Every day is Caturday to a cat, Ravi Amar Zupa
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art blog(derogatory)
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Kaledo Art
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Origami Around
PUT YOUR BEARD IN MY MOUTH
DEAR READER
we're not kids anymore.

I'd rather be in outer space 🛸
One Nice Bug Per Day

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@pastself-futureself
Every day is Caturday to a cat, Ravi Amar Zupa

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Ellen von Unwerth
Tasha Tilberg (1997)
The Streets of San Francisco, Robert Bechtle
Every few years I remember that the Alternative Limb Project exists and get blown away once more by their work.
This one is half hyper-realistic, and half swapable sections based on the woman's personality, moods, and spirituality.
This one comes with a DRONE and has control panels in the wrist and forearm, as well as a flashlight and laser pointer.
This one is older, from 2012, but I still love it. Shiny shiny.
This one has a WORKING CUCKOO CLOCK IN THE KNEE. A WORKING. CUCKOO CLOCK.
Another older one, this one with realistic snake.
This is a two part one, dedicated to railway workers/builders/passengers who lost limbs. The limbs can be hooked together to allow the little train to travel between them.
This one is a literal swiss army knife arm, full of survival supplies.
Just. GAH. They are all so neat.
The project was started by Sophie de Oliveira Barata and you really have to check out her work: https://thealternativelimbproject.com/
Right? Eric Stefanski

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“Untitled” (Portrait of Ross in L.A.) is a 1991 piece by Felix Gonzalez-Torres in the collection of the Art Institute of Chicago. It’s a spilled pile of candy.
“Untitled” (Portrait of Ross in L.A.) represents a specific body, that of Ross Laycock, Gonzalez-Torres’ partner who died of AIDS in 1991. This piece of art serves as an “allegorical portrait,” of Laycock’s life.
The pile of candy consists of commercially available, shiny wrapped confections. The physical form of the work changes depending on the way it is installed. The work ideally weighs 175 pounds (79 kg) at installation, which is the weight of Ross Laycock when healthy.
Visitors are invited to take a piece of candy from the work. Gonzalez-Torres grew up Roman Catholic and taking a candy is a symbolic act of communion, but instead of taking a piece of Christ, the participant partakes of the “sweetness” of Ross. As the patrons take candy, they are participants in the art. Each piece of candy consumed is like the illness that ate away at Ross’s body.
Multiple art museums around the world have installed this piece.
Per Gonzalez-Torres’ parameters, it is up to the museum how often the pile is restocked, or whether it is restocked at all. Whether, instead, it is permitted to deplete to nothing. If the pile is replenished, it is metaphorically granting perpetual life to Ross.
In 1991, public funding of the arts and public funding for AIDS research were both hot issues. HIV-positive male artists were being targeted for censorship. Part of the logic of “Untitled” (Portrait of Ross in L.A.) is you can’t censor free candy without looking ridiculous, and the ease of replicability of the piece in other museums makes it virtually indestructible.
As of late September 2022, the Art Institute of Chicago has changed their exhibit label on this piece to remove any mention of AIDS, Ross Laycock, death, or his relationship with Gonzalez-Torres (via willscullin on Twitter).
Left: old wall text. Right: new wall text as of 9/28/22.
The language they’ve changed to use, talking about “the average body weight of an adult male” is the kind of careful language that art museums might use when we don’t know for sure what something is about – but in this case we do know exactly what the Gonzalez-Torres intended this to be about. (Take it from the Smithsonian if you don’t want it from me!) The museum hasn’t attempted to offer any explanation why, although I cannot think of any unless they wanted to give in object lesson that erasure doesn’t stop even in death.
Double Trouble, Photo by Ellen von Unwerth, 2008
Naomi Campbell × Thierry Mugler
© Ellen von Unwerth
Ellen von Unwerth
Bavaria: Tete-à-Tete (2015)

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Country which is the most joked about in another country. (source 1, 2)
I love how it seems to be next-door neighbours like the UK and Ireland and Spain and Portugal.
And I love how Sweden’s like “LOL those Norwegians AM I RIGHT” and everyone else in the region’s just like “…no it’s just you Sweden”
Also Italy, hats off to you for being self-deprecating :D
Living as an Asian Girl, Joy Li
The single greatest and most fascinating “futurist” architecture movement in the world right now is happening in Bolivia, where national prosperity and a dedication to works for the poor and public housing led to an explosion of colorful styles inspired by Aymara Indian art. There should be more articles about this, the interiors are just as amazing. Incidentally, most of these buildings are not for the rich or in trendy neighborhoods, but are public housing. I’ve heard this style referred to as “Neo-Andean” but like most currently thriving styles it doesn’t have a universally agreed on name yet.
What a remarkable woman.
Wholesome

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