moving forward

it's always so fascinating and heartbreaking when a character in a story is simultaneously idolized and abused. a chosen prophet destined for martyrdom. a child prodigy forced to grow up too fast. a powerful warrior raised as nothing but a weapon. there's just something so uniquely messed up about singing someone's praises whilst destroying them.

rocky always yells “enrichment for grace! enrichment for grace!” when he has a new invention to make the humans time more interesting on erid. grace, while appreciative, replies ‘I know I’m in a zoo enclosure but could we maybe not call it that? I feel like a bear getting thrown a pumpkin covered in peanut butter.’ rocky simply gives him a thumb, not wanting to explain that a significant amount of the population sees grace as the celebrity savior scientist who rocky keeps as a controversially young trophy wife and publicly lavishes in gifts

"it's just stress" oh thank god, it's just the silent killer that slowly kills you, perfectly harmless, no need to worry

[looking at people younger than me] you have your whole life ahead of you [looking at people older than me] you have your whole life ahead of you [looking at myself] its over

it's such a bummer that losing control of your emotions only makes the entire situation worse in really embarrassing personal ways. losing control of my emotions should give me pyrokinesis.

“Put him on his knees give him something to believe in” has the exact same energy and depth of meaning as anything Hozier puts out on the regular but since it’s sung by Megan Thee Stallion no one takes it seriously. In this essay I will-

To flesh this out a little bit more: both Megan Thee Stallion and Hozier write and sing really sexual songs, but they’re different in that Hozier’s music is typically “let me worship you” while Megan’s is usually “I’m worshipping myself,” which makes all the difference because it’s an acceptance of power rather than the giving of it. He’s the sinner, she’s the saint. However, taking their difference in genres out of it, people don’t usually seem to take Megan Thee Stallion’s music seriously in comparison to Hozier because a) her lyrics are more overtly and blatantly sexual and b)she’s claiming her sexuality for herself, and that scares a lot of people. The secret, no-one-wants-to-talk-about reason is that she’s a confident black woman, which terrifies people way than sex does. In conclusion, Hozier and Megan Thee Stallion are two sides of the same poetic, sexual coin, but people just don’t want to admit it. Which is WHY a collaboration between Hozier and Megan would be so powerful that it would change the timeline as we know it yes I will elaborate