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PUT YOUR BEARD IN MY MOUTH
let's talk about Bridgerton tea, my ask is open

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@noshowjericho
IDENTITY EMERGES ORGANICALLY FROM ACTION
IF YOU DONT DO ANYTHING YOU ARENT ANYONE. SORRY

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the recent trend to hate on argentina and to characterize doing so as woke has allowed many first worlders to show their true colors. as soon as you all seem to get the 'green light' that hating on a third world country is acceptable you stop hiding your disdain and xenophobia. this and the "calling ice" jokes show you don't actually give two shits about racism or cheating or whatever, you just want a socially acceptable way to hate on latin americans
(The Return) Odysseus voice: I'm afraid to come home and have them say "is this all there is"
Sorry been thinking about it a lot.
I think there's also such a time-ness to it in a way? Ithaca is a ghostown, all the good men are gone, most of Odysseus' old life is dead. We only have Telemachus, who only knows Odysseus as the soldier. Penelope, who knew Odysseus before the war. And Odysseus, who does not know himself
there's like sort of a divide in a way? Past present future. Most of the past are dead (anticleia, Argos, even laertes), and the future has left (Telemachus), and the only ones left are Odysseus n Penelope
(There is something to be said about eumaeus and eurycleia, who were also there before the war, but call for blood. I think they believed in the myth he's become. But also I think they kind of represent Ithaca too. Festering)
But like yeah at this point Ithaca has become stuck in this liminal past-present, and so have Odysseus and Penelope. The contrast of the lines "forget about the war old man, it was a long time ago" and "the war is in everything. Waiting for me to make it happen again." and "For some, war becomes home." (paraphrasing here) puts him in this state where his past is also his present. And Penelope has been keeping the peace for ten years, and weaving the loom for three. She's been living in a perpetual state of present trying to preserve a past. (I have no other choice, I cannot live another life)
When she asks for their history to be shared and wipes away the blood, when he throws aside her loom to reveal their bed. They're making steps to settle into the present (the past never fully goes away. The blood dilutes but does not clear) and to hope tentatively for the future ("When he finds out who he is, he will return")
Your past will be my past, and mine, yours.
Better to forget.
We will remember. And we will forget together. And then we’ll live. And we’ll grow old. Friends, again. Together.
Ithaca as a living breathing thing... A stagnant thing...that cannot live... Odysseus as a dead thing...that cannot die...
penelope didn't have to turn the tree bed into a riddle. she could have asked odysseus to prove his identity, to tell her something only he would know — which she actually did a few books earlier, when she asked the beggar to describe odysseus, and odysseus told her about a purple cloak with a particular golden brooch that she fastened herself twenty years ago. when penelope tells telemachus they have signs by which they'll know each other, you sort of expect more of the same. and instead, she decides to trap him. like a bug in a cup.
and it's delightful to me, idk, how odysseus has been trapped and cornered in various way throughout the odyssey, but arguably never so that he has to tell the truth to get out. (with the phaeacians, maybe? the omniscient narrator corroborates some of what he tells them, but do we really know everything?) and in fact he is not trying to get free of penelope. he wants something from her, wants to convince her, wants to be welcomed home, but until this point he's lied to her, revealed himself to other people before her, and been distant with her (though also patient! he doesn't try to strongarm or rush her into accepting him; it's his idea to sleep elsewhere).
except penelope isn't looking for him to be distant and patient. penelope lies in a way that requires odysseus to stop playing along — not only to prove that he knows what odysseus knows, but that he's willing to tell the truth about himself.
(tags from @finelythreadedsky )
#and the thing is he has a scar. a physical identifier. but that one he only shows servants to prove his identity#repeatedly flashing a scar on his thigh is MORE impersonal and less revealing. to him#he must do something far more exposing and vulnerable and revealing with penelope. he must drop the act via @ilions-end
Just beat a new home on frostpunk by caring about my citizens and some wartime communism during the storm out of 500 ish people only 50 ever died during the entire playthrough

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Athena, Odysseus, and Telemachus for class
Odysseus and Helen doodles
Inspo: (1) In the odyssey where Menelaus mentions Helen being able to mimic the voices of the soldiers wives and (2) When Helen tells Telemachus the story of how Odysseus disguised himself as a beggar and Helen recognized him
"we cut the nobody scene from the odyssey" "we cut the religious trauma and parental abuse from carrie" i'm starting to think that studios barely funding original films is starting to have an effect where directors make up a story and then slap an IP on it in order to sell. or maybe some bitches just can't read anymore idk it's one or the other
Seeing people critique the nolan odyssey because the ships are inaccurate to the original and it's gotta be a faithful adaptation and not because that type of cultural sanitization is exactly the type of stuff fascist straight from Mussolini cultural propaganda is made of genuinely might set us back an era
the steward in 1908: it's a bit odd that the captain's never been married. to each their own, I suppose.
the steward in 1928: The City Is My Wife And She Hates Me Oh So Much

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actually we should start headcanoning female characters as being terrible with children
stop mother-ifying fictional literally all female characters. that fictional woman would not know what the fuck to do with a child
every time you tag a man in this post i execute a hostage
zendaya wearing real 3000-year old ancient iranian earrings with no known track of provenance to the odyssey premiere. nasty work. even worse than the kim kardashian marilyn dress to me. they could have promoted modern greek jewelry designers but chose to do this instead. very tacky at best. especially in this geopolitical climate
encyclopaedia iranica entry on 'ziwiye', covering the alleged discovery of the site and the subsequent plunder of it.
& honestly there's no debate to be had the zendaya earrings are orders of magnitude worse than kim kardashian wearing that marilyn dress. yes that piece was a one of a kind unique textile made so specifically for marilyn monroe she had to be sewn into it. at the end of the day it was a ~70 year old usamerican cultural artefact being repurposed by an american for an american cultural event and everyone involved knows exactly where the dress came from + what happened to it + where it went afterwards. zendaya is wearing the looted (or forged) cultural heritage of a people her government is currently bombing & whose lives they have been deliberately making unliveable for decades to a movie premiere that has fuck all to do with iran. we don't know where those discs came from where they were found or by whom & we never will. AND the jeweller appears to have altered them substantially from their original condition. destroying a people's cultural heritage at the same time you destroy their country + their lives so you can look good on a red carpet One Time i want to fucking hurl

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The video camera is plugged into the VCR, allowing it to record itself being poked and prodded.
GIF’d version of Vide-Uhhh! (2005)
Still wrapping my head around the fact the phrase "Hold Your Horses" is a play on the word Stable...
To be stable.
obsessed w how none of these are the real origin of the phrase