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I swear to gaaawd this motherfuckin gif breaks my heart everytime. Sherlock radiates nothing but confidence when he thinks and talks about going to see John but then this⌠Sherlock walks into that restaurant like âfuck yeah this is going to be awesome he is going to be over the moonâ and then gets one look at John and he really truly falters and doesnât have the slightest idea of how to approach him⌠Then in a completely Sherlock fashion, he proceeds to act like an absolute and utter moron because all that confidence has gone out the window without so much as a fare-you-well. But that look of hesitancy and loss of control before his total cock-up of this reunion is one of the most endearing and heart-wrenching moments of this entire show for me.
Tiles
The bird whisperer
(via)
hi let's talk about how john watson shields his face with his hand only when heâs crying.
now allow me to present:
.... how. ... dare.

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Inktober No. 23 - Engrossed
The wedding related stuff had taken over Sherlock's life for weeks and the day itself was the worst he had in months. He tried to endure it with stoic patience.
Brief return to my default-comfort-way-of-drawing.
From @bluebellofbakerstreet 's promptlist for Inktober 2024.
I am flattered if you reblog, but do NOT post my art on other sites/social media or use in any other way without my written permission.
Inktober No. 20 - Black
The Coat (TM)
From @bluebellofbakerstreet 's wonderful promptlist for Inktober 2024.
I am flattered if you reblog, but do NOT post my art on other sites/social media or use in any other way without my written permission
ă¸ă§ăŚăăżăďźDaurian redstartďź
grabby hands
(via)
J: Errr... Whose go is it?
S: Mycroft is taking his time to make a dramatic finale
J: You mean he can win from here? We've only been playing five minutes.
M: I'm simply thinking my actions through.
S: And those actions are 'get cheese' and 'win game'.
M: How little you think of me, brother mine. I'm actually thinking 'humiliate you two at children's game'.
J: Next time I'm playing Solitaire.

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Rehoming Holmes
So here's the current interesting problem: You discover that you're in the process of writing a cozy mystery. And then you discover that the lead sleuth in this work is going to be Sherlock Holmes. (And of course Dr. John Watson is there too.)
The big question, therefore, becomes: when?? And secondarily, where?
(Inserting a break here, because this goes on a bit. Caution: contains World War I, railway lines, chronic illness, unrealistic attempts to be a hermit, and [what did you expect?] bees.)
âI was at Holmesâs elbow, and I glanced for an instant at his face. It was pale and exultant, his eyes shining brightly in the moonlight. But suddenly they started forward in a rigid, fixed stare, and his lips parted in amazementâ
Not taking any chances
I know we all like to laugh at Watson for taking such pains to conceal dates and people and events but being obviously obvious about his love for Holmes but like. hear me out. what if heâs not. what if itâs on purpose
Ok, so. Watson is an intelligent man. He is not stupid. He would not read his drafts and not notice the obvious romanticism. I think a lot of evidence supports the idea that heâs doing it on purpose. I mean, he even defends himself when Holmes accuses him of romanticising the stories by saying that the romance was there and heâs just reporting it the way it was. The interesting question is just, why? Why not be more careful?
Hereâs what I think: uhm. so. multiple things.
1. Imagine writing stories about the person you love above anything else in the world. The person who seems to you so incredible and unbelievable and wonderful that youâre in awe they even exist and even more that they have chosen you. How do you write about them without that bleeding through. Holmes isnât just a person that appears in the stories, the stories are completely about him and his personality. Of course Watson notices that the way he sees Holmes is evident in the loving descriptions. But what, really, can he do? Change or omit parts of Holmesâ personality? Make up a Holmes character for his stories? Invent a Holmes who he is not in love with and who does not inspire the same feelings of awe and admiration? He might as well just write a different story. The whole point of these stories is that theyâre about Holmes. Or alternatively, could he somehow describe every one of Holmesâ personality traits rationally and without emotion? No, he couldnât. âFascinatingâ and âwonderfulâ are just traits that describe Holmes to him. He never says that he loves Holmes. We can only infer it from those descriptions. How is he supposed to describe Holmes if he canât use them?
2. In extension of that: Watsonâs perspective is essential to the stories. He is the only one who understands Holmes. He is the only one who can tell us about the kindness and compassion and the silliness and the deep care for humans and the devotion to justice because heâs the only one who gets to see everything. Taking any other perspective would probably result in a much worse portrayal. Knowing that Holmes is by every standard very neurodivergent and queer and generally just absolutely not ânormalâ, that portrayal probably wouldnât be kind and it would miss all of those key features of his character that Watson understands. So Watson can not take another perspective that isnât his own, not just because heâs too in love but because it would just not work.
3. Perhaps most importantly: Hereâs what is actually my main point. What if⌠Imagine this. Youâre a normal Victorian person. You have the normal views of the time. You read the Sherlock Holmes stories. You read them because the cases are interesting and Holmes is a curious personality but, unconsciously, you also absorb everything else thatâs in the stories. The deep bond between these two men. The love. The fact that they would do anything for each other. The way that Holmes is someone who is so strange and abnormal by your standards but who is still deeply loved and who deeply loves and who is kind and funny and a good person. And maybe you donât realise it but in some way, it influences you nonetheless. Perhaps the next time you meet a person who acts âweirdâ or âabnormalâ, they remind you of Holmes and you have to smile. Maybe the next time people mention the unspeakable sin of love between two men, something doesnât sit quite right with you. Maybe, just maybe, you begin to think.
I think Watson knows this. I think this is why he writes. Of course he also wants to tell everyone how amazing his husband is, but mostly, he really wants to live in a world where he is actually able to tell everyone that thatâs his husband. And this is his part. Maybe only 5% of readers really begin to change their minds about what is âabnormalâ and what is acceptable. Maybe itâs only a dozen people. Maybe itâs one person. It all matters. Change doesnât come suddenly. Change comes when many people change their minds. And here is something he can do. Of course itâs obvious. Not obvious enough to be censored, that would defeat the purpose, but obvious enough to make his point. Of course itâs dangerous. Itâs a balancing act but itâs worth it. Even if just one person changes their mind, itâs worth it.
ăĄă ăăŽćĽăăă

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These are so fun to make
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