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Eris portrait where I tried to find some middle ground between my sketches and rendering ;; I'm really proud of how she turned out but have no idea if I'll ever get a pic to come together like this again orz
Since it's been six(?) months since I fell for Del Toro's Frankenstein and my love has yet to waver, so I decided I needed a Frankenthemed desktop background. I have three monitors that I use in very specific ways, which is why the second picture has two blank windows--I have folders and miscellaneous crap to go there. Similarly, I keep icons to the far right of my horizontal monitor, which is why the fun stuff is all regulated to the left
You can download the full res versions of these right over here
and just bc its a huge reason I'm still this in love with this movie; y'all fuckin rock. This fandom is so fun and full of the sweetest most understanding freaks. Keep being awesome; you make me want to be awesome!
If you like my latest mermay picture [cw for mild gore], lemme tell you how easy it was to do the coloring for it. I used 3 layers to make it from black and white to full color, using a correction layer called a Gradient Map. This will be for the program Clip Studio Paint, but there's equivalent functions across programs, you just gotta do some research about where your gradient map options are hiding
In CSP, you go to Layer > New Correction Layer > Gradient Map
and this is what a gradient map does when placed above a black and white drawing;
It's a process that sounds complicated but is actually super easy to learn and exploit; gradient maps take a specific value (black to white and all the greys in the middle) and assign it a color. By adjusting where those lil ^ arrows sit on the gradient, you change which value is assigned that color, thus changing what part of your drawing is that color.
all the gradient maps I used are community made presets I downloaded for free using the CSP community asset portal
now pair that with layer masks, and you can isolate where on the picture the gradient map is in effect. Below is the gradient map that's Just the red for the couch, a few character accents, and the tail;
above in the orange is the layer mask button as well as where it is displayed on your layer (in CSP) once you apply it. When you want to change your layer mask, you click that second square on your layer; with that selected, you now can control what part of that layer is being shown without actually changing whats on that layer.
With the layer mask selected, you can erase whats there, then go over it with a brush or a selection tool and add it back as if it was never erased at all. The positive parts (what is visible on the picture) are displayed in white, the negative parts (what's been erased) are displayed in black. Obviously you Have to make sure you're interacting with the layer mask and not the layer itself (the layer itself is selected in the screen cap above, that's why it has that in-program white outline) or you really will just erase shit you can only get back by hitting 'undo'.
then you can add more gradient maps above or below the first one, depending on what looks best;
this is the bottom most gradient map layer arranged in my folder of gradient maps, because I wanted this orange as the foundation of the pic, the rest building off it.
the last gradient map layer is smushed between the red and the orange, and this is how I got those blue shadows and tail accents.
there is a Single value assigned that blue, but the gradient aspect allows it to be more versatile, and the browns making up the majority of the gradient help it feel like an extension of the orange layer. It's important to make sure your gradients harmonize like that otherwise it becomes more obvious they are two separate gradients interacting rather than the illusion of a more complex, selective color palette. While you can get a lot of depth out of a single gradient map, when you layer them, you're able to easily add shading, quickly change the color of a specific part of the picture and overall just cheat your way to a very cohesive, intricately colored picture with WAY less effort and color picking on your part.
taking this;
and turning it into this;
with 3 layers 8'>
And everyone say thank you for @spooky-beanz for inspiring this tutorial!
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I've had this idea for a while, of Zagreus corrupted and enslaved by Chronos being someone Mel has to fight. It was pure coincidence that I started actually drawing the idea just in time for the Olympus update to come out (which has no Zag for those waiting for the final release).
Zag is not a willing servant, he's been torn apart and reconstructed and forced to do Chronos' will. This is only possible bc Chronos flooded the Styx with his sand. Each time Zag was killed, he came back with more of Chronos' sand holding him together. Renewal of the Styx and time spent with/inside Nyx will reverse the corruption of his body, but not the time he spent suffering Chronos' conditioning.
Next month I'll post the comic of him fighting Mel, but you can also read it rn on my patreon
On Saturday I said to my partner, as I have said for months, "A ten thousand dollar a year raise would solve so many of my problems."
As of this morning I was reluctantly looking for jobs because I love my job and don't want to leave it, but see: $10k raise problem solver.
As of noon today this was no longer an issue, because my boss called me with the news that I was getting a $10K merit raise.
I feel like a huge weight has been lifted off my shoulders. This is roughly $200 extra per paycheck. Enough to pay off debt faster, rebuild my savings, and spend a weekend a month in Milwaukee getting obscenely laid. The sex I'm going to have on $200 extra per paycheck. You can't even.
May all of you get the $10K raise your soul has yearned for. And whatever level of sex you can be satisfied with for $200.
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How do I explain to you people that interracial relationships are okay
Not every white person dating a POC is fetishizing. White people can be respectful and responsible when it comes to culture and relationships and not everyone has bad intentions.
Asian people can date Black people without you saying shit like “your kids will be so pretty” they’re not dating for pretty kids. They’re dating bc they like each other.
Someone can dress their partner in clothing from their culture if they want. Someone can take their partner to cultural events if they want.
People in relationships can share cultures, experiences and love without it being toxic or skin deep.
Their partner isn’t culturally appropriating. Their partner is being shown the ultimate form of love, bc their partner trusts them and loves them enough to share their history and heritage.
Yeah, dating someone from your culture is nice bc you automatically have similar experiences. But you’re not limited to dating people with the same experiences. Loving someone is sharing and growing and being together.
Interracial relationships aren’t always toxic, and some of y’all need to stop projecting onto other people.
This was the scene that made me include him in the relationship. The slow painful turn, the realization, the horror in his eyes, the "what the fuck am I ever doing" face... In my AU this was his moment of clarity.
I adore this scene. The way he closes the doors behind him, mirroring how he opens them when Elizabeth and Will arrive. The stiff, awkward way he walks away, the sense of disorientation it projects. The moment he pauses. This moment, when he turns and regret overtakes him. The way he walks and then runs and then Hauls Ass up the steps, like he has any hope, like there may still be time left.
The fact his singular moment of clarity and compassion is rewarded with the destruction of his leg.
Can you imagine the smell, the fumes, the hours it took him to haul and arrange and pour all that kerosene around? The headache he must have? How his ability to reason would have deteriorated as the tower fills with noxious gas, and let's be frank, he wasn't reasoning well before. Is it any wonder that when he leaves that tower and is finally back in the fresh air, the fog breaks?
I just--I've said it before and I'll say it again, this scene makes me love Victor. This and when he asks how many sailors were killed and demands he be placed on the ice so no one else will be hurt.
This is, to me, Victor stripped of artifice. The person under the persona, the man under the machismo. All the feelings he's been smothering all coming up and compelling him to try, because what if there's time left? What if he can reach that innocent creation before it's too late? If he is fast enough, maybe, just maybe, he can do the right thing
i don't care what those tiktok and instagram influencers tell you, have three meals a day!!! have a snack!! have that sweet treat!! have food that makes you feel good!!! especially if you're a woman!! starving yourself to look "desirable" will only make you desirable to people who want you to stay malnourished forever. it's a cycle of misery!!
i don’t think i’m exaggerating when i say that the average height for women in the US would increase by at least an inch if teen girls were allowed to eat as much as teen boys are
and not to bring my own clocky bitch ass into this but if cis women weren’t so consistently starved their entire lives you’d see a lot more cis women with the kind of bodies that we currently associate closely with trans women. the amount that the standards of feminine presentation are culturally defined by malnutrition is crazy
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a ton of people have unexpectedly followed me over the last 2 days so here is my rent-lowering gunshot:
the american south is the most racially diverse and poorest region of the united states, and any political sentiment that treats the south is stupid or expendable is inherently racist and classist. a lot of y'all are racist and classist. the south is also the heart of american culture. argue with a wall. you cannot deny that everybody in the entire world does not emulate artists from atlanta. there is vested interest in keeping the south poor and uneducated BECAUSE this is the most racially diverse region in this country. if you actually give a fuck about progress, you would fight for the south, not mock us.
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