
Game Changer & Make Some Noise

oozey mess
KIROKAZE
noise dept.
Keni
YOU ARE THE REASON


#extradirty
Monterey Bay Aquarium

shark vs the universe
Lint Roller? I Barely Know Her
let's talk about Bridgerton tea, my ask is open

if i look back, i am lost
Cosimo Galluzzi
The Stonewall Inn
Phantogram Three

izzy's playlists!
Fai_Ryy
almost home
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@onceuponanovel

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“How’s your WIP going?”
"Have you made any progress?”
“How close are you to being done?”
HBO WAR + BLACK HISTORY MONTH:
AUGUSTA CHIWY (1921-2015), part I
"Anna” in Band of Brothers was based on Augusta Chiwy, a 23-year old Congolese-Belgian nurse. In December 1944, Augusta traveled home to Bastogne to celebrate Christmas with her father, right as Hitler launched a surprise attack on the Allied Front in Belgium. Within two days of her arrival, Bastogne was surrounded and under constant bombardment. The U.S. army's makeshift aid station was in dire need of medical staff, and Augusta stepped up to volunteer. In spite of the army regulations prohibiting black nurses from treating white soldiers, and the prejudice with which many of them treated her, Augusta saved countless lives, working under horrific conditions with inadequate supplies, and even taking trips to the front line to evacuate the wounded while coming under enemy fire.
ZACK CALDERON as RAFAEL GARCIA THE WILDS (2020 - ) Season Two, Episode One
Bofb environment gifset

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Hey, Jana! Would you happen to have any prompts for romances where there’s a height difference between the couples? Dialogue prompts would probably be okay for this scenario, but I feel like it’s just be easier with scenario prompts, if that makes sense. Feel free to send me a chat message if we need to discuss things further! Thank you!
Hi my friend :)
I definitely have a lot of ideas for this. It's actually weird I've never done it before. Here they are:
Height Difference Prompts
putting their chin on the other's head
tiny hands in big hands
hiding their stuff on the top shelf to annoy them
pulling the other one down for a kiss
trying to get to the same height for a selfie
very big shoes next to really small shoes
bending down a lot to talk to their smaller partner
getting out of housework with the excuse that they can't reach something
pulling the other one down to whisper into their ear
using their partner as a personal ladder
taller partner seeing things long before their shorter partner is able to
wearing their partners clothes has very different outcomes for each partner
Scenarios
It started with their beauty products and now it's their favourite tea. Everything is just slightly out of reach. And their partner will absolutely pay for this prank.
They weren't super short, more like average. But people still thought they were when they saw pictures of them, because they would always see them with their very tall partner.
Why would you need a ladder in your apartment, when you can just call over your very tall partner?
They always said it annoys them, but they secretly enjoyed being lifted up by their partner.
People on the street did look at them funny sometimes, because their height difference became very apparent when they walked next to each other.
Being angry at someone who is so much taller than yourself is not that easy, especially if your partner just thinks it's so cute to see you being furious.
It was hard to take a good selfie when one of them had to stand up on tiptoes and the other one had to bend down very unnaturally.
They definitely had to learn how they could sneak surprise kisses in, when most of the time their partner's mouth is out of reach.
Another problem with a huge height difference was hand-holding while walking. Their hands just did not end in the same realm and one of them would have to bend their arm.
Hugging someone so much smaller meant that they could just embrace all of them so easily.
I'm quite average in my height (1,64m), but most of my loved ones and friends are a lot taller than I am (damn, those tall genes), so I know a lot about height difference.
I really hope you like them and that they are what you had in mind for them! There are also a lot of height difference tools on the internet that you can use to put people next to each other to see how the height difference would look like. It's great to visualize your characters!
- Jana
I have observed several types of fic writers, and so for kicks and giggles, here they all are. Each of them scares me for different reasons.
The Prepared And Ready To Publish™:
Several documents dedicated to worldbuilding, planning, cross referencing, character lists & traits, plot twists, and then the actual fic document.
Dedicated to the max to creating a rich world. Probably knows more about the niche thing than you ever will. 100% could have written a thesis and chose to do fic instead (or did both at the same time).
Created a masterpiece and promptly vanished off the face of creation before coming back in with another banger to crush souls and save fandoms.
Their arrival is akin to the birth of a new era because they never fail to somehow make a niche ship popular, make a headcanon fanon, or otherwise give so much depth and interest to a character or setting that whatever they have devised is largely accepted as gospel by their readers.
They either use a high end writing program or wordpad. There is no in-between.
Mysterious. Very mysterious. Reasons for this mysteriousness vary between fics and authors.
100000/10 would be friends with them if I could. Legendary writers. But also they scare me because ??? What void offered you such power ?????
The Baby Writer:
All vibes and loosely strung plots.
It may not make the most sense, but good gracious the dedication is there.
Notable lack of comprehension when it comes to characters and places, but it's bad form to not leave a kudo because it takes guts to post anything in fandom.
They are still figuring things out and their grammar or formatting (possibly both) is probably a mess, but they've put heart into their work.
Sweetest rays of sunshine who want to be involved and are eager to learn the ropes.
The fandom's young ward or despised new arrival (depends entirely on fandom popularity and age).
8/10 would happily offer advice to them. Just can't read their work for too long without wanting to throw it into grammarly. The fear factor comes in the form of the miraculous misuse of fandom terminology. (Yeah it's tough bud, the fanon is wild. But goodness that term/canon word does NOT mean what you think it does.)
The Smut For Your Soul:
Meticulously plans the smut with all the loving care of a sculptor.
Somehow plot got involved.
Miraculously, they managed to not include an iota of plot and it has somehow managed to work.
Headcanons abound and cuteness and or angst lurks merrily behind every corner.
The tags mean everything and nothing at the same time. They are but faint guides to the fae wilds ahead. Tread lightly.
Has a mountain of unfinished WIPs that will follow them to the grave or emerge ten years after conception to grace whatever fandom spawned the idea.
The fandom thanks them for their service, although often that praise is late or hits like a freight train.
???/10 I personally avoid smut but I have friends who write it so it really depends. Terrifying because you never know who falls into this role of writer. It could be anyone. Normalcy is a mask poorly adorned for the sake of conforming to The Great Machine.
The Angst Lord:
Has a million slightly different ways to hurt their blorbo. Each are somehow more horrifying than the next.
The embodiment of the iceburg videos seen all over the net. Ask one question and you shall unravel and scheme of torment so great you shall regret having dared to speak up.
Has dozens of WIPs or unwritten ideas that they claim they will return to.
They are controlled by passion and emotion and can and will insert their own complicated situation into a fic.
Almost nothing is off limits.
Arrives to the fandom ready to brawl and somehow ends up respected or feared. They often stare in bafflement as they end up unscathed and watch angry comments fly toward the arguably innocent shippers.
Generally some of the nicest people who happen to enjoy inflicting The Horrors upon someone fictional.
'10/10 would befriend and promptly regard like a wild racoon. Offerings of angsty ideas yield delightful commentary. But also I need to prepare myself for anything they say because O U C H my SOUL.
The General Writer:
Fluff, cuteness, possibly a delightful touch of angst and pure unbridled creative simplicity.
They may not have the most brutal or soul wrenching tale, but they always manage to write something that someone, somewhere, desperately needs.
Devastatingly underrated and deserves far more praise for their contributions to the fandom.
Produces some of the softest of scenes and the most touching of interactions between characters in a contained, careful crafted, tale.
Introducing new ships or family dynamics in such a tasteful manner that brain chemistry can easily be altered.
Arrives to the fandom as a lurker and shows their appreciation through their work. Oftentimes, they are very quiet and go unnoticed.
INFINITE/10 Love these writers, honestly a gift to fandom. The sheer level of dedication to producing fluff is astounding and scary all at once.
The OC X Canon:
Has so many ships and headcanons that it's astounding.
The lore development rivals IDW and Lost Light combined. All the kudos to them for putting their souls into their characters.
The dedication is mind boggling.
They put up with so much crap they could be in MMA Wrestling if the verbal assaults translated into physical strength.
Has so many adjustments to lore and whole AUs devoted specifically to creating a perfect world.
Skilled in the extreme (or not) at integrating their ocs into canon.
Arrives to the fandom not intending to make ocs. Leaves with seventeen leashes for their new abominable creations. Is loved or hated by literally everyone, sometimes for no reason.
6/10 perfectly lovely people but very niche in their interest and thus not everyone's cup of tea. Scary because that level of sheer willpower is meant for demi-gods.
There are more types of writers, but these feel like the big overarching ones. Which kind of writer are you? :D
A List of "Beautiful" Words: Blue
for your next poem/story
Aquamarine - a pale blue to light greenish blue
Azure - the blue color of the clear sky
Berylline blue - like beryl especially in color
Cerulean - resembling the blue of the sky
Cerulescent - having a light blue color
Cyanosis - a bluish or purplish discoloration (as of skin) due to deficient oxygenation of the blood
Indigo - a deep reddish blue
Navy - a dark grayish purplish blue
Oxford blue - a blackish purple that is bluer and darker than average eggplant and bluer and deeper than Burgundy
Pavonine - of the color peacock
Peacock blue - a moderate greenish blue
Robin's-egg blue - a variable color averaging a light greenish blue that is bluer and paler than average turquoise or average turquoise blue and bluer and deeper than average aqua blue
Sapphire - a deep purplish-blue color
Turquoise - a light greenish blue
Ultramarine - a vivid blue
More: Lists of Beautiful Words ⚜ More: Word Lists

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pssssst hey. hey. free and expansive database of folk and fairy tales. you can thank me later
Writing Notes: Dystopian World
The Physical World
What is the landscape of your world?
What is the climate of your world?
What do people (if applicable) look like?
What do animals (if applicable) look like?
What types of clothes do people wear?
What do houses or living quarters look like?
When does your story take place?
Where? On the earth we know, a distant planet, or an alternate reality?
Culture and Society
What are some commonly held beliefs in this society?
What type of government do they have?
Who is in power?
How did they become powerful?
How intrusive is government in daily lives?
What form of propaganda is used (if any)?
What is the history of this society?
What is the society’s biggest fear?
What is the society’s most positive feature?
What are the values of this society?
What are the social classes?
Why are there social classes?
What is the ethnic diversity, if any?
What are the gender roles?
What, if any, religion do they practice?
What language do they speak?
Is the entire world affected and how?
How do people get food?
Is there money? What type?
Character Development
Is your character alone?
Why is he alone?
Does your character have friends?
What motivates your character?
How do the characters interact with the dystopian society?
How do they interact with each other?
Source ⚜ Writing Notes & References
Writing Notes: Dystopia
How to Research Your Dystopian Novel
Basic Features of a Dystopian Story
Takes place in the future (although it could be an alternate history, too)
Features a huge disparity between the haves and the have nots (or thrusts everyone into abject poverty and survival mode)
Has an oppressive government (but, on the flipside, there could be apocalyptic anarchy and the oppressive element could be the possibly of death at every turn, i.e. The Road by Cormac McCarthy)
Features society’s complete reliance on government (or, in the absence of government, every individual must fend for himself)
Includes an enforced groupthink consciousness (individuals are obligated to think like everyone else and accept propaganda or they are punished)
Limits information and individual freedom
In a dystopian world, the villains are in control.
Evil triumphs over good, at least in the beginning…and the middle.
Perhaps, by the end of the story, there is a spark of hope, but even that may be ambiguous and up for interpretation.
A dystopian novel is definitely not a feel-good fairy tale. It’s one that’s rife with struggle (both internal and external), and often features martyrdom.
All dystopian novels, the good ones anyway, share a sense of crushing hopelessness that, perhaps even the protagonist can’t combat.
For these reasons, a dystopian story is most effective when you focus on the theme, and then use that theme to draw parallels to the reader’s present. Orwell was a master at it.
Give Thought to Your Theme
The theme of a story is its big idea.
In a dystopian novel, the theme is usually one of the following:
Oppression
Repression
Control
Rebellion
Survival
What is the idea that you’re trying to convey in your story?
What sort of statement or observation are you making about society?
EXAMPLES
If your novel tackles the idea of an oppressive government, research oppressive governments of the past and present.
What are some real life ideas that you can incorporate into your dystopian world to emphasize your theme?
To examine how low humanity can sink under the fist of an oppressive government, start studying Nazi Europe and the Khmer Rouge killing fields of Cambodia.
When you look at these shameful times in our human history, pay attention to how these regimes came to power, and how they maintained power.
On the other hand, if your novel tackles rebellion, start studying the Nat Turner slave rebellion of 1831 or the storming of the Bastille of 1789.
Make special note of what caused these rebellions, and also consider the experiences from both sides (the rebel and the rebelled against).
When you settle on a theme, pull examples from real history to create a stronger narrative.
Create Realistic Characters
Your dystopian novel should feature a cast of compelling characters.
The protagonist should be relatable, but never perfect.
The antagonist may be evil, but never one-sided.
When you’re creating and fleshing out your characters, take time to consider how they view their society.
EXAMPLES
Your protagonist was born into the dystopia, and has no other reference point, so he accepts it without question.
Or maybe your protagonist had a life before the events that created your dystopia, and mourns for it.
You’ll need to research your characters.
Understand each character's backstory.
What history do they carry with them into your story?
Sure, you’re researching “fictional” characters, but it’s still a real process, and a necessary one if you want to create a rounded, consistent character.
It may be a good idea to "interview" your characters. A few questions to ask include:
How do you feel about your society and why?
Who do you trust and why?
What rules do you like and why?
What rules do you hate and why?
While it may feel silly, remember that the interview is confidential.
Only you and the character have to know.
This information may or may not make it onto the pages of your novel, but it will help you shape the motivations of your characters.
Remember that these characters aren’t transplants from our time and world-- they live and shape the world of your novel, and won’t always have the same mindset as your reader. The characters should act according to their own logic.
Lay Down the Law
What laws does your dystopian society abide by?
Even in the most anarchic worlds, there are rules--even if these rules forged and followed by just your protagonist alone.
But, if your dystopian novel deals with an oppressive government, they’ll definitely be a ton of rules that society must follow.
What are they? How should you create them?
Consider the following:
Study the laws of both totalitarian governments and police states
Make a list of the laws that keeps the ruling elite in power
Make a list of punishments for not keeping the law
From caste systems to cannibalism, you’ll find an exhaustive list of ways that the ruling class has preserved the power balance in their favor.
How can you implement these rules and their consequences into your novel?
Also, decide on the method of control.
How does the antagonist exert control over the protagonist? (Can be a government or an oppressive element like diminishing resources).
Is it through propaganda?
Is it through police raids?
Is it through poverty?
Finding Ideas for Your Dystopian Novel
Stumped and not sure how to find ideas for your dystopian novel? Turn on the news. We’re basically living in a dystopian landscape anyway.
What stories grab you? What do you care about?
Child slavery, privacy, the environment, lack of resources, immigration?
Exploit that idea by setting your story 50 or 100 years into the future.
What’s the inevitable (or probable) end of this idea?
This can serve as the basis of your story.
Remember to Build the World
World building is particularly crucial in a dystopian novel.
In your dystopian novel, you’re introducing a completely new world that the reader isn’t familiar with.
What does the world look like? Are there mountains and mist? Is the world dull and gray? Is it a dense, green jungle?
What caused the world to look like it does? Was it an earthquake, a war, a robot apocalypse?
What resources are limited? Sunlight? Water? Food?
Don’t just focus on one small part of the world:
The reader should have a sense of what’s happening throughout your dystopian landscape.
For a dystopian novel, world-building must come from your rich imagination.
That’s because this world doesn’t exist yet and definitely doesn’t have a Wikipedia page. But, this doesn’t mean you can’t research your world’s landscape.
Example: If your novel takes place in a desert, you can research deserts to learn more about the people who live in that environment, including what they wear, what they eat, and how they survive the harsh conditions.
Read Other Dystopian Novels
Finally, familiarize yourself with the very books that define the dystopian genre.
By reading and researching these books, you’ll have a better understanding of what your reader is hoping for when they read your dystopian novel.
When you read the following dystopian novels, do so with an analytical eye. Critique it:
What worked? What didn’t work? How would you change it? How was the pacing? What was the theme? What motifs did the author use to convey the theme?
Source ⚜ Writing Notes & References ⚜ Hate ⚜ Worksheet: Dystopian World More References: Worldbuilding ⚜ Plot ⚜ Character ⚜ 100 Sensory Words
Beware the Writing Accountability Post
Anyone who likes it will get love on their wordy posts 💌
Anyone who shares it will get ask-box writing cheer! 📣 Go you!!
Anyone who comments will get harassed to "get back to writing" on the days of their choosing ⏳
Yes, I will do this for everyone (this cannot possibly go wrong)

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I can excuse a lot of inaccuracies in other people's writing. But if there is something not completely historically correct in the fic that I don't even plan to post, backed up with scholarly research, I cannot continue to write.
(flirting) i could be your problem