Daniel’s turning 🧛

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@northernmarigold
Daniel’s turning 🧛

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She got the idea for the study while walking with her advisor at Stanford to discuss her thesis topic, and the paper she eventually published in the Journal of Experimental Psychology in 2014 is sharp enough that it should have ended the seated meeting on the day it came out.
She ran 4 experiments on 176 people. Same person tested twice. Once sitting, once walking. The creativity tasks were the standard ones psychologists have used for decades to measure how good a brain is at generating novel useful ideas.
81% of participants in the first experiment produced more creative ideas while walking than while sitting. In the second experiment, 88%. In the third, 100%. Every single person walked into a more creative version of themselves. On average, people generated 60% more novel useful ideas the moment their legs started moving.
The skeptical question is the obvious one. Maybe it was the fresh air. Maybe it was the scenery passing by. Maybe it was the change of environment doing the work, not the walking itself.
Oppezzo killed every one of those explanations with one experimental decision. She put people on a treadmill facing a blank wall. No scenery. No fresh air. No environmental change. Just legs moving in place while staring at white drywall. The 60% boost held.
Then she ran the experiment that closed the case completely. She took participants outside in two conditions. Half of them walked through a Stanford courtyard. The other half were pushed through the exact same courtyard in a wheelchair. Same outdoor stimulation. Same scenery passing at the same speed. The only difference was whether the legs were moving.
The walkers produced dramatically more novel high-quality ideas than the wheelchair group. The outdoors did almost nothing on its own. The walking did everything.
She also tested the opposite kind of thinking. Convergent thinking. The kind where there is one right answer and you have to narrow down to it. Word puzzles where 3 words share a hidden fourth word that connects them. The seated participants did slightly better on these. Walkers got slightly worse.
Walking is not a general intelligence enhancer. It does one specific thing. It opens up the divergent search inside your brain. The part that generates options. The part that produces unexpected connections. The part that takes a problem and finds five ways into it instead of one.
When you need to converge on the single right answer, sit down. When you need to find the answer in the first place, get up.
The mechanism is now well understood. Walking selectively activates what neuroscientists call the default mode network, the system inside your brain that runs when you are not consciously focused on anything. The DMN is where mind-wandering happens. Where memories cross-reference each other. Where ideas that have been sitting in separate folders inside your head finally bump into each other.
When you sit at a desk and force yourself to concentrate, you suppress the DMN. When you walk at a natural pace, the executive part of your brain gets just busy enough handling the walking that the DMN comes online and starts doing the work that focus was blocking.
The most useful finding in the entire paper is the one almost nobody quotes. The boost did not turn off the moment people stopped walking. Participants who walked first and then sat back down stayed elevated. Their next round of seated creativity work was still significantly better than people who had been sitting the whole time. The rest lingered for at least several minutes after the legs stopped moving.
You do not need to do creative work while walking. You need to walk before the creative work. The brain holds the state.
Edited down a long tweet. (x)
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
#'this is present in the text' is often a good first step #but those second and third ones (naming it; describing its function) are vital (via @elucubrare)
pink grace pink grace pink grace pink grace pink gr

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People act like being canon nowadays is the be all end all of ships meanwhile everyone writing Destiel in its prime were like this is never happening because the writers are cowards so I’m going to make them kiss and there was like 20000 fanfics a year with that principle. Like I’m sorry you got into fandom post 2020 but you don’t need the creator’s go ahead to ship things you can just ship things and have fun is that not why we are all here?
!!! STRANGER THINGS SPOILERS!!!
I'm very disappointed in strange things fandom.I have never seen so much evil in my life, as I have seen since the release of season 5.
I'm probably one of the few people who likes the ending. Yes, there are too many plot holes, but overall it didn't turn out badly. We have a happy ending.
I like the idea of unrequited love.
I like the idea of El's death.I love that Jonathan and Nancy broke up just because it's typical of Nancy's character. I like that Dustin is a rebel. I love that Will is happy and that he's found a boyfriend.
Eleven's death was obvious from the start. And the fact that Mike doesn't love Will.
Mike is really Will's Tammy Thompson
People came up with the perfect plot themselves and got very angry when their hopes didn't come true(
Be kind and take care of yourself 🩷
good things will happen 🧿
things that are meant to be will fall into place 🧿
THIS ONE FUCKING WORKS. REBLOG IT.
this for real fucking works
refusal to examine cultural anxieties in folklore is also a big part of why so much wicca/neopagan shit clings to that divine feminine nonsense. is magic being associated with women because a misogynistic society in which women are legally property is threatened by women who live alone, who are well-respected and knowledgeable in their communities, who so much as have the audacity to live past childbearing age? no, it must be because women are uniquely primal and spiritual unlike rational men <- the thought process of a person who is very thoughtless.
there are some things where you can just tell by looking with your eyes and brain — ex baba yaga, powerful old woman who lives alone, a lot of descriptions of her sagging breasts — but there are others where it’s like. okay all these examples are going to be from russian folklore because that’s my area of study but the bannik, the spirit of the russian bathhouse, was usually regarded as a very temperamental and dangerous spirit. it’s primarily an expression of anxiety about the danger of the bathhouse itself: the banya was central to life and hygiene but there was always a very real and present risk that it would burn down with you inside. but despite this women typically gave birth in the banya and it was widely believed the bannik would protect them during it. so what does it say about the perception of women and of childbirth that it was believed they would be welcomed by a dangerous and unpredictable spirit during birth?
another example: the stove corner. the stove was the center of the russian peasant home (figuratively. physically it was in a corner) and there are endless stories about the stove and the magic/spirits associated with it: accounts of the domovoi, the house spirit, living under or behind it; the practice of perepekaniye, gently baking a sick baby in the stove to cure it; etc etc. the supernatural in russian folklore is collectively termed the unclean force, and because of its associations with the supernatural, there are accounts where stove corner is referred to as the unclean corner, particularly when it’s described in comparison to the red corner (alternate term: the beautiful corner), which was the diagonally opposite corner of the home where orthodox icons are housed. but also: while the term women’s corner more accurately refers to the curtained-off portion of the stove area where the majority of women’s work — dishes, needlework, breastfeeding, etc — was completed, it is sometimes used to refer to the entire stove corner because women were in charge of keeping the stove burning. so again we have the association between women/women’s work and the supernatural, the unnatural, the “unclean.” is this because women are uniquely tuned into the spirit world? or is it instead revealing of attitudes towards women and their capabilities? there is a right answer.

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:> made a shrimb ornament
number 2!!
Ingredients:
4x3" piece of felt
1 pipe cleaner
thread/scissors/needle
stuffing (teeny bit)
Optional: 2 small black beads, other bead decorations
digs up my shrornament recipe for anyone who wants to do a liddol craft
I am once again reblogging this for the holidays ✨
"We should trust the intelligence of computers"
Excel, sobbing & throwing up: "What??? Does '8/17/2025' mean???? I-I don't underSTAND!!!"
TIL a family in Georgia claimed to have passed down a song in an unknown language from the time of their enslavement; scientists identified the song as a genuine West African funeral song in the Mende language that had survived multiple transmissions from mother to daughter over multiple centuries (x)
In 1997 Amelia’s daughter, Mary Moran, and other members of the Moran family were invited to Sierra Leone, West Africa, where they were welcomed in Freetown by Sierra Leone’s President and then flown by helicopter to the country’s interior. There, in the small village of Senehun Ngola, Mary and Bendu Jabati met and sang this song together for the first time. Years earlier, Bendu’s grandmother had told her that this song, which had been passed down in her village from mother to daughter for centuries, would one day reunite her to long-lost relatives.
In addition to finding out where in Africa her ancestors were abducted into slavery, Mary Moran discovered the meaning of the Mende song: a processional hymn for the final farewell to the spirit, it was sung in Senehun Ngola by women as they prepared the body of a loved one for burial.
(The OP's link leads to a site with a recording of the song sung by both Mary Moran and her mother, Amelia)
Because the original link was broken, I tracked down a news story about how the song is continuing to help Mary Moran's relatives find their African communities:
Also, there's an apparently sanctioned link to the full documentary about tracing the song.
I was really fascinated to learn that the song was originally recorded by none other than Lorenzo Dow Turner, the founder of Gullah studies. Gullah was dismissed (by white people) as a nonsense language until a Black linguist trained on Old and Middle English came along in the early 20th century, and I love him.
How would you feel about discussing fandom in therapy?
Bit of a change of tone here but I’m curious.
I’m training as a therapist, and I’ve been in fandom spaces for about 15 years, and honestly a lot of the mental health discussions and meta analyses and the way I was able to process some of my own traumas through media narratives were what made me interested in working in this field!
I’m curious though, how would people hypothetically feel about discussing their fandoms with a therapist? Like disclosing you’re in fandoms, maybe discussing ways you relate to characters, or processing your own journey through the narratives of your favourite shows/characters? Discussing parasocial relationships?
How would you feel about having a therapist who is active in fandom spaces??
I’m curious how people would feel about having these discussions in that setting and not just online. Let me know in replies, if you feel comfortable! And/or click a button below! Thanks guys
Would you feel comfortable talking about fandom in therapy?
Yes
Not sure
No
Other (reply in comments)
Honestly, it would have helped me so much if my past therapist/s were fandom literate because SO MANY of the ways I tried to articulate myself referred to various fannish things and it was a lot of extra work for both of us. Not necessarily negative work: taking the time to think about articulating myself clearly in "a different language" was a net benefit, but I often left a session thinking that my original framing of an issue/response/situation etc. was better with fandom references thrown in 😆
I am so invested in the phan dating confirmation for someone who doesn’t even know which one is dan and which one is phil

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So, the other day, when I was discussing AO3's policy on solicitation, a tumblr user came at me saying that AO3's "no monetization/solicitation" rules were "bullshit" because nexus mods allows fan created mods to get paid.
Look at me.
Look at me right now.
AO3 protects you.
AO3 protects you and your works.
It protects your works from copyright strikes and DCMA takedowns.
It protects your work from advertisers.
It protects your work from overzealous legal challenges.
It protects your right to post adult content.
AO3 is non-profit and AO3 will never try to use you or your work to make a profit for themselves and AO3 will go to bat for you if someone tries to legally challenge you or your works.
Please respect AO3 and its mission.
AO3 protects fandom from payment processors.
Mastercard has no reason to mess with AO3. Visa doesn't. PayPal doesn't. Stripe doesn't. There's no compensation-for-porn exchange happening. By design. BY DESIGN.
AO3's founders knew that AO3 needed to be set up to protect us from any and all avenues of attack on fanworks. They've managed it quite successfully.
All y'all who thought they didn't need to? Sit the fuck down and SHUT THE FUCK UP.
Thinking about it, and I’d like to forward the idea that prejudice against single people (aromantics, asexuals, and also just… anyone who does not have a romantic partner) follows dynamics less like anti-queer bigotry and more akin to anti-fat bigotry.
Fatness, like singlehood, is seen at large as a state of failure. Everybody is supposed to want to be [thin / partnered], and if you are not, that is a personal failure on your part, and you are pathetic and mock-worthy. The popular idea is that of course everybody wants to be [thin / partnered], and everybody is striving towards the goal, and anybody who is not [thin / partnered] is either temporarily inconvenienced on their way to correctness, or has something fundamentally wrong with them. And because [fatness / singlehood] is something that is treated as fixable, if you have not fixed it, then there is something wrong with you—and thus discriminating against you is acceptable, because your [fatness / singlehood] is based on your own bad choices.
The world is, in some cases quite literally, not built for fat or single people. If you are fat or single, the world is much more difficult or expensive to live in, because it is structurally designed for the assumption that you are thin or that you have a partner. The normative Person, after all, is thin and romantically partnered. If you are not thin or not romantically partnered, there is something fundamentally less human about you.
[Fatness / singlehood] is something embarrassing, something worth mocking others over, something that reflects your fundamental unworthiness. Every fictional hero is thin, every fictional happy ending ends with romance. Everyone in your life is either quietly or not-so-quietly worried about you.
And all this is fine and acceptable. Because in the general perception, [fatness / singlehood] is not a real axis of bigotry. It’s a choice! You could just become a different person and stop being [fat / single]! You deserve the mockery, the derision, the attempts to fix you, the world not accommodating you, because you could just become a better person and stop being [fat / single] at any point. So it’s your own fault people treat you badly, really.