Glorious Gems of MP - The Woven History of Chanderi
The fabric of Chanderi has great tales woven into them. The name of the town itself is synonymous with the world of exquisitely hand-crafted saris. The unique warp and weft of chanderi saris are one of the best kept secrets of this town. The saris are woven out of very fine threads making them extremely lightweight and wearable all year long. And the trade of these sarees has been passed on from one generation to the other, and each member of the family makes a significant contribution to the craft.
Chanderi saris use cotton and silk for the base, and zari butis are woven using extra weft technique. It is amazing to watch each motif being created by hand, one thread at a time. The more complex designs on borders and pallu are now made by dobby and jacquard (complex cards are added to the loom). The beautiful colours (neembu-lemon, narangi-orange, tamatari-tomato) and motifs (leaves, mango, chana-peas) are all inspired by nature.
With a background in Textile Design, I was completely drawn to the painstakingly detailed process of weaving. During my graduate programme I had to make a number of table loom samples and if that was challenging for me, Chanderi weaving is a class apart in its mastery. The simplest of Chanderi sari takes at least 3 days to weave, depending on the motifs and complexity of the design. All the weavers have soft hands enabling them to work with extremely fine threads. There are about 5000 weavers working on looms in Chanderi today.
Later, I got an opportunity to meet a few master weavers and visit their homes. The little time I spent with them will remain in my memory forever. The honesty and sincerity of these talented craftsmen humbled me. I was gazing with wide eyes at the beautiful sari being made right in front of me and in that moment I gained deep respect for these guys, for it takes a colossal effort to set up the loom. With the meticulous addition of each buti (motif), I saluted them for the enormous creativity, patience, skill and sincerity required to master this process.
Looking at my enthusiasm, one of the weavers narrated a small couplet for me:
“Sheher Chanderi Momenbada,
Tiriya Raj Khasam panihara”
“In the city of Chanderi where weavers dwell,
women rule whereas men fill water”
Master weaver Abdul Fareed, who has been in this business since the last 20 years, showed me some of his sarees. His favourite color is Gajari Pink (Carrot Pink) and favourite motif is Keri (Mango).
Spending time at the weavers’ basti, I was curious to know about the origins of these Bunkars (weavers). “How did the city of looms come to be?”, I enquired. And my guide Kalle bhai, a very erudite man told me the story of the weaver community.
It is believed that they came from the lost city of Gaur Lakhnauti - an ancient city that thrived on the India-Bangladesh border. Kalle bhai’s quest to search the origins of this ancient city led him to Bangladesh in 2011 where he discovered art, crafts and even dialect similar to that of Chanderi. He has penned his research and findings in a deeply engrossing book.
Another highlight of Chanderi saris is the kaala tika (black spot) that each weaver puts on the sari marking its originality and more importantly to protect it from the evil’s eye - a practice common in India.
Some of the traditional designs are Masrai Dadia Sari, Do Chashmi (both sides can be worn), Daadi Dar, Baane Bar and Mehandi Bhari Haath. One master weaver has been weaving the Mehandi Bhari Haath sari since 1976. Chanderi fabrics are so precious that they are treated like a newborn baby, with utmost care. Legend has it that Chanderi was the most prized fabric of Akbar’s court. With diminishing royalty, Chanderi fabric also saw downfall in production and skilled craftsmen. When Madhav Rao Scindia I inherited the throne, he established a training centre for the weavers of Chanderi.
A centre that is making waves across the city and the country is Chanderiyaan- a cluster of weavers part of Digital Empowerment Foundation (DEF) and Media Lab Asia. It is a social entrepreneurial initiative towards sustaining livelihoods of the Chanderi weavers community. Set up in the Raja Rani Mahal where heritage seeps through each and every wall, Chanderiyaan is an opportunity for weavers to bypass the hefty network of middlemen and sell their creations directly in the global market. That’s why they call it the Digital village of Chanderi.
Designers from all over the country come to Chanderiyaan to develop their weaves and saris. It felt great to see digital empowerment allowing the craft to live long and prosper.
The looms shall be etched in my memory for years to come and the weavers shall continue to remind me of their rich heritage, pride and modesty. The exquisitely crafted saris will wrap me around in their sheer radiance. With a hope to return someday, I bade salaam and left this magnificent city.
Neethi Goldhawk is an independent illustrator and textile print designer who loves drawing all things dreamy, inspired by nature and life. She has illustrated for platforms like Redbull Amaphiko and Launchora. Her pen name (Goldhawk) was concocted in the crowded space of her mind full of absurd characters, who are but little children at heart. She is an avid Tumblr blogger and can be found here
tangentwithtanner
jacobvanloon
andulkaphoto
2087
pixelskylines
origamiaround
