THE CAT IS OKAY. THE CHILD PICTURED IS EATING A DIFFERENT KIND OF SUSHI.

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shark vs the universe
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we're not kids anymore.
cherry valley forever
i don't do bad sauce passes
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@periwinkleimp
THE CAT IS OKAY. THE CHILD PICTURED IS EATING A DIFFERENT KIND OF SUSHI.

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#amigurumi #crochet #turtle #cute #plushies #craft #toy I've never done Turtles before but I think I'd like this variant in different color schemes. No sewing involved except for the embroidered parts.
Iâve taught drawing and painting for 10 years now. Iâve seen a lot of portfolios. Iâve critiqued thousands of assignments. And the problems I saw in student work back when I first started teaching are the same oneâs Iâm still seeing now. These are fundamental issues that donât change with the latest version of photoshop or even what century you live in.
Before we jump in, I want to quickly mention that Iâm working on a drawing basics course. Itâs meant to be a new artistâs first course, to get you started doing the right things and hit the ground running. If you donât want to miss it when it comes out, get on the newsletter.
So, here are 5 shading mistakes youâre probably making, and how to fix them.
#5 â Icing Before Cake
I meet artists all the time who are just starting out, and theyâre practicing techniques and anatomy and shading details and all this really cool stuff⌠But itâs not making their drawings better. Why is that?
While theyâre focused on all the fancy fun stuff, theyâre making huge proportion mistakes, their perspective is off, and their gesture is stiff. Thatâs not even icing before cake, thatâs icing without cake. Youâve got to build your pictures and your skills with the fundamentals first.
Each concept builds on the last. Surface stuff like anatomy, techniques and rendering details are all at the tippy-top; awesome but initially unnecessary and less important than the stuff at the bottom. You canât shade correctly if you donât know the simple form; you canât draw the simple form if you donât understand perspective; The forms donât matter if you canât draw a straight line, keep your proportions in check or establish a dynamic pose.
Below are some drawings I did a few years into my studies. If you think itâs really good, youâve fallen for my tricks. At this point in my development I got good at shading. But itâs filled with structural errors. I didnât really understand form. I just learned some effective tricks to make the drawing appear 3D. An exaggerated core shadow, some reflected light, and a bright highlight as a cherry on top. Wow, itâs so easy! But itâs all just a cheap distraction from the uninformed construction.
The icing might be the part that makes it look pretty or makes it stand out, but icing by itself is gross⌠Itâs empty calories. Remember this every time you want to draw eyelashes before the eye socket.
#4 â Bad reference
Whoa, hold up guys, I just got tagged and Iâve got to take a selfie⌠letâs see⌠First, camera up high, very slimming. Kinda dark in here, turn flash on⌠Click⌠Alright, now Iâve got to choose a nice filter⌠Hmm⌠Tweak that a little bit⌠Perfect.
A photo like that is distorted and edited. It might be flattering or maybe even a good photo, but photography and drawing are two different fields. Something that makes a good photo wonât necessarily make good reference for drawing.
Drawing from bad photos is super common, and super easy to fix. I wrote a blog post about it ages ago, so you can go there for a more detailed lesson on what makes good photo reference. But to paraphraseâŚÂ
When looking for reference, look for photos with good lighting and clear shadows. This will translate into a dimensional drawing. Drawing from a flash photo with no shadows makes it much harder to define the forms in your drawing. Itâs possible, Iâve done it, but it takes a trained eye and ability to use subtle halftones to define the forms. Beginners usually end up with flat, muddy looking patches of tone. If youâre just getting started, I recommend sticking to photos with lighting that clearly defines the forms.
You can find photo packs made specifically for artists that have good lighting and minimal touch-ups. Iâve got some here. In the long run, the best thing to do is learn how to take your own reference photos. And if you can draw from life instead, thatâs better than any photo.
#3 â Outlines
Thereâs always a silver lining, but thereâs also not, because the real world doesnât have outlines. Yet as beginners, we all start by drawing thick, dark outlines around everything. Now, thereâs nothing wrong with linear drawing or cartoons if thatâs your intention. But if youâre trying to draw realistically, you need to be thoughtful about your outlines. Itâs ok to use them. Itâs a mistake to overuse them, or use them as a crutch.
Stop thinking of 2D shapes and start thinking of 3D planes. Knowing the structure of the nose â that means the planes of the nose, which are based off of anatomy, will help you place patches of tone that make it look like a convincing nose. No need for outlines. You can draw a whole picture without any outlines, since thatâs how we actually see things.
Masters like John Singer Sargent, know how to use both. In the face of this drawing, heâs not using outlines, just tone. Itâs the center of interest, so he makes it more realistic. In all these secondary elements, he uses outlines. The outlines are deliberate. The tonal face and the outlined parts have a nice contrast. And the outlines donât look boring. They have a variety to their weight. The jaw and neck are outlined. But the ear isnât. The edge is lost into the background. He used the outline sparingly only in areas where he wanted the forms to pop. The left side of the figure is separated from the background with a value difference.
The jaw, neck, shirt, bowtie, and jacket are all very similar in value. To separate them with tone, would require very subtle shading. In a quick drawing like this, too much detail in secondary elements could look overworked. A well placed outline is clean and simple. It does the job.
#2 â Afraid of the Dark
The next mistake is not going dark enough with your shadows. I see this all the time, especially on portraits. People are afraid to put dark shadows on fair skin, because they know that the local color of the skin is pale, so they think light skin, light values. But the shadow is just a shadow. Itâs the lack of light. Itâs supposed to be dark. Or some people are afraid to go too dark because they might not be able to erase it, so their shadows end up being just as light as their halftones.
By removing the shadows, you remove the mood that the lighting created. And youâre losing the 3-dimensionality of the forms. If you didnât like the lighting in the photo, why did you use the photo? Retake it! Donât make it that hard on yourself. Inventing a new light setup on a face is really hard. If youâre advanced you can do whatever. You can draw a pretty girl while looking at a beaver! But if youâre a beginner, donât.
So, to avoid muddy or cartoony drawings, learn how to see values correctly. When youâre drawing, make sure you separate the light family from the shadow family. Remember the rule: the lightest dark is darker than the darkest light. If youâre not sure what that means, this next mistake is for you.
#1 â Sloppy Values
The most common shading mistake I see is not organizing your values correctly. Not making your shadows dark enough like I mentioned in the last mistake is one way, but making your halftones too dark is just as bad. So, general sloppiness with your value control is the bigger issue.
The first thing that is important to understand is that the value on any particular point on the surface is mostly determined by the angle of the surface in relation to the light source. Unless youâre dealing with highly reflective surfaces, then they act more like a mirror to the environment. For now, letâs stick to surfaces like skin, which are slightly reflective.
I did a lesson on âHow to Shade a Drawingâ a while ago. I highly recommend you watch that next. But generally, the part of the surface that points directly toward the light is called the center light.Â
It will be the brightest spot, excluding any reflected highlights.
As the surface turns away from the light source, those planes will get progressively darker. These are known as halftones. The more they face away the darker they are.
After we pass whatâs called the âterminatorâ the planes donât receive any direct light from the light source, since they are facing away from the light.
Everything in there is shadow. Unless youâre in space, shadows wonât be pure black.
Light will bounce off other things in the environment. So, within the shadows youâll have bounce light, or reflected light. But those are still darker than the halftones in the lit side. Thatâs the general concept. Thereâs also occlusion shadows, cast shadows, core shadows and highlights, but you can go watch the other lesson for the full explanation.
Ok, now that you understand form and how light reveals form, itâs important to stay consistent throughout your drawing. Light reveals the 3 dimensional forms because the value of a plane tells the viewer the angle of that plane. If you make your halftones as dark as your shadows, then youâre not communicating the correct plane angles and that breaks the illusion of form. That brings us back to that rule: the lightest dark is darker than the darkest light. Let me rephrase that a little. The lightest shadow is darker than the darkest halftone. Make a little more sense?
You might think that the reflected light under the jaw would be lighter than the halftone on the side of his check, but youâd be wrong. Just sample the colors and extend them out to see.
So, if itâs in the shadow family, it should be darker than anything in the light family. Organize your values and use them correctly in your drawing.
And the key is to stay consistent with that throughout your drawing. If you break that, it should be intentional.
Thereâs also incomplete shadows: scratchy shading that has all these little holes of light in the shadow.
The holes are as light as a highlight, and they break up the shadow and ruin the effect of light on form. So the shadows donât actually look dark, they just look spotty. Shadows look like halftones and halftones look like shadows⌠The result is dirty looking skin. You can fix this by filling in the holes manually, blending, or preventing it from happening in the first place by shading with tight, close-together lines.
When the shadows are consistent and clean like the image below, it has a much more realistic and 3-dimensional feeling. The goal is to clearly communicate what is light and what is shadow. That makes clear 3D form.
Check out Stephen Baumanâs patreon and instagram.
Below is another example of a master breaking the rules. Harry Carmean doesnât always fill in his shadows with clean tone. But, heâs still clearly communicating what is shadow and what is light. He uses the dark pencil only in the shadows. He uses the white pencil only in the lights. This clearly distinguishes the two. His mess is extremely well controlled. Itâs full of energy and fun to look at. Itâs skillfully designed, the anatomy is accurate and dynamic. It all holds together.
Again, if you want to participate in the Drawing Basics course, make sure youâre subscribed.
And if you have a few seconds, do me favor. If you have any friends or classmates that make some of these mistakes, save them! Tell them about this video.
Costume. Chitons.
Marjorie & C. H. B.Quennell, Everyday Things in Archaic Greece (London: B. T. Batsford, 1931).
Wait, waitâŚ. Is that seriously it? How their clothes go?
that genuinely is it
yeah hey whats up bout to put some fucking giant sheets on my body
lets bring back sheetwares
also chlamys:
and exomis:
trust the ancients to make a fashion statement out of straight cloth and nothing but pins
Wrap Yourself In Blankets, Call It a Day
Petition to sit down all the people who make coma theories about Adventure Time and tell them âlisten, this fucking show is about the last human living in a post-apocalyptic world where deadly magic has been reawakened following a global thermonuclear war that wiped out the rest of the human species, how much fucking darker do you want it to beâ
Even though I thought my first Creative Writing professor was kind of a douche, he made a good point about this. One of our first assignments was to write in this eerie, otherworldly style (we were mimicking a specific author whose name escapes me), so we had to write about eerie otherworldly things happening. Itâs no exaggeration to say that more than half the class had a âbig revealâ where we find out that the storyâs strange events and themes are all in the mind of some person in an insane asylum, or someone having a drug trip.
My professor said something like, âyou just successfully wrote a world that feels separate from our own, but got frightened last minute and shoe-horned in normalcy. You showed that you were afraid to commit to something different and interesting.â Though Iâm typically a contrarian and a piece of garbage, I am inclined to agree with my professor. I feel like people who write coma theories and the like are afraid to accept that the world of the story is separate from our own. They like everything wrapped up in this crazy little realism box where nothing out of the ordinary happens in fiction.
you win the Best Addition to a Post prize
Thank you :)
This pretty well hits the nail on the head as to why I generally hate coma/dream theories and people who think theyâre so fucking deep for coming up with it. In my book itâs LAZY, plain and simple.
I think the only times I can think of where âIt was all a dreamâ really works are in pieces like Over the Garden Wall, Ink, Coraline, and Mirrormask. In all of those, the characters âwake upâ again in their ânormalâ world, but thereâs a very strong implication that the dream world is as real, if not more so, than the ârealâ world, and the things they did in the dream world had a very direct impact on the waking worldâ not in an âIâm gonna be a better personâ sense, but literally who lives and who dies at the end of the story.
Notably, in most of those, itâs stated flat-out within the first couple of minutes that the character in question is dreaming. Itâs not a big reveal, itâs a fundamental detail of the setting.
If youâre gonna do a dreamworld, actually commit to doing a dreamworld.
Whatever it is you do, ACTUALLY COMMIT TO IT.
Iâd just read the bold sentences if tl;dr. Mostly Iâm giving more examples.
To agree with this entire thread: In my third year at uni, my fiction professor went through clichĂŠs and plot lines that are overdone, and/or should avoid. She said either donât write them, or, as last post says, âACTUALLY COMMIT TO IT.â When done right, it works.
When we write stories, the beginning is our contract to the reader as to what to expect. This doesnât mean there canât be twists in the story line, but the bones of the story that keep a reader grounded, basic facts about the world, are contracted at the beginning of the story. Therefore, the best âabsurdâ story lines will come right out and show theyâre crazy. Take The Metamorphosis, a German novella by Franz Kafka. The first line reads, âWhen Gregor Samsa woke up one morning from unsettling dreams, he found himself changed into a monstrous vermin.â (In this case he was a cockroach.) We, as readers, never question the absurdity of this, because we are told and contracted to this information at the beginning.Â
Itâs the same with language like jargon and slang in stories. Thatâs why books like Feed, a YA novel by M.T. Anderson, works so well, and The Outsiders by S.E. Hinton. Anderson brings up the crazy slang and lingo of the time period on page one and starts explaining the idea of the brain implants they use for computers on page three. âI donât know when they first had feeds. Like maybe, fifty or a hundred years ago. Before that, they had to use their hands and their eyes. Computers were all outside the body. They carried them around outside of them, in their hands, like if you carried your lungs in a briefcase and opened it to breatheâ (pg 10, paragraph 2). He starts his story on the fucking moon for Christâs sake.Â
There are even instances in manga where we find this. Tokyo Ghoul by Sui Ishida starts with his main character Ken Kaneki, in the first chapter, commenting on his own tragedy and foreshadowing his own eventual âdeathâ at the end of Tokyo Ghoul. (This excludes anything past TG, such as TG:RE) âIf you were to write a story with me in the lead role, it would certainly be⌠a tragedyâ (chapter 1, pg 46). If we didnât know this was a tragedy, and he just fucking dies at the end, weâd be pissed off that we rooted for him for 14 volumes! Ken telling the reader his life is a tragedy sets it up, so as we root for him, we know there is a big fucking chance this kid is toast.
When this contract is broken, and the writer changes the very bones of their story, the reader can feel betrayed. They may ask, âWhat was the point of me reading this if it was only a dream?â or âIf the main character was just going to kill themselves at the end without warning?â You shouldnât write an absurd story and play it off as just a coma patientâs dream, or some fantasy novel a character was writing. You canât say this entire fiction world isnât actually real, because we are reading a book, or watching a movie. Readers and viewers already know it isnât real. People want the immersion in fiction, so if you are going to create absurdity, I would say, COMMIT TO IT. If not, tell the reader at the beginning that itâs all a lie.
Places where death worked: Harry Potter in Harry Potter and the Deathly Hollows by J.K. Rowling, Primrose in The Hunger Games Suzanne Collins. (Though, I felt betrayed by that last one lol) Places where it-was-all-just-a-novel-I-wrote works: the og show Roseanne. Places where I-was-in-a-mental-institution works: The Catcher in the Rye by J.D. Saliner.
I *have* seen the coma-dream twist work well once, but what made it work is that it didnât come at the end of the story, but in the middle. It also wasnât an absurd story at the start, but a coming-of-age story (with some hints strung throughout). The coma-dream twist ended up with the author exploring the main characterâs depression and a new-found insomnia while she tried to return to her dream world. (And then actually managing to do it) Itâs one of the very few times Iâve seen it work. (It was a webcomic called âYu+Me: Dreamâ, found here: http://yume.rosalarian.com )
So yeah, like some of the earlier parts of the post mentions, if you want to make it a dream, commit to it, and explore the consequences of it.

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SenshiStockâs gallery consists of millions of pictures that are free to use as reference.
General Drawing Poses Sit and Kneel Dramatic and Reaching Drawing Poses Magic and Hogwarts Drawing Poses Staff Weapon Pose Reference Hammer, Axe and Bat Pose Reference Sword Weapon Drawing Reference Small Bladed Weapon Pose Reference Gun Weapon Pose Reference Bow and Arrow Archery Stock Foreshortening and Perspective Poses Dynamic Flying Falling Action Poses Deafeated or Laying Drawing Poses Magic Crystal Magical Girl Wand Weapon Transformations and Dance Cards Back Pose Reference Pin Up Inspired Poses for Drawing Performances Poses Life in General Poses Fights and Fighting Pose Reference Leaning Poses Classic Sailor Senshi Poses Wings Sailor Moon Villains Pairs Romance or Couples Pose Reference All the Male Stock Hanging Stock Drawing Reference Three or More Groups Instruments Mirrors Whip Technobabble Â
A glorious fuck-ton of human pose references.
reblogging because i feel like maybe i can draw again. sometime maybe soon.
def using these for fanart in the future
SPACE
Hey so uh,
As a trans guy whoâs been working out for a few years now and has learned a lot about their body and building muscle and whatnot in the process, hereâs something I donât see mentioned, like ever.Â
Abs donât really look Like That⢠when theyâre relaxed.
Hereâs a few examples from a Reddit thread asking for pictures of people both flexing and not flexing their abs
I rarely see male body positivity posts in general but Iâve never seen this mentioned, and honestly? Call me stupid for it if you want, but I genuinely thought that super defined look was something that was achievable in a relaxed state, simply because Iâve never seen anything to the contrary.Â
As someone with body dysmorphia as well as dysphoria, you can imagine the damaging effects that might have had on my mental health trying by to achieve the impossible. I can only imagine how many other masculine folk out there could be struggling with the exact same thing.
Anyway like, this is mostly to point out for masculine folks that might be pushing themselves too hard, that youâre probably doing better than you realise.Â
My personal anecdotal stuff aside, this is an important thing for artists to remember as well! This is something I never realised despite being an artist that goes to figure drawing classes on the regular and having modelled for them myself- because of course people with abs are flexing for the poses! I was doing it too! - Admin PastaÂ
I honestly had no ideaâŚ
Itâs A Giveaway!
To celebrate passing 600 followers , Iâm having another giveaway! Just like this post between now and 11:59 PM Eastern on Wednesday, June 13 2018 and you will be automatically entered into a random drawing for this adorable Yeolume Blackberry. Yeolume Blackberry is a beautiful doll, and even comes with a cute big bow and tiny tote bag.
Winner will be notified via tumblr messaging and has 24hrs to respond. If there is no response in that time another winner will be selected.
Giveaway is open to anyone, anywhere in the world, Iâm covering postage cost. If you are under 18, get your parents permission.
Good Luck!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A stray dog in Bolivia joined a monastery and became a monk. The resident monks of St. Francis Monastery, named for the patron saint of animals, decided to adopt a dog they call âFriar BigotĂłnâ from the Cold Nose Project, which hopes the dogâs story will now inspire more monasteries to take in homeless pets. Source Source 2 Source 3
@sskullsandb0nes
AKJSDFKLSD THEY MADE HIM A MONK
BigotĂłn means giant mustache in Spanish FYI
@janeghoulittle
Hamlet adaptation where Hamlet is a vlogger and all his soliloquies are breakdowns he uploads to YouTube
⌠I am unironically here for this
this is the funniest thing Iâve ever seen in my life
@snarkiwi
this is funny, but also some of the best, most human attention Iâve seen someone give modern Shakespeare in a WHILE
Holy shit, man.
Recoil-operatedâs $12 traditional mead:
So one of the most common things I see on my Mead posts is âIâd love to do that, but I donât have the stuffâ
Weâll sit down and buckle up. Because Iâm about to show you how to make a $12.56 traditional mead.
Hereâs the recipe:
1 gallon Deer Park/spring water. You donât want distilled.
3 lb or 32 fluid ounces honey.
One package of yeast.
a party balloon.
The cost total is $13.49, but you only need one pack of yeast. So -$0.90.
Letâs begin:
Everything together on a clean work surface, you will need a clean glass. And while not entirely necessary, a measuring cup will be handy.
Pour a cup of water for yourself and drink it. Hydration is important. Also this will allow you headspace.
Remove about ehhhhh, a quart or so of water to drink later.
Trust me. Youâre going to want it
Wash your drinking cup and mixing about a teaspoon of honey.
You have two options for yeast, that bread yeast we bought, or professional brewerâs yeast.
Theyâre both the same price. You can get brewers yeast off of Amazon.
I already have brewerâs yeast, so Iâm using brewerâs yeast
Stick that in that honey water.
Stick your honey in some hot water.
Go outside. Breath the free air. Know what it is⌠To truely live.
Enough of that bitch. Honeyâs hot. Put it in the water.
Put the water in the honey too.
Shake the sin out of it.
Put that stuff back in the big bitch.
Shake the sh*t outta it.
Hydrate yourself with the water you removed earlier.
Shank a balloon with a pin.
Add your yeasty honey water.
Balloon it.
Label it.
If your trad mead says anything racist, or anything positive about Hitler. Straighten that sh*t out.
And there you go. $12 (.56) traditional mead. Stick it somewhere dark and leave it alone for a while.
Shake the hell outta it once a day for the first four days. Then let it be until itâs clear.
Update:
Boozification has begun.
Lots of spices and herbs make for nice additions as well.
Good post.
Who the hell are you to tell your sentient trad mead what to think?
Iâm itâs creator. I have deemed racism to be sin.
I just went back through over 900 liked posts and dug out all the art tutorials so i can keep track of them. I guess this might be helpful to some of you guys, so here you go.
Here we go then!
Freeware
Alchemy - this is a really fun program. You play around making abstract shapes until you start to see something in them, kind of like a Rorschach test. Then you use the shapes as a base to draw it from. MyPaint - a pretty decent painting program that also has the benefit of working on Unix systems. openCanvas 1.1 - I havenât used openCanvas in years but it was a nice program with a pretty unique feel to it. ArtRage - Only used this a couple of times donkeyâs years ago just before I got oC, but Iâve heard good things about it. The GIMP - In a similar vein to Photoshop, but free. I couldnât get on with it when I tried it out a few years ago, but itâs pretty popular and is available on Unix systems and Macs.
Sketchbook copic: a bit different program
Not-free-ware
Photoshop - Standard painting fare. Probably the most flexible program (particularly the latest versions) but not designed to act in a ânaturalâ way. If youâve used it for painting versus something like Painter you know what I mean. Who the fuck pays for it though? Google âPhotoshop tumblr masterpostâ and take your pick. Paint Tool Sai - Far more affordable and definitely worth paying for if you can. The brushes are very decent (especially when theyâve been tweaked a little), the gui is simple and intuitive, and I dare you to find a program with which making smooth lineart is easier. Corel Painter - My program of choice for most things. More tools than you could ever possibly use and pretty cheap on a student license, providing that you can prove youâre a student! Itâs got a few bugs but if you want realism or a more natural feel than PS or SAI this is the program for you.
Anatomy
heads from different angles
anatomy and rotation of the head
human anatomy for artists
speed drawing studies
nude references
hands
arm and wing movement
beer bellies
body types
noses
box and egg/run of the stroke
a trick for arm proportions
body diversity
anatomy of the waist
feet
hands and forearms
Expressions
emotions and facial expressions
expressions from different angles (love this site)
body language
Poses
figure drawing examples
posemaniacs
gesture drawing
flexiblity
hand poses
Skin tones
handy pallet
painting skin
paint some life into your skin tones
ethnic skintones
Colouring
gamut mask tool (very nice!)
colour does not have to suck
5 easy ways to improve your colouring
fucking gradients, how do they work
light and shadow
painting crystals
achieving a painterly look in SAI
painting forests
colour scheme designer
kuler (more colour schemes)
portrait lighting cheatsheet
Brushes
a very nice setting for the sai acrylic brush
photoshop fur brushes (and tutorial)
lots of photoshop brushes
Other peoples masterposts
handy art link megapost
art references
stock artists
cocks and how to draw them
love your fellow artist (anything from prompt generators to animation background here, very nice)
e-books
art e-books (mediafire download)
even more e-books (including human anatomy, animal anatomy, cartoons, animation, composition, design, scenery, perspectiveâŚ)
Andrew Loomisâs books
the art of drawing
cutting edge anatomy
Tutorials
drawing 101
how to paint realistic hair
how to paint realistic eyes
conceptart.org tutorials
creature design
folds
glasses
a pretty extensive general art tutorial
tumblrs
fucking art, how does it work
wannabe animator
anatomical art
artist problems
criminallyincompetent (check out their #reference and #tutorial tags, theyâre gold)
i think iâm gonna put a link to this on my about page for easier access dudes
Peeps always complaining about not having programs, here ya gooo
How Food Looks Before Itâs Harvested.
Sesame Seeds
Cranberry
Pineapple
Peanut
Cashew
Pistachio
Brussel Sprouts
Cacao
Vanilla
Saffron
Kiwi
Pomegranate
exactly 1 minute ago i had absolutely no idea what the plants sesame seeds and peanuts came from look like and i am shocked and surprised

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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This is the Lucky Ace. Reblog to recieve a wad of cash that is oddly specific to your current needs.
I reblogged this shit two days ago yâall⌠what kinda sorcery is this. Oddly specific too âŚ. Iâll take it tho đ¤Ż
I think I did it wrong
You made me lol ^_^
Iâm reblogging cause I had a great boon, so charging this post with more power!
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