Prophet's Palette

Isn't She Lovely?~

And now art! Theres plenty of details of these photos I'll explain one day

And Longan holding his sad Blueberry Cream in his beast form

And now them

The first is the main 5 in the au- not height accurate lmao but in order from left to right we have: BlackBerry Mousse Cookie, Pagoda Flower Cookie, Paper Cookie, Blueberry Cream Cookie, Pineapple Upside Down Cake Cookie (we call him Upside Down) . The extras are lore arts or doodles!

This is the one with words! Here we have beautiful Vinnua at the very end of her story, she has grown so much! She's tired, her flowers are withered. Goodness. She hardly loves her true other half any longer! The Lamb does live in the end, but it becomes a lonely sheep, lost from its herd, now with a new. She is lovely The Heart is seen watching her! So giddy for her return. The Heart's pale white form and harpy-like body is nothing to worry about! she is so sweet, so human, so..nice! The Lily of the valleys are her symbol alone, see it near The Twin Rivers and you know she is near and awake. The Storm is seen as a reference in the bottom right corner, dark blue skin, a broken red star that slit down his eyes, he is adorned with golden jewels. He's highly respected as a Spirit! Though-well...he certainly doesn't respect himself. Unfortunately. He does love those he chooses to follow though, and hates following the higher power's rules! Somebody should really teach him to be nicer... Then.. Cassandra-The Angel! She is so so sweet, just so sooo embittered! For a good reason!! Living a sweet calm life after having literally nothing just to have it torn away by somebody who doesn't even know your name! Painful, really. I'll have a post of these lovelies soon, fully made to explain them.

Here, have one without words:

Thank You, Fate.

Beneath the beyond, Beyond 600 stars, I sit, stare, and think— More so than I’d like to admit— Of faith, my hesitation, and my trust With you who I live with and for.

That bleak navy blue in the sky, The blinding white that shines, The stars and that star: All force you to glow more than your might. And with gold in your eyes, you face the light We both know crosses our bar At the end of this tunnel’s excruciating length.

Yet, with nothing but hope and the halo that shines around your form in strength, You watch and breathe, As I sit and can hardly see this luminescence Of which I know we must leave.

Despite this, Despite it all, I see you, I understand you. I know that despite my doubt, You are here, And that is proof of our way out. In times low, when I lay breathless, I feel that hope left In that voice that weeps in utter distress.

And with a similar life to my soul as the one in your eyes, I tell you, No matter how much you pull and nag These strings of fate, Only the credence you held when I could move no longer Could rise the chance that we may fight together once more.

Our way out is not of peace nor a final end, But rather an acceptance of each other’s death. I lose no hope nor belief that fate will make an excuse for us once again. And you lose no faith That fate will change course Just once more. A new path created out of the light in your and my eyes Just as you seemed to mention it, And I seemed to break fit.

Just gonna jump right into it- William's preference in art studies and his finding in a KiY cultist dragging in a sacrifice (marble time- Feat. William's outfit he wears to gatherings and such)

And the oc-stuff! - @potato-lord-but-not's OC, Father Abraham, being given a doll of himself by Will! (+ A tiny Seymour)

-Same situation but this time with @capesch-arts's OC, Richard Joy, who I simply couldn't help but draw.

Andd- no doll for him, but here is @autumn-doodles' OC, Malcom O'Donnell, getting a look at Will's art-

I love him dearly and I hope you do too!- here's his art and story <3

okay so his name? William Wright (Age: 39) He's in short: almost half-dead KiY cultist… It's complicated.

He is a painter (heavily inspired by metaphorical and symbolic pieces, along with the neoclassical and renaissance era) and (porcelain) doll maker. He dabbled in a lot of reading whenever he was working on a painting, and would write a lot when making his dolls. Due to this, he eventually found the King in Yellow, (In my AU, the book we get to read is a series of "fictional" stories people have written based off of experiences people have been seen to have when reading the play. In this case, William finds the stories first) and fell in love with it. He began to make dolls based on the characters in the stories, paint them into his pieces, and eventually just flat out painting the KiY.

After some while he finally got his hands on the play, though he read it in small sections at a time basically once every week. So-- the madness was not madnessing like the King probably wanted. However, by the time he got a page or two into the second act, he didn't want to stop, he felt comfortable and wanted nothing more but to manufacture his dolls after the King in Yellow and paint works of art dedicated to Carcosa and the madness driven like a screwdriver into his mind. He was fascinated, he found his muse, and fell helpless to the King.

At first, the manner of cultist he appeared to be was mostly just subconscious obedience to what the King wanted him to do. He would hang his new paintings out in the windows of his doll shop, half of the said dolls being in some way marked with the King-- the yellow sign: a small button on each of their clothes; he also made dolls of other cultists or people he had seen passing by that caught his eyes. Occasionally, however, it was accidental. He'd find himself making a doll of someone he'd meet a few days later.

As time went on, he began to lean into it. No longer just something he'd happen to be doing, but something he did specifically so people would see what he felt, and eventually feel the same. He enjoyed much of his relationship to the king, a sense of belonging was left in the place of concern. (KiY-induced hysteria and madness, hell yeah.)

However, sadly, all good things must come to an end. He was killed after closing one night by another cultist of the KiY, something about 'the way he worships our King is blasphemous.' because he only made his art as a hobby and job, instead of pushing the purpose of it for the King. (Somebody didn't understand that just because the purpose didn't LOOK like the usual sort, that didn't mean he didn't want and enjoy seeing the influence it had.)

Sadly once more, instead of moving on and dying, Kayne caught his ass before he could pass on from this mortal plane and dropped him back in his shop with the job of serving as a source for something-- you see, through his time in the shop, because he's in New York, Arthur stopped by after seeing the KiY pieces (which John probably made seem like much more of a big deal than it was.) Resulting in him getting a doll that looked like him. The influence the doll should have had by the KiY sorta cancelled out though, and Kayne took it and used it to try and manipulate his decisions later on (My AU's Jarthur are so damn cooked at every given moment.) The issue was that if William died, the doll wouldn't work anymore because the source would be gone. Making Williams entire existence centered around being kept alive for some oddly mysterious English guy, but he tries to live like he did before nonetheless. (Kayne does get put Azathoth-style to sleep in this AU though, so- yeah. Stuff happens with Will's "life") (Quote for him: Made for a future comic in the making)

WHY ARE THEY SO DAMN DIFFICULT?? GODS. Okay, so-- I've been working on my design for about an actual year now, dude. It's difficult! It really fucking is. When I had first heard him in Part 1, with no clue who he'd been and honestly just saw the podcast name somewhere and thought 'why not?', I imagined him with long black hair, no properly visible eyes, smoked amber skin, a coat of some sort. After finding out he was the King in Yellow, did some research, took a break from the podcast because I got distracted with a mind devouring interest in the King in Yellow book and then educated myself in HP Lovecraft THEN finally came back to the podcast-- which, by the way, helped so so much in the long run-- I imagined his coat to be long and yellow, one main button near the top with the yellow sign engraved in it, a scarf around the coat that he pulls off on occasion when he pleases, long black hair still there but now more disheveled, and the same skin because it went well this the other colors. His eyes were visible through a hidden black on his face, yellow glowing through that shadow. Just below it, the bottom half of his face was a white mask decorated in light grays and golds that would reflect their designs in the light. Also. He's barefoot, he has been from the start, I can't help it, but it changes later ("NEVER TRUST A MAN WITH NO SHOES" theme returns) (I'll draw all'a'this later) By the end of season 3, I thought of him to have a broken crown seen like a halo, a shadow that looks like the silhouette of the KiY. I started wanting to see him more in a way that shows his progression from the beginning, small details that show he's changed but will always be "The King" like many have said and even he now has admitted. I also gave him wing tip dress shoes, cause they seemed to fit. Overall, now his design changes quite a bit. Constantly, I switch between something more humane and more like the King, but I really enjoy each. I like to think he's a bit inconsistent, always changing. what an identity crisis.

KAYNE!

“My lucky coin showed its tail A light through rags A silver veil that’s been chewed By the wolves that pray on you.”

“You will bring joy to the Nowhere King

When he sees the light leaving your eyes.”

7hrs-53mins