The reason i love this scene so much is because it shows you that you make a villain who's sympathetic and yet completely despicable and irredeemable.
We citizens of fandom oft make the mistake of thinking that sympathic villains and detestable villains are polar opposites. I mean why would you feel sympathy for a character that deserves your hatred and resentment for the things they do.
But good ol' Gerald Robotnik her demonstrates that's not the case. On one hand you totally get where he's coming from. You've seen the pain and grief he went through in his past and how it affects him in the present.
And yet, you can't feel sorry for him because of what he chose to do with that pain. He didn't just hold onto it instead of letting go. He used it as a excuse, and even worse, AS A WEAPON. He took all of the love he had for Maria, and he mutated it into a sick rationalization to kill countless other Marias in the world.
Worse than that, HE USED IT TO MANIPULATE SOMEONE WHO WAS SUFFERING FROM THE SAME PAIN THAT HE WAS GOING THROUGH, DECEVING SHADOW INTO THINKING THAT OMNICIDE WAS THE ONLY WAY TO HONOR HIS MEMORY.
And finally, when he was given another opportunity to start anew with someone who loved him just as much as Maria, he threw it away, and made him yet another instrument to fulfill his reprehensible goals.
Grief didn't turn him into a monster. He turned his grief into a monster; into a warped, hideous mockery of the love he had for his granddaughter.
Symaptheic? Yes!
Despicable? Yes!
Insanely well written?
ABSO-FRIGGIN-LUTELY!!!!!!!!!!




















