Theodore

La Belle Noiseuse (Jacques Rivette, 1991)

Tararua Forest, New Zealand

detail from Annunciation by Jan van Eyck, c. 1434-1436 {full}

Venus Victorious (or Venus Victrix) (18th century) by Pierre-Jacques Bethon (d. 1773), signed ‘Bethon’ lower right, oil on canvas, 138.5 x 105 cm (54.5 x 41.3 in), Private Collection

Us in another life….

Mermaids on the Rocks (19th century) by Wilhelm Kray (German, 1828 – 1889)

Love's Messenger, (Details), (1885), by Marie Spartali Stillman (British, 1844 – 1927), watercolor, tempera and gold color on paper mounted on wood, 32 in (81.2 cm) x 26 in (66 cm), Delaware Art Museum, Wilmington

Ariadne (1898) by John William Waterhouse RA (English, 1849 – 1917), oil on canvas, 91 cm (35.8 in) x 151 cm (59.4 in), Private Collection

Vénus (often referred to as Victorious Venus or Vénus victorieuse) (1875) by Alexandre Cabanel (French, 1823 – 1889), oil on canvas, 149.5 cm (58.8 in) x 97.2 cm (38.2 in), Musée Fabre, Montpellier

Diana and Actaeon (Diana Surprised in Her Bath), 1836 by Camille Corot (French, 1796--1875)

The Penitent Mary Magdalene in the Cave, (Detail), (1890), by Edouard Kasparides (Austrian, 1858 – 1926), oil on canvas, 45.5" x 67", Private Collection

The Baptism of Christ (1550-1560) by Paolo Veronese (Italian, 1528 – 1588), oil on canvas, 106.7 cm (42 in) x 79.4 cm (31.2 in), The Barnes Foundation

Mars & Venus, Allegory of Peace, (Detail), (1770), by Louis-Jean-François Lagrenée (French, 1725 –1805), oil on canvas, height: 852 mm (33.5 in) x 743 mm (29.2 in), Getty Center, Los Angeles

Loie Fuller, early 1900′s