ΰ»ΰͺΰͺΰ»ΰ΄΄ΰͺ, the 260th Known One.
Doug Jones
occasionally subtle

tannertan36
Misplaced Lens Cap
Sade Olutola
Today's Document
Xuebing Du
KIROKAZE

shark vs the universe
taylor price
The Bowery Presents

if i look back, i am lost

β£ Chile in a Photography β£

romaβ

titsay

Origami Around
2025 on Tumblr: Trends That Defined the Year

"I'm Dorothy Gale from Kansas"
seen from Libya

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seen from United States
seen from Bangladesh
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seen from United States
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@orc-princess
ΰ»ΰͺΰͺΰ»ΰ΄΄ΰͺ, the 260th Known One.

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dress up is one of the most important pillars of gameplay that is often ignored by game developers to disasterous results
Isopod
British Library, Harley MS 3244, c. 1236-1250, folio 64r
humiliating to be attracted to a conventionally attractive person. I thought I was a more sensitive and refined pervert than this
Armand got in on the ground floor of that 20 year old loser. kept checking in on him like he was proofing sourdough until he had a beautiful geriatric fag ready to go into the oven of vampirism and emerge the perfect companion. he saw Daniel sniffing around for coke at Polynesian Mary's and said give me fifty years I can make him the hottest guy you've ever seen. and Louis was just happy he was finally taking an interest in investment because it gave them something to bond over besides missing that blond man's pussy. like it's the only long con Armand has ever successfully pulled. hard work pays off in the form of a 70something boytoy who looks suspiciously like your evil father. i'm so proud of him. my weird bug.

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Had the pleasure of being part of the baldur's gate floral zine and drawing shadowheart!
literally
real armand stans clapped and cheered when he made larry kill himself
my favorite thing about louis is he's a business major in a world of theater kids. everyone's playing psychological games with each other through theater and rock music and the fractured art of storytelling and he's like "but what are the margins on my vampire hotel"
My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.
This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.
Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.
Being gay and out was career suicide in the 90s.
Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).
Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).
I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.
It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.

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bride of frankenstein
rough minthy wip
Anne Hathaway | Vanity Fair | March 24, 2024 | π· Norman Jean Roy
Domenico Gnoli "What Is a Monster? Woman Sole in Bath Tub" 1967
dead wife who was MEAN and slept without a TOP SHEET and only went to the beach when it was OVERCAST to SCOWL at the waves

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INTERVIEW WITH THE VAMPIRE (2022-) |Β S03E01
Team photo with our new member, Pomni!