thatâs his little guy!!
I wish I had what they have...

Kiana Khansmith
Jules of Nature
will byers stan first human second
Claire Keane
let's talk about Bridgerton tea, my ask is open
KIROKAZE

Kaledo Art
todays bird
Cosimo Galluzzi

@theartofmadeline
wallacepolsom
noise dept.

tannertan36
hello vonnie
Xuebing Du
h
TVSTRANGERTHINGS
ojovivo
Stranger Things
seen from Malaysia
seen from Spain
seen from United States

seen from Argentina
seen from United States

seen from United States

seen from Malaysia

seen from Malaysia

seen from Germany
seen from China

seen from Portugal

seen from TĂźrkiye

seen from France
seen from Malaysia
seen from United States

seen from United States

seen from Germany
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seen from United Kingdom
seen from TĂźrkiye
@operativelm
thatâs his little guy!!
I wish I had what they have...

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Earthenware funerary sculpture in the form of a dog, China, Sichuan Province, Eastern Han Dynasty, 25-220 AD
from The LA County Museum of Art
Foodlife - forested food hall in the Water Tower Place Mall - Chicago, IL (1993)
Designed by Marve Cooper Design & Dorf Associates, Foodlife was part of the Lettuce Entertain You Enterprises group of restaurants/food courts, and was one of the first in the new wave of food halls that would take off in earnest in the 2000s & 2010s.
Scanned from the April 1994 issue of Hospitality Design Magazine
BUDDY you're a BOY you're a BIG BIG BOY you're a BIG BIG BIG BIG BIG BIG BOY you got mud on your face you BIG BIG BOY kicking your can all over the place singing WEE wee WEE wee WEE wee WEE wee
Good Morning!!! IS THAT A QUESTION!?!?!

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The Phantom Menace | illustrated by Hugh Fleming
Black cat and woman's leg - Harald Sallberg , 1951 .
Swedish , 1895-1963
Woodcut in colour , Â 34.5 x 27 cm. Ed. 99/115.
abandoned thermal power plant | Hungary
photography by Andreas S
THE JURASSIC FRANCHISE (1993-2022) + first & last scenes
thinking about fleetwood mac and how they actually sang songs about each other. and performed them. about how much they loved or hated each other like what the fuck how
I mean can you imagine. singing about how somebody broke your heart and theyâre literally harmonizing. theyâre right fucking there. theyâre in touching distance. insanity! complete insanity! I would either break down crying or fully snap and break their neck
fucking. silver springs!!! âyouâll never get away from the sound of the woman that loves you!â no fucking kidding he wonât stevie heâs literally behind you playing the drums! absolute madlads
This live performance feels like Iâm watching my parents fighting in the kitchen
https://m.youtube.com/watch?v=dGykwC0fdJ4

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. ^ . \ / \ V \ \ F /-_. |/ \
the noble quetzalcoatlus
Note how these columns are designed to perfectly allow the climbing of small lizards up and down their faces. This is a typical example of Gecko-Roman architecture
A study of 6,000 languages found that humans may innately associate certain sounds with certain concepts. For example, words for "nose" almost always include an "n."
An interesting linguistic typology study finding that sound symbolism is more common than weâd assumed. Excerpt from a good summary of the study in the Washington Post:Â
If you visited Iceland and asked someone what they called the smelling organ in the middle of their face, theyâd tell you, nev. In Japan, itâs hana. To Sar speakers in southern Chad itâs kon, and among the Zuni tribe of the southwestern United States. itâs noli. In fact, you could go to more than 1,400 places around the world, question speakers of more than 1,400 different languages, and hear 1,400 words that contain the sound ân.â But all of them mean the same thing: nose.
Thatâs one of the findings of a sweeping study in the Proceedings of the National Academy of Sciences Monday, which found evidence of strong associations between the sounds in words and the ideas they represent in completely unrelated languages from all corners of the world. Despite a long-standing assumption in linguistics that the sounds we pick to signify certain concepts are arbitrary, the researchers argue that at least some associations are more universal than youâd think. âŚ
A series of studies starting in 1929 have documented whatâs called the âbouba/kikiâ effect: People from societies across the world almost universally associate round shapes with the made-up word âboubaâ and spiky shapes with the non-word âkiki.â âŚ
Christiansenâs work pushes sound symbolism back to the forefront. He and his team, which included statisticians, neuroscientists, physicists and computer scientists, examined the words for 100 concepts in more than 6,000 languages in search of commonalities. They werenât looking for universal rules â just examples of associations that popped more often than youâd expect due to pure chance. âŚÂ To eliminate the influence of geographic relationships, shared sounds would only be considered symbolic if they appeared in languages from at least three of the worldâs six large and relatively isolated areas: North America, South America, Eurasia, Africa, Papua New Guinea and the Pacific islands, and Australia. âŚÂ
For a few of Christiansenâs concepts, the explanation appears straightforward. The ânâ in nose (andnev and hana and kon and noli) is nasal, requiring that we speak through the very organ weâre trying to describe. Things that are small make high-pitched, squeaking sounds, just like the âiâ in tiny, sagheer (Arabic) and liten (Norwegian). For other associations, the link between signal and signified is more opaque.
This doesnât mean that Saussure was completely wrong about arbitrariness. Though words like nose may share some commonalities, most of the terms in the average adultâs 80,000-word vocabulary represent abstract concepts that arenât easily represented with concrete sounds. When words for the same concept do resemble each other, it is usually a sign that they share an etymological root.
Read the whole article.Â
Hereâs the academic paper, Soundâmeaning association biases evidenced across thousands of languages by DamiĂĄn E. Blasi, Søren Wichmann, Harald HammarstrĂśm, Peter F. Stadler, and Morten H. Christiansen.Â
See also the bouba/kiki effect.Â
My favorite part about 1931 Dracula is that there are armadillos running around Draculaâs castle.
Look at this itâs like they couldnât find any rats so they just were like âeh close enough no one will noticeâ. But I noticed. I noticed.
âWE NAILED IT BOYSâ
Apparently in the 20s and 30s, armadillos werenât very commonly known, so moviemakers would use them wherever they needed some creepy, âdemonicâ animal running around. So there were a lot of armadillos in early filmmaking, and it was often peopleâs only source of reference for armadillos.
Fast forward twenty years to when the father of the biology professor who told me this is driving out from the east coast to see his son in California. Crossing the southwest at night.
An armadillo runs across the road.Â
He comes to a screeching halt and the Thing Of Evil, which he never knew was actually a real animal, trots the rest of the way across the road and vanishes into the desert.
Apparently it shook him up rather a bit.
The post got better.
Blind people gesture (and why thatâs kind of a big deal)
People who are blind from birth will gesture when they speak. I always like pointing out this fact when I teach classes on gesture, because it gives us an an interesting perspective on how we learn and use gestures. Until now Iâve mostly cited a 1998 paper from Jana Iverson and Susan Goldin-Meadow that analysed the gestures and speech of young blind people. Not only do blind people gesture, but the frequency and types of gestures they use does not appear to differ greatly from how sighted people gesture. If people learn gesture without ever seeing a gesture (and, most likely, never being shown), then there must be something about learning a language that means you get gestures as a bonus.
Blind people will even gesture when talking to other blind people, and sighted people will gesture when speaking on the phone - so we know that people donât only gesture when they speak to someone who can see their gestures.
Earlier this year a new paper came out that adds to this story. Ĺeyda OĚzçalÄąĹkan, CheĚ Lucero and Susan Goldin-Meadow looked at the gestures of blind speakers of Turkish and English, to see if the *way* they gestured was different to sighted speakers of those languages. Some of the sighted speakers were blindfolded and others left able to see their conversation partner.
Turkish and English were chosen, because it has already been established that speakers of those languages consistently gesture differently when talking about videos of items moving. English speakers will be more likely to show the manner (e.g. ârollingâ or bouncingâ) and trajectory (e.g. âleft to rightâ, âdownwardsâ) together in one gesture, and Turkish speakers will show these features as two separate gestures. This reflects the fact that English âroll downâ is one verbal clause, while in Turkish the equivalent would be yuvarlanarak iniyor, which translates as two verbs ârolling descendingâ.
Since we know that blind people do gesture, OĚzçalÄąĹkanâs team wanted to figure out if they gestured like other speakers of their language. Did the blind Turkish speakers separate the manner and trajectory of their gestures like their verbs? Did English speakers combine them? Of course, the standard methodology of showing videos wouldnât work with blind participants, so the researchers built three dimensional models of events for people to feel before they discussed them.
The results showed that blind Turkish speakers gesture like their sighted counterparts, and the same for English speakers. All Turkish speakers gestured significantly differently from all English speakers, regardless of sightedness. This means that these particular gestural patterns are something thatâs deeply linked to the grammatical properties of a language, and not something that we learn from looking at other speakers.
References
Jana M. Iverson & Susan Goldin-Meadow. 1998. Why people gesture when they speak. Nature, 396(6708), 228-228.
Ĺeyda OĚzçalÄąĹkan, CheĚ Lucero and Susan Goldin-Meadow. 2016. Is Seeing Gesture Necessary to Gesture Like a Native Speaker? Psychological Science 27(5) 737â747.
Asli Ozyurek & Sotaro Kita. 1999. Expressing manner and path in English and Turkish: Differences in speech, gesture, and conceptualization. In Twenty-first Annual Conference of the Cognitive Science Society (pp. 507-512). Erlbaum.
Incredible! I have nothing to add because I had no idea, but may I just say **WOW**!!!
this is crazy interesting to me. brainz are weird.

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Trying to post more stuff here.
The Luteces were the best part of Bioshock Infinite for me, no contest. And since there are several stylized promo covers but not a single one of them features these glorious bastards, I decided to make one myself.
So these are several variants for said picture I sketched today. Decided on the red one, so itâs coming up. One day. I am very slow.
Set the Flamingo
Yesterdayâs trip to the library cheered me immensely. Amongst much book-mucking I was able to confirm that, according to the Lexikon der aĚgyptischen GoĚtter und GoĚtterbezeichnungen, there is one known instance of Set depicted with the head of an ibis or a flamingo, possibly held by Horus on the end of a rope (âder von Horus an einem Strick (?) festgehalten wirdâ).
Alas, more details (like for example where?? and is there a picture???) will have to wait until my next trip to the National Library of Australia, but in case anybody wants to follow up the reference, itâs something by Erik Hornung in Symbolon: Jahrbuch fĂźr Symbolforschung, Neue Folge, Bd 2, KoĚln 1974, pp 2-16.
ETA: I canât find that phrase in the Symbolon article! I double-checked the reference, and itâs definitely the one the LGG gives. Flamingo Set remains a mystery!