hello vonnie
Cosimo Galluzzi
DEAR READER


TVSTRANGERTHINGS
RMH
Jules of Nature
Sade Olutola
almost home

JVL
"I'm Dorothy Gale from Kansas"

Kiana Khansmith
trying on a metaphor

pixel skylines
Mike Driver
he wasn't even looking at me and he found me

izzy's playlists!
occasionally subtle
seen from United Kingdom

seen from Spain
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seen from Australia
seen from United Kingdom
seen from Saudi Arabia
seen from Bangladesh

seen from United States
seen from Romania

seen from Ireland
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@oftwodarkmoons

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
They just don’t release the hounds like they used to
Corner of Sadat and Sidani Street [1960s]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Season 3 Episode 2
I love this scene so much when they scheme to get James and Siegfried back together 😂
“My trouble is that I fall in love with every pretty thing.”
A Bigger Splash (2015) directed by - Luca Guadagnino
alright I've got to do some quick math to explain attitudes towards AI to my boss.
we're looking to create an AI policy, and when we were talking about this, my boss (older millennial) was genuinely shocked to hear that younger people do not (seem) to view AI positively (a la the recent commencement speakers being booed)
please rb for larger sample size!
Question 1/3
What is your age, and do you feel AI is a net positive or net negative in our lives today?
under 18, AI is a net positive
under 18, AI is a net negative
18-29, AI is a net positive
18-29, AI is a net negative
30-45, AI is a net positive
30-45, AI is a net negative
46-60, AI is a net positive
46-60, AI is a net negative
over 60, AI is a net postive
over 60, AI is a net negative
Question 2/3
How often do you visit or interact with museums/archives (whether in person or online)?
Frequently (multiple times per month)
Often (multiple times per year)
Occasionally (a couple times per year)
Rarely (once every couple of years)
Never :(
Question 3/3
If you saw a museum was using AI in exhibits, marketing, research, etc., would you be more or less inclined to visit that museum?
under 18, more inclined
under 18, less inclined
18-29, more inclined
18-29, less inclined
30-45, more inclined
30-45, less inclined
46-60, more inclined
46-60, less inclined
over 60, more inclined
over 60, less inclined
Thank you for helping with this data collection. Please rb for as big a sample as possible!
🫶
This got more traction than I imagined and has motivated me to make a more thorough survey where I can actually parse the data.
No email is necessary to input to complete the survey. Please also consider sharing this off tumblr with people in your life to get a broader sample, especially people who love history and love museums!
Please give your thoughts on Generative AI (such as Sora, ChatGPT, Claude, etc.) usage in museums, archives, and other cultural heritage sit
Pier Angeli
María Casares, from a letter to Albert Camus, featured in Correspondance, 1944-1959

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Ladies of the Chorus (1948) dir. Phil Karlson
♫ We’re the ladies of the chorus. Here to sing and dance for you. ♫
Need that heavy rain sound type of night
Evening Dress
1930s
1stdibs.com
Audrey's hugs + Tristan
Wild is the wind
Letizia Le Fur
French photographer.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Yet in presenting themselves as modern-day heroes, and justifying their record profits and cash mountains, Apple and other companies conveniently ignore the pioneering role of government in new technologies. Apple has unashamedly declared that its contribution to society should not be sought through tax but through recognition of its great gizmos. But where did the smart tech behind those gizmos come from? Public funds. The Internet, GPS, touchscreen, SIRI and the algorithm behind Google - all were funded by public institutions. Shouldn't the taxpayer thus get something back, beyond a series of undoubtedly brilliant gadgets? Simply to pose this question, however, underlines how we need a radically different type of narrative as to who created the wealth in the first place - and who has subsequently extracted it. And yet - where does government fit into these stories of wealth creation? If there are so many wealth creators in industry, the inevitable conclusion is that at the opposite side of the spectrum featuring fleet-footed bankers, science-based pharmaceuticals and entrepreneurial geeks are the inert, value-extracting civil servants and bureaucrats in government. In this view, if private enterprise is the fast cheetah bringing innovation to the world, government is a plodding tortoise impeding progress - or, to invoke a different metaphor, a Kafkaesque bureaucrat, buried under papers, cumbersome and inefficient. Government is depicted as a drain on society, funded by obligatory taxes on long-suffering citizens. In this story, there is always only one conclusion: that we need more market and less state. The slimmer, trimmer and more efficient the state machine the better. In all these cases, from finance to pharmaceuticals and IT, governments bend over backwards to attract these supposedly value-creating individuals and companies, dangling before them tax reductions and exemptions from the red tape that is believed to constrict their wealth-creating energies. The media heap wealth creators with praise, politicians court them, and for many people they are high-status figures to be admired and emulated. But who decided that they are creating value? What definition of value is used to distinguish value creation from value extraction, or even from value destruction?
Mariana Mazzucato, The Value of Everything: Making and Taking in the Global Economy
Bikes park near an arched stone bridge above bathers enjoying the water on Arran Island, Scotland, July 1965. PHOTOGRAPH BY ROBERT SISSON, NATIONAL GEOGRAPHIC