this is so sweet 🥺🥺🥺
GODZILLA OFFICIAL???
… i feel so very happy and totally justified about putting a canonical trans dragon who is totally not secretly Godzilla in Scion now.
tumblr dot com

❣ Chile in a Photography ❣
will byers stan first human second
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@theartofmadeline
NASA
occasionally subtle
The Bowery Presents

oozey mess
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One Nice Bug Per Day
he wasn't even looking at me and he found me
𓃗
🩵 avery cochrane 🩵
Aqua Utopia|海の底で記憶を紡ぐ
hello vonnie

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@queerlybeloathed
this is so sweet 🥺🥺🥺
GODZILLA OFFICIAL???
… i feel so very happy and totally justified about putting a canonical trans dragon who is totally not secretly Godzilla in Scion now.

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Kris cross applesauce
like this is what i am talking about people keep thinking there is such a thing as an "actual book" or "professional literature" that is "complex" this is stupid. you are actually uncritically reproducing and valorizing the divisions that class writing and literature and art without examining where these divisions came from and why they exist and whose power they reinforce. and it is not useful that we keep having this same silly conversation in fandom about whether fanfiction is Real Literature Or Not because if you really get down to it there isn't such a thing as Real Literature. and i think that for some reason that's really hard for a lot of people to admit especially when a significant part of their personality is built around the notion that they are Good At Reading And Read Real Books and other people are bad at reading because they read fanfiction which is stupid and bad. but reading real books is clearly not helping you to actually think critically about things so what is the point? i think it would be much more helpful to ask questions like
does my reading constitute a representative sample of what is out there? do i more frequently encounter samples that i would consider "good/bad writing" in fanfic than in published work or vice versa? what shapes my exposure to samples of writing from either medium? how do the samples i am exposed to color my perception of the medium?
how do we perceive the process of publishing? do i feel that it grants legitimacy and ensures quality? what do "legitimacy" or "quality" mean to me? does publishing reliably confer these characteristics and how does it gain the power to do so? on the other hand, do i feel that it only functions as a gatekeeping mechanism, which makes me hostile to its outputs because it is biased against groups and kinds of writing i care about?
am i predisposed to be more generous to one medium than another? what influences the generosity with which i approach a work in either medium? am i more generous to the fanfic author in consideration of the hobbyist and amateur nature of her work or am i more generous to the published author because i feel that there must be something good here that i am missing?
is there a reason there exist more samples of bad writing in one medium than another? is that due to the nature of the medium itself pulling down the quality? or is there some other salient characteristic of the medium which affects the standards to which it aspires? because standards may differ from one medium to another, i am perhaps more inclined to one set of standards - but does that mean the other has no redeeming qualities?
are writers good because they are published or published because they are good? are writers not published because they are bad or bad because they are not published? are all published writers good? are they all good in the same way? are all published writers who are bad bad in the same way? are all fanfic writers good/bad in the same way? if i think the ways in which many different writers are bad can be reduced and traced to the same causes, am i able to reliably discern the quality of an individual work on its own merits whatever those merits may be? can i be aware of and graceful to perceptions of quality and goodness not my own?
what themes does this piece of writing hope to tackle? does it tackle them well? why might an author choose to tackle their themes through one medium and not another? am i able to be both graceful and critical towards a given work? do i feel that certain flaws (bad grammar, cliched writing, poor spelling) have an inherent and indelible impact on the work's complexity, goodness, and precision? why would an author's grasp over the technicalities of language be in this sense poor? is a grasp of language a prerequisite for a grasp of storytelling and nuance? can there be reasons why writers with poor grasp of language gravitate to one medium over another? why do writers whose grasp over other languages may be stronger choose to write in english? what does a hostility towards such writing say about the structures within me and without me that dictate the value of writing and writers?
and so on. i could come up with many more things of course but i think this is enough. i frankly find that people who uncritically accept that publishing is superior have given far less thought to these questions or rather lack the grace and humility to even countenance that there may be value where they've seen none.
The kids are aight
Ghosts aren't real, it was probably just the house settling that gave you that blowjob

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finished art of kavia for voidwife on vgen 🖤
crazy how i find myself thinking i've got a handle on it all finally and then i see the ways that other people tangle their lives together so easily and live so easily together with their friends and i feel like that girl at the top of the stairs painting by norman rockwell
i'll always be here
It's as good a theory for all this nonsense as anything else I've seen.
i made a post like this before but I can't find it now. so. I'll just redo it.
What's the first "big news story" you remember from when you were a kid?
It's something I love to ask mixed-aged groups sometimes because I think it's really interesting to see the responses. I've gotten answers from the Olympics of [whatever year] to Watergate to more recent stuff from my niblings.
My first news thing I remember is the OJ Simpson trial. I vaguely remember watching the news with my grandparents before that, but that's the first story I remember, in part because my second grade teacher had us go play so she could watch the verdict 😂
2002 SARS outbreak
weight of the world

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The Serpent
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therapyspeak jigsaw: are you in the right headspace to play a game that could possibly hurt you?
control group
I love baby foxes. Nothing has ever had less of an idea.
buffering
feather obtained, purpose unclear
leaf obtained, purpose unclear
ground:
unclear
sibling obtained, purpose: biting
weight of the world

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i really im absolutely astounded at the phenomenal job that MIB did not to be racist against aliens, despite being a movie about secret agents chasing evil aliens. that scene where jay helps an alien mother to give birth is probably one of the most humanizing moments for an Other ive seen in a movie ever.
like it grabs the body snatcher trope from the cold war "aliens are all around you, hidden in diguzise, they could be any one of us!" and then it says "and theyre just people, theyre literally just people trying to live their lives and thats fine"
you literally have a whooe scene where a cop stands out because he says "i dont care how menacibg or threatning someone looks im not going to shoot them if there is a reasonable explination for what theyre doing, one is sneezing and one is just doing excercise", and that is the guy that gets aproved to join MIB.
The movie has a real love for NYC and immigrant culture as a part of that. The opening scene where K welcomes the undocumented immigrants to the United States. One alien greets another and says he's ordered him pierogi. A lot of them are refugees from their home worlds who just want to survive.
is tylenol ok 🥺 how was her first trip
she has been sober since the incident. very proud of her!