A Girl by a Beech Tree in a Landscape by George Price Boyce, 1857
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A Girl by a Beech Tree in a Landscape by George Price Boyce, 1857

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Judith and her Attendant going to the Assyrian Camp by Simeon Solomon, 1872
On the left a sketch of John Everett Millais exclaiming 'Slosh!' to a picture that evidently fails to meet PRB standards, and on the right William Holman Hunt agreeing 'of course!', drawn by Dante Gabriel Rossetti circa 1851-1853
Lovers in a Garden by Edward Burne-Jones, 1861
A Turkish Girl by George Price Boyce, 1853

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The Singer by Arthur Hughes, 1866
Venus by Thomas Matthews Rooke
Passion and Worship by Thomas Matthews Rooke, 1902
Two composition studies for ‘The Merciful Knight’ by Edward Burne-Jones, circa 1863
Two sketches and the final invitation to a concert of the Magpie Madrigal Society at St James' Hall, Piccadilly, with a woman scattering seeds for the birds flying around her in a field by Edward Burne-Jones, 1897
The Magpie Madrigal Society, active from 1885 to 1911, was a group of affluent and well-connected amateur musicians who gave one Charity Concert and one Invitation Concert every year. Conducted by Lionel Benson, the Society dedicateditself chiefly to English madrigals of the 16th- and 17th-centuries. However, it also performed music written for its members by RCM professors and students, including Hubert Parry, Charles Villiers Stanford, Ralph Vaughan-Williams and Gustav Holst. Many of their concerts took place at the College, too. [...] Each year the Society’s concert invitations were designed by a different artist. Prominent 19th-century figures obliged, including George du Maurier, Herbert Menzies Marshall and Hubert von Herkomer. In 1897, it was the turn of Edward Burne-Jones.

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Love at the Window by Edward Burne-Jones, 1898
Portrait of the artist's brother, William Millais, with canvas, palette and fishing rod, Brig O'Turk, Scotland by John Everett Millais, 1853
A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids by William Holman Hunt, 1849-1850
The Old Barn, Arreton, Isle of Wight by Marie Spartali Stillman, circa 1907
The Gold Earring by Emma Sandys, 1865

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The Wood Nymph by Sidney Harold Meteyard
Study for Lamia by John William Waterhouse