you’re telling me a queer coded this

Hollanov | Explicit | 3.9k | Complete

Every risk Shane takes is a calculated one. Some calculations are easier than others. (Or, Rookies but trans)

-obsessed with the shots down on and up through the center trap door, really really cool way to show a POV that no one gets to see ever like that just really made it hit home for me that this is something additive and innovative versus a more straightforward recording that is soft of inherently a lesser version of the live show

-lovedddd getting close-ups of the costumes, the snakeskin sleeve garters for hades were SO fucking good

-and obviously the expression close-ups especially amber gray like. WOW. wow

-so fun to experience people’s shocked and delighted reactions to patrick page’s first line in his full bass voice like everyone realizing “oh obviously that’s exactly what hades sounds like”

-since i got to see the OBC in 2019 it was so interesting to compare the performances and see how they evolved over time, I feel like Reeve’s Orpheus got more stubborn and Eva’s Eurydice was so much more full of rage which were both directions that i really liked

-Orpheus’s toast gets me every time and this was no exception, fully sobbing in the theater 20 minutes into the show

-I have been chasing the emotional high of my first time seeing Wait for Me for seven years and this version got as close as possible without the use of time travel and/or memory erasure. i love lamp

-sobbed through most of act two along with everyone else in the theater, NO ONE stood up until the lights came up lmao we needed every second of We Raise Our Cups i will tell you that