I prefer the rain

Observations, Research, Analysis:

"The Accident" Fyodor Vitin post

The first thing I noticed about the newspaper when I took a good look at it was the use of bolding with certain letters. If you look at the Newspaper you’ll also see ink splattered on the page in several areas, which could be a clue toward noticing the bolded letters, or it could be something else I’ve yet to discover. I knew I wouldn’t be able to transcribe the entire newspaper by myself, not being a Russian speaker (although I’ve just started learning!) so I enlisted the help of @kurury-chan, a native Russian speaker, and she transcribed the entire newspaper for me in Cyrillic. After getting this transcription I went through and spent a couple of days looking for which letters were bolded, writing them down, and coming up with possible translations/meanings. I’ve come up with lots of possible meanings for these, but for many of them I couldn’t figure anything out, and I’d love help if anyone has any idea what they could mean! To me many of them seem like word fragments that are simply missing one or two letters, and so in the document where I list all of the bolded letters I put some words/phrases that are very close to the seemingly fragmented words. Once again keep in mind that, while I’m trying to learn Russian, my understanding of the language is still rather weak, so I may have mistranslated some of these. Another small detail to mention is that there’s a prominent crease on the left side of the paper that runs through a decent portion of the bolded words. First, I’ll start with the bolded letters on the left side of the page. I may have missed a couple, and I may have written some of them down as bolded when maybe they aren’t supposed to be seen as such.

Here is a link to a list of all the letters I think are bolded on the left side, which lines they’re on, and possible meanings, many of which I’ll be discussing here. I will not go individually through what I believe all the bolded letters mean, but I will go through and explain the ones I think are most meaningful and important, as well as some connections I’ve made with them. And here is a link to the original Russian transcription and my best attempt at an English translation.

It’s possible that the crease that runs through the left side of the paper and notably runs through many bolded words somehow denotes that those particular bolded words are special, or perhaps that they should be seen as separate from the other bolded words.

Line 15 has a rather interesting bolded phrase, because it actually appears to make a somewhat coherent 3-word phrase, but one of the words seems to be a surname, “Pepe.” Additionally, the crease on the left side of the page starts right above the word “ПЕПЕЛИЩЕ” in the title, and splits it so that “ПЕПЕ” is separate from the rest of the word. (ПЕПЕ is Pepe in Cyrillic.) If you want to know what the non-Pepe words say, skip to the next bullet point, because the rest of this one is my analysis of the ПЕПЕ part. So, of course, I looked into the name a bit, looking through all notable historical figures with the last name, and found one that I think is of special interest: Guglielmo Pepe. Born in the small ancient town of Squillace, Pepe entered the army at a very young age, and was an Italian commander during the early 1800s, but his military career was fraught with trouble, as he also had rather revolutionary politics, which angered both the government he was serving and many of his peers, and he was exiled on several occasions. Upon Pepe’s return to Italy at the age of 30, he was given the rank of general. After this, the most notable events in his life would largely consist of his attempts at going rogue in revolutionary attempts to change the existing power structure, for which he was usually punished. (It’s also perhaps worth mentioning that his brother was part of the attempted French invasion of Russia.) All of this is to say, Pepe obviously shares some striking similarities to General Block, perhaps the most striking of which is his status as a 30-year-old general, which is an aspect of Block’s character that is highlighted several times. So, of course, I looked into Block’s character a bit more, and discovered that in the Russian version of the game he is called “General Ash” instead of “General Ashes.” “Strange,” I thought, until I saw that in Russian, Ash is “Пепел” which is pronounced as “Pepel” for anyone that isn’t familiar with Cyrillic. If we look into it, we do see that the letter after the Пепе is л, but it is notably not bold. This is, if you're counting, two separate times in this paper where the plural for ash, пепелище, is split up so that only the пепе is emphasized. As for other connections between Pepe and Block, we could look at them both harboring some revolutionary tendencies and being punished for it, both by The Powers That Be and his peers. General Block also tells Artemy that he was born in a town not too dissimilar to the Town on Gorkhon; this is interesting because there are some connections to be drawn between Squillace and Gorkhon, primarily that both of them preserve the beauties of ancient times that have all but been lost to most people. Related to this, it should also be noted that I believe the plot of The Marble Nest was heavily based on the plot of The Seventh Seal, which is the same movie that inspired the character Alexander Block.

The rest of line 15 is also interesting, but I’m not sure exactly what it’s supposed to mean yet. It translates to “Heaven on Pepe” basically. I consider the “Pepe” part to probably be the most important, since there’s a large crease that runs through it, which I think probably denotes a level of importance? The line’s meaning might be related to the fact that “heaven” is sort of a synonym for “utopia,” or the character that Block is based on is the protagonist of a movie that revolves around the ideas of heaven and Christianity, which is something we saw very briefly with Block in Pathologic 1. If you have any ideas please post about them and tag me, or simply comment/reblog this with your ideas!

Line 1 and line 18’s bolded letters both start out with “ов”, and for my English speakers out there it is pronounced sorta like “ove.” ов is interesting because if you translate it as о-в it actually is the shortened form of “island” in Russian. Line 1’s bolded letters read as “ов попо”, and for people not familiar with Cyrillic попо is basically “popo.” There are, apparently, many Popo islands in the world, and I couldn’t find one that I think directly connects to the ARG or Pathologic, but maybe someone else out there will, or perhaps that line has a different meaning to it. As for line 18, it says “ов испустивших” and according to Russian wiktionary, the second word is one letter off from the word “Emitted.” I looked a bit deeper, though, because that didn’t satisfy me (why would they use the incorrect spelling of a word after all?) and I didn’t see much, but I did find two things that used the exact word “испустивших” that interested me: A Saudi Arabian newspaper that has been translated into Russian, as well as a Russian poem from 1777 celebrating the birth of Grand Duke Alexander Pavlovich, also known as Alexander I of Russia. The latter is more interesting to me for numerous reasons, the first one being that it might serve my theory about the connection between line 1 and 15, as line 1’s bolded letters end with попо and line 15’s end with пепе. The connection is weak, too weak for me to make it a separate bullet point, but strong enough for me to want to explain. So, as we know, there is a connection between line 1 and 18, it’s what this whole bullet point is about, and this theory (using the term “theory” loosely) relies on us seeing them as very closely connected. Basically, Alexander I was the ruler of Russia during the French invasion, which is interesting because, if you’ll remember, Guglielmo Pepe’s brother, Florestano Pepe, took part in the French invasion. This, to me, is an interesting connection, but I do admit it’s definitely a reach.

That’s where I’ll stop talking about the bolded letters on the left side of the paper. If you’d like to see what other bolded letters there are, what they could possibly mean, and try to decipher the meaning for yourself please go to my linked Google Doc(s).

As for the right side of the Newspaper, there are some bolded letters, but I can't seem to make much sense out of them, and by this point in my research I was starting to pursue more promising ARG leads, so this section is rather incomplete. Just as a reminder, the right side of the newspaper is an advertisement for a lantern/kerosene shop. I personally think the right side is more interesting than the left for a couple reasons, but most of them are either self-evident or will be discussed later.

The lantern on the right side of the paper is the same model that’s used throughout the Haruspex’s route, but most notably it’s used a ton during The Marble Nest as set dressing. And when I say "a ton" I really mean it.

I also remembered vaguely an unused lantern item found in the game files of Pathologic 2, so I went to the Pathologic wiki to look for it, and surely enough the exact lantern used by Artemy, the one that appears so many times in The Marble Nest, is also an unused item present in the game files. When using console commands to give yourself the item, you’re able to click on it and select the “touch” option, upon which you’ll see the number 6192355001378070 where the name of the item should be, and 6192355001378072 where the touch text should be. I’m not sure exactly what these numbers are supposed to mean; my first thought was that they seemed long enough to be coordinates, so I put them into google maps and it does lead to a location in Russia! Nonetheless, the numbers are a little bit too long to make sense as cohesive coordinates. Still, it might be something worth investigating. You'll see later in this post just how significant numbers and number patterns are in this ARG.

The word used to describe one of the victims of this inferno, “academician,” has sorta interesting connotations in countries that were once part of or heavily influenced by the USSR. This person is referred to as “Mr. F.L.” in the article. This guy is also said to be a historian and a “бытооописателя,” which as you can probably tell by the fact that I’m not using the translated English version is a weird word. Perhaps the strangest thing about this word is the fact that it clearly has 3 o’s where there should only be one. The actual meaning of this word is odd, as it’s very rarely used, and according to all sources I could find (including native Russian speaker and linguistics enthusiast @kurury-chan) it is either an archaic term for a historian or a term meaning “writer of everyday life.” I’m honestly not sure what that means, and at first, I thought it meant something like a blogger. The most complete and coherent definition I could find describes it as “author of works describing everyday life.” A different translation I found seems to say it means something like "chronicler," which I suppose makes some sense.

In the bottom right part of the paper, you will notice what at first appears to be a signature. Admittedly I had almost no hand in this part of the investigation, except for the isolation and upscaling of the text. Most of the work here was done by @cryingsyren with some help from @kurury-chan and @ded-not-ded. Here is the image that I got for them of the text, and here is our current interpretation of it: It at first seemed to be Russian cursive (and it probably is supposed to be), which complicates things quite a bit, and @cryingsyren spent a couple days trying to figure out exactly what it says, (with some help from @kurury-chan) and as far as we can tell it’s four letters, which are separated into either two or three sections. I think we have a decent grasp on what they’re supposed to be in Cyrillic, but the interesting thing is that they do look a lot like both Russian and Latin cursive. I’ll describe them now using what Latin character they look like in quotes followed by what Cyrillic character they look like in parenthesis. The first section is an “M” (М) and a “K” (К), which are very clearly connected. The next section is either an “H” (Н) or an “H” and an “n/u”. We’re not exactly sure whether the H and the n/u are supposed to be connected, but the n/u being lowercase seems to imply it is. The interesting thing about the n/u is that, while it looks like it could be a Latin n or u, it also looks like it could be a Cyrillic и, which is the italicized version of the Russian letter и. It seems all too coincidental that all of the letters they used have almost exact visual counterparts in the Latin alphabet. At the moment our working theory is that it could be initials, and this is where I come in, because for days I knew I recognized the "MK" part of the signature, but I couldn't remember exactly where from until today. For anyone that has played too much Pathologic Classic HD like me, you may recognize the "MK" signature from the center of the loading screen in that game, scrawled in a way that most people wouldn't pay attention to it, and certainly that most people wouldn't have it committed to memory like me. During the roughly 170 hours I've spent playing the game I've probably looked at that MK more than I've looked at my youngest brother. This presents the question, who is MK? Well at first I thought it could be Mr. Katzman, as referenced in the "Mask" post, but that didn't seem right to me. This is when the fact that so much of my brain is Pathologic lore facts came to help again, when I remembered state inquisitor Mark Karminsky, who you may remember as being one of the men people thought would come to the town before Aglaya Lilich showed up. As for the rest of the writing, I'll leave that up to you guys to figure out.

Something to note for later on: We know there to be 19 inquisitors when Pathologic takes place, and in this ARG the number 19 becomes very important with later clues.

"Mask" Fyodor Vitin post

Arguably this is the Fyodor Vitin post I’ve done the most research into, and it eventually led me to develop a very deep and passionate interest in the Buryat peoples that has so far caused me to read several books and around a dozen academic papers about them. I haven’t only done research into the Buryats for this post, though, because although the Buryats are the primary inspiration for The Kin, they’re not the only inspiration. Despite all of this research work, this section will be rather short because I’ve already been through and exhausted most possible leads I’ve found, and this is what remains. Since the post is in English, and I think everyone that follows me presumably knows English (если вы не говорите по-английски, я хвалю вас за то, что вы зашли так далеко) I won’t summarize it, so I’d recommend reading the Vitin post and then coming back.

We see in the post the mask of “Muu Shubuun,” which we’ll immediately notice is almost the exact same mask as is used by the Executors in the game. Actually, in the Marble Nest, you can acquire the Executor mask, and its touch text reads, “The mask of Muu Shubuun, ‘the wicked bird.’ Part of the Reaper costume from the local theatre.” I have found several different sources that lead me to believe this is based on actual Buryat folklore, however, I’ve heard several conflicting accounts on whether Muu Shubuun is an evil spirit that tricks people by taking the shape of a beautiful woman, or if it’s closer to what we see in the game/ARG, but both seem to be documented as existing within sources on the Buryats. I think this confusion between the two likely means the stories and connotations associated with Muu Shubuun vary based on different groups of Buryats. An alternate spelling I’ve seen used is “Mu Shuvuu.” Possibly related to this is the character “Shar Shuvuu” (which means “eagle owl”), who appears in The Marble Nest during the “marriage” scene in the steppe camp behind the cathedral. In fact, a surprisingly high number of NPC characters in this DLC are named after birds.

The phrase used in the post to describe a seasonal festival, “dosoo ba beshē tēēhēē” is where I’ve devoted much of my research, with most of that research being from about a month ago. Only the third word in this phrase, beshē, appears as a kin word in the games as far as I know. However, we can use a method here that people in the Pathologic community have been using for years to figure out the meaning of kin words: Most of the steppe language in the game is based on one of many languages: Buryat mostly, Mongolian sometimes, Tibetan sometimes, and some parts of it also take inspiration from other languages of similar origin to these. A majority of the language seems to be based on Buryat, and many Kin words come straight from the language. A few words in the game seem to be made up entirely by Ice-Pick Lodge, and many are based on words from the aforementioned real languages but tweaked slightly, as if to indicate that the steppe language spawned from those languages but has some distinctive elements. To determine what this phrase means, I tried my best to dig into the languages and find parallels:

“Dosö” in Buryat means “inside”

In Mongolian “dooshoo” means “down”

In Mongolian “ba” means either “and,” “we,” or “sorcery”

In Tibetan, “ba” means “cow”

“Beshē” in the game’s steppe language means either “not” or “other”

The prefix “të-” in Buryat means “to transport”

In Mongolian the prefix “te'e-” also means “to transport”

As for the “-hee” part of the word, I have not found a single source that could tell me what it means. I’ve found several Buryat words that end in “he,” but I can’t seem to find a connection between them strong enough to suggest what it denotes.

Upon first seeing this festival mentioned, I believe I commented somewhere on the Pathologic subreddit that it might be the same one we see in the Kin’s camp behind the cathedral in The Marble Nest. While I’m not 100% convinced still, I also don’t doubt it that much. One interesting thing to note for any people that might wanna investigate this in the future is that I’m pretty sure what we see in the Marble Nest is the same thing that Nara and the Haruspex perform in the abattoir, as they both seem to happen on day 10, and if you look close you can see that Nara is the one that is cut open in The Marble Nest. Seemingly with the Haruspex gone, there is no one that knows the lines and so the ritual doesn’t go as smoothly as it could.

“Messages” Fyodor Vitin Post:

This particular Fyodor Vitin post is the third one, which if you know Ice-Pick Lodge certainly has some importance to it. The post is a series of letters and images, one depicting an Executor and one depicting Voronika Kroy, who's a minor character in Pathologic 2 and the main character in the Pathologic Feverish Feelings ARG. The letters detail how the recipient’s reports about Voronika Kroy have been seen and have started an investigation by the Federal Bureau. What’s most interesting to me are two things: the jumble of (Latin alphabet) letters in the bottom left, and the number used within the letters (the post-card letters in this case).

The number in question is “196-17-1” which is apparently the case number used for the Voronika Kroy investigation. This number will be more important later in relation to other clues. One interesting thing I've found is that the RGB value for 196-17-1 is a deep red.

The jumble of letters at the bottom of the picture is “eiamrucdvrturxoevecid”. It is 21 letters and can be divided up into chunks of 3 or 7 letters. 3 and 7 of course being Ice-Pick Lodge’s favorite numbers. Up until this point, it has been assumed that this is an anagram, and I have no reason to doubt that. It has already been pointed out in the Pathologic subreddit that the words “Executor” and “Corvid” can be found in the anagram, as well as the Latin words “Cura”, “Curare”, “Curari”, “Medici”, and “Vivam.” Credit for finding the Latin words goes to u/apostforisaac who is apparently studying Latin at university! Additionally, u/Own_Sympathy_9814 deduced a possible meaning by unscrambling the anagram and finding “MAVRUD + VERIDIC + EXECUTOR”, which they believe hints toward the answers lying in the Marble Nest (I wrote the entire Marble Nest section of this post before finding their post about that, so I do feel pretty validated by it). Many people have been approaching this anagram, like many other parts of the ARG, as if they have one right answer, and frankly, I just don’t think that’s in the style of Ice-Pick Lodge. I’ll quickly list out some words/phrases I found in the anagram and what they mean/how they could relate. I will also include words that have already been discussed, and they’ll be marked with a “*” so you don’t think I found them. Most of the ones marked with a * I won’t be discussing, as most have already been discussed extensively. I also won’t be discussing the ones that I think probably don’t have much meaning, but I’m including them because it still could be something later on down the road.

I am You don’t actually even have to unscramble the letters to get this one, as the second, third, and fourth letters of the jumble simply spell it out. What's interesting is that the 7 "I am" discourses are a crucial part of the Christian Gospel according to John. The Gospel according to John was an important clue during the Feverish Feelings ARG, which revolved around Voronika Kroy and her Inquisitor father, Peter Kroy. If we're speaking of the four canonical gospels, we must also address the Gospel according to Mark, which coincidentally is the name of an inquisitor that has popped up elsewhere in this ARG. Following this theme, there is actually a non-canonical Gospel According to Peter, which seems too cool to be a coincidence.

Eve This is one you don’t have to unscramble also. Interestingly, Daniil is often compared to a snake, even being called a snake-man in Marble Nest by Shaazgai, a man belonging to the Kin. In the biblical story of Adam and Eve, it is a snake, often thought to be the devil, that convinces Eve to eat the forbidden fruit from the tree of the knowledge of good and evil.

Retroviridae The scientific name for a retrovirus. If I was more knowledgeable about biology I would say more, but this seems important.

Rex Iudaeorum Translating in Latin to “King of the Jews,” this was the inscription that allegedly was put on the cross that held Jesus of Nazareth, as detailed by 19:19 in the book of John. Very interesting as Daniil does compare himself to Jesus at least once in the Haruspex route, on the night before Aglaya comes. The Gospels, as discussed before, all detail the life and crucifixion of Jesus Christ. The "19" connection is also interesting because of the inquisitor detail, and I'll talk about more of the connections to 19 later in the post.

Cardio Commonly used medically as a prefix for heart conditions, “cardio” is a Latinized version of the Greek “kardia,” which simply means heart. Heart imagery is very common and significant to the Bachelor.

Eva This is similar to the Russian version of Eve.

Corvid*

Cura*

Curare*

Curari*

Medici*

Vivam*

Mavrud*

Veridic*

Executor*

Order Could relate to the committee in The Marble Nest and the fact that after they’re replaced by tragedians the absurd order begins getting sent out to the orderlies.

Carex ericetorum This is a plant that would almost definitely be present in/around the Town on GorkhonThis is a plant that would almost definitely be present in/around the Town on Gorkhon

Creature

Marble Nest:

The Marble Nest, as we know, is very concise, only really lasting half a day in-game. Because of this, the dialogue does tend to feel a lot more intentional, as though the named characters are not necessarily speaking only to The Bachelor but also trying to convey a message to the player. This, of course, is because The Marble Nest takes place inside Dankovsky’s head. If this ARG will be revolving partly around The Bachelor, as it seems to be, then there’s no better place to start than digging into his head, which is why I’ve played so much of the Marble Nest for this.

There are several specific stories/myths/historical figures that are mentioned through Marble Nest. First, we’ll go through some of these.

There is a very interesting conversation that The Bachelor has with Georgiy Kain, where he is trying to justify his decision to lift the quarantine restrictions to The Bachelor, who is rather upset obviously. I’ll cut down and paraphrase most of the dialogue, since if I didn’t this would be much longer, but basically the conversation goes as:

[Georgiy introduces himself, and says he decided to let The Bachelor sleep so that he would have the strength to face the upcoming trial] [Daniil asks if Georgiy lifted the restrictions and let the plague into The Stone Yard] Georgiy: “Quite so. It's plain to me that you are on the verge of shredding me into pieces. But still your wrath. As a great Athenian once said, ‘Strike, if you will, but hear.’” Daniil: “Themistocles, I know. He met a rather gruesome end, by the way. Died of plague.” Georgiy: “No, it was Pericles. You are a learned man, but history is not your strong suit. Which is why you should listen to me. Perhaps it will help you see something that you missed in your previous studies.” [Georgiy then goes on to explain a bunch of other stuff about the plague, which as far as I’m concerned isn’t all that useful to the task at hand.]

I find this so interesting because The Bachelor, in his own head, poses a question to himself, gets it wrong, and then has another separate figment of his imagination correct him, and then proceeds to tell The Bachelor that he’s not great at history and should listen to Georgiy more. What’s even more interesting is that, as far as I can tell, Georgiy and Daniil are both wrong, it was actually Themistocles that said “Strike, if you will, but hear,” and it was Pericles that died of plague. I found this interesting enough to look into who Themistocles and Pericles were, and here’s what I found:

Themistocles was a politician and general that broke the mold by being non-aristocratic and populist, which gave him the support of the people but put him at odds with the nobles and some of his peers. He turned 30 in 494 BC, which qualified him to run for the position of Archon, which he did, and won the position the following year. He had a prominent rivalry with another politician named Aristides. Whereas Themistocles was populist, Aristides primarily fought for the upper class. Themistocles eventually 20the rivalry after Aristides was exiled. Years later, though, Themistocles himself was exiled, and while he was gone his enemies took the opportunity to charge him with treasonous activities, knowing he could not defend himself. Because of this, Themistocles could never return to Athens, and so found employment and a home among the people that he once fought against while serving Athens. Given military command once more, he was actually Themistocles who said “Strike, if you will, but hear,” and it was Pericles who died of plague. I found this interesting enough to look into who Themistocles and Pericles were, and here’s what I found: Pericles, to me, has less interesting things about him in relation to Pathologic, with the main two being that he rehabilitated the image of Themistocles and he died of a plague. What could be interesting is the fact that General Block and Captain Longin are in both Pathologic 1 and 2 often compared to Achilles and Patroclus, two Greek soldiers from ancient folktales, primarily known for being two of the most important characters in The Iliad. To me, drawing a connection between Achilles and Block, as well as Pericles and Longin, isn’t that absurd. What could also be interesting to note is that Pericles was the main character in a play written in part by William Shakespeare. While Themistocles' life almost exactly fits the character arc of General Block, down to the weird connection between him dying of the plague in The Marble Nest and Themistocles drinking bull blood (as well as Dankovsky thinking Themistocles died of the plague), I think how Pericles fits in could lie in the Shakespearean play, as we all know how important theater is to Pathologic. You see by now at least partially what I think this alludes to, but I’ll talk more about it in the additional notes section.

Next, I’ll discuss a mythical story brought up in the Marble Nest: The Tower of Babel. This is brought up by the clerks sitting directly outside Georgiy Kain’s house. I think most people would talk to these guys right before talking to Georgiy, but I have more to say about it so it’s written second. When talking to one of the clerks during their argument about the plague, one man mentions that he thinks The Polyhedron is at fault, and no matter how Dankovsky replies (he has 3 options), the man then says “History already knows an example of people trying to erect an impossible tower. It ended in tragedy.” I could go on explaining why I believe this guy is talking specifically about the Tower of Babel, this post is already long enough so just trust my reasoning here, please. Notable to the point I’m trying to make, one of the other clerks brings up that he thinks the plague was started because of the irreconcilable differences between The Kin and the town, and the fact that the Kin have been forcibly mashed into the town. When Dankovsky asks the man if something is holding the Kin in the town, preventing them from leaving and returning to the earth, the man says “Someone is… our rulers. They have embedded the steppe people into this town, carved them into its warm flesh. This isn't a town, it's an honest-to-God minotaur. A chimera. And chimeras have remarkably short lifespans and bad health. Can you breed a snake and a crane? You can, yes. But the progeny won't live long.” This dialogue is interesting for a few reasons, one related to the tower of Babel and two related to other possible ARG clues. The first interesting thing is that what he’s describing, drawing a connection between the Tower of Babel and the Polyhedron, actually makes a lot of sense. To him, the Polyhedron is not only an affront to God, but its accentuation of human hubris coincides with a beating down of nature and the earth, represented in part by most of the Polyhedron’s mass being concentrated far above the earth while also piercing the earth’s heart. The story of the mythical tower, to oversimplify it, is essentially a tale of people from many different walks of life all coming together to construct a giant, seemingly impossibly tall tower in order to avoid the possibility of a second biblical flood destroying most of humanity. God sees this attempt as an affront to both him and the natural order, and so before the men are able to finish the tower he divides them all by making them speak different languages, making it impossible for them to understand each other. So, in this second clerk’s interpretation, the plague is a result of the town both rebelling against/abusing nature and also taking the Kin into itself. Unlike the first man, who believes the tower itself is at fault, this second one believes it’s all because of the town making itself into a “chimera,” which he believes cannot live long. What’s clear to me, though, is that although these men believe they disagree, their explanations complement each other very well, which brings us to our third man, who has a rather simple but somewhat confusing explanation. This clerk believes that this plague occurred in the town because men should not be “remodeled or altered,” and when asked what that has to do with the epidemic he replies “I don’t know… It wasn't we who designed the world like this. I believe in men, Doctor; in superhumans, I do not. This earthly life wouldn't fit them. Immortals have no place in the world of the living. This is just how it works. Take from it what you will.” This man seems to be implying that Simon Kain, the immortal man, is the reason why this plague appeared in the town. This is when it all started to come together for me: these men's stories do really all complement each other, because here they are posing the Polyhedron, chimera, and Simon as all the same. This will further be explained in the additional notes section. Three parts of one whole if you will.

Now, the mention of the Tower of Babel is interesting for two other reasons, one of which will be discussed in the additional notes section and one of which I’ll discuss here. In the Fyodor Vitin “One can work here” post there are numerous items displayed in the room pictured, but perhaps most interesting to me is the golden bull statue that sits at the front and center of the photo. My first thought when seeing that image was “Oh! This reminds me of the biblical story of the golden calf statue, which I bet is what they’re referencing.” For those who aren’t familiar, I’ll be oversimplifying another biblical story now. While trekking from Egypt to the holy land, Moses leaves his people behind to climb to the top of a mountain and commune with God. Moses is gone for forty days, upon which the people are fearful that he will not return, and so they molded a calf statue out of gold to worship. God, upon seeing this, sends Moses down to the base of the mountain to punish his people for their sins. Moses burns the golden calf in a fire, ground it to powder and water, and forced his people to drink it. He then killed all of them basically. My thought process was related to the fact that The Bachelor is punished severely by The Powers That Be for his own affront to God, the pursuit of immortality. Now, after that previous discussion about the Tower of Babel, I am noticing some very interesting things in this picture, and primarily that there are two other related statues. Now that we have the previous context about The Tower of Babel and the clerks in our mind, we can see new meaning in these statues: a black statue of a centaur, and a white bust of a man. The interesting thing about the centaur should be obvious, it is another chimera. The bust of the man, which seems to be made of marble, reminded me somewhat of ancient Greek statues that are chiseled to glorify certain leaders and make them seem somewhat perfect while also immortalizing them in stone. You can probably see the connection I’m making here, and so I will leave the rest of the explanation for the additional notes section.

Another thing that's interesting to note is the aforementioned three men, unlike most characters in Pathologic 2 and the Marble Nest, do not stop moving when you pause the game; their animations continue to play even after you bring up the pause menu. If you’re unaware, there is actually a small detail in Pathologic 2 where pretty much everything nature-based or that is a natural force of the world, as well as everything that’s supposed to be seen in a meta-narrative sense, does not stop moving when you pause the game. This includes rain, leaves falling, the particle effects that come off the clocks, fire, executors (not orderlies), plague particles, etc. Once I noticed this (while trying to get a screenshot of some things to analyze) I tested out some other NPCs in The Marble Nest, and all of the other people I tested seemed to freeze when the game was paused. However, this is not to say that no other characters in the Marble Nest move when the game is paused. I only tested about 4 guys besides the primary trio we're discussing, mostly just to make sure it's not a thing that all Marble Nest characters do. If one of you people reading this would like to go through and see which characters in The Marble Nest also possess this trait, it could prove fascinating.

Finally, I’ll talk about two somewhat modern (at least modern compared to the previous two) stories that are brought up in The Marble Nest, although not directly: The Time Machine by H.G. Wells and The Masque of the Red Death by Edgar Allan Poe. Admittedly, I have not read either of these stories (it’s possible I read the EAP story 5-6 years ago and just don’t remember it), but I do actually know quite a bit about the stories and their themes from a couple of literary studies on specific genres I’ve done over the years. Additionally, for this section, I have done some more research on the plots and themes of these stories which yielded fascinating results.

The Time Machine is brought up when The Bachelor visits The Cathedral and speaks to a Tragedian standing within. The Tragedian talks about how the building is not a temple, but a machine. Daniil asks what kind of machine, and The Tragedian responds “This is a time machine. Time works differently on the inside and on the outside. It's frozen now. I think something's broken.” To which Dankovsky can say “A time machine? Are you saying it can transport me to the past or to the future? Like in that Englishman's book, what's his name…” For this, I did some research into what book he could be referring to, and almost instantly Time Machine stood out to me for a number of reasons. I think there might be something interesting to be said about how this relates to the ARG, but I’m not going to be the one to say it, because I’m honestly not sure how or if it does. I will describe how it connects to Pathologic though, in case that sparks anyones mind. The work is apparently seen as popularizing the idea of time travel and the time machine, which relates to what IPL has said about The Bachelor’s route I suppose. As for the plot, it’s about a Victorian man using a time machine to travel to the year of A.D. 802,701. He meets two races of people, one descended from the oppressed working class and one descended from the pampered owning class. Over hundreds of thousands of years of this lifestyle, the two races have started to diverge, with the owning class becoming child-like and basically useless, while the working class has been forced into a life of toil and hardship which has shaped them into a race of underground-dwelling animalistic race of people. Essentially the novel is a depiction of class struggle and the class contradictions inherent within capitalism, but with a bit of a metaphorical twist. The toiling of the working class underground is what allows the upper class to live in abundance without the need for work. There is very interesting commentary here to be made on the worms/odonghs in the game, as well as the eternal youth that is present in some elements of the stone yard, but this isn’t a Pathologic essay, it’s a Pathologic ARG essay.

The Masque of the Red Death is alluded to by The Bachelor in a dialogue with a wandering citizen, who opens up the conversation by saying “A masquerade ball will be held in the main square this evening. People want to celebrate our victory over the sand pest. You don't mind…?” To which The Bachelor has 3 possible replies, one of them being “I seem to vaguely remember a rather famous story about a masquerade held to celebrate a victory over a plague. Remember how it ended?” To summarize, The Masque of the Red Death is about a group of noblemen taking refuge in an abbey to hide from a plague (the plague is known as the Red Death). The plague’s symptoms are gruesome, and all people who contract it apparently die within a half hour. The main character, Prince Prospero, and his fellow noblemen believe themselves to be entirely safe, though, as they have welded shut all the doors and isolated themselves in the abbey. To entertain the guests, the prince holds a masquerade ball that takes place in seven of the rooms of his abbey, each colored differently. The first six rooms are blue, purple, green, orange, white, and violet, with the last being black and illuminated by a red window. No guests venture into the seventh room, as they are all scared to enter it. Every hour a clock in that room chimes, upon which the guests freeze and go silent momentarily, before resuming normal activity once the chiming stops, only to do the same thing after an hour. Once midnight comes, a person appears in robes covered in blood and resembling a funeral shroud, wearing a mask that depicts a person clearly infected with the Red Death. This figure walks through six of the chambers before the prince starts chasing them with a dagger. Confronting them in the seventh room, the prince immediately falls dead upon seeing this person’s face. The other party-goers all charge the figure, stripping them of their clothes and mask, only to find that there is no one underneath. The conclusion of the story states that the figure was not a person, but rather an embodiment of the Red Death. The Red Death also appears as a reference in the novel The Phantom of the Opera, as well as several film and musical adaptations. The titular phantom dresses up as The Red Death, and in many adaptations wears a skull mask as part of the costume.

I believe Hamlet is also brought up at some point in The Marble Nest, but I can’t seem to find the dialogue so I’m unsure if that’s true.

Next, I'll talk about another random Marble Nest clue

The Bachelor’s hover text for the beetle item says “I used to collect these as a kid. Left the collection with my father.” @pseudoquiddity found that a paper on the top of “The Beginning” Fyodor Vitin post spells out Mechnikov, which is almost definitely referencing Ilya Ilyich Mechnikov, who was a Russian zoologist and immunologist who achieved incredible scientific discovery during his life, and notably for us he was largely focused on the issue of aging and extending human life. Mechnikov was actually brought up in an IPL teletype post as one of the Bachelor’s main influences scientifically, alongside Albert Einstein and Max Planck. The relevant thing about Mechnikov here is that, as a zoologist, he did many notable studies on insects throughout his career to see how their bodies reacted to things compared to how ours did. One thing that’s interesting to me is that the type of beetles we see in the game, I believe, are based on Trypocopris Vernalis, commonly known as the spring dumbledor or spring dor beetle, which is not known to inhibit the region that the Town on Gorkhon would reside in. Another thing I find interesting is the touch text from the Alpha version of the game, which reads “Some fifteen years ago, the Soul-and-a-Halves, the gang of children who are defined by sharing special bonds with their pets, actually considered to allow flower chafers as their "Halves" due to the beetles ‘looking as though they knew something’. The idea was quickly abandoned as ridiculous.” Maybe I’m just 8.6 thousand words into this post and have finally gone insane, but I think the beetles “looking as though they know something”, combined with their close connection to Dankovsky, it seems too intentional.

In the “Feverish Feelings” ARG, the Beatles (the band) were brought up indirectly and used by the players as a clue to get more information. This also related to the clue relating to the Gospel according to John. Additionally, speaking of Mechnikov, u/Fantastic_Advice5593 theorized that the numbers on Daniil’s train ticket from one of the original ARG notes could be hinting toward the date May 15th, or 5/15 (15/5 if you use the non-American dating system I believe), which is Mechnikov Day, and is commonly recognized as Mechnikov’s date of birth. Proving this connection further, the “Messages” Fyodor Vitin post was posted on May 15th. Another interesting thing is that if we convert the time that the “Messages” image was posted to the time scheme used in Pathologic (that is, a 24-hour clock), it comes out to 19:35 (Using GMT+3 time zone, as that’s where Moscow is located.) This is interesting because “Messages” was also posted 19 days after the previous post, and I know for a fact that 19 is an important number in this ARG: The newspaper from the “The Accident” post was labeled as issue number 19, the bible passage that we saw referenced in the anagram from the “Messages” post is John 19:19, the jumble of letters that we found in the touch text for the unused lantern item includes “19,” and so does the 196-17-1 number from Messages. In a way, the number 19 is sort of a self-checking method to substantiate some of the clues we’ve found thus far.

Griffins’ Tower

Many of the details in this section wouldn’t be possible without @kurury-chan who, upon my inquiry about the tower and its accompanying pharmacy, actually visited it, got tons of cool pictures, and translated a ton of the history for me! I literally cannot thank her enough for her help with many elements of this post, but especially in this section. In the original Pathologic ARG, “Feverish Feelings,” the Griffins’ Tower is brought up a couple of times throughout, and was part of an intensive fandom discussion because many elements of it paralleled many themes and plot points of Pathologic. The following connections/possibly related facts are a combination of fandom discussion from the time and my own research:

The tower is connected to a pharmacy that has existed since the 18th century. Both were once owned by the Poehl family, who were a rather eccentric yet somewhat mysterious rich family. Rumors from the time (The 18th/19th century) speculate that members of the family engaged in “…alchemy and witchcraft, and in the basements of the house he turned mercury into gold and bred griffins. Since ancient times, it was believed that griffins, mythical creatures with the body of a lion and the head of an eagle, were the guardians to secret sacred knowledge and treasures.”

In 1994, the artist Alexey Kostroma, together with the society "Here and There" (Tut i tam), organized a demonstration/art-piece to advocate for the preservation of the tower and the revitalization of the city, which they believed was falling apart before their very eyes. During this demonstration, they hoisted a large egg (approximately 1.5 meters) onto the top of the tower, and they painted (I’m not sure what was used to put the numbers on the tower, but I assume it was paint) numbers on almost every brick of the tower. While the purposes for the those two additions rarely get brought up in conversations surrounding it, the egg and the numbers are now some of the most well-known parts of the tower, despite the fact that neither of the two are there anymore. The Polyhedron, as we know, is a tower that at the top houses children and is made from its own complex blueprints. Additionally, in the Marble Nest, but also throughout Pathologic as a whole, there is a common piece of imagery that connects eggs and the Utopians. In the opening of The Marble Nest, the item that’s used on the loading screen is an egg. If you look at the egg sprite in P2, you’ll see a crack in it that heavily resembles the Polyhedron. Daniil Dankovsky commonly uses the Latin phrase “ab ovo,” which means “from the beginning” but when literally translated means “from the egg,” and his touch text for the egg in Marble Nest reads “To understand anything, start ab ovo — ‘from the egg.’”

While playing through The Marble Nest several times for this ARG, I noticed something that gave me more confidence in The Griffins’ Tower playing a role in it. If you guys have played Pathologic as much as I have you’ll know there’s a tower in between the Stone Yard and the steppe that you can’t enter and is barely ever really explained. If I’m picking apart my brain correctly for Pathologic 1 knowledge, I believe it is implied to be a Focus of some sort. If you’ve only played Pathologic 2, or you haven’t played through The Bachelor’s route in P1 enough, or you haven’t read through the Pathologic “Corpus” entries, you probably have an incomplete idea of what a “focus” is and all that it entails. I won’t go too deep into it now, but it’s said in one of the Corpus entries that, on top of the Polyhedron, Cathedral, Stillwater, Crucible, etc., there were a number of experimental Focuses that were built for Simon Kain to test the limits of what buildings could capture the human soul and memories. It’s a building you can’t ever enter, but it does have a visible door, which is very similar to the way that Simon’s focus is described by Victor Kain. I’d like to draw your attention to the visual similarities between that tower and the Griffin Tower. I’d also like to draw your attention to the fact that, in the original design concepts of Pathologic 1 every character is associated with a specific animal, and Simon Kain’s is a griffin. What is a griffin? Well, it’s a fusion between two drastically different creatures, a lion and an eagle; a griffin is a chimera.

Interestingly, in 2005 (the year Pathologic came out) the pharmacy connected to The Griffins Tower was closed for a while because it became flooded with water while trying to extinguish a fire.

There is a photo in the pharmacy connected to the tower (which has now been converted into a museum about the history of the place and pharmacies in general) that depicts, during the early 1900s, the pharmacy sitting next to a theater called “Simpatiya” (Sympathy).

While @kurury-chan was on a tour of the pharmacy/museum she found an interesting marmite that was on display. It was created by Samuel Clarke and it’s called “Pyramid,” and the marmite has an accompanying poem: Когда ночи темные, подумайте о Кларке, который попал точно в цель. Его ночные огни создают светлые ночи, в которых вы прекрасно видите. (When the nights are dark, think of Clark hitting the mark. His night lights create bright nights in which you can see perfectly) This is interesting largely because the poem reminds me somewhat of the body text for the lantern ad found in the newspaper post.

In the original email mentioning the Griffin’s Tower, Voronika Kroy appends the message by saying “P.S. I feel like I’ll need this memory later.”

Seventh Seal

I watched this movie after discovering all of the allusions to General Block we’ve seen thus far, but being unsure what to do with any of them. For those that don’t know, the movie The Seventh Seal’s protagonist Octavius Block has been listed as one of the main inspirations for Alexander Block, and since IPL seems intent on leading us to analyze certain works of literature/film/theater for this, I decided to look into it. What I found is incredibly interesting I think, because it seems that one of the main inspirations for The Marble Nest is The Seventh Seal.

The title is based on a bible verse (from the Book of Revelations) that reads “And when the Lamb had opened the seventh seal, there was silence in heaven about the space of half an hour.” This verse appears both at the very beginning of the movie and then again toward the end. This thirty minutes/half-an-hour element appears prominently in both this story and The Masque of the Red Death. One other place it appears is on the pocket watch in the first Fyodor Vitin post, where the time on it is 2:30. I am very confident that it also appears in The Marble Nest once or twice, but despite looking I was unable to find it. If anyone else knows where it might be, either comment on this post or message me, and I will put it in this section and credit you.

The movie's plot revolves around Antonius Block, a disillusioned medieval knight returning from the Crusades. Block is struggling throughout the movie with his inability to believe in God and his realization that his whole life has been wasted. He wishes more than anything to do one last deed before his death to give his life meaning. The movie is set during the Black Death, with prominent elements of the story revolving around the plague. The movie largely focuses on how Block takes in several poor and out-of-luck folks fleeing the plague, inviting them to stay at his castle and escorting them along the way.

Toward the beginning of the movie, Death comes to take Block, but he convinces Death to play him in a game of chess for his life. This game of chess continues throughout the movie, with Death allowing Block to take several breaks in order to find clarity about his life and death. Toward the end of the movie, he allows Death to take his queen, effectively ensuring he would lose the game in the next turn, so that his companions could get away without Death noticing. After returning to his castle, everyone has a nice meal before Death arrives and takes everyone, excluding the people that Block helped get away by tricking Death.

Many things from Pathologic seem to take inspiration from this movie; most notable being the storyline of The Marble Nest (Dankovsky’s “People” screen categorizes people as chess pieces, essentially implying that his struggle against death is a sort of chess match), but there are also some smaller things. For example, there is a scene where the characters encounter someone afflicted with the plague who cries out for help, and one of the women tries to get closer to give the man water, but another person stops her, as giving water to a plague victim is futile and dangerous; almost immediately after this, a personification of Death appears. This heavily reminds me of the intro/tutorial of Pathologic 2, where a similar scene occurs.

While watching the movie, it’s very easy to see how Block was directly inspired by the main character, but it’s hard to convey exactly how without describing many scenes in detail, so I will simply describe one of them. After leaving a church confessional where he admits to his faith faltering and wanting to perform one meaningful deed before he dies, Block encounters a young woman who’s about to be burned at the stake for allegedly having ties to the devil. He takes pity on this woman, seeing something special in her, and believes she can tell him about life after death. This, to me, seems very reminiscent of Block’s storyline with the Changeling in P1.

Another small lead before this part of the post is finished: This lead, I will admit, I stumbled across completely at random, and will not talk about much because there’s not much I can say about it that isn’t obvious. It might be worth looking into the Russian philosopher Nikolai Fyodorovich Fyodorov, and perhaps thinking about if Fyodor Vitin was based partially on him, since we know Vitin works closely with Daniil.

Additional Notes/Comments:

In the newspaper clipping, it is said that a man with the initials “F.L.” had been one of the apparent two victims of the fire that burned down several buildings. This man (who I’ll simply refer to as “F” from now on) is an academician, historian, and writer of everyday life, which obviously fits well with the man that we know as Fyodor Vitin, and it has been assumed up until this point that he was the victim of this fire. I think there are three possibilities here: Fyodor Vitin was not the victim of this fire somehow, Fyodor Vitin is not his real name, or the newspaper is lying to us. In connection to the light/lantern emphasis in the newspaper, it might be worth it to note that the word “vitin” in Faroese means something like “the lighthouse”/“the beacon”, while in old Swedish it means something like “to know.” What’s more interesting is that Vitin in old Swedish is a second-person plural present indicative, and for people that got a useful education, that means it’s a verb that’s used to factually describe the current actions of the people that the speaker is saying it to. If Vitin isn’t his real surname, his username could mean “Fyodor beacon”, or “Fyodor (that you all) know”.

As discussed extensively in the section on the Tower of Babel, there is a direct connection drawn between the Polyhedron, Simon, and chimeras. We elaborated a bit on this connection in the section on the Griffins’ Tower. What’s especially interesting then is the fact that, in The Marble Nest, the Polyhedron is labeled as “focus,” implying that Simon’s essence is infused in the Polyhedron, as is what happens in the first game. This, I believe, confirms our theory about the connection even further. What then makes this even more related to the ARG is the fact that in the “One can work here” post by Fyodor Vitin, we see the three statues depicting the golden bull, the centaur, and the marble bust of a man. It is then worth noting that this bust of a man made of marble could be a reference to The Marble Nest, perhaps trying to get us to look there for clues. I believe, if the golden bull is meant to represent the Polyhedron (or at least the Polyhedron argument in The Marble Nest), and the centaur is meant to represent the chimera, then the marble bust of the man is meant to represent Simon (or, once again, represent the Simon/immortal man argument from the Marble Nest). This is supported by my point about the marble busts both immortalizing men and also making them more into concepts than men (as the statue can only depict a small part of a man’s life, usually depicting him in battle, leading a governmental position, etc). In the original game, and as can slightly be seen in hints of the second game, Simon is sometimes seen as more of a concept than a man; he is the ideology of the utopians incarnate, the perfect man that represents everything humanity could be. As a chimera is vital to Burakh’s quest, so too is it vital for Dankovsky’s (and it’s interesting to note that Burakh has the chimera revelation while in conversation with Dankovsky.) If the Marble Nest is used to represent the stone yard, or the “town” in its purest form, then Simon Kain is the marble man. It then becomes important to figure out where the “One can work here” picture is supposed to be depicting. I believe, if the statues there are supposed to represent all that we’ve said so far, the location should be representative of Dankovsky’s fight against death, and therefore I say it probably has to be Thanatica.

Now, as for all the connections with General Block, there are obviously many of them, from the Guglielmo Pepe hypothesis to the mention of Aristides/Pericles to The Seventh Seal to the whole “ash” thing, it seems far too much to be a series of coincidences. I don’t think it’s too crazy to connect the prominent appearance of the number 30 in the Block/Pepe/Aristides context to the prominent appearance of the number 30 (as in half an hour) in The Seventh Seal, which makes the appearance of the number 30 in that first Fyodor Vitin post even more interesting. It’s long been theorized that, from what we see in the Haruspex’s route and what we’ve seen in Pathologic 1, the Bachelor’s new route will probably feature General Block much more prominently. Perhaps, as the first ARG was so focused on the inquisitors, we’ll also get to learn more about the army in this one. Maybe General Ashes even had something to do with the building that was reduced to ashes?

The topic of religion, and specifically Christianity, comes up a lot in The Marble Nest. I think all the connections I’ve made in this post to Christianity have convinced you that it’s seemingly an important part of this ARG. In the first ARG, there were certain biblical passages that acted as clues, specifically from the Gospel according to John, which we talked about in the section on the “Messages” post. As is also mentioned in that section, the connection to Inquisitors Peter Kroy and Mark Karminsky seems to be driving us toward looking into The Gospel according to Peter and The Gospel according to Mark. It’s also talked about in that section how these both relate to Daniil. Mark Karminsky specifically also seems to have had something to do with the "Accident" mentioned in the newspaper, and so perhaps combining numbers from the newspaper within the Gospel of Mark could lead to some clues.

Still, as much as I’ve said in this post, there is more I wish to analyze but have not yet. This post has been in the works for a while, though, and I don’t want people to be waiting any longer, so I’ll have to save that other stuff for another day.

If anyone can somehow get into the game files of the Marble Nest and retrieve the texture/model for any of the letters or books (like the two linked images), that might end up being very helpful.

Other screenshots from Pathologic 2/The Marble Nest that could be of interest: