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@penguin-vibxs
i cant

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Oh, thank the Holy Mother Turnabout Ablaze is almost over. I'm going to finish this up and then go to bed.
Ambassador Quercus Alba:
That time of the year to draw Maya again
That Man! An Ace Attorney Fan Comic
More under the cut!
We need to isolate and start selectively breeding the plastic eating bacteria so we can optimise their efficiency, and then somehow splice their DNA into the gut bacteria of an obligate carnivore, so we can put it in our cats gut biomes so they'll finally be free of having to choose between whether they want to eat plastic or whether they want to live.
As a geneticist and microbiologist who has worked with plastic-degrading microbes briefly, this is theoretically possible. The most difficult parts would be finding a microbe that could take plastic in it's unaltered (or slightly stomach-acid degraded) form.
For my project, we were trying to identify microbes that could use partially treated plastic as a food source and break it down further. The carbon bonds in our daily plastics are really hard to get at and break, hence the bad degradation, so breaking some of those bonds through heat and chemicals first can help microbes get access to them. Once we identify a microbe that can do this, we could test giving them slightly less degraded plastic to live on until they develop a way to eat it and go until they either get back to normal plastic or hit a wall where the microbe can't progress anymore (which may be likely).
An alternative approach to breeding (although you don't 'breed' most microbes since they reproduce asexually but instead find strains with mutations that lead to desired changes) would be trying to predict an enzyme that could break the bonds in plastic, engineering it, and putting it in microbes to test if it works. On one hand it could overcome any natural halt selection has but would be initially harder to discover.
The best solution would probably be to find the microbe that can eat the partially degraded plastic, figure out what enzyme is doing the work, then see how the enzyme could be improved to work through plastic in its default state.
Once you have that, the next consideration would be what byproducts are created from eating plastic? Part of the project was hoping that the microbe that could eat plastic would produce a useful byproduct that could be harvested, as an unfortunate reality of our current world is that if it's not profitable it probably won't take hold. But if we wish to put this in a living organism, we need to make sure it won't produce a harmful byproduct, or if it does, then ensuring the organism can quickly turn it harmless before it builds up.
Once all of that is figured out, the next hardest thing would be ensuring that whatever gut microbe you put the plastic eating gene in continues to express it. Since plastic is so hard to use it would probably prefer to use any glucose lying around first, and if that runs out then switch to eating plastic. We could try removing its ability to eat glucose (or whatever other compounds it lives off of), but then it would be less competitive in the gut environment and would require a steady source of plastic in order to not die off.
Although, I assume cats (and some people) would not find that a challenge.

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when trying to implant barok van zieks into a modern au/or like a swap au where the tgaa cast is in the pwaa cast, or just in general, i often see him compared to miles edgeworth.. but i dont really see it that way
maybe from designs and aesthetics + being the main prosecutor that goes against the respective naruhodo (ryuunosuke/phoenix) i can understand it but fundamentally they are very different to me, especially with miles from the trilogy
miles edgeworth is very black and white in his thinking, if he is in court he must win. to win is to have the client declared guilty, and nothing else matters to him. it’s implied that he’s forged evidence before to get his verdict in court (though these are just rumors) he doesn’t see the court system as a way to call out those who’ve done wrong things and save the people drowning because of others, he sees it as a game where he is the winner. it doesnt matter if this is because of manfred von karma because either way this is his thought process too. in investigations he literally sees conversations as a chess game!! a game where your objective is to win by overtaking the other person!!
barok van zieks would not share this thought process, not at all.. the only reason why he started prosecuting again was because he knew that magnus mcguilded was an evil man and wanted to lock him away for taking advantage of the underprivileged.. he believes in justice, and the reason for everything he does is to find the underlying truth. yes, he is close minded and racist by assuming ryuunosuke’s character because the man who killed his brother and ran a rampage across britian (as far as he knew) was japanese, but in the eyes of the law he is actually quite open. when he learns that klint was the true killer, he didn’t vehemently deny it but let a quiet grief sink into him
if anything, i think that barok van zieks is more similar to klavier gavin. they both see the courtroom not as a game to win or settle a score but rather a place to represent people in need and put away those whove harmed others, but have been steered away from the truth by an older figure in their life who also has a position in the law (kristoph, stronghart)
EDIT: ive also just remembered another similarity between klavier and barok. both of them had someone close to them, someone they trusted, in a position of law enforcement, end up as a murderer!! for klavier it was daryan and him killing someone during turnabout serenade, with daryan also being an interpol agent (? i think) aand for barok it waa klint, his brother, who ended up being the professor and klint was a nobleman and also a very respected prosecutor (i think? i don’t remember what specifically) both of these were betrayals that changed how they thought about people and who they trusted…
idk. Go my bullshit
this trial's gonna be fun
Drawn by me in Infinite Painter
Susato and Ryunosuke's friendship is so compelling and solid because they trust and respect each other completely. It comes to an awkward juxtaposition with both of their relationships with Kazuma: Kazuma respects them and trusts them both, but not completely. Ryuu gets something: Kazuma will tell him there's something else he's supposed to do, but will not tell him what it is. Kazuma will tell Ryuu he has all the makings of a great lawyer, but will not tell him why he needs him to be one. Susato gets....not even that. She doea get something: Kazuma will make sure that she is included on the study tour, despite her not having any official qualifications or even being an university student. But she is not Kazuma's peer; she is his assistant, the little sister; she is not his friend. Not like Ryuu is.
Susato is Ryuu's friend and his peer. Susato might be his assistant, but functionally, at times, she is much closer to being his co-counsel, a lawyer with her own merit, solving the cases by his side. This comes to a head when she takes up the mantel of both the defence lawyer and being Naruhodo. Susato might be asking Kazuma for wisdom and courage for the task (standing in front of a grave where he is not in and never was) but when it comes to actually taking a page out of someone's book, it's Ryunosuke who she turns to. Meanwhile, Ryunosuke misses both Kazuma and Susato, but he in the text feels the empty place Susato left behind more. Perhaps it's because Kazuma is, at that point, dead to him (due to no fault of Kazuma's own) and missing him has become something unattainable; missing Kazuma won't bring him back. But Susato is still there, she is alive and she has carved her place next to him so strongly that Ryuu feels her absence like he is almost grieving her as well; he counts the days of how long they have been apart and feels depressed over how much time has passed. It's not the same without her, and living normally while she is away is a much bigger ask than living without Kazuma.
Then Kazuma comes back and it's not the same, and then Susato comes back and it is. Kazuma comes back and Susato and Ryunosuke are there waiting for him, on equal footing with each other, and Kazuma turns away from both of them just the same.
I don't want to drag Kazuma too much; he is young and still lost, despite how much more put together than Ryuu he seemed at the start. He is allowed to be that. The thing is, Kazuma doesn't allow himself to be lost; he can not allow himself to be lost. If he is lost, then he doesn't know where he is. If he is lost, then he has to trust someone else to show him the way. To be led by the hand out of the dark forest, instead of being the one leading; to be the one holding onto the hand extented to him, instead of being the one holding out his hand. And he is truly lost by the end, and threatening to lead everyone else around him deeper into the forest because he can't admit that he has no idea where he is going, and instead insists on the path he has taken, because he has been walking it for so long already and it has to lead somewhere, eventually; the forest can't go on forever. He just hasn't realised that even if the forest ends, it ends not because he will reach the clearing, but because there is ravine in front of him that he couldn't see in the dark.
Kazuma and Barok are very similar in this sense; both of them are inherently distrusting of the world around them because they have decided to be that way. Barok just stopped walking towards the darkest part of the path without a light slightly before Kazuma did because he recognised eventually that doing so would be utterly idiotic and self-destructive. Kazuma needed to be physically pulled back at the last second, but he did stop trying to break free eventually, too.
Ryunosuke isn't some paragon either; he isn't some flawless saviour. He simply decided to trust others, and let others come to trust him. It is much easier to find your way when you are walking with a group where one has a map, the other has a compass and the third has a torch; and even if they didn't have any of those, walking in the dark is less scary when you have a hand to hold onto. Ryunosuke and Susato found each other in the darkness and decided to hold onto each other, both of them trusting the other to lead the way when they couldn't find it anymore; neither of them was dragging the other somewhere they couldn't be sure was the right way. And here they are now, right where they both want to be.
So, funny story. My friend wanted me to find Ace Attorney stickers, so I asked her if she wanted me to find a chibi Maya eating a burger, and she said yes. I proceeded to spend an hour on the internet trying to find such an image, to no avail.
So I took matters into my own hands.
“There is but one attraction in Shipshape Aquarium that is worth anyone’s time…and that is the penguins.”

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my friend sent this a few months back so I drew asoryuu in my notes app
of course, it felt empty without susato too
Thoughts on Nahyuta Sahdmadhi
WARNING: This post contains major spoilers for the mainline Ace Attorney games and The Great Ace Attorney Chronicles!
My first impression
Nahyuta is one of the least popular prosecutors in the Ace Attorney franchise, and it's not that difficult to see why. He's irritating, condescending, and abusive toward the defence, and, by extension, the player.
I am of the opinion that there are no bad Ace Attorney games. I adore the franchise and 99% of its characters. However, although I had a lot of fun playing through Spirit of Justice, I could never really stand Nahyuta. It wasn't the first time I started out disliking the main antagonist of an Ace Attorney game—on the contrary, pretty much every antagonist other than Klavier rubbed me the wrong way at first.
However, unlike with literally all the other prosecutors, Nahyuta's redemption fell flat for me. I felt that Turnabout Revolution was a great ending to Spirit of Justice, with spectacular plot twists and great development, especially for Apollo and Rayfa. It is definitely up there as one of my favourite finales in the franchise.
But despite the typical revelation of the main prosecutor's complex and tragic backstory, I felt... not much. I was still fed up with the previous hours and hours of court in which he'd constantly tell Phoenix, Apollo, and Athena to give up and go to hell—especially when doing so would mean giving up on Trucy and Maya, two of my favourite characters in the franchise (oh, and getting the death penalty for Maya and Phoenix). A few moments in the spotlight during his hasty redemption didn't do much to change my opinion of him.
And so I dumped Ace Attorney's sixth mainline prosecutor into a lonely little box of "characters I dislike," and went on my merry way.
...
That is, until I read a pair of Khura'in-focused fanfics a couple of months ago. And oh boy, did I realise that I'd been underappreciating Nahyuta all this time. Nahyuta's story is heartbreaking and compelling to rival many of the most beloved backstories in the franchise.
And yet, he remains one of the least popular characters in the series. So how did Capcom mess this up?
The Annoying Antagonist
Well, the typical Ace Attorney formula was not good for Nahyuta.
Every game introduces you to this annoying antagonist with a deeper character is only explained in the final case. Except maybe Klavier Gavin. He was pretty nice and cooperative from the get-go. (does that make Beanix the annoying antagonist of AA4?)
But anyways, back to my point that every other Annoying Antagonist™️ starts to show elements of their true personality and motivations before the redemption in the finale. I saw someone call it the "unnecessary feelings" moment which is incredibly funny but it fits.
But the problem with Nahyuta is that all his development and redemption HAS to be offscreen until the finale, because of the blackmail and the facade he's always putting up.
Compare with Rayfa, who's also pretentious and annoying at first, but we actually interact with her outside court and see the cracks start to show when she starts to see past Ga'ran's propaganda. But other than Apollo and Ema insisting that Nahyuta's a good person, it's hard to see any indication of internal conflict in Nahyuta until the very end, and by that time, you're too fed up with him to actually care that much in retrospect.
But as the fics prove, Nahyuta's story IS incredibly interesting and nuanced, and it becomes more obvious when looking back at soj after having finished it.
Take this exchange in 6-4:
Nahyuta's affected by what Athena says to Geiru, because it hits close to home—with his own struggles of living up to his father's name, yet not being able to carry out his ideals.
The signs of Nahyuta's internal conflict are there, and are especially obvious on the replay. However, when playing though the games for the first time, they're basically impossible to spot without the context of the big reveals of 6-5.
Comparing to other prosecutors
I think the best prosecutors to compare arcs with Nahyuta are Franziska von Karma, Simon Blackquill, and somewhat Miles Edgeworth. For now, I'm just going to look at Franziska, but sometime later, I might do a deep dive into Blackquill and Edgeworth as well.
Like Nahyuta, Franziska's also annoying and abusive whenever we interact with her in Justice for All. However, one of the key differences is that unlike Nahyuta, her nastiness is part of her character, not something that was imposed on her because of blackmail.
And no one's trying to convince us that Franziska's actually a completely different person off-screen. Everyone who meets her agrees that she's a terrible person.
Compare to Nahyuta, who's also nasty, but Apollo and Ema keep insisting that he's actually a paragon of justice and reason when he's not around.
And when Franziska does become a better person, we can SEE her character change gradually through her actions. Granted, she benefits tremendously from having her arc stretched out over Trials and Tribulations and the Investigations collection.
I'll probably update this with comparisons to Blackquill, Edgeworth, and some other prosecutors later on, but for now, I'm going to leave it here.
Parting thoughts
After re-considering Nahyuta, I definitely appreciate him a lot better, and it's a shame that Capcom couldn't properly give him the character development he deserved.
He's still my least favourite mainline prosecutor. I no longer dislike him, though, and I think he's a very interesting character. It's just that I absolutely adore all the other mainline prosecutors, so he unfortunately ranks below them.
Kay Faraday from Ace Attorney Investigations