Emil James Bisttram (1895-1976) — “Metropolis” (The House of God) [oil on canvas, 1929]
he wasn't even looking at me and he found me

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Emil James Bisttram (1895-1976) — “Metropolis” (The House of God) [oil on canvas, 1929]

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Kinuko Y. Craft - Malacia Tapestry, 1990.
mommy’s little turkey
A Conversation with Richard Siken by Thomas Hobohm

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Ernest Biéler (Swiss, 1863-1948)
The Dead Leaves, 1899
Legends of the Fall (1994), dir. Edward Zwick
Alisa Onipchenko-Cherniakovska aka Аліса Оніпченко-Черняковська (Ukrainian, b. 1990, Kyiv, Ukraine, based Kiev, Ukraine) - Full Moon in Green from In the Moonlight series, 2022, Paintings: Oil on Canvas
the freebleeding bob dylan

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If you persevere, in time you will have an entirely different problem – not that life is meaningless, but rather that life has almost too much meaning. As the scales fall from your eyes the world rushes into focus, presenting itself with a kind of vibrational eloquence that can, at first, be almost overwhelming. Everything shimmers, everything clarifies, everything wrestles for your attention. Trees feel super-real, their roots plunged into the earth, their branches stretching to the sky, birds are flesh and blood souls, fragile with life, the sky unfolds and rolls, the ocean crashes, people fascinate, books are beautiful, children are whirling dynamos of chaos, dogs bark and cats meow, flowers shout, your neighbour glows, and God runs like a helix through all things. The world awaits you, humming with meaning. You are alive with potential. You are not dead.
— Nick Cave on getting clean, Red Hand Files #258
And in that first post-heroin spring, my ageless dope body was gone. I’d traded it for a body that was like an empty hive. In the spring the missing swarms flew back through the sunset to fill it up again. [...] Not that I missed the dope body. I was sick of having the kind of problems that demons have—sick to death—but the scale of the human problem was breathtaking. It took my breath away, standing in front of those colossal sunsets. Red and purple. The memory of bedtime when I was four coming back in that color. The memory of my first kiss coming back. The way my bedroom smelled when I was ten and I was sick.
— Michael W. Clune, White Out
The Atrocity Exhibition preface by William S. Burroughs
some photos really look like john’s just absolutely dominating paul to me idk

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you have a disgusting storytelling addiction