
if i look back, i am lost
ojovivo

Origami Around
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dirt enthusiast
todays bird
Cosmic Funnies
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titsay
I'd rather be in outer space 🛸
Aqua Utopia|海の底で記憶を紡ぐ

ellievsbear

Monterey Bay Aquarium
Not today Justin
Three Goblin Art

祝日 / Permanent Vacation

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RMH
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@noair

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Abituarsi al dolore accettandolo però è masochismo. Ci dev'essere un limite.
Infatti, Anon. La cosa più sbagliata che si possa fare è quella di cercare di abituarsi al dolore.Il dolore serve proprio per obbligarci a muoverci da una posizione fisica o psicologica che non è in armonia con la realtà che si sta sperimentando. Se per errore, disattenzione o ignoranza si pone la mano sul fuoco, è assurdo che accettassimo quel dolore continuando a tenercela.Dunque quali sono le indicazioni che ci dà quella sofferenza?Ascoltarle è indispensabile e trovare le strategie per riequilibrare il nostro stato d'essere, è il compito che abbiamo per noi stessi e per il nostro progresso.
source: unknown
A Bacchante - Arthur Wardle,1909
How most people with invisible illnesses are treated by health care “professionals”

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Yoshitaka Amano
Sandinista throwing a Molotov cocktail, Estelí, Nicaragua, July 1979
via reddit

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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In my dreams you’re alive and you’re crying…
Detail from Ilsée, Princesse de Tripoli - Robert de Flers, lithographies de Alphonse Mucha - 1897 - via Gallica
“Those who lend us the heavenly fire, the gods, bestow likewise the sacred gift of pain.”
— Friedrich Hölderlin
Dionysos and Ariadne frieze cartoon, 2014-2015
Acrylics on prepared paper, 19.4 x 98.5cm

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Liv & Ingmar (2012) dir. by Dheeraj Akolkar
O sei te stesso e perdi gli altri, o segui gli altri e perdi te.
Mezzosangue (via pioggia-di-parole)