he/they/it, if you feel like having fun my neos are far/faer or bug/bugself! online i go by Bug as a nickname.
i post shit here its like 99% reblogs and shitposts. on main
tagging is inconsistent bc mobile app sucks ass but generally my stuff is tagged #my art or #the bug speaks unless it isn't <3
i enjoy: video games (hollow knight, silksong, rain world + the watcher, vintage story, minecraft, pokémon, valheim, deep rock galactic), worldbuilding/specbio/specevo, bugs and critters, neat plants and fungi, fantasy and fantasy creatures, textile and fiber arts, and i've been dabbling in photography.
i’m so obsessed with Trigun right now it’s embarrassing. Project Hail Mary is cool too i guess (hiding thousands of pictures of ryland grace in my pockets)
i have a ton of sideblogs to organize my posting or else i would never be able to find my own posts
sideblog masterlist:
@digital-scrapheap ; rain world, plus assorted post-apocalypse slash abandoned industrial type shit (might need an aesthetic blog one of these days lol)
@wanderers-idol ; hollow knight and silksong corner
@little-flea-market ; original art blog, currently kinda empty bc whoops all fanart but im aiming to fix that. both finished pieces and sketches
@moons-secret-library ; brand-new sideblog i made for my worldbuilding ideas + writing + projects, all in one place -> pretty empty lol might get replaced by a loreforge account
@freaky-bug-sex ; NSFW. rarely used. if you know me irl just be cool
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Something like this would be so colossally helpful. I'm sick and tired of trying to research specific clothing from any given culture and being met with either racist stereotypical costumes worn by yt people or ai generated garbage nonsense, and trying to be hyper specific with searches yields fuck all. Like I generally just cannot trust the legitimacy of most search results at this point. It's extremely frustrating. If there are good resources for this then they're buried deep under all the other bullshit, and idk where to start looking.
another addition as far as physical media goes there is the encyclopedia of national dress (that i still need to buy myself bc this kind of thing is super important to my sort of fantasy designing) but yes i do agree i wish there was EVEN MORE documentation on this
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saw a youtube video with a date of 20 years ago and i thought "surely this is a glitch, youtube wasnt even around 20 years ago" and then i watched as my hands shriveled and fell to dust before my very eyes
getting scambot messages from random accounts that clearly used to be normal active blogs is sad enough. you know that there used to be a real person on that blog until they were tricked into handing their password to the digital fae.
but it's an entirely new level of tragic when somebody you've actually spoken to gets turned into a bot account. it's like peeking at a zombie apocalypse through the window and realizing one of the shambling corpses was your friend.
and then the zombie catches sight of you, lurches up to your window, and shouts through the glass that they accidentally reported your account to tumblr and you'll be deactivated unless you click this link.
RIP to the blog that used to DM me to tell me they liked my new chapters. Their last known words spoken before being turned, 17 hours ago: "Ggs!" They were praising someone's deadlift.
the message they tried to get me with is probably the same message that got them, so for anybody who hasn't already been warned about the signs of a zombie account:
if you get something like this ↑ they're gonna follow up by instructing you to contact tumblr support on discord and give you contact info; or they're gonna link a website that looks sort of like tumblr support and say you have to email them; or any variety of "you must now contact tumblr, here is how you contact tumblr."
whatever they send you, it Does Not lead to tumblr. it leads to the master zombie that bit them and inducted them into the ranks of the undead, and will bite you the second they have your email and password. i might be confusing zombies and vampires. anyway,
it's easier to fall for these messages because the blog doesn't LOOK like a bot blog, because it ISN'T a bot blog. it's a normal person's blog that got accessed by a bot, meaning the blog's content CLEARLY looks like a real active user when you click on it. and yes—it might even be a blog you already know. sometimes bots like this go down a blog's DMs or reblogs and message people they've previously interacted with.
they got one of my treasured followers, and they can get you too. don't fall for their tricks. know the signs.
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It was a Tuesday in 1981 when the San Francisco police kicked in the door.
Inside the small apartment, they expected to find a hardened criminal. They expected a drug kingpin. They expected resistance.
Instead, they found a 57-year-old waitress in an apron.
The air in the apartment smelled sweet, thick with chocolate and something earthier. On the kitchen counter, cooling on wire racks, were 54 dozen brownies.
The police officers began bagging the evidence. They confiscated nearly 18 pounds of marijuana. They handcuffed the woman, whose name was Mary Jane Rathbun.
She didn't look scared. She didn't look guilty.
She looked at the officers, smoothed her apron, and reportedly said, "I thought you guys were coming."
She was booked into the county jail. The headlines wrote themselves. A grandmother running a pot bakery. It seemed like a joke to the legal system, a quirky local news story about an older woman behaving badly.
But Mary wasn't baking for fun. And she certainly wasn't baking for profit.
To understand why Mary risked her freedom, you have to understand the silence of the early 1980s.
San Francisco was gripping the edge of a cliff. A mysterious illness was sweeping through the city, specifically targeting young men. Later, the world would know it as AIDS. But in those early days, it was just a death sentence that no one wanted to talk about.
Families were disowning their sons. Landlords were evicting tenants. Even doctors and nurses, paralyzed by the fear of the unknown, would sometimes leave food trays outside hospital doors, afraid to breathe the same air as their patients.
Men in their twenties were wasting away in sterile rooms, dying alone.
Mary knew what it felt like to lose a child.
Years earlier, in 1974, her daughter Peggy had been killed in a car accident. Peggy was only 22. The loss had hollowed Mary out, leaving a space in her heart that nothing seemed to fill.
When the judge sentenced Mary for that first arrest, he ordered her to perform 500 hours of community service. He likely thought the manual labor would teach her a lesson.
He sent her to the Shanti Project and San Francisco General Hospital.
It was a mistake that would change American history.
Mary walked into the AIDS wards when others were walking out. She didn't wear a hazmat suit. She didn't hold her breath. She saw rows of young men who looked like ghosts—skeletal, in pain, and terrified.
She saw "her kids."
She began mopping floors and changing sheets. But soon, she noticed something the doctors were missing. The harsh medications the men were taking caused violent nausea. They couldn't eat. They were starving to death as much as they were dying of the virus.
Mary knew a secret about the brownies she had been arrested for.
She knew they settled the stomach. She knew they brought back the appetite. She knew they could help a dying man sleep for a few hours without pain.
So, she made a choice.
She went back to her kitchen. She fired up the oven. She started mixing batter, not to sell, but to save.
Every morning, Mary would bake. She lived on a fixed income, surviving on Social Security checks that barely covered her rent. Yet, she spent nearly every dime on flour, sugar, and butter.
The most expensive ingredient—the cannabis—was donated. Local growers heard what she was doing. They began dropping off pounds of product at her door, free of charge.
She packed the brownies into a basket and took the bus to the hospital.
She walked room to room. She sat by the bedsides of men who hadn't seen their own mothers in years. She held their hands. She told them jokes. And she gave them brownies.
"Here, baby," she would say. "Eat this. It'll help."
And it did.
Nurses watched in amazement as patients who hadn't eaten in days began to ask for food. The constant retching stopped. The mood on the ward shifted from despair to a quiet sort of comfort.
Mary Jane Rathbun became "Brownie Mary."
For over a decade, this was her life. She baked roughly 600 brownies a day. She went through 50 pounds of flour a week. She became the mother to a generation of lost boys.
She washed their pajamas. She attended their funerals. She held them while they took their last breaths.
She did this while the government declared a "War on Drugs."
By the early 1990s, the political climate was hostile. Politicians were competing to see who could be "tougher" on crime. Mandatory minimum sentences were locking people away for decades.
In 1992, at the age of 70, Mary was arrested again.
This time, the stakes were lethal. She was charged with felonies. The district attorney looked at her rap sheet and saw a repeat offender. He threatened to send her to prison.
One prosecutor famously whispered to a colleague that he was going to "kick this old lady's ass."
They underestimated who they were dealing with.
They thought they were prosecuting a drug dealer. In reality, they were attacking the most beloved woman in San Francisco.
When the news broke that Brownie Mary was facing prison, the city erupted.
It wasn't just the activists who were angry. It was the doctors. It was the nurses. It was the parents who had watched Mary care for their dying sons when the government did nothing.
Mary turned her trial into a pulpit.
She arrived at court not as a defendant, but as a grandmother standing her ground. The media swarmed her. Reporters asked if she was afraid of prison. They asked if she would stop baking if they let her go.
Mary looked into the cameras, her voice gravelly and firm.
"If the narcs think I'm gonna stop baking brownies for my kids with AIDS," she said, "they can go fuck themselves in Macy's window."
The quote ran in newspapers across the country.
The court didn't stand a chance.
Testimony poured in. Doctors from San Francisco General Hospital wrote letters explaining that Mary’s brownies were medically necessary. Patients testified that she was an angel of mercy.
The charges were dropped.
Mary walked out of the courthouse a free woman. But she didn't go home to rest. She realized that her personal victory wasn't enough. As long as the law was broken, her "kids" were still in danger.
She needed to change the law.
August 25 was declared "Brownie Mary Day" by the San Francisco Board of Supervisors. It was a nice gesture, but Mary wanted policy, not plaques.
She teamed up with fellow activist Dennis Peron. Together, they opened the San Francisco Cannabis Buyers Club—the first public dispensary in the United States. It was a safe haven where patients could get their medicine without fear of arrest.
But Mary wanted more. She wanted the state of California to acknowledge the truth.
She campaigned for Proposition 215. She traveled the state, despite her failing health. She spoke in her simple, direct way. She didn't talk about liberties or economics. She talked about compassion. She talked about pain.
She forced voters to look at the issue through the eyes of a grandmother.
In 1996, Proposition 215 passed. California became the first state to legalize medical marijuana.
It was a domino effect. Because one woman refused to let her "kids" suffer, the public perception of cannabis shifted. The Economist later noted that Mary was single-handedly responsible for changing the national conversation.
She never got rich.
She had always joked that if legalization ever happened, she would sell her recipe to Betty Crocker and buy a Victorian house for her patients to live in.
She never sold the recipe. She never bought the house.
Mary Jane Rathbun died in 1999, at the age of 77. She passed away in a nursing home, poor in money but rich in legacy.
Today, over 30 states have legalized medical marijuana. Millions of people use it to manage pain, seizures, and nausea.
Most of them have never heard of Mary.
They don't know that their legal prescription exists because a waitress in San Francisco decided that the law was wrong and her heart was right.
They don't know about the 600 brownies a day.
They don't know about the thousands of hospital visits.
Mary didn't set out to be a hero. She told the Chicago Tribune years before she died, "I didn't go into this thinking I would be a hero."
She was just a mother who had lost her daughter, trying to help boys who had lost their way.
She proved that authority doesn't always equal morality.
She proved that sometimes, the most patriotic thing a citizen can do is break a bad law.
Every August, a few people in San Francisco still celebrate Brownie Mary Day. But her true memorial isn't a date on a calendar.
It is found in every oncology ward where a patient finds relief. It is found in every dispensary door that opens without fear.
It is found in the simple, quiet courage of anyone who sees suffering and refuses to look away.
Mary taught us that you don't need a law degree to change the world. You don't need millions of dollars. You don't need political office.
Sometimes, all you need is a mixing bowl, an oven, and enough love to tell the world to get out of your way.
Sources: New York Times Obituary (1999), "Brownie Mary" Rathbun. San Francisco Chronicle Archives (1992, 1996). History.com, "The History of Medical Marijuana." Weird Everything, FB december 12, 2025
I'd be only too happy to do that. I was suspicious to start, too. It seemed a bit on the nose to have the weed brownie grandma named "Mary Jane," but also, that's a very common combination in a certain place and time, so I thought it was worth the extra effort.
What I did was find sources that made the claim (in this case, that a woman named Mary Jane was a medicinal marijuana activist in California, USA in the 1980s and 90s.) I checked the dates to get some certainty those sources aren't AI slop, then checked that the sources are generally reliable.
Then I followed useful details about the place and time, and other people involved, to explore it more fully.
The first thing I did was search for "Brownie Mary" and see if that turned anything up at all. It turned up a LOT of results. Predictably, some of them were recipes, but not all of them.
Next up, I checked sources and dates. Wikipedia can be dodgy for academic use, but their policy on LLM-generated input is very clear: they don't want slop. I started by reading that page and then went on to read others.
The Atlas Obscura article is from 2018. I found another one from SFWeekly from 2017.
Both of those are decent sources - Atlas Obscura gets a High factual reporting rate from MediaBiasFactCheck, and while MBFC doesn't have a rating for SFWeekly, the verbiage in that article is very close to what GastroObscura has. (Also to what the post itself has, right down to the choice of pull quote.)
Now, we can stop there and feel pretty confident that articles published before the wide availability of LLMs are not, in fact, LLM generated.
...or we can go deeper, and run this all the way back to source.
I spotted references to a Chicago Tribune imterview of Mary Jane Rathbun, published in 1993.
My search string of "Chicago Tribune 1993 Mary Jane Rathbun" hit it in the top 3 results. That article includes some fun new details: she wore a cannabis leaf shaped pendant to her trial!
She also objected to being portrayed as a cuddly grandma up against The Man, so I must retract my flippant tags, above.
The evidence now strongly points to Brownie Mary being a real woman who really went to court for giving AIDS patients weed brownies. But can we get closer? I've now seen several mentions of a 1980 attempt at convicting her too.
The articles have mentioned Sonoma County and a nonprofit called the Shanti Project, so let's hook onto that and see what we get.
Searching for "Mary Jane Rathbun Sonoma County 1980" gets me an article from a law firm; that mentions the prosecuting attorney by name, and points to a book: Lust for Justice: The Radical Life & Law of J. Tony Serra, by Paulette Frankl. It even has an excerpt!
We can run the book down too, just for fun (now we have a primary source.) My favorite used book site has a copy for $1. Amazon gives a view of the back cover, too:
...wow. I should see if my library has that!
The excerpt on the site has a mention of a candelight vigil held for her death in 1999. It took some hunting past things I'd already read and a bunch of shops giving written tributes, but I found a news report about that, too.
There's a lot of information out there, and it's worth digging into. Otherwise it's altogether too easy to think something real and worth knowing is just another bit of slop.
whenever i see people call random edgy but not-at-all harmful artists "degens" i would like to refer them to the first sentence of wikipedia's "degenerate art" article
Reminder that this is the type of art the nazis were referring to:
(Kandinsky)
You cannot "well but I'M not referring to that kind of art, I only mean Dirty Pictures" your way out of this. You are being harmful and need to stop, not rationalise why it's okay for YOU to be doing it. You need to understand
censorship violates the universal human right of free expression and freedom of speech.
fiction is not reality. Fictional characters are not real people.
if someone SAYS a work of fiction inspired them to do bad things, that is not the work of fiction's fault. The person who did bad things is STILL at fault, because they have free will and must be assumed to understand the consequences of their actions.
discomfort is not harm. If a piece of art makes you uncomfortable, that's actually fine. That's the POINT of certain pieces of art. You need to learn to tolerate discomfort.
It is not in fact the government's job to enforce a set of morals on people. That violates people's universal human right to freedom of religion and creed.
There is no such thing as "just a little bit of" censorship.
It does not matter what kind of art it is, when you use the term degenerate to refer to art you don't like, you are using a word that is deeply rooted in bigotry. A word used to target marginalized groups.
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hooo boy that sure escalated, huh? anyway im obviously still testing things rn so expect more stuff like this. ive also roughed out the next, like, 4 pages and im so excited to keep makin em