just trying my best

finally searched for a solution and there IS in fact a giant hand-curated list of sites containing this content. it can be imported to ublock origin on desktop or mobile, and even can be used on iOS via the ublacklist extension in the safari app. it's updated regularly, and importing via the link as described should allow those updates to go into effect automatically.

i've only tested it a little bit, but after importing the list and repeating my duckduckgo search for backpack recommendations, my top results now lead to websites that appear to be linked to actual organizations in some form, with an "about us" page and the name of a founder and everything. the text is still often a bit wordy and SEO-optimized, but it now has actual recommendations that are relevant to the query. BIG IF TRUE???

The site sits near Søften in eastern Jutland, about 10 kilometers north of modern Aarhus. Excavations by the Moesgaard Museum show a planned production area instead of a normal farming village. The settlement covered at least 100,000 square meters. Most of the work focused on making textiles, though other forms of handwork also took place there.

and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE

ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)

PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO

AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS

"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"

Because, my friend, my war on GREIGE will NEVER end.

Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.

Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!

In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.

WHY THE HIGHLIGHTER COLORS? you ask.

CANDLES.

Those colors reflect candlelight and natural sunlight REALLY WELL.

Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.

(If ever you have the opportunity to visit the Stencil House at the Shelburne Museum in Vermont (pictured above at 3, 4, and 5), I highly recommend.)

And that's before you get into American painted murals: