my funny valentine for @desiresuffering !
his face is painted white, make-up twisting his expression into a perpetual and cruel frown as he walks onto the stage, causing the audience to erupt into applause, pleased to see the actor's familiar face. in this particular play, written to celebrate valentine's day with those of more romantic inclinations, santiago is given the part of the corrupter, the antagonist, the enemy of all lovers who envision a future of many years together; in this play santiago is betrayal incarnate. his three-pieced maroon suit is decorated with dark spirals, responsible for hypnotising the play's innocent lover. his heart is promised to a fair lady who grows carnations in her back garden. betrayal's cruel goal is to persuade the young man to steal the beautiful flowers and offer them to a more voluptuous and experienced maiden ... it wasn't a very good script.
sam had written it during particularly uninspired period of his artistic journey. but it was an interactive play; a perfect excuse for couples celebrating valentine's day to forcibly bond over the discomfort of being made to participate. that coupled with low lights and a degenerate staff created the perfect opportunity to fill up some seats with red-cheeked and throbbing lovers.
the actor places both of his hands on his hips and stomps his foot onto the wooden floor. "flowers, perverse?! because they are satisfied with the only need of life, which is love?" santiago approaches the edge of the stage and gestures towards the crowd, as if they are the carnations sitting amongst a flowerbed. "but consider, my dear fellow, the flower is only a reproductive organ! is there anything healthier, stronger, or more beautiful than that? please, behold them." he glances towards the crowd with his bright feline stare and finds the maître, lingering in the aisle, covered in darkness and perfectly still. any member of the audience might have mistaken him for a pilar or a statue. a stern mimicry of a great cruel leader, with eyes painted too brightly --- his pedestal stolen from him by some lesser being, unworthy of stepping into his temple.
the thesp steps down and off the stage to walk amongst the crowd, looking down at each audience member with a loving gaze, letting his pale hands hover over their heads and brush over their shoulders as he made his way through the seats. "these marvellous petals, these silks, these velvets ... these soft, supple, and caressing materials are the curtains of the alcove! the draperies of the bridal chamber, the perfumed bed where they unite, where they pass their ephemeral and immortal life, swooning with love..." santiago suddenly stops and the spotlight following him does the same.
he swirls to point at the back of the theatre. "ah, there she is!" the actor rushes up the aisle and, the circle of bright white light, suddenly illuminates the vampire armand, standing still and beautiful and perfectly stoic. santiago's pale hands gently grab the other man's face as he leans in to press a close-mouthed kiss to the other's lips. though it was a technical kiss, supposed to be repeated over the next few evenings on random audience members, to mark them as the coven's next prey, santiago's eyes do not shut. the only space in which no part is required to be played is right there, between both of their stares. santiago's is both loving and spiteful in its' own twisted way. the desire to bite down is kept tamed behind thin smirking lips. but it is there --- always. this misplaced want to own, to love, to consume whole...
the actor makes a cartoonishly wet sound as he pulls away, causing the audience to chuckle and giggle. but neither of the vampires laugh. and santiago's thumb brushes over the curve of the maître's cheek so tenderly, one would think he was the romantic lead. from between smirking lips, spills the final line of the actor's monologue.
"a flower worthy of perfidy."