Let her keep the Goat
occasionally subtle
tumblr dot com
todays bird
hello vonnie
Noah Kahan
The Stonewall Inn
Show & Tell
noise dept.
Not today Justin

oozey mess
ojovivo
"I'm Dorothy Gale from Kansas"

if i look back, i am lost

shark vs the universe

ellievsbear

🪼

seen from United States

seen from Malaysia

seen from United States
seen from Germany
seen from T1

seen from Türkiye

seen from Germany
seen from United States
seen from Brazil
seen from Kenya

seen from United States
seen from Sri Lanka
seen from Bangladesh
seen from Australia
seen from Colombia

seen from Netherlands
seen from United States

seen from Bangladesh
seen from Spain

seen from Colombia
@queerieari
Let her keep the Goat

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
when someone calls me their friend my heart skips a beat it’s like i won at being myself
let's reintroduce "rude" to the lexicon no that person is not evil or morally bankrupt or even your enemy they're just being rude
Gold, Silver, and Bronze!🥇🥈🥉
Now as sisters and with a complex sibling dynamic.
Your capacity for evil is showing
does it make me look cute

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
hero cat fights the power
Image of Sudanese filmmaker, Gadalla Gubara (1920 - 2008)
He was still working at the age of eighty-eight - one of the pioneers of cinema in Africa.
He lost his sight at the age of 80 years old but still continued to film life in Sudan as no one before him. Through his oeuvre, Gadalla reveals to us a Sudan both mysterious and misunderstood.
Despite censorship and lack of financial support over sixty years, he produced cinema that is independent and unique in a country where freedom of expression is a rare luxury.
The film “Conversations with Gadalla Gubara” retraces the struggle of a man who received the 2006 Award for Excellence for his career at the Africa Academy Awards, Nigeria.
The film shows a unique collection of archive footage and stills photography from one of the founding fathers of African cinema.
Gadalla was a person with a unique character: a Sudanese of great charm, caustic in his criticism of film-making, a humorist of refinement whose blindness had not tempered the rebel in him.
More about the film | http://www.gadallagubara.com/
House finch. Jefferson County, Colorado. Photo by Amber Maitrejean
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Kruje, Albania
Reminder that fanfic writers are people and not your personal fantasy machine. I’m not an AI that you can type your prompt into and get an emotionless response from. You have to actually talk to fic writers like we’re people with feelings and not a fucking robot. Some readers have a habit of making a request while not saying a word about the fic they’re commenting with said request on. So it’s incredibly dismissive of the work that is already there! And then the audacity to demand a fic while doing so! If you want someone to do something for you, you usually get better results when you’re kind about it.
Also, how are we to know you won’t treat the request the same way if it actually does get written? How are we to know you’re even going to say a single kind word? We don’t, because you’re behaving in an entitled way that shows you won’t. The amount of requests I’ve taken in good faith where the person who requested it never said a word about it is astounding. Not even a thank you.
Just quit the bullshit. You act entitled, mean, and ungrateful, and then whine and complain when writers stop posting, because you lack the self awareness to see that it’s your behavior causing that. You want endless fic but refuse to engage with the writer in any kind or respectful way. Stop it.
Leave meaningful comments or even keyboard flailing.
on sharing one's opinons
Tonights shoot ended with a magic pastel sunset // insta: @ashleydiscovers

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
One popular take on "deconstructions" of children's media I'll push back on is the idea that talking about how fucked up it is that a bunch of kids have to save the world is inherently pandering to adult audiences. Kids love it when kids' media is about how fucked up it is to be a kid who has to save the world – you've just gotta not be condescending about it.
Ryland Grace and his popularity as a character feels like such an important step in repairing the cultural tsunami left by the long running trope of every genius character needing to be an insufferable asshole to everyone in a ten mile radios about it.
Conversely, Eva Stratt is doing wonders for repairing and inspiring a appreciation for commanding women with dubious moral convictions who are fully willing to bend laws for the greater good without hesitation.
And together they are doing brilliant things by not kissing or hooking up even once.