GROTESQUE

The noble suitors, who have never sewn a thing in their lives, sabotage themselves by their own ambitions: they choose difficult fabrics to work with and cut huge, elaborate patterns and select gems and pearls and beads to sew onto it, and snip such long bits of thread that they lose time detangling their stitches, and ultimately resort to pinning bits together as they run out of time, so that their offerings initially look beautiful and flashy, but when the princess tries them on they stick her with pin ends and fall apart as she moves.

The humble protagonist uses a very simple pattern without embellishments and sews using short lengths of thread (snipped off and threaded for him by little birds of course) which don't tangle and therefore save time. His dress is plain by contrast, but holds together and the princess is able to move freely in it, and so he wins the contest and her hand.

I particularly think about the bit about threading the needle with shorter lengths of thread, needing to tie off more often but avoiding tangles and thereby saving time.

The largest dam removal in U.S. history. So successful that the salmon that haven’t run freely in the river for literally over a century came back the next year. Not steady progress over a decade as expected, the very next salmon run they came home. No one alive saw salmon in that river outside the hatcheries kept by native’s tribes and the Department of Fish And Wildlife scientists desperately trying to save them. One of the activists who helped bring the suit spoke of their dying grandmother making them promise to bring the fish home, and they didn’t know how that was possible, but they spent decades doing it.

The legal basis for successfully suing the power company who owned the dams was Indigenous treaty rights to eat the fish. Eating the fish was the one thing in a century that succeeded in being a clear and legally binding right that superseded the desires of white capital and industry. I have been going to the public interest environmental law conference off and on for 20 years where a lot of organizing for Undam The Klamath happened. I’ve heard updates about every legal tact they tried as they happened, and they tried everything.

There are healthy, thriving salmon, trout, and lamprey in a rewilding and recovering Klamath River right now as a direct result of Indigenous people eating them. Of their legally binding right to eat them. They sure as fuck care more about those fish than any white vegan ever could. They are salmon people that the Creator sent Salmon to feed, while charging the People with protecting and stewarding them. It’s not possible to learn about salmon and trout in the Pacific Northwest without learning this, and it’s unambiguously racist to dismiss this symbiotic relationship.

The white vegans are trying to get all hunting and fishing banned in Oregon, and that’s quite possibly the single most catastrophic thing that could be done to the animals here because we killed off all the major predators of creatures like deer and without anything hunting them their numbers will explode, eat all the vegetation, destroy the ecosystem, and then die along with everything else in that failing ecosystem. Controlled hunting of deer is vitally necessary for the deer to survive. This is something Native people know, but patronizing racist savior-complex white people refuse to listen to.

I have a whole collection of Oregon’s Public Broadcasting’s documentaries about Klamath River or the larger story of fish and people in the region. If you watch nothing else, watch Klamath Dams Are Coming Out, First Salmon Ceremony, After The Dams, and First Decent (Native made). It could not be clearer that the salmon are being protected and nourished by the people who eat them, and that stewardship is a massive part of their creation myths. But it contradicts political vegan dogma so they don’t listen.

Have you ever wondered where all the fantasy worlds based on African and Black mythology are?

Well, today is your lucky day.

Check out ZAIROO - The First Pan-African Steampunk Fantasy

made by a Global Team with love

all art is from the gamebook, we dont use ai

Our game includes:

100 creatures and beings from across African and Black mythology (the first in history to do this)

Custom character creation

13 heroes to play or have as companions

13 creeds

12 kin

5 kingdoms and 2 regions representing the diverse cultures under the Pan‑African umbrella

6 adventures included within the book

400 pages of gorgeous art and worldbuilding to help you write stories and create art in an authentically Pan‑African setting