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and then at some point it went

YOOOOOO DOPE FUCKIN ROBOTS GONNA BEAT SOME ASS

but then I realised that same challenge would be infinitely more funny with folks who have atypical or horror OCs

They know. The developers know that the Destroy ending is the obvious correct answer. The kneejerk reflex after all this fighting is to want them destroyed.

That's why they arbitrarily hold a gun to EDI and the Geth's heads over and go, "You better not. You BETTER FUCKING NOT. I'll shoot. I SWEAR I'LL DO IT."

Which completely ruins any philosophical nuance that deciding the Reapers' fate might have. "Should we seek symbiosis with them, take control of them, or kill them and also murder a bunch of other unrelated people in cold blood too why not?"

They knew the choices they were offering weren't very compelling. So they put a hand on the scale.

Because the thing is? Destroy is the kneejerk, of course. But after much consideration? Objectively, Destroy is the right answer for the Reapers. Or would be if they didn't have that gun. The very existence of the Control ending proves that.

The problem with Control as an option is that it eliminates the Reapers' capacity for agency. The ME3 ending states in no uncertain terms that the Reapers are slaves to program. They obey the Catalyst unthinkingly. They destroy societies in an endless cycle because that is what the Catalyst believes is best, based on his own ideas.

He, the Catalyst, is a self-aware AI.

But the Reapers are not. They just obey the Catalyst. For all their bluster in ME1 and 2, for all Sovereign and Harbinger like to talk big, they're all just word-processing. The Catalyst is the only thinking machine among them.

And the proof of that is that if Shepard replaces the Catalyst and sends them contradictory orders, the Reapers all universally obey the new protocol without question. They're in the midst of destroying worlds when the program "Do not destroy these races," comes through. And so they all drop what they're doing and leave without an ounce of hesitation or consideration.

Because they're just obedient machines.

And if that is true? If they're not intelligent, free-thinking artificial life like the Geth or EDI?

Then what value is their existence? They're just complicated warships built for genocide. That is the totality of their being.

And if that is true? Then why would we "seek coexistence" with brainless killing machines? Why would we want to control them, to arm a god-emperor with an armada of planet-killing super-weapons to keep the galaxy in line?

If Reapers obey the Catalyst unquestioningly, if they will obey Shepard unquestioningly, if they are just unthinking and unquestioning machines....

Then obviously we should just destroy them. That is the conclusion that the Catalyst and his choices inevitably brings us back to. If they're just the Catalyst's weapons of slaughter and nothing more, then those weapons of slaughter should not exist. They should all be destroyed and their destruction celebrated in the same way we would celebrate all the world nations disarming their nuclear arsenals.

But the game says no. If you destroy the Reapers, you destroy EDI and the Geth. Because it thinks they're the same, even as it introduces this plot point that completely upends any claim the Reapers have to being intelligent.

In the end, the final choice of ME3 is flawed at a point of basic principles. I reject the notion that it's founded on, that what you choose to do with the Reapers is a reflection of your beliefs towards EDI and the Geth, and their right to coexist with organic lifeforms.

Because they're alive.

And the Reapers are not.

The father of Warhammer 40k art direction and the man that has inspired me as an artist, down to inspiring my current artstyle (and I am sure will continue to inspire me, even in death). 40k just wouldn't be 40k had it not been for the foundation of grimdark sci-fi that he laid.

Farewell, you absolute legend.

Mata Nui Online Game is one of the most core parts of Bionicle for me, I'd even go as far as saying I'm more of a MNOG fan who is also a fan of the tie in action figures.

I think one of the most endearing things about it is its art style, its sometimes quite rough, but it just comes together to make some very evocative imagery.

One of the most interesting examples of the very economical way in which this game was made is, I think, the Ussal crab.

The Ussal is first introduced in the Onu-Koro chapter of the game, an area focused around a large mine, and in keeping with this there's a lot of machinery. A few years ago I 3d modelled a lot of them, which is where I first had the realisation that the bulk of them are actually reusing Ussal graphics.

Its something that's come up quite a bit since so I feel I'd like to have a document that covers it all in detail for future reference.

To begin with: this is the Ussal. Its a cute little crab. It has a little rubber band function that lets it do little punches. Even though it first appeared as a set in 2002 it was all over 2001, from MNOG, to the card game Quest For The Masks, to the video games Quest for the Toa and the cancelled Legend of Mata Nui, and its even one of the first creatures you see in the comics!

MNOG, being a flash game, constructed the Ussal out of several simplified collections of parts that could be animated separately. They then reused these parts, flipping them around, overlapping them, scaling them, all sorts, to make all the various machinery you see throughout the area.

So I thought it would be a bit fun to tear apart a couple Ussals for purely demonstrative purposes.

These are all the main usages that I'm aware of. Note these aren't 1:1, there's some scaling involved in some plus extra little bits here and there.

Small Lava Valve

Large Lava Valve

Lava Pump-aka Tower of Crab Corpses

Drill-This one also contains parts of Whenua!

Light Stand-As I recall this was the what made me finally realise the Ussal connection, the bent beam was confusing me until I worked it out.

Lever-Yeah every time you ride this thing you're grabbing an Ussal's eye.

Elevator Winch-its up there, looming out of the darkness.

This object also includes many parts seen in the ziplines.

And while that may be it for the Onu-Koro chapter the Ussal bits make one last surprise appearance in the little electric bug from the next chapter, Le-Koro.

This one is playing a lot with scale, and its using the back of a Kewa bird for the abdomen. it means that the little guy isn't really buildable, but I've tried.

These are all the usages I'm aware of, I'd love to know if anyone's found any others! I'd also like to quickly note where the Ussal was not used, as I find it interesting.

When the Toa Kaita fight the Manas, a much larger, treaded crab, they end up having to smash these large control towers. The towers are full of miscalaneous mechanical bits, but no crab bits.

And at the end of the game, the void features entirely Toa bits and tubing, so no crab bits there either.

I just wanted to make a note of that since it was something I once wondered when looking in to this.

In conclusion, I find it so inspiring how effectively they used their assets. Like, did you know that Lewa's head here when he gets the infected mask knocked off is just reusing the foot graphic?

Wild stuff. Its just very in keeping with the whole building system Bionicle is based on and I love it.