started reading celia paul's memoir because of that piece about her in the lrb which really moved me
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@projectiondepartment
started reading celia paul's memoir because of that piece about her in the lrb which really moved me

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like the number of times i've watched a movie or heard something and then excitedly followed the reference and then had the object i once loved now pale in comparison
what i'm trying to say is i think modern referential vocabulary feels a lot less synthesised than maybe it used to be .? Idk i'm thinking of martin scorsese and his list of influences which is a high bar obviously, and i don't want to fall into the nostalgia pit here but i think contemporary art objects have more of a direct relationship to their reference point (which is itself an art object) than maybe was evident with previous things. Obviously people have always been inspired by other works but i feel like that relationship has become more evident especially as being able to perform that referential vocabulary is also part of the performance of making and marketing your own thing (see: criterion closet videos, what's in my bag, top 4 lbd etc.)
i was listening to the 1975 iliwys 2016 today just because i'd been thinking about it and how that album had so much novelty for me as a teenager when really now im like ohhhhh you guys are like if the manic street preachers were lcd soundsystem
Jean Cocteau, picture from Le sang d'un poète, 1930

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2 of my new poems out today in brawl lit :) i'm really proud of these!
let’s deprive me of everything and see what happens
William S. Burroughs at the Met by Allen Ginsberg, c. 1953
at the met off a 20 bag like allen take my photo
i really feel like the spider man is having me for dinner tonight in the sense that the spider man is nothing bad happened to me obviously but i'm carrying it around all the time anyway and also there's this research sheet i need to finish and everything else to keep accountable for so i am going to dig a grave so dark and deep
been murdered badly at the research void of work but this rules so severely

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Marc C. Green, “Drained”
rothko: no.4, no.6, no.8. 1964
David Lynch (1946–2025), “Alice Thinks about Suicide”
lithography, 2008
Robert Rauschenberg, Cot, 1980. Solvent transfer, acrylic paint, fabric, and printed reproductions on two sheets of paper, 45 × 31 in. (114.3 × 78.7 cm).
Robert Morris. Blind Time I, 1973

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Louise Bourgeois (1911-2010) — Spider [bronze sculpture, 1997]
"The Grin"
Inspired by "Black Skin, White Masks", a remarkable work of Frantz Fanon
Sketches inspired by the book as well