Park in the Dark - Isobel Scott-Malden , 2024.
British , b. 1998 -
Oil on board , 40 x 40 cm.
I'd rather be in outer space đ¸

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@pie-pellicane
Park in the Dark - Isobel Scott-Malden , 2024.
British , b. 1998 -
Oil on board , 40 x 40 cm.

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iâm reading emma thompsonâs diaries from the filming of sense and sensibility and there are some really great bits
danny de vito sent good-luck flowers on their first day of shooting
in the published draft of the script, colonel brandon and willoughby fight a duel offscreen after brandon confronts him about impregnating beth, brandonâs ward
âkissing hugh [grant] was very lovely. glad i invented it. canât rely on austen for a snog, thatâs for sure. we shoot the scene on a hump-backed bridge. two swans float into shot as if on cue. everyone coos. âget rid of them,â says ang [lee]. âtoo romantic.â
for a number of outdoor scenes, they would fire a shotgun in the air just before the cameras started rolling to get the local crow population to shut the fuck up for a few minutes
there was a dedicated line item in the budget for hiring flocks of sheep for exterior shots, ang lee was determined to use them as often as he could
âlater found ang looking at the estuary with a mournful expression. i went and stood beside him. after a moment he said, waving towards the water, âtide goes in, tide goes out, tide goes in, tide goes out â and still no sex.â âdo you miss it?â i enquired, after iâd stopped laughing. he nodded sadly. his family wonât be back for weeks.â
while filming the scenes at the palmersâ house with the screaming baby, it turns out that âweâve hired the calmest babies in the world to play the hysterical thomas. one did finally start to cry but stopped every time chris yelled âactionâ. later: babies smiled all afternoon. buddhist babies. they didnât cry once. we, however, were all in tears by 5 p.m.â
âvery nice lady served us drinks in hotel and was followed in by a cat. we all crooned at it. alan [rickman] to cat (very low and meaning it): âfuck offâ. the nice lady didnât turn a hair. the cat looked slightly embarrassed but stayed.â
during the london ballroom scene hugh laurie kept treading on the train of imelda stauntonâs gown, âwhich pulled it down so far it exposed her boobs. keep it in, i said, but she wouldnât.â
âsunday, 11 june: drank far too much last night and woke at 5:30 a.m. couldâve gone on drinking all night. quite grateful for a hangover, it provides a bit of peace. walked on to my balcony completely naked last night and took the couple that have moved into the suite next door slightly by surprise. walked back in calmly affecting insouciance and then bit all my pillows, one after the other.â
while resetting a scene involving a carriage, âang rode off on a bicycle and didnât return. found him locked in the loo at trafalgar, having broken the key. heâs being rescued at present.â
ânoon. finish scene with alan. me: âoh! iâve just ovulated.â alan (long pause): âthank you for that.ââ
âhugh g. in a spot of bother up la, apparently. something to do with a blow job. itâs all right for some, i thought.â
"we detected a mature post" yeah I'm in my 30s
pierrefonds on colour film
Liz Toohey-Wiese, 2024.
"A sign installed in the largest wildfire burn Iâve ever seen, along the BC/YK border. Borrowing the aesthetics of BC Recreation Site signs, once again pointing to the overlaps of outdoor recreation, resource extraction, and the consequences of the climate crisis. Most recreation sites in BC exist along previously built logging and mining roads.
âForced into a great and difficult transformationâ was a line I heard in a lecture on Buddhist philosophy I was listening to on my drive up north. But it became another mantra I thought about while living in a place thatâs been utterly transformed by resource extraction over the past century, and as I thought about the burnt landscapes I drove through."
More here.

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look at the cute cow angel i saw when i tried to link to the correct page of that manuscript.
(the Apocalypse of Saint-Sever, (Paris, Bibliothèque Nationale, MS lat. 8878)
August Podesta - Graveyard at Briesnitz Church, Dresden (1833)
Minoan octopus fresco
i've opened commissions for pen drawings like these ^^
Amazing

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questions for fic writers
a collection of questions i, as a writer, would love to be asked !!!
1. What fic of yours would you recommend to someone who had never read any of your work? (In other words, what do you think is the best introduction to your fics?)
2. Go to your AO3 âWorksâ page, to the sidebar with all the filters, and click the drop-down arrow for âAdditional Tags.â What are your top 3-5 most used tags? Do you think they accurately represent your writing habits?
3. What are some tropes or details that you think are very characteristic of your fics?
4. What detail in [insert fic] are you really proud of?
5. What do you wish someone would ask you about [insert fic]? Answer it now!
6. Whatâs one fact about the universe of [insert fic] that you didnât get a chance to mention in the fic itself?
7. Any worldbuilding youâre particularly proud of?
8. What song would make a great fic (to either write or read)?
9. How do you find new fic to read?
10. How do you decide what to write?
11. Are you partial to a certain character/pairing or are you more equal-opportunity? If you are partial to any character/pairing, why do you think that is?
12. Are there any tropes you used to dislike but have grown on you?
13. Are there any tropes you used to like but donât anymore?
14. Are there any tropes you would only read if written by a trusted friend or writer?
15. Whatâs your favorite AU that youâve written?
16. Whatâs an AU you would love to read (or have read and loved)?
17. What highly specific AU do you want to read or write even though you might be the only person to appreciate it?
18. If you wrote a sequel to [insert fic], what would it involve?
19. If you wrote a spin-off of [insert fic], what would it involve?
20. If you wrote a prequel to [insert fic], what would it involve?
21. If you wrote a âmissing sceneâ in [insert fic], what would it be?
22. Who is your favorite character in [insert fic] and why?
23. Whatâs a trope, AU, or concept youâve never written, but would like to?
24. Are there any easter eggs in [insert fic], and if so, what are they?
25. What other websites or resources do you use most often when you write?
26. Would you rather write a fic that had no dialogue or one that was only dialogue?
27. How long did it take to write [insert fic]? Describe the process.
28. Does anyone read your fics before you post them? If so, who?
29. What songs would be (or are) on a playlist for [insert fic]? Explain your choices if you want!
30. Have you ever written something that was out of your comfort zone? If so, what was it, and how did it affect your approach to writing fic thereafter?
31. Whatâs your ideal fic length to write?
32. Whatâs your ideal fic length to read?
33. If you write chaptered fics, whatâs your ideal chapter length to write? Is it different from your ideal chapter length to read?
34. What aspects of your writing are inspired by/taken from your real life?
35. What aspects of your writing are completely unlike your real life?
36. Do you visualize what you read/write?
37. Promote one of your own âdeep cutâ fics (an underrated one, or one that never got as much traction as you think it deserves!). What do you like about it?
38. Did any of your fics get surprisingly popular (whatever that means to you)? Which ones? Why do you think they were so successful?
39. Is any aspect of your writing process inspired by other writers or people? If so, who?
40. Do you tend to reread fics or are you a one-and-done kind of person?
41. Link a fic that made you think, âWow, I want to write like that.â
42. Have you ever received a comment that particularly stood out to you for whatever reason?
43. If you take/write prompts: whatâs your favorite prompt fic that youâve written?
44. If you take/write prompts: do you prefer dialogue or scenario/narrative prompts?
45. Whatâs something youâve improved on since you started writing fic?
46. Do you prefer writing on your phone or on a computer (or something else)? Do you think where you write affects the way you write?
47. If [insert fic] was a pair of shoes, what kind would it be? Describe the shoes.
48. Whatâs the last fic you read? Do you recommend it?
49. What are you currently working on? Share a few lines if youâre up for it!
50. Answer any question of your choice, or talk about anything you want to talk about!
This photo has some of the earliest-born people to ever be photographed alive.
The photo was taken in a meeting of survivors of the 1809 Siege of Girona (in the Napoleonic War in Catalonia), meaning they're all born in the mid-late 1700s. The meeting was held on November 5th 1867. You can read the names of these survivors under the photo.
Source: Girona city archive.
Maturin-coded @aurpiment and @megafaunatic ...
This passage from The Wager by David Grann is making me unreasonably emotional
[National Biways, Oct/Nov 1994]
StanisĹaw Ĺťukowski - Midnight (1922)

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"hot girls do this" "hot girls do that" you bore me. ugly and cold women rise
Ten fics, ten tags
Rules: post the first sentence of your latest 10 fanfics, then (attempt to) tag 10 people. I was tagged by @oldshrewsburyian
1. Elysium is a tent in Gaul. waked half dead with nothing: HBO Rome, Julius Caesar/Mark Antony, 3617 words, E
2. He has slept in a bed of phantoms. early mass: Wolf Hall, Thomas Cromwell/Thomas Cardinal Wolsey, 1022 words, M
3. âYou are no better than a beast, and an affront to what God made you,â Courtenay whispers. contra naturam: Henry V, Henry V/Richard Courtenay, 1717 words, E
4. âSit.â Goffredo is pushing him back onto his own bed in Casa Santa Marta, stepping back. manual acts: Conclave 2024, Aldo Bellini/Goffredo Tedesco, 1746 words, E
5. Aldo Bellini is a worldly man. ĎÎŹĎΞ (sarx/flesh): Conclave 2024, Aldo Bellini/various, 1486 words, E.
6. âCome to Venice for Carnevale,â Tedesco says. cave canem: Conclave 2024, Aldo Bellini/Goffredo Tedesco, 8032 words, E
7. He spends the first night of the conclave with Tedesco. subintrans in conclave: Conclave 2024, Aldo Bellini/Goffredo Tedesco, 2388 words, E
8. Tedesco wears a large cabochon ruby on one hand and his cardinal's signet on the other. nor ever chaste: Conclave 2024, Aldo Bellini/Goffredo Tedesco, 1045 words, E
9. We were at our break-fast when we heard. Per ly snekhole in hostio: And A Perle in the Myddes - Eleanor Farjeon, Nicholas Cope/Tom Thacker, 1727 words, M
10. When rumors about the order to disarm the Ulstermen began to circulate, Nick rode his motorcycle down to the post office and sent a telegram to the paterfamilias, seventy-five and ensconced in Gloucestershire. My love is like the sun: The Curragh of Kildare - Traditional, Original Male Character/Original Male Character, 952 words, T
Tagging @aurpiment @louis-quatorze @lordansketil @heartofstanding @heartofstanding @thomasmomwell @edwardii @fabular-mr-fox @incurablenecromantic @cinemaocd in the usual nonobligatory way