Now look at us...

Shane is playing with the curls at Ilya's neck. He's laughing at a joke from Luca. He rolls his eyes at a chirp from Ilya who in turn presses an exaggerated kiss to his cheek. He's playing mario kart with Wyatt and Young at some point, all of them yelling and swearing loudly. He's holding Ilya's hand in both of his. He's talking to Harris about going back to the restaurant they went to the other day, you guys want to join us? He's hooking his ankle over Ilya's. He's beaming at Harris as he takes a picture of the couple. He's grinning at something Ilya whispers to him in Russia.

After dinner, Hayden's standing on the patio with a beer in his hand watching as Shane and Ilya chase each other around Bood's yard, a spectacle that is accompanied by loud cheers from the rookies that are watching them. At one point Shane full on tackles Ilya and they end up on the grass laughing and wrestling. Wyatt whoops and shouts "Hollzy Rozy wrestling championship back the fuck on!" joining the rookies, half of them chanting "Rozy" while the other is chanting "Hollzy".

YES i love it when adrian is way bigger than rocky uh here's my take on rocky and adrian

- Total lack of atmospheric perspective (things don't fade into the distance)

- Very realistic shading but no or only very faint shadows cast by ambient light.

- Limited interaction between objects and environment (shadows, ripples etc)

- Flat textures and consistent lighting used for backgrounds that would usually show a lot of variation in lighting, colour and texture

- Bodies apparently modelled piece by piece rather than drawn from life, and in a very stiff way so that the bodies show the pose but don't communicate the body language that would usually go with it. They look like dolls.

- Odd composition that cuts off parts that would usually be considered important (like the person's head in the snowy driving scene)

- Very precise drawing of structures and perspective combined with all the simplistic elements I've already listed. In other words, details in the "wrong" places.

What's fascinating about this is that in early or bad CGI, these things come from the fact that the machine is modelling very precisely the shapes and perspectives and colours, but missing out on some parts that are difficult to render (shadows, atmospheric perspective) and being completely unable to pose bodies in such a way as to convey emotion or body language.

my impression is that colville did see the world as an unsettling place and a lot of his work was fueled by this general ~malaise?? but in a lot of cases, he was trying to express particular fears or traumas. for instance, this painting (horse and train) was apparently inspired by a really tragic experience his wife had:

eat my foot sunday #eatmyfootsunday

after dick and kisses