Bxoxudbdlxufbd I readed this beautiful Fic by @hcneymooners, is soooo beautiful, I love the aesthetics, the story, everything dkxkjxkdππππβ¨ππ
Read it here πBlue Velvet π, pllsss, do iit πππ
I'd rather be in outer space πΈ
"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi

Andulka
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Alisa U Zemlji Chuda
Stranger Things

Janaina Medeiros

Discoholic πͺ©
almost home
KIROKAZE
d e v o n
Keni
RMH
styofa doing anything

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if i look back, i am lost

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hello vonnie
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@plastikela
Bxoxudbdlxufbd I readed this beautiful Fic by @hcneymooners, is soooo beautiful, I love the aesthetics, the story, everything dkxkjxkdππππβ¨ππ
Read it here πBlue Velvet π, pllsss, do iit πππ

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I know we make fun of Victor Frankenstein for not actually being a doctor, but I genuinely feel like that makes him 100% more relatable
That is not a grown man who knows what he's doing. He's not a doctor. He's not a scientist. Yes, he's a genius, but he's a genius teenager. A college student. He rocked up to the college and went "I'd like to study alchemy please" and they were like "?? What the fuck are you talking about? Alchemy doesn't exist??"
He doesn't have a lab. All his books are outdated by 600 years. He's only ever had two (2) friends in his entire life and one if them is his adoptive sister. One of his professors hates him. He's got three presentations and two essays due tomorrow and he hasn't started any of them.
The creature is a three months long allnighter made in an unholy mix of hubris, sleep deprivation and spite. It's an essay finished at 3:40 in the morning after you consumed nothing but energy drinks for 24 hours straight. While writing it you felt like you were god himself creating the most perfect thing to ever exist. And then you proofread it and it's so horrible that you just straight up pass out because you can't deal with this right now. Or maybe that's just because you haven't eaten in the last four days. You wake up. The essay has stolen your clothes, escaped your dorm and is going to kill your family
Oke, So, I have no excuse, I fell in love again lolβ€οΈβπ©Ήβ€οΈβπ©Ήπ« they're both so cute together, right now I'm a gluttony demon devouring everything that has to do with them, I made a playlist and everything and I want to draw more but djxjflxijxkxidndo help π₯Ίππ
I'm rewatching Falling Skies and how on earth did no one think to ship Ben and Rick? Rick desperately needed a friend, and even though Ben tried and his ending was tragic, they deserved more time together.
I'm being really dramatic, lol, but I spent all night looking for fanfics and found nothing. I did find a few Jimmy and Ben ones, but they don't appeal to me at all.
Some aonung doodles pls!
alexa play chulo parte 2 β€οΈβπ©Ή. HeΒ΄s a little age up in here... also the armband is Ronal's. btw I try to answer as many requests as I can, I swear it's been a busy week

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I hate Kiriβs characterβ¦ and Spiderβs, donβt even get me started.
I hate that Eywa has a face and the appearance of a Naβvi person. What is this? The Bible? The almighty god who created his flock in his own image and likeness? I hate that the entire damn movie is riddled with biblical references. I hate that everything feels like a damn fanfic made for cisgender heterosexual white men.
Why would Eywa choose an avatar to give birth to her messiah?
Why would that messiah choose to save one of those who came to consume, steal, and kill?
Why didnβt she choose to save the one who cared for her and protected her, the one who truly was her brother?
The one who gave his life trying to save the βdemonβ his brothers loved so much.
Simply⦠why?
Loβak attempts suicide and his scene lasts barely a minute, yet we spend the entire damn movie revolving around the tedious and absurd dichotomy of whether Spider should die or not because of what his existence represents for the future of the Naβvi. And yes, it matters in the end, but whether Loβak pulled the trigger or not would probably have just been another excuse to give more screen time to Kiri or Spider.
Just another narrative accessory born from the lack of human creativity.
Odio el personaje de kiri. Y el de Spider ni hablar. Odio que Eywa tenga rostro y apariencia de una persona Na'vi. ΒΏQuΓ© es esto? ΒΏLa biblia? ΒΏEl dios todopoderoso que creΓ³ su rebaΓ±o a su imagen y semejanza? Odio que toda la maldita pelΓcula estΓ© plagada de referencias bΓblicas. Odio que todo parezca un maldito fanfic para hombres blancos cis heterosexuales.Β
ΒΏPor quΓ© Eywa elegirΓa un avatar para dar a luz a su mesΓas? ΒΏPor quΓ© ese mesΓas elegirΓa salvar a uno de aquellos que llegaron para consumir, robar y matar? ΒΏPor quΓ© no eligiΓ³ salvar a aquΓ©l que la cuidΓ³ y protegiΓ³, aquel que sΓ era su hermano? Aquel que dio su vida por salvar al "demonio" que sus hermanos tanto amaban. Simplementeβ¦ ΒΏPor quΓ©?
Lo'ak intenta suicidarse y su escena dura apenas un minuto, pero nos pasamos toda la maldita pelΓcula alrededor de la tediosa y absurda dicotomΓa de si Spider debΓa morir o no por lo que significa su existencia para el futuro de los Na'vi. Y sΓ, es importante al fin y al cabo, pero si Lo'ak apretaba el gatillo o no probablemente solo serΓa otra excusa para darle mΓ‘s protagonismo a Kiri o Spider.
Simplemente otro accesorio narrativo de la poca creatividad humana.
This probably wonβt matter to anyone, or maybe the topic has already been settled by everyone and Iβm simply working over plowed ground, but I donβt care. I have to spit these thoughts out somewhere or theyβre going to rot slowly and none of it will have been worth it βso dramatic. And before the third part, comes out, I have to say what I think about what the second film left me with. (A little late, sorry.) Especially regarding the characters Loβak and Neteyam, and also Neytiri. I might change my mind later, but for now I stand by this. Needless to say, this is going to contain spoilers.
My problem with the predictable in The Way of Water.
Donβt misunderstand me, I love this movie; my most deeply rooted ship so far comes from here, and my opinion probably has a lot to do with that, but that doesnβt mean what I have to say is invalid.
When I sat down to watch this movie for the first time and the characters were introduced one by one, I knew it from the very first moment: Neteyam, the older brother, was going to die. Maybe itβs because of the amount of stories and narratives Iβve consumed throughout my life; when youβve seen too many movies, patterns and narrative structures start becoming more and more obvious. And this movie is no exception.
Neteyam, embodying the archetype of the perfect brother, and Loβak as the troublesome one. Both βcompetingββeven if not strictly explicitβfor the approval of their father, a βmilitary manβ and war hero.
At this point, Neteyamβs premature death becomes increasingly obvious and expected once you quickly realize that the new protagonist of this installment (The Way of Water) is, essentially, Loβak, the younger of Jake Sullyβs two sons. The detail that they are both boys is, of course, important; later it will be more relevant in my analysis.
The narrative device of βthe death of the perfect brother as a catalyst for the troublesome oneβ is as old as time, and in The Way of Water, it shows a lot. Iβm not even sure I want to say this is necessarily bad, but when a characterβs growth depends so heavily on an external tragic event, itβs immediately noticeable whether that event is earned or simply placed there as a shortcut.
What I mean by this is that Loβakβs story and his relationship with his brother lack nuance, and Neteyamβs death, instead of being the final push in an evolution that was already underway, becomes a mere narrative crutch. A dramatic shortcut not particularly impressive for the audience.
When there are no surprises, death stops being a genuine emotional blow and starts feeling like a textbook step.
And the conflict intensifies even more for me when, in the final scene, Jake and Neytiri use the connection with the Tree of Souls to visit their memories with Neteyam. This scene seems profoundly powerful to me, but the intensity and emotional weight of the moment becomes blurred by how little narrative coherence Neteyamβs arc actually has. In other words, it feels like weβre being pushed, as the audience, to be moved by a character we genuinely know nothing about.
Do we know what Neteyamβs ambitions were? What he felt about the pressure of being the heir to his fatherβs role? The eldest son, a future leader? No. Nothing.
Butβ¦
On the other hand, the idea is there, you can see it: Jake and Neytiri visiting the fragments of what their firstborn was, killed by a war that was supposedly already won. It must be profoundly painful for themβboth for the man, son of colonization, who found his place once again and tried to save it, and for the woman, victim of that same colonization, who found love in one of the very creatures that oppressed her people. The guilt stirred in both of them should be the true protagonist. The culminating moment for two characters who were still figuring out their roles in this war, especially as parentsβ¦ but once again, Neteyam becomes a catalyst for other characters.
And this can be a double-edged sword, because when a character grows thanks to a poorly built and predictable tragedy, the growth can feel artificial to the audience.
However, there is one case where this narrative shortcut works perfectly, and that is with Neytiri. (In my opinion.)
This is where my analysis crosses a different threshold.
I keep thinking about how this movie could have had a far richer and more powerful story if only the central arc had revolved around Neytiri. Far more interesting narratives could have been explored, such as her forced adaptation to Metkayina life and the guilt of leaving her own clan, constantly in tension with her role as a mother and the need to protect her children from a war that has them in its sights. Her relationship with each child, especially with Neteyam, the firstborn, as an extension of her own bond with Jake.
In this scenario, Neteyamβs death wouldnβt be a βfunctionalβ event for Loβak, but a devastating moment in Neytiriβs arc: the breaking point that would redefine her relationship with Jake, her view of the war, and her place in the world. The climax would have a more coherent emotional weight, and the fury she expresses in the final battle would be the natural culmination of a conflict built from the beginning.
This beliefβprobably influenced by a couple of TikTok edits of Neytiriβs face looking at baby Neteyam in Jakeβs arms, the Olo'eyktan, in front of their entire clanβdetails that might go unnoticed in the cinema, makes me even more certain of what Iβm saying.
Because I believe that kind of attention to detail isnβt arbitrary. Even in the final scene, there is an almost imperceptible moment where the camera frames Neytiri in the background, watching Jake interact with the memory of child Neteyam; it feels like weβre seeing from her point of view.
But all that itβs not enough: her character ends up relegated to the background, almost like a passive spectator, overshadowed by the childrenβs protagonism and by Quaritchβs arc βwhich, personally, makes me want to take a nap. Sorry.
Finally, I choose to conclude this extensive analysis with a more direct critique, which may seem aimed more at the industry in general, but is connected to everything mentioned above. (The decision not to include Kiri is intentional because I believe she belongs to a different type of analysis.)
This second installment chooses to maintain Jakeβs nominal protagonism and shift the emotional focus onto Loβak, a choice thatβbeyond the narrativeβresponds to industrial logic. Keeping Jake as a central figure and projecting the youth arc onto his son ensures a continuity that βsellsβ better to a mass audience, and avoids adverse reactions from sectors that reject the idea of female protagonists in established franchises. In this sense, Neytiri is relegated to the background, the male protagonists lack interesting nuance, and their narratives become inconsequentialβsomething already seen, and something that will keep happening without being questioned.
πΉ.α
Probablemente esto no le importe a nadie, o tal vez el tema ya estΓ‘ saldado por todos y simplemente estoy trabajando sobre terreno arado, pero no me importa. Tengo que escupir estos pensamientos en algΓΊn lado o se van a pudrir lentamente y nada habrΓ‘ valido la pena βtan dramΓ‘tica. Y antes de que se estrene la tercera parte: βAvatar: Fire and Ashβ, tengo que decir lo que pienso sobre lo que me dejΓ³ la segunda entrega. (Un poco tarde, lo siento) Especialmente con los personajes de Loβak y Neteyam, tambiΓ©n Neytiri. Tal vez cambie de opiniΓ³n luego, pero por ahora me sostengo en esto. EstΓ‘ de mΓ‘s decir que esto va a contener spoilers.
Mi problema con lo predecible en The Way of Water.Β
No me malentiendan, amo esta pelΓcula, mi ship mΓ‘s arraigado hasta el momento sale de aquΓ y, probablemente mi opiniΓ³n tenga mucho que ver con este aspecto, pero eso no significa que lo que tengo para decir sea invalido.Β
Cuando me sentΓ© a ver esta pelΓcula por primera vez y los personajes se nos fueron presentando uno a uno, lo supe desde el primer momento: Neteyam, el hermano mayor, iba a morir. Tal vez sea por la cantidad de historias y relatos que he consumido a lo largo de mi vida; cuando uno ve demasiadas pelΓculas, los patrones y las estructuras narrativas empiezan a ser cada vez mΓ‘s evidentes. Y esta pelΓcula no es la excepciΓ³n.Β
Neteyam, encarnando el arquetipo del hermano perfecto, y Loβak, como el hermano problemΓ‘tico. Ambos βcompitiendoβ βaunque no sea estrictamente explΓcitoβ por la aprobaciΓ³n de su padre, un βmilitarβ, y hΓ©roe de guerra.Β
A esta altura, la prematura muerte de Neteyam se vuelve cada vez mΓ‘s evidente y esperada al dar cuenta rΓ‘pidamente que el nuevo protagonista de esta entrega (The Way of Water) es, en esencia, Loβak, el menor de los dos hijos varones de Jake Sully. El detalle de que son varones, por supuesto que es importante, despuΓ©s tendrΓ‘ mΓ‘s relevancia en mi anΓ‘lisis.
El recurso narrativo de βla muerte del hermano perfecto como catalizador para el hermano problemΓ‘ticoβ es viejo como el tiempo y, en The Way of Water, se nota demasiado. Ni siquiera sΓ© si quiero decir que esto sea necesariamente malo, pero cuando el crecimiento de un personaje depende tanto de un evento trΓ‘gico externo, se ve enseguida si ese evento estΓ‘ ganado o si estΓ‘ puesto ahΓ como un atajo.
Lo que quiero decir con esto es que, la historia de Loβak y la relaciΓ³n con su hermano carecen de matices, y la muerte de Neteyam, en lugar de ser el ΓΊltimo empujΓ³n en una evoluciΓ³n que ya estaba en marcha, se convierte en una simple muletilla narrativa. Un atajo dramΓ‘tico poco impresionante para el pΓΊblico.Β
Cuando no hay sorpresas, la muerte deja de ser un golpe emocional genuino y pasa a sentirse como un paso de manual.
Y el conflicto se intensifica aΓΊn mΓ‘s para mΓ cuando, en la escena final, Jake y Neytiri usan la conexiΓ³n con el Γ‘rbol de las almas para visitar sus recuerdos con Neteyam. Esta escena me parece profundamente poderosa, pero la intensidad y emotividad del momento se ve desdibujada por la poca coherencia narrativa que posee el arco de Neteyam. Es decir, parece que nos empujaran, como pΓΊblico, a conmovernos por un personaje del que realmente no sabemos nada.
ΒΏAcaso sabemos cuΓ‘les eran las ambiciones de Neteyam? ΒΏQuΓ© sentΓa acerca de la presiΓ³n de ser el hijo heredero del puesto de su padre? ΒΏHijo mayor, futuro lΓder? No. Nada.
Peroβ¦
Por otro lado, la idea estΓ‘ ahΓ, se entiende: Jake y Neytiri visitando los retazos de lo que fue su primogΓ©nito, asesinado por la guerra que se supone ya estaba ganada. Debe ser profundamente doloroso para ellos, tanto para el hombre hijo de la colonizaciΓ³n, que encontrΓ³ su lugar una vez mΓ‘s y tratΓ³ de salvarlo, como para la mujer, vΓctima de esta colonizaciΓ³n y que encontrΓ³ el amor en una de esas mismas criaturas que sometieron a su gente. El sentimiento de culpa que se remueve para ambos debe ser el verdadero protagonista. El momento cΓΊlmine para dos personajes que aΓΊn estaban decidiendo su papel en esta guerra, especialmente como padresβ¦ pero una vez mΓ‘s, Neteyam se convierte en el catalizador de otros personajes.
Y esto puede ser un arma de doble filo, porque cuando un personaje crece gracias a una tragedia poco construida y prevista, el crecimiento puede sentirse artificial para los espectadores.Β
Sin embargo, hay un caso en que este atajo narrativo funciona perfecto, y es en el de Neytiri. (en mi opiniΓ³n)Β
AcΓ‘ es cuando mi anΓ‘lisis cruza un umbral diferente.Β
No dejo de pensar en cΓ³mo esta pelΓcula podrΓa haber tenido una historia infinitamente mΓ‘s rica y poderosa si tan solo el arco central hubiera girado en torno a Neytiri. Se podrΓan haber explorado narrativas mucho mΓ‘s interesantes, como su adaptaciΓ³n forzada a la vida de los Metkayina y la culpa de abandonar a su propio clan, en tensiΓ³n constante con su papel como madre, y la necesidad de proteger a sus hijos de una guerra que los tiene en la mira. Su relaciΓ³n con cada hijo, especialmente con Neteyam, el primero, como extensiΓ³n de su propio vΓnculo con Jake.
En este escenario, la muerte de Neteyam no serΓa un evento βfuncionalβ para Loβak, sino un momento devastador en el arco de Neytiri: el punto de quiebre que redefinirΓa su relaciΓ³n con Jake, su visiΓ³n de la guerra y su lugar en el mundo. El clΓmax tendrΓa un peso emocional mΓ‘s coherente, y la furia que expresa en la batalla final serΓa la culminaciΓ³n natural de un conflicto trabajado desde el principio.
Esta creencia βprobablemente influenciada por un par de edits en TikTok del rostro de Neytiri mirando a Neteyam bebΓ© en brazos de Jake, el Olo'eyktan, frente a todo su clanβ, detalles que en el cine quizΓ‘ pasen desapercibidos, me hace estar aΓΊn mΓ‘s segura de lo que digo.
Porque creo que ese tipo de atenciΓ³n a los detalles no es arbitraria. Incluso en la escena final, hay un momento casi imperceptible en el que la cΓ‘mara encuadra a Neytiri al fondo, observando a Jake interactuar con el recuerdo de Neteyam niΓ±o; parece que estamos viendo desde su punto de vista.
Pero todo eso no basta: su personaje termina relegado a un segundo plano, casi como una espectadora pasiva, opacada por el protagonismo de los hijos y por el arco de Quaritch βque, en lo personal, me da ganas de echarme una siesta. Lo siento.
Finalmente, decido concluir con este extenso anΓ‘lisis con una crΓtica mΓ‘s directa, que podrΓa parecer mΓ‘s hacia la industria en general, pero que tiene que ver con todo lo mencionado anteriormente. (La decisiΓ³n de no incluir a Kiri es intencional porque considero que entra en otro tipo de anΓ‘lisis.)
Esta segunda entrega opta por mantener el protagonismo nominal en Jake y trasladar el relevo emocional a Loβak, una elecciΓ³n que, mΓ‘s allΓ‘ de lo narrativo, responde a lΓ³gicas industriales. Mantener a Jake como figura central y proyectar el arco juvenil sobre su hijo varΓ³n asegura una continuidad que βvendeβ mejor a un pΓΊblico masivo, y evita reacciones adversas de sectores que rechazan frontalmente la idea de protagonistas femeninas en franquicias establecidas. En este sentido, Neytiri queda relegada a un segundo plano, los protagonistas masculinos carecen de matices interesantes y sus narrativas se vuelven intrascendentes; algo ya visto y que se seguirΓ‘ viendo sin ser cuestionado.
πΉ.α
Por fin tuve tiempo libre. Si no lo sacaba de mi sistema no iba a poder continuar con mi vida.
πΉ.α

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I just watched "The Long Walk" and it left me so distraught I couldn't stop thinking about it.
Horrible, HORRIBLE.
Why am I so susceptible to these kinds of stories? I'm going to cry forever.
And the endingβ¦
Like, the moment he fires the gun, everything disappears⦠What does it mean?
Only one thing for me: time stopped, people ceased to exist, and he just kept walking.
He's gone.
Why am I always late to this kind of thing? The movie came out months ago. My god.
HEATED RIVALRY | 1.02
The second episode was TOO MUCH. I mean, reading the scenes in the book is different; time moves more slowly, you have time to process the information.
But in the show, it was like the book's memories appearing one by one in my head, just as I had imagined, or maybe even better. All at once. And I was surprised by how much I remembered from the book's scenes. I'm not even that big of a fan. Listen, I read those books when I was bored. I had fun, no doubt. Entertaining and with just enough drama to keep me hooked without overwhelming me with a whirlwind of anguish.
What I'm trying to say is, I'm having a great time watching this π€ͺπ€
In their last moments together, they were so IN SYNCHπ
I wasn't even going to watch it, but the incredible avalanche of damn gay sex gifs convinced me. I mean, can you blame me?
The funniest thing is that I read both damn books without knowing this series was even going to exist, like two weeks before I found out it was coming out. Just fate.

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this fits too good
no dude it's so cool how attached you are to that character who is singled out and ostracized due to the external monstrousness that clashes with their internal spark of humanity. and i love how drawn you are to themes of horror and love, nature versus nurture, otherness, isolation, and the abject. i bet you have normal feelings about your own personhood