ACHIEVEMENT UNLOCKED: CHINESE VISA

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ACHIEVEMENT UNLOCKED: CHINESE VISA

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leaving now to go pick up visa at Chinese embassy, THIS IS BASICALLY LAST THING I NEED FOR CHINA, EVERYTHING ELSE (selling off excess possessions, booking flights, etc.) IS IN ORDER!!! !!!
so this guy has been coming to our dojo who is an American expat that lives in Taiwan (he's only in bmore short term) and has a background in Yang taijiquan not only is he going to teach me some basic taijiquan stuff today after aikido, he said that when i'm done in china if i wanna come train in Taiwan for a while he can give me a place to stay and introduce me to some martial arts people there! :D sorry excited for both! :D
Wing Chun applications demo (video)
well i just bought a one way ticket to China :O

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Yang Weiquan, Paper Fragments, 1937 (source).
welp I've officially begun my application process to attend Songshan in october! i've been corresponding with their english translator for the last week or so and just wired my reservation fee yesterday. this is what my student id will look like! ^_^
This article is taken from an old wushu magazine, and is entitled : Bajiquan â Secrets of Liudakai. It features Liu Yunqiao. The articles focus is on the Six Big Openings of Bajiquan.
How to address strangers in putonghua
In China, various forms of address are used in different circumstances. Choosing the appropriate and correct form shows your wit and respect to others. Generally, for Chinese people it should be in accord with convention and please also be aware of personal favor of the people being addressed.
Here are some tips about how to address STRANGERS.Â
Woman in general
Meaning in English: little girl
Pinyin: xiÇo mèi mèi
Chinese characters: ĺ°ĺŚšĺŚš
NB. xiÇo mèi mèi can be girls aged 1-18.
Meaning in English: beautiful woman
Pinyin: mÄi nÇ
Chinese characters: çžĺĽł
NB. Even if the woman is not beautiful, you can still call her mÄi nÇ.
Meaning in English: younger sister
Pinyin: mèi zi
Chinese characters: 匚ĺ
NB. mèi zi is a female friend who is younger than you. Do not call a stranger mèi zi.
 Meaning in English: miss
Pinyin: xiÇo jiÄ
Chinese characters: ĺ°ĺ§
NB. Do not use xiÇo jiÄ alone, because it is a specific form of address for a prostitute. Always put the surname before xiÇo jiÄ (for example, Liu xiÇo jiÄ=Miss Liu).Â
Meaning in English: madame
Pinyin: nÇ shĂŹ
Chinese characters: 弳壍
NB. It is used to address a married woman or a woman whose marital status you do not know. But it is used more often in written language.
How to address a woman whoâs older than you?Â
Meaning in English: big sister
Pinyin: dĂ jiÄ
Chinese characters: 大ĺ§
NB. dĂ jiÄ is a woman a little older than you.
 Meaning in English: aunt
Pinyin: Ä yĂ
Chinese characters: éżĺ§¨
NB. Ä yĂ has two meanings: 1) aunt (a woman whoâs at your parentsâ age); 2) a sanitation worker who cleans your home. Usually the Chinese like to use a younger form of address than the woman deserves. Do not call a woman Ä yĂ if you think dĂ jiÄ can be used.
Meaning in English: female boss
Pinyin: lÇo bÇn niĂĄng
Chinese characters: čćżĺ¨
NB. Any woman who owns a business, small or big, can be addressed as lÇo bÇn niĂĄng.
 Man in general
Meaning in English: boy
Pinyin: xiÇo dĂŹ dĂŹ
Chinese characters: ĺ°ĺźĺź
NB. xiÇo dĂŹ dĂŹ can be boys aged 1-18.
Meaning in English: handsome young man
Pinyin: shuĂ i gÄ
Chinese characters: ĺ¸ ĺĽ
Meaning in English: mister
Pinyin: xiÄn sheng
Chinese characters: ĺ ç
NB. This is a very safe form of address.Â
Meaning in English: elder brother
Pinyin: dĂ gÄ
Chinese characters: 大ĺĽ
NB. dĂ gÄ is a man a little older than you.Â
Meaning in English: uncle
Pinyin: dĂ shĹŤ
Chinese characters: 大ĺ
NB. dĂ shĹŤ is a man at your parentsâ age. If you think a man is young enough to deserve dĂ gÄ, donât use dĂ shĹŤ.
Meaning in English: (a worker)
Pinyin: shÄŤ fu
Chinese characters: ĺ¸ĺ
NB. ShÄŤ fu is a man (sometimes a woman) who does manual labor, a door keeper, a security guard, a delivery worker, a cook, etc. There isnât a proper equivalent in English. It also means master (as in kung fu master) or teacher.
 Meaning in English: boss
Pinyin: lÇo bÇn
Chinese characters: čćż
NB. lÇo bÇn is a man who owns a business, small or big. In case you do not know whether the boss is a man or woman, you can use lÇo bÇn to address the person.
People in general
Meaning in English: service staff
Pinyin: fĂş wĂš yuĂĄn
Chinese characters: ćĺĄĺ
NB. fĂş wĂš yuĂĄn can be a bar tender, a waiter, or waitress at a restaurant.
Meaning in English: friend
Pinyin: pĂŠng yÇu
Chinese characters: ćĺ
NB. pĂŠng yÇu is not necessarily a friend. In fact, you donât call your friend pĂŠng yÇu. You can address a stranger as pĂŠng yÇu if you want to be friendly.
Meaning in English: (student)
Pinyin: tĂłng xuĂŠ
Chinese characters: ĺĺŚ
NB. tĂłng xuĂŠ is a pupil or student.Â
Meaning in English: kid
Pinyin: xiÇo pĂŠng yÇu
Chinese characters: ĺ°ćĺ
NB. xiÇo pĂŠng yÇu is a pre-school child.
If you canât come up with a form of address when you want to talk with a stranger, use nÇ hÇo (hello).
From:http://www.wordoor.com/Blog/post/How-to-address-strangers-in-putonghua
Jet Li in Shaolin Temple (1982) - Summer Training

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Jet Li in Shaolin Temple (1982) - Winter Training
Politics of Menâs Hair in Chinese History (a condensed timeline)
*****
References:
Manchus And Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861-1928 (Studies on Ethnic Groups in China) By Edward J. M. Rhoads
Hair: Its Power and Meaning in Asian Cultures edited by Alf Hiltebeitel, Barbara D. Miller
The End of the Queue: Hair as Symbol in Chinese History by Michael R. Godley
China Made: Consumer Culture and the Creation of the Nation By Karl Gerth
Sources of Chinese Tradition: Volume 1: From Earliest Times to 1600 Â By William Theodore De Bary, Irene Bloom, Joseph Adler
*****
Social control (according to Merriam-Webster):
the rules and standards of society that circumscribe individual action through the inculcation of conventional sanctions and the imposition of formalized mechanisms
*****
Ming Dynasty and dynasties prior (1644 and before)
âIn Chinese consciousness of hair, moral discipline is more perceivable than sexual restraint. Cutting hair is more critical than the change of hair style. In the periods under consideration, hair cutting meant social control, not only supported by the conventionalized and morally approved fashions, but also regulated and supervised by the political authorities.â (Hiltebeitel and Miller, pg. 138)
âLong before the Manchu conquest, Han males had become accustomed to the practice of binding up their long hair on the top of their heads. This custom is inferred by such idioms as âto bind hair when starting schoolâ (sufa shoushu), or âto bind hair while being a soldierâ (Jiefa congrong). When a student was twenty years old, he ought to have a âcaping ceremonyâ (guanli) in which he changed his childâs headdress to an adultâs, demonstrating his entrance into the mature world. This tradition can be traced back to the Zhou dynasty (1100-256Â B.C.) (SSJZS 1:945).â (Hiltebeitel and Miller, 124)
âUnder the Ming regime, the ceremony was adopted by more social categories than the scholar-offical class (Zhang 3:1377-87). Ming men, once capped, let their hair grow long, and wore it in elaborate fashion under horsehair caps (Ricci 1953:78).â (Hiltebeitel and Miller, 124)
âOne of the greatest obstacles confronting early Chinese Buddhism was the aversion of Chinese society to the shaving of the head, which was required of all members of the Buddhist clergy. The Confucians held that the body is a gift of oneâs parents and that to harm it is to be disrespectful toward them.
The questioner said, âThe Classic of Filiality says, âOur body, limbs, hair, and skin are all received from our fathers and mothers. We dare not injure them.â When Zengzi was about to die, he bared his hands and feet. But now the monks shave their heads. How this violates the sayings of the sages and is out of keeping with the way of the filial!ââ (Adler, pg 423)
âAlthough some modern writers have claimed that Chinese resisted hair-cutting because of their reluctance to part with a gift handed down from their ancestors, the heads of boys were, in fact, shaved even during the Ming Confucian revival, a practice which continued throughout the Qing.[32] It could, therefore, be that head-shaving was perceived by adults as an insult.â (Godley)
âThe cutting off of hair in fact accompanied castration in ancient China, and hair was cropped as a form of punishment right up to the eve of the Mongol invasion. From cases reaching the Board of Punishments in the early Qing, we do know that members of certain heterodoxical sects attached magical potency to their long hair.[33] As Philip Kuhn concluded in his study of the role of sorcery and âsoul-stealingâ in the âqueue-clippingâ outbreak of 1768, a century after the conquest, the tonsure was still far more important, symbolically, than the queue.â (Godley)
âThis case shows how hair became a means of social control and a focus of cultural and political conflict. In traditional China menâs long and bound-up hair epitomized the Confucian norm of filial piety, Han culturalism, and magical power.â (Hiltebeitel and Miller, 138)
Qing Dynasty (1644-1912)
âDuring the Qing dynasty, the shaved forehead and queue symbolized Manchu autocratic authority and its cultural dominance, though Han Chinese still held a moral and respectful attitude toward their hair.â (Hiltebeitel and Miller, pg. 138)
âThe queue was the male hairstyle of the original Manchus, a variant of the way men of the northern tribes, including the Jurchen, had traditionally worn their hair; it involved shaving the front and sides of the head, letting the rest of the hair grow long, and braiding it into a plait.â (Rhoads, pg. 60)
âThe regent Dorgon, uncle of the young emperor Fulin [âŚ] upon occupying Nanjing [âŚ] issued a decree formally requiring all Chinese to shave their foreheads and plait their hair in a queue like the Manchus. Chinese men had to conform to the new rulersâ hair style. Disobedience would be âequivalent to a rebelâs defying the Mandate (of Heaven)â (ni-ming) (SZSL 17:7b-8).â (Hiltebeitel and Miller, 125)
ââŚa Han maleâs queue reflected the Manchus drive to submit Hans to the minorityâs political and cultural hegemonies and its symbolic standardization of the peopleâs political ideology.â (Hiltebeitel and Miller, pg. 124)
âHaving accepted the Confucian notion that the ruler was like a father and the subjects like his sons, Dorgon emphasized the physical resemblance between the Manchus and the conquered Chinese. The affirmed purpose was to make Manchus and Hans a unified body. Being afraid of inspiring any anti-Manchu imaginations and actions, the Qing rulers enforced the hair cutting policy and persecuted hair growers without mercy.â Â (Hiltebeitel and Miller, 125)
âA slogan of the tonsure operators was âKeep your head, lose your hair; keep your hair, lose your headâ (Wakeman 1975a:58), which epitomized the ruthlessness of the Manchuâs hair cutting.) (Hiltebeitel and Miller, 125)
âThe only ones exempt [from the Queue Order of 1645] were men in mourning, young boys, Buddhist monks (who shaved off all their hair), and Taoist priests (who let their hair grow). All other Han males in Qing China were coerced into abiding by the requirement.â (Rhoads, pg. 60)
After Revolution of 1911-1912
âAfter the fall of the Qing court, short hair replaced the queue style, embodying nationalism and Westernization.â (Hiltebeitel and Miller, pg. 138)
âThe menâs hairstyle, which the Qing originally required as a badge of subservience to Manchu rule, was, not surprisingly, the revolutionariesâ first target. Despite several years of open agitation by political and social reformers for its removal, the queue requirement had remained in effect until two months into the revolution. Even then the Qing had only permitted, but did not compel, its male subjects to cut their queue and wear their hair short in the Western (and Japanese) style of the day.â (Rhoads, pg. 252)
âThe Republicans were not satisfied with this eleventh-hour, half-hearted measure; they insisted on universal, mandatory queue-cutting. Thus, in the four months between the Wuchang uprising and the Qing abdication, wherever the revolutionaries took power, one of the first decrees they issued was for the removal of the queue as a sign of loyalty to their regime.â (Rhoads, pg. 252)
âTo the Republicansâ distress, their policy of universal mandatory queue-cutting did not always meet with general approval, not necessarily because the people were opposed to the revolution but because after more than two centuries, they regarded the Manchufied hairstyle as an integral part of their cultural tradition. As a result, the queue-cutting orders were often ignored; their unrealistically short deadlines, unmet.â (Rhoads, pg. 252)
âFor most Chinese, the forcible removal of the queue was, as one observer put it, a âhumiliating disfigurement.â In their eyes, the queue was less a âbadge of conquestâ and more a badge of nationality and identity (Crow 1944: 22). These Chinese had forgotten the original terms under which the hairstyle had been imposed and had no idea that it could signify allegiance to the Qing.â (Gerth, pg. 91)
âIn Changsha, the provincial capital of Hunan, as in many Chinese cities and towns, retention of the queue was viewed as an explicit sign of traitorous allegiance to the Manchusâ. (Gerth, pg. 92)
âAlthough the queue was on the way out, there was, in fact, some opposition to âforeign hair.â One Hunan official, who listed all the advantages of a queueless head, nevertheless resisted Japanese and Western styles. Some tried to pile their hair on top, while others adopted a half-cut which resembled a mop. A few had bets each way and, having experienced the moment of liberation, tied their braids back on.â (Godley)
âWhen the directives for voluntary compliance failed of their purpose, the revolutionary governments generally resorted to coercion. In Zhejiang, local officials in Jiaxing and Hangzhou sent out soldiers armed with large shears to cut any remaining braids on sight; they posted such âqueue-cutting brigadesâ at the city gates to catch unwary villagers entering from the countryside.â (Rhoads, pg. 252)
âQueue-removal was something of an official crusade in the early years of the Republic. It was deemed a prerequisite for voting in one province, while as late as 1914 Beijing authorities renewed their pressure on the recalcitrant inhabitants of that city. Now it was the police that cut the queues off anyone arrested.â (Godley)
âBy the late 1930s⌠[though the queue]⌠could be glimpsed occasionally in such remote places as a market town in Anhui, it had become a noteworthy rarity. Otherwise, the hairstyle of Chinese men had been completely âde-Manchufied.ââ (Rhoads, pg. 253)
Rock-carved statues at Longmen Caves in Henan, China (by bigguyoz).
  The Spring Temple Buddha in Henan, China, is the tallest statue in the world. It stands 153 metres tall, 60 metres taller than the Statue of Liberty Â
Pagoda forest in Songshan, near the Shaolin Temple.

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post-practice martial arts movie bad guy promo shots complete w/ weird post- thunderstorm lighting, courtesy of freelance Baltimore lighting guy and my personal dojo arch-rival Marc Elezy i look like the Cobra Kai of Aikido or something
it me lookin like i just went into someone elseâs dojo and beat everyone up
ĺ§ĺŽšć¨ľ Jiang Rong Qiao Born 1891 Hebei, China Died 1974 Style Neijia - Internal Martial Arts, Baguazhang Xingyiquan T'ai chi ch'uan (Taijiquan) Liuhebafa
Jiang Rong Qiao ĺ§ĺŽšć¨ľ, 1891-1974 was a famous martial artist from Hebei. His specialized focus in the internal arts led him to develop his own system of Bagua which became recognized and known as Jiang Style Baguazhang.
Biography
In 1926, Jiang Rong Qiao began teaching kung fu in Nanjing. Jiang was instrumental in developing sets that combined Bagua, Xingyi, and Taijiquan. This includes a Tajiquan set known as Taiji Zhang Quan (or Tai Chi Palm and Fist), which is based on sequences from Jiangâs Bagua and Xingyi, as well as the Old Chen-style t'ai chi ch'uan. Some students of Jiang Rong Qiao point to these combined forms as a legacy of his teacher Zhang Zhaodong. The practice of internal style Chinese martial arts (Baguazhang, Xingyiquan and Taijiquan and a variety of minor styles) has been called Neijia kung fu. Because Jiang Rong Qiao taught Baguazhang along with Xingyiquan (and taught Taiji Zhang Quan as an advanced form), it is difficult to categorize the practice he taught as anything other than Neijia kung fu.
Jiang had an accident and went blind. Jiangâs adopted daughter, Zou Shu Xian, taught classes and helped produce his most famous book, Bagua Palms Practice Method. This was the first Baguazhang book published in China after the 1949 revolution. This book greatly enhanced Jiangâs reputation as one of the most famous Chinese Internal style Martial Artists of his generation. Jiang Rong Qiao died at the age of 84. Several of his closest students were: Sha Guo Zhen, Zou Shu Xian, Ji Yuan Song, and Yang Bang Tai.
Jiang Rongqiaoâs Books
Jiang Rongqiao authored a number of books (Joseph Crandall has translated many of these books into English):
Xingyi Mu Quan (Xingyi Mother Fists);
Baguazhang Lianxifa (Bagua Palms Practice Method);
Xingyi Za Si Chui and Ba Shi Quan;
Xingyi Lianhuan Quan;
Bagua Mysterious Spear;
Qingping Sword;
Tiger Tail Whip.