Anuradha Moon Cornelia Funke. And the movie based on that was actually directed by Anuradha Sun Iain Softley. This story is about a man, named Silvertongue, who has the ability to bring fictional characters to life from simply just reading a book aloud.

Very interesting that 'Silvertongue' is portrayed by a Jyestha Sun -- Mercury being a function in him speaking things to life.

Now, Anuradha is a Saturn nakshatra which obviously means that the other nakshatras ruled by the same lord will trine it and pick up on very similar themes. So just gonna throw some examples out there.

Like the film "Jumanji" (1995) which starred Pushya Sun Robin Williams who plays a character that got sucked into the world of a mysterious board game since he was a kid. He's brought back to the real world when he's his adult self (Anuradha/Saturn theme of growing and learning survival in another realm) -- but his release comes with the cost of the creatures from the board game being brought into the real-world to wreak havoc. The movie is just a bit similar to Inkheart, in the element of two different worlds colliding; as in Inkheart, the character Silvertongue brings a fictional villain into the real world which leads to a series of dangerous events.

The film "Jumanji" is directed by Joe Johnston who has Rahu in Uttara Bhadrapada and the movie is based on a children's book with the same name written by Uttara Bhadrapada Moon Chris Van Allsburg.

The animated film "Caroline" is written and directed by Anuradha Sun Henry Selick, based on the book with the same name which is written by Pushya Moon author Neil Gaiman.

This story follows a young girl, voiced by Pushya Moon Dakota Fanning, who finds a secret hidden door in the new home she just moved in with her parents. This doorway leads to a parallel world where her 'Other mother' and 'Other father' seem so loving towards her as compared to her real parents who neglect her and are always so busy.

Her 'Other parents' are so attentive to her every desire but as Caroline explores this very twisted reality, she discovers just how sinister 'Other mother' is and the world that was once so perfect to her was actually designed as a trap to keep her there (4H themes). Despite this film having the Anuradha outline of the native finding a doorway to another world, this trope of the evil mother is literally Pushya-coded. Actually, I'll quickly touch on this as this is what I got so far regarding Pushya:

In the film "Tangled", Rapunzel -- voiced by Pushya Moon Mandy Moore -- has been continuously manipulated and exploited by her mother figure, Gothel, who has designed the tower, with which they lived in, as a way to trap Rapunzel in so that she never leaves her side, so that she'll continue exploiting her for the rest of her life. Very obvious that these are Cancer/4H themes mixed together with Saturn -- making the mother the oppressive figure in this Saturnian's life.

I find it interesting that Pushya Sun Gypsy Rose literally identified herself with Rapunzel, having even once said that "Tangled" is her favourite movie. It makes so much sense with what her mother put her through, she literally is Rapunzel in the real world if you think about it.

There is a movie already out that's based on her life events, and she is of course played by a Pushya Sun actress Joey King, in the film "The Act".

Anyways back to Saturn nakshatras being otherwordly; the author of "The Shadowhunters" books is Pushya Sun Cassandra Clare.

There are two media adaptions of her books, and it is fitting that they both star Saturn nakshatra women playing the same character, 'Clary'. At the start of the story, Clary is able to perceive creatures, symbols and buildings invisible to the regular human's eye. She is then involuntarily pulled into a whole new world she didn't think possible, and her character grows from there as she befriends different beings.

In the series version, Anuradha Sun&Moon Katherine McNamara portrays Clary. And the film version, Uttara Bhadrapada Sun Lily Collins plays Clary.

Clary, in the beginning of the story, being able to perceive what any other human couldn't pick up on and being played by both an Anuradha and an Uttara Bhadrapada makes a lot of sense. Anuradha is the truth seeker and Uttara Bhadrapada's deity contains the truths of the world. In the film "The Golden Compass", a young girl discovers a fascinating device, called Golden Compass, which can reveal the truth and answer to any question asked of it.

Any truth she seeks, the answer is always so close. The truth will be easily perceivable to a gifted Saturn nakshatra. The movie of this film is directed by Anuradha Sun Chris Weitz.

Now, my last example. The film "The Neverending Story" is directed by a Ketu in Uttara Bhadrapada native Wolfgang Petersen. The story follows a boy who becomes immersed with a fantasy storybook.

This boy faces hardships in his reality; not only is he bullied at school but he's also experiencing the grief from the loss of his mother. In this film there is no secret doorway that leads to an otherworldly adventure, but the boy becomes deeply engrossed in the fantasy book. He finds himself deeply connecting with the fictional characters, and especially with the events in the book to such an extent that his own life starts to literally intertwine with the storybook.

His life begins to not only reflect but also impact the events occurring in the book. The line between his real life and the story literally becomes blurred. This being a theme in Anuradha which emphasizes the bridge of humanity between other worlds and our "real" world.

Anuradha builds a bridge between extremes that most people don't care to consider in their personal lives. Being under Saturn makes it feel impossible to physically overcome hardships and it is in this nakshatra that there is a theme of finding solace in imagination, but also building oneself from imagination as reality/circumstances can make it impossible to grow. This is a profound lesson from all Saturn nakshatras, but this is the main theme for Anuradha being ruled by the 8H. It is the 8H that makes us go within and explore our own realms and face the shadows of our subconscious mind to come out transformed & elevated -- thus rising above circumstances we were once powerless in. In Anuradha, innocence and purity is retained despite how destructive the 8H/Saturn and the reality it creates is. Again, going right back to the lotus growing in the still, muddy waters.

Understanding why planets exalt in certain nakshatras, and houses, will give you an even better foundation for all nakshatra lords. For example, Venus loves being in Revati because this is where it can be unrestricted and as flourishing in its themes as it desires to be, since Revati is peak freedom and transcendence; Ketu loves being in Jyestha because this Scorpio nakshatra continuously releases so much heat which allows it to function at its highest level; and Sun is its best version when it is in Ashwini, because this Aries nakshatra allows the Sun to be as hyper-independent and selfish as it desires to be, and Ashwini being Ketu helps one attract resources to further advance oneself — a theme I am seeing in all the Sun nakshatras.

The symbol of Krittika nakshatra is a sharp knife, and its deity is the fire god, Agni. This emphasizes the heat in Krittika which is connected to its transformative nature. This is seen in the refinement of blades, where the beginning stages involve forging – the process of heating and shaping of the metal – and then heat treating. Resources are used with precision in Krittika, anything unnecessary being cut away as resources are channelled with focus so that one rises to the top. The ruling deity of Uttara Phalguni nakshatra is Aryaman, the guardian of social contracts and hospitality. Aryaman is a solar deity, giving more emphasis to the life-giving heat and brightness of this Sun nakshatra. With Uttara Phalguni, resources are built and sustained through agreements, partnerships and community. Creating mutual connections and valuing generosity will lead to later pleasures, as this nakshatra is symbolized by the back legs of a cot and the word Uttara in Sanskrit can mean "latter," "subsequent," or "final." Uttara Ashada is ruled by the Vishwadevas, the universal gods, this indicating the superior, hyper-independence and highly resourceful nature of this nakshatra. This enables mastery in resource mobilization and strategic planning.

Uttara Ashada Sun Orlando Bloom portrays the character Will Turner in Pirates of the Carribean, who starts out as an accomplished blacksmith by trade – his fantastic swordsmanship a product of his work with tangible resources like metal and tools, demonstrating his ability to make effective use of his environment.

The agency of the self and one's independence is due to the aftermath of the Ugra nakshatras having burned away previous barriers & roots, killing off enemies in order to pour into the world through love, beauty and creativity (Venus themes). This propels Sun nakshatras to be unbound, having them focus on making anything into a useful resource, so that one's inner solar light aligns with their material plane. This is interestingly explored in films through the so-called "American Dream".

The "American Dream" refers to the belief that anyone, regardless of their socio-economic status and background, can achieve their dreams and make a better life for themselves in a society where upward mobility is accessible to all. The core ideals of this belief are explored in the film The Pursuit of Happyness, starring Uttara Phalguni Sun Will Smith who plays a struggling salesman rising from poverty to attaining professional success as a stockbroker — his character being driven by persistent effort, ambition, and belief in upward mobility.

The theme of the human spirit's resilience in the pursuit of personal dreams is also seen in the film Forrest Gump, starring Uttara Phalguni ASC Tom Hanks who plays a low IQ man who goes through many challenges and still never gave up on his dreams.

Sun nakshatras are more commonly associated with strong themes of ambition, leadership and success.

Aja Naomi King has Uttara Ashada Sun and Uttara Phalguni Moon, making her a dominant fire rashi native. She portrays the character Michaela Pratt in How To Get Away With Murder. She is a young woman who is an ambitious overachiever, possessing an intense fire in her and is relentless in chasing after her goals with focused determination.

The character Paris Geller from Gilmore Girls, portrayed by Uttara Ashada Moon native Liza Weil, is known for her relentless ambition, being an aggressive perfectionist, and possessing a fear of failure which mirrors Michaela Pratt’s personality, often the cause of her clashing with others.

Sun natives are able to sacrifice and delay gratification for their goals. The elephant tusk of Uttara Ashada represents enduring strength, the nakshatra also being in the first section of the Capricorn rashi (Saturn supporting themes of endurance and delays). Uttara Phalguni's symbol is a bed or hammock, which represents the rest after hard work and generosity, completing the journey from Purva Phalguni in this final stage. And Krittika being the blade, or razor, signifies it as a cutting force able to slice through obstacles, fuelled by a desire to execute excellence.

Daniel Plainview in There Will Be Blood exemplifies the darker, more ruthless and capitalistic side of this "American Dream" — operating more Ketuvian as he is portrayed by Ashwini Moon native Daniel Day Lewis, drawing parallels with Ashwini Moon Christian Bale in American Psycho (further emphasizing why the Sun exalts in Ashwini, as Ashwini possesses this pure, ungovernable and all-consuming masculine energy which can become self-building).

The book Oil! follows the son of an independent oilman who initially idolizes his father's rise to power which has a rags-to-riches quality to it. The book highlights the nefarious strategies that oilmen employ through the main character's sympathy towards the underdog people (oilfield workers), a solar theme which will support further points I'll be touching on. But this corruption of the self from accumulating so much intoxicating power is definitely the darker side of Sun nakshatras.

The character Plainview uses oil as a lucrative resource and leverages it to build his empire, also coming from humble beginnings. He embodies this 'self-made', hyper-independent archetype in which hard work highlights one's determination and ability to turn opportunities into wealth. But the writer of the film, and the author of the novel Oil!, shine light on the emptiness and loneliness of this accumulation.

In the story, The Great Gatsby, the character Jay Gatsby initially comes from a poor background, and he meets a high-status woman who he falls in love with. She becomes one of the reasons for his drive, shaping his desire to escape poverty and become successful.

Uttara Phalguni's ability to outwardly evolve to positions of power and have access to things which are symbolic of pleasure and luxury emphasizes the inward radiance and resilience they possess to overcome challenges.

There is a Solar archetype which possesses a type of independence and a resourcefulness that doesn't translate into dominance, but rather into strictly following one's own path of righteousness — remaining strong willed no matter the people one is surrounded by. And there is a level of generosity and duty to this archetype, as Surya, the Hindu Sun god, embodies Dharma (which is related to duty, righteousness and upholding truth).

Will Turner fully embodies this archetype. Even when he's surrounded by pirates, and learns of his familial background of piracy, he stubbornly sticks to what he believes is right. His character has consistently been a strong moral compass in the franchise, upholding righteousness and truth — pointing to the higher leadership and moral integrity important in Uttara Ashada, as this nakshatra is ruled by the Vishwadevas, who are believed to reward those who follow moral principles and righteous paths.

Being burdened with so much duty, Surya (the Sun god) has to endure distant relationships with his close familial bonds. Will Turner mirrors this exactly, his duty as the Captain of the Flying Dutchman (a powerful evolution of his character as he initially started as a humble blacksmith) binds him to a duty higher than his mortal life. Because of this, he could only see his son and wife every once a decade, much like how Surya cannot be close to his sons and spouses.

A lot of sacrifices that they endure include cutting away human attachments, although this archetype is moreso explored from the hyper-independent lens in Claire Nakti's Sun Dominant Men video, as they voluntarily become absent fathers/deadbeats from their inherent selfishness — very much opposing the ideals of many Sun gods, but a correct negative manifestation nonetheless.

All Sun gods support this solar archetype of justice, leadership and source of nourishment. Helio, in Greek mythology, personifies the Sun, bringing light to the world, also regarded as the god of sight. Surya is a source of vitality and justice. Ran, the Egyptian Sun god, serves as a great protector, encompassing intense sun rays which ward off evil.

Characters which embody this protective, superior force are often played by Ketu and Sun nakshatra natives (and as Ketu nakshatras are seen as dominant forces in nature, we see how Sun nakshatras adapt in isolation, and become dominant as well, using tools and resources to remain resilient). Claire Nakti already explored this with Mula's connection to Hercules, while I connect the nakshatra Uttara Ashada to characters such as Robin Hood & Tarzan. Just as the Sun gods symbolize a life-giving energy which keeps stability in the universe, George of the Jungle and Tarzan are characters who both protect the jungle and its inhabitants from poachers and other humans with bad intentions — their presence alone warding off evil. Both characters serve as guardians to ensure harmony in the jungle.

The elephant tusk (of Uttara Ashada) often signifies, in many cultures, the protection of wildlife, especially from those who want to exploit and dominate nature. It also symbolizes a tool for survival, and it is associated with higher stature and power. This theme of one being the source of life and resources is seen in Robin Hood, a character which has Uttara Ashada influence. Robin Hood is known for safeguarding the well-being of his community, ensuring that their nourishment and dignity is preserved as he distributes wealth from the rich to the poor.

The bridge between Purva Ashada and Uttara Ashada could be represented by the purpose of Sagittarius — the archer aiming straight for victory. Uttara Ashada can be the release of the arrow, the culmination of focus to execute the final victory, as its stars lie close and pointing to the Galactic Center (signifying the bullseye). Uttara Ashada carries the final stage of the archer's triumph, embodying this legacy after the swift release of the arrow.

Much like Tarzan and George, Robin Hood lives in nature. Sun makes one completely self-sufficient, free from societal and religious roots which holds one back from finding their true essence. And the forest or woods represent a place one can explore their true selves and burn away what's false. The dominance of the Sun is seen in these characters' ability to comfortably live in such a place full of hidden threats like wild animals, bandits, or poachers. While for Ketu this theme signifies their huntress and taming power over the wild, for Sun it signifies their radical freedom and adaptability. Living in the forest, Robin Hood represents the figure of the outsider.

In the 2011 film Red Riding Hood, the character Peter is a woodcutter who embodies the archetype of the lone wolf. He is portrayed by Krittika Moon & Uttara Ashada ASC native Shiloh Fernandez. He knows the forest very well, and is often associated with the pure, wild aspects of it. He is very much like George of the Jungle, in that his love interest is also played by a Magha native, which I found this Sun-Ketu association very interesting.

His free nature and rough exterior (representative of his authenticity, making him a misfit in society) is what misleads the viewers into thinking that he is the werewolf that's been killing the townsfolk, but the truly animalistic and consuming force of the story is the character played by Ashwini Moon Billy Burke.

This lone wolf archetype supports their ability in being resourceful within their surroundings, often seen in survival stories in which the Solar native is stranded and is literally isolated from civilization.

Blue Lagoon (1980) is a survival film about two children living on an island after a shipwreck. Krittika Moon Christopher Atkins plays Richard, who becomes deeply attuned to the rhythms of the island, learning how to make use of the natural resources for their survival.

In the film Mad Max: Fury Road, Uttara Phalguni Sun Tom Hardy embodies this lone wolf archetype through the character Max. The story has a hyper-patriarchal system which is built around the hoarding of resources and exploitation of others. Max is completely removed from this society, prioritizing his own survival and maintaining his autonomy above all else.

His detachment makes him representative of someone who can solely rely on their resourcefulness and sharp instincts. This film is great as it stars two Phalguni natives; the character Furiosa being portrayed by likely Purva Phalguni ASC native Charlize Theron. Her warriorship is based around seeking a better future for the feminine, which is marked by love and autonomy.

Furiosa, being Venus and an Ugra nakshatra, represents the fight for liberation and happiness, particularly on the freedom of Immortan Joe’s enslaved women, and her own freedom from such a restrictive society unfit for the feminine. The women's rejection of the patriarchy mirrors Max’s independence outside the system. Initially, he aligns with her merely out of necessity as she and the wives possess resources beneficial for his survival. But he treats them as equals, recognizing their autonomy and agency. Max's collaboration with them emphasizes Uttara Phalguni’s purpose of creating alliances and partnerships for higher purposes, supporting the journey that started from Purva Phalguni nakshatra.

After aiding Furiosa, Max returns to his hyper-independent lifestyle; burning the attachments he formed with the women, and returning to his path that is away from the society.

This ability to survive by oneself, to reshape one's environment, mobilizing resources even in barren circumstances, is a theme for Sun nakshatras — further exaggerating this lone wolf, mysterious archetype (as seen with Max in Mad Max: Fury Road and Peter in Red Riding Hood).

The Sun is the natural giver of light and energy, but it does not receive light in return. Solar natives, often being so self-sufficient, give to others but rarely lean on them for much support. The character Elliot Alderson from Mr. Robot is a hacker, his final achievement towards the end of the series making him a modern day Robin Hood. His mission to expose corruption and empower the oppressed is akin to the Sun being a source of illumination, Krittika especially being known to cut away illusion. He is played by Krittika Sun Rami Malek.

Elliot remains emotionally isolated, as he has noticed that anyone who gets too close to him burns in the end — very similar to how the Sun god, Surya, burns and shines too brightly that his wife, Samjna, runs away from him. Elliot's solitary nature makes him feel extreme loneliness, but he maintains a distance from others, his hyper-independence stemming from his traumatic past and his mistrust of others.

There's a genre of film which explores the cause of such imbalanced independence, much like how Max's reason for burning attachments being due to trauma and previous lose. Christmas Carol movies often have Sun natives casted in them, portraying characters that possess a level of misanthropy and selfishness which drive them into further isolation.

The famous character, Ebenezer Scrooge, is a miserly, bitter, and cold-hearted old man who despises Christmas as it is associated with things of generosity and happiness. His name has literally become synonymous with selfishness, cynicism, greed and a lack of compassion. Ebenezer leads a solitary life, being estranged from family and detached from community due to his cold demeanour and focus on material gain. A Christmas Carol is a tale of Scrooge's redemption through three spirits, who highlight moments of lost joy, compassion, and the choices that led to his current misery and his future lonely funeral.

After his epiphanies, thanks to the spirits who took him on a journey of rediscovery, his redemption is seen when he wakes up on Christmas morning being transformed into a generous, joyful person — helping the community and reconnecting with his family. His renewed sense of compassion from being such a mean, wicked old man could be interpreted as the Sun burning away negativity to rekindle the warmth and generosity that the Scrooge has repossessed within himself. This tale is retold in the 2008 Barbie in a Christmas Carol, in which the character Eden Starling is a glamourous singer who is extremely self-centered and arrogant. She does not believe in Christmas and even refuses her employees from celebrating it.

She is voiced by Uttara Phalguni Sun and Uttara Ashada Moon native Morwenna Banks. Much like the timeless festive tale, three ghosts visit her on Christmas Eve, taking her on a journey through her Past, Present and Future. This leading her to have epiphanies regarding how much of her light had been dimmed and how lonely her future will be. These scrooge characters were once so brilliant and bright, but their inner light became eclipsed by bitterness, lose, or regret, leading to a life devoid of merriness — and being cold and frosty towards others.

Life’s challenges, such as betrayal, lose or disillusionment, leads these solar natives to retreat into isolation and despair. In the film Jingle Jangle, the character Jeronicus is a vibrant inventor, radiating so much brilliance and inspiring those around him.

Though not as cruel as Scrooge was, his arc still mirrors the Christmas Carol tale, in that his light becomes renewed. His young and redeemed older self both embody the festive spirit and joy of Christmas, acting as conduits for the magic, wonder, and generosity for the season.

The transformative journeys of these solar characters also extend to the Grinch, from the 2000 film How the Grinch Stole Christmas, the character portrayed by Uttara Ashada Sun native Jim Carrey. The tale was originally created by Uttara Phalguni Moon native Dr Seuss, first published in 1955.

The Grinch absolutely despises Christmas, much like Scrooge, being deeply consumed by resentment and envy while he isolates himself from the joyous Whoville community. His redemption is seen in him integrating himself into the community with newfound warmth, after experiencing an epiphany through a little girl’s unwavering joy and forgiveness. He returns the gifts he has stolen, realizing that Christmas is about love, not material possessions.

There are solar symbolisms in Christmas traditions, besides the gift-giving and festive feasting. These traditions can be traced back to ancient winter solstice celebrations, which made the symbolic rebirth of the sun, as the daylight hours began to increase after the winter solstice.

In 2018's The Nutcracker and the Four Realms, the character Clara, portrayed by Krittika ASC Mackenzie Foy, experiences a journey which can be symbolic of the winter solstice. The story begins with Clara in a dark emotional space following the death of her mother, this darkness being much like the world descending into the longest night at the winter solstice. But Clara seeks the key to her mother’s gift, which signifies as a source of life, fertility, and illumination that unlocks potential — the gift quite literally being a golden egg. Clara and her companion must retrieve the key and restore harmony to the unstable magical land. This theme of restoration, new hope, and redemption in a lot of these scrooge films, is symbolic to the Sun’s rebirth during the solstice — the return of life.

The practice of illuminating the Christmas tree with lights and ornaments mirrors the Sun's return, symbolizing a brighter future with the coming year. The infectious joy and generous acts during this festive season reflect the gratitude for the life-sustaining force that the Sun is, and the light for new hope it represents, as it promises abundance for the year ahead. The twin deities of Ashwini nakshatra are associated with rejuvenation, new beginnings, and vitality; this resonates with solar qualities, further explaining why Sun feels naturally at home in Ashwini. The Ashwini Kumaras are divine healers who bring restoration and renewal, just as the Sun sustains all living beings with its energy.

The character Robin Hood, much like the Sun, is a symbol of hope for the downtrodden, fighting off the darkness of evil and corruption. He sustains the spirit of his people by redistributing wealth and restoring their faith in justice, consistently being a force of resistance. The Sun serves as a profound symbol of redemption, perfectly embodying the cycle of renewal and the promise of transformation on earth. Its daily rise eliminates darkness, rejuvenating life and reinstituting balance in nature after its lengthy absence. Sun illuminates the paths which signify growth, healing, and change. The very pure symbolism of the Sun makes it an enduring metaphor for hope, forgiveness, and the power to provide. Robin Hood's actions literally restore the imbalance, which was created by corruption and darkness, giving the poor a chance to continue building their lives. Robin Hood stands as a symbol of light against injustice, signifying a timeless reminder that even in the face of darkness, renewal and justice are always within reach. The character Elliot Alderson is also the perfect representation of this, for anyone who has watched Mr. Robot (the only series I'd happily recommend to anyone — it's very dark though).

Reminder that the amount of rapists and sex offenders that are never convicted has nothing to do with there not being enough evidence and everything to do with the system not caring.

Rape was a property offence, that’s the only reason it was made a crime. It’s damage to another man’s property (daughter or wife). It, and sexual assault have some kind of false or pseudo-insignificant place in law now It’s only reason for being made criminal is no longer relevant. That’s my theory as to why no one cares.

No other crime is neglected like rape and sexual assault is. the criminal system in a sense has simply given up on doing anything about it, and that’s why rapists and sex offender roam politics and policing.

Many institutions, like my high school, go as far as to defend the offender. The rapist at my school was yelled at by principles for hours, but only because he got caught again. All of their effort was put into silencing victims and silencing any discussion of it - they gave him an at-home suspension for his own safety. No other reason. I was suspended for equally as long, only because i talked publicly about it and told women to avoid him because the school wasn’t doing anything to protect them from him. He had sexually offended 9 girls, and his first victim was my best friend. She also went to the police, and despite overwhelming evidence: him confessing that he’s done it, screenshots of him harassing her, saying “did you like it when i groped you” her saying “no” him saying “good.” - despite all that, all the police did was dissuade her from making a report.

It’s not that the crime is somehow wildly different from all other crime, it’s that every man in power has guilt from whatever they’ve done, and they’ll do everything in their power to protect a man they think is like them. It’s that the system, the men in it, don’t care at best.

Mia’s character, Sarah, is a true friend in this film. She spends pretty much the entire film worrying about, putting herself in danger for and even sacrificing herself for her friends.

Of course there’s more to Anuradha and I’d like to explore the film in term of nakshatras and more in future posts.