quinnhuman

mystra is no stranger to fostering feelings of boundless devotion that weren't present before. observing her potential chosen, appearing before them, promising them power. luring them into service without the knowledge of what this may entail. where other gods may instill fear, mystra instills the notion of love. practicing seduction while mirroring her chosen's humanity. intentionally portraying herself as someone sympathetic and approachable. syncing their language, highlighting mutuality, making them feel favored and seen. mystra sees no need in the act of divine separation, a display of godlike grandeur — inimitable, menacing, larger than life, towering above her chosen. instead, her manifestation is purposefully unassuming. she meets them in the form of a woman in her early 30s, conventionally attractive, palpable, and appealing to the masses — a human figure. the very embodiment, the very ideal of traditional beauty an impressionable, young wizard may have.

gale: "i can't quite describe it, the need i sometimes feel to see her - to draw the filaments of fantasy into existence." gale: "no sculpture or painting could ever do her justice, only the fabric that she herself is and embodies."

gale: "in her likeness, i used to read a thousand stories. she was beauty, wisdom, elegance, power... she contained universes."

player: “what did mystra’s attention feel like?” gale: “love. [...] perhaps it was not quite love, but you see, the wizard was but a very young man. it was most certainly love to him. [...]"

how we see her in the game is very likely the same form she chose to present to a young gale. beauty, wisdom, elegance. perceived perfection, yet humble in her divinity.

the mystra of now (1490s DR) retains some of the memories of all of her earlier selves, and the relatively young and inexperienced midnight is “in there,” but wholly subsumed. mystra could generate an avatar or seeming that might fool some mortals into thinking they were meeting midnight, but it would be an act. [x]

generating an avatar in the form of a mortal she subsumed. purporting mutuality. midnight was just another mortal added to mystra's long list of "human stock" — vessels intended to preserve her power. favored, chosen, and ultimately suppressed by the very essence of mystra herself. midnight is no equal piece of mystra, the deity, there is no conscious part of the mortal that remains. [x] the mystra that currently exists is a union of the original mystryl, as well as all the other reincarnations of her that melded into her being. fragments of their minds that linger in the weave, scraps of humanity that could perhaps aid in her knowledge and understanding to prevent further betrayals in the future.

mystra's approach has always been indirect, instead of being outright menacing and portentous. the fact that mystra isn't written like the other gods in the game doesn't mean she's more sympathetic to gale's struggles or more inclined to understand human nature. her concern will always be the preservation of her domain and her hold over the weave — to do as the gods do.

gale: "you're one to talk. how many innocents were you prepared to sacrifice if i detonated the orb?" mystra: "such eddies are unexceptional. souls arrive and depart your plane with every tide, in circumstances just and unjust." nodecontext: matter of fact, not interested in these kinds of specifics

ketheric thorm: "who decides what is right? the gods did not care for right and wrong when they dismantled my life piece by piece." ketheric thorm: "and when i tried to buy it back, it cost me everything - everything." ketheric thorm: "we are copper pieces in their belts. tokens to be traded for scraps."

it is often mentioned that mystra makes her attention known by brushing against her potential chosen. whispering to them, touching their skin, eliciting a tingling sensation. which is also how mystra chose to reveal herself to ariel manx (midnight) in 1353 DR, while she was 21 years of age.

gale mentions feeling a similar sensation if he chooses to destroy the summoning circle in balthazar's office at moonrise and thereby receives her blessing.

gale: "did you feel that?" gale: "if i wasn't surrounded on all sides by the darkness of the shadow-cursed lands, i'd think it was mystra herself brushing against my skin."

mystra isn't above using manipulations to get her way. once again evident in her instigating dornal and elué silverhand's union in the first place, as well as intentionally withholding information from dornal that she actively took possession of his wife, elué. to ensure that they would indeed produce her offspring — the seven sisters — her chosen and the vessels to house her power.

where elué had previously been reluctant to acknowledge dornal's advances, he found them suddenly returned with great fervor once mystra took possession of her body. [x]

"by the time elué was carrying her final child, she was in effect a lich - a crumbling shell kept alive only through mystra's power. dornal was shocked at her deterioration. he sought magical aid to cure his wife, and when he learned from the most powerful priest he could find that his wife was possessed by an intelligent force of great power, a sickened dornal tried to slay her. he struck off her head one moonlight night as they walked together in a wooded glade. mystra was forced to reveal herself. dornal was shattered by what he had done, and aghast at how he - and especially elué - had been used." [x]

dornal, who had been kept in the dark throughout, abandoned his lands and children after slaying his wife, traveling to the north, with the plan to seek his own death. he repeatedly tried to poison himself, yet mystra wouldn't allow him suicide and magically neutralized the lethal doses to keep him alive against his will. after his death in 797 DR, mystra turned him into another servant of hers: the watcher — one who wanders the realms, seeking out new potential chosen to this day.

which brings us to...

✧ mystra's foresight and her "death" ✧

mystra possesses a degree of foresight - she foresaw the time of troubles and her own passing at the hands of helm in 1358 DR for defying him and her attempt to converse with the overgod ao without the tablets of fate. the very reason why she sought out mortal vessels to house her power (the seven sisters) — to avoid disaster should another entity win control over her in the chaotic period of wildly fluctuating power struggles that was the time of troubles. this divine power slumbers within these individuals, which she can call upon.

in 1385 DR mystra (midnight) was struck down by cyric and shar, which brought upon the spellplague.

in 1479 DR mystra was located by elminster inside a cave in cormyr, guarding her mortal body. she survived cyric's assassination by inhabiting the body of a bear, while still able to contact her chosen. she returned to her full power in 1487 DR.

the important part, that i've often seen outright ignored or misinterpreted by fandom altogether, is that mystra wasn’t actually “dead” for over a hundred years. at least not in the way we perceive it. we can’t equate her death with our mortal understanding of it. her powers were diminished to an extreme and she was weakened, yet she was still able to communicate. it was in her power to contact her chosen and to guide them. evident by her calling for elminster through her telepathic link and directing him to recruit other chosen for her to restore her power.

the plot of baldur’s gate 3 takes place in 1492 DR. meaning gale's actual year of birth would be 1457 DR. while elminster likely sought him out around 1465 DR, when he was only 8 years old. however, i once again want to emphasize that “couldn’t have been more than 8 summers old” indicates that this may merely be an estimate on elminster's side. he could’ve possibly reached out to him even earlier than that, or perhaps later. gale was 22 year old at the time when mystra was found in her diminished state by elminster in 1479 DR.

✧ mystra's awareness✧

gale: “so, all it took to get mystra’s attention was to learn how to reforge an artifact that once destroyed her." gale: "it's obvious, when you stop to think about it."

even if you may personally be skeptical of elminster’s insertion into gale’s life at age 8 (as well as mystra's ability to contact her chosen during her death) to be enough evidence of mystra’s attention — she had to be aware of him for his talents alone since he was a mere child. there is no way around this.

player: "how could she possibly know we read a book? hasn't she got more important things to worry about?" gale: "the weave is a highly sensitive magical network threaded through all life on this plane. any shift in magical energy, no matter how small, is akin to a beacon, alerting mystra to its cause." gale: "opening a book like the annals of karsus was akin to us shooting a firework spelling 'look at us, mystra!' directly into the skies of elysium. she knows."

mystra IS the weave, as gale himself has stated several times. it is an extension of her being, threaded through all life. by touching the weave one is directly touching the goddess of magic herself. mystra is aware of any magic user, able to deepen this contact at her choosing.

shadowheart: "isn't it so, that every time you speak as you cast a spell, you're endeavouring to call upon mystra?" shadowheart: "i'm surprised she still listens to you." gale: "she has no choice - she's sworn to hear all magic users. even me." gale: "i'm sure she at least stuffs her fingers in her ears to muffle my invocations."

gale described himself as a child prodigy. a virtuoso that was able to manipulate and compose the weave at will from an early age.

gale: "magic is... my life. i've been in touch with the weave for as long as i can remember. there's nothing like it."

gale: "i'm what one might call a wizard prodigy, who from an early age could not only control the weave, but compose it, much like a musician or a poet."

gale: "such was my skill that it earned me the attention of the mother of magic herself. the lady of mysteries. the goddess mystra." gale: "she revealed herself to me and she became my teacher. in time, she became my muse, and later, even my lover."

someone who was able to perform feats way beyond the skillset of his peers. he managed to wield the blackstaff itself, accidentally facing an irritated death slaad, and lived to tell the tale. he summoned and befriended tara, as well as the magma mephit, k'ha'ssji'trach'ash. we also know from elminster that he was able to cast fireball — a 3rd level spell — at age 8.

it is indisputable that mystra must’ve taken notice of the precocious young wizard during this time, even in her diminished state. much like she had once observed midnight. she began to whisper to him, drawing back the veils, revealing herself bit by bit, urging him that he was special — chosen.

gale: "he fancied himself much more than that. he fancied himself favoured above all others. [...] mystra showed him the secrets behind the veils. the gossamer veils first, draped across the weave. the delicate veils next, draped across her body. ‘chosen one’ she whispered, as she slipped them off completely."

✧ final part: power imbalance & exerting control ✧

gale: "the weave is still here, all around us - inside of us too. as long as the goddess lives, magic is a tangible thing for those who know how to touch." gale: "i've studied magic for many years, and in as many ways i am still a more than capable wizard." gale: "it's just that i'm no longer able to perform those feats even arch wizards would marvel at." gale: " to have one hand on the pulse of divinity." gale: "you have to remember that the weave is a living thing, both the embodiment and the extension of mystra herself." gale: "she can give and she can take away. i'm afraid i'm still very much on her naughty list."

gale: "mystra commands all magic. salvation, if such a thing exists, is hers to bestow or withhold." gale: "and yet, even now, more than i fear losing my own self and soul, i fear losing my command of her art."

player: "he sounds like a very talented individual." gale: "he was. even though it was in mystra’s affections that his true power lay."

even apart from their innate different forms of existence as a mere mortal and the literal goddess of magic, mystra is in full control of gale's power at all times, able to grant and withdraw her favors at will. claiming that such a power imbalance doesn’t exist, that it doesn’t apply to their respective relationship, that it might’ve been “healthy” at one point if gale was indeed of age at the time their relationship transitioned into a sexual nature is —pardon my french— fucking insane.

this stance disregards everything we know about the gods, about mystra’s involvement with other mortals and her chosen. it disregards the level of authority she wields over any magic user. it carelessly and naively disregards the implicit difference in power. mystra is the goddess of magic, his goddess. the very object of his worship and adoration since childhood. the goddess he devoted his life, his work, and his unyielding loyalty to. it is ultimately irrelevant at what exact point their relationship underwent its final transition from muse to lover. this discussion is redundant. mystra has been a constant presence since his early childhood. his worship of her began with the practice of his first spells, even if it wasn't conscious at the time. every practitioner of magic inevitably honors mystra, regardless of their faith in her. magic is his life, in the same way that mystra is pure magic. she is in total control of the tools he wields.

✧ summary ✧

mystra possesses a degree of foresight, already knowing about the time of troubles & her subsequent passing. this being her reason to seek out mortal vessels to secure her power.

mystra feels any shift in magical energy no matter how small, immediately alerting her. gale was able to cast a third-level spell at age 8.

mystra has a history of instilling feelings of love that weren't present before and using her chosen/other mortals for her own means. (elminster, khelben, sammaster, the seven daughters, ariel manx etc.)

mystra's manifestation is a conscious choice. midnight has been wholly subsumed by her.

mystra wasn’t actually “dead” in 1479 DR, but merely diminished. she was inhabiting the body of a bear and was still able to communicate with her chosen. she directed elminster to recruit other chosen to restore her power.

elminster sought gale out around 1465 DR when he was about 8 years old, as stated in the epilogue letter.

mystra first functioned as gale’s mentor, then his muse, and later his lover.

gale’s relationship with her was indeed of a sexual nature, he has explicitly stated so several times. their intimacy wasn't restricted to incorporeal interactions either, even though they were preferred.

during the ending where gale fails to ascend raphael states during the credits that tav has “rekindled gale’s ambitions after mystra had so cleverly put them to rest”.

azuth describes mystra's chosen as "tempered tools for her use". being bound to them by love and linked to them to preserve her very humanity.

mystra's intention to shape gale into yet another loyal, devoted asset to her portfolio has been there from the very moment she chose to reveal herself, to instruct elminster to seek him out. it was a conscious decision to directly insert herself into gale’s life, sowing his conviction that he was favored above all others. singling him out among his peers, isolating him with subtle promises of his greatness, his uniqueness, and all he could yet accomplish to be under her guidance. offering him her teachings, her inspiration, and eventually her love. yet all the while tempering his perceived greed and thirst to reach for even greater heights, unless it acted in her favor. keeping him close — lest his growing ambitions should ever prove to be an outright challenge to her rule.

the groundwork has been carefully laid from the very beginning.