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@nayonaize
ready to feel old?
twenty one pilots have been playing music in three separate decades

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Watching Daredevil: Born Again Seasons One and Two got me thinking a lot about how Daredevil as a whole relates to Radiohead in a surprisingly significant manner. Spoiler warnings ahead if you haven't watched both seasons yet, you've been warned. And there will be a lot of background detail, so for those who know it already, just trust that it's necessary.
The songs "Everything In Its Right Place" and "Pyramid Song" by Radiohead are both featured in the final scenes of two separate episodes, which happen to be the final episodes of Season One and Season Two respectively. When you start to think about how these songs relate to the situation Matt Murdock is in during these seasons, it starts to make a shocking amount of sense.
Hear me out. Let's say that the original three seasons of Daredevil by Netflix are like OK Computer by Radiohead. They're both looked back upon with reverence and nostalgia, often being claimed to be the holy gospel (and rightly so). And often, they are also seen as the peak of their career. OK Computer is widely regarded to be Radiohead's most successful album, and Daredevil Seasons 1-3 are seen as the spotlight of his character's history. Both of them peaked in popularity during these times.
Now, before I lose you, let's get away from literal real-life analysis. Let's instead take a look at the tone and the emotions behind these products. OK Computer is cold and sterile, but conveys a comforting atmosphere and emotional response while at times diverging into chaos. Meanwhile, Netflix Daredevil is dark, emotional, and gritty, but it also conveys a comforting atmosphere from our nostalgia (unless you haven't watched the original, then don't pay attention to that.) Netflix Daredevil also conveys a sense of hope, even, from the relationships between our main cast and the hope they have for a better New York.
Now, OK Computer was a landmark album in Radiohead's career, and to follow that up was a major challenge for the band. They decided to take what many call "the greatest left turn in music history" and release their next album, Kid A. It was a very dividing album at the time of its release, many fans not knowing what to make of it.
Let's say that Kid A and Amnesiac are Daredevil: Born Again Seasons One and Two respectively, based on the songs they feature. Kid A's divisive reactions mirror the initial reviews of Born Again. People were saying that the show just wasn't the same and that it fell off, while many others (me included) praised it and felt that it was a great successor to the original show.
Well, there we go. We've already got one solid relation between the band and the show, coincidental or otherwise. The tone synergy between OKC and Netflix Daredevil mentioned earlier is about to become important.
Born Again Season One and Kid A both convey a much darker and more sterile feeling than their predecessors. Matt's life is thrown for a loop during season one when he has to cope with the loss of his best friend Foggy Nelson (fly high, king) at the hands of his old enemy, Bullseye. Then, immediately after his death, Matt's other closest companion, Karen Page, leaves and doesn't show back up for a long time. Oh, and THEN, he also has to face a new bloody serial killer and put a stop to Fisk again.
Safe to say Matt is in a really bad place during that season. Far from the emotionally dark but warm and nostalgic comfort of OK Computer. At the end of Season One, we see Matt forming a team to fight against Kingpin and Everything In Its Right Place plays. It all seems to be gearing towards something, but it feels uncertain. Maybe a little unstable. During the development of this song, Radiohead would quite literally draw random lyrics out of a hat. This adds to the feeling of confusion within the lyrics, while the repetition conveys a mantra. Matt is unsure how he can operate in this new life of his, evident by how he quit being Daredevil for a time, but now he feels as ready as he'll ever be.
While Kid A feels unstable and cold, Amnesiac is at times calculated and intimidating, or even excited. This mirrors the setting of Season Two really well. For once, Fisk is scared of losing his empire. He lost his wife, and now he could lose everything else because the people are on Daredevil's side. Matt, on the other hand, is uncertain of where things will go and often acts on the fly to get a leg up; such as when Matt revealed his secret identity as Daredevil in order to beat Fisk in court and free Karen. He'll do whatever it takes to win now, even teaming up with Bullseye, the one man he despises the most.
Pyramid Song is reflective and speaks of being unafraid of death. How Matt, upon getting Fisk to leave New York, allows himself to be arrested, getting just one last kiss from Karen before being taken away. He gets thrown into prison, and he does it with a smile, willingly going into a place unarmed where he might eventually die or just never leave. However, he seems content in the knowledge that New York may see a better future for the time being.
I know, I yapped a whole lot, but I really needed to write down my thoughts on this. All in all, it's still a really damn good show. And I really think Matt Murdock should be a Radiohead fan. He would definitely like their stuff in canon.
LETS FUCKIN GO GUYS WE'RE GETTING COMIC ACCURATE BULLSEYE IN SEASON 3
Batman character sketch for my fighting game concept - Marvel vs DC
Spoilers for Daredevil Born Again Season 2 if you haven't watched it yet.
I have a lot of thoughts about this season's finale. Season 3's finale will always be my favorite, but this one was really well done. I really did not expect Matt to reveal his identity as a trump card in his case against Fisk, but man did it work perfectly, and I loved seeing Matt dole out justice in the courtroom again.
Was hoping to see more of Dex, but him kinda trying to take a shot at Fisk but missing and having to retreat makes sense. Don't really know what he's doing now. It kinda seems like he's making a new life for himself again, or maybe he's joining up with Matthew Lillard's crime organization. All together I really loved what they did with him in this season. Seeing him and Matt interacting will never not be entertaining.
Definitely wasn't expecting Fisk to accept the AG's deal and leave New York, I was totally ready for it to end in a death match like in Season 3. But him and Matt coming to an agreement was quite an interesting turn.
Matt being taken to prison raises a lot of questions for me- like why he seems so content with being jailed while Fisk still walks free, and how much legal gymnastics he's gonna have to pull to get out. Although now that his identity is public knowledge, he surely won't be allowed to practice law anymore.
Overall, I loved this season. I'm still quite impressed that they managed to keep the tone of the original show and what made it special while adding new flavors and spices.
One thing I definitely don't want to see next season is Wilson Fisk. Don't get me wrong, I love D'Onofrio's portrayal, but the character needs a rest. Putting more of him in there would just be rehashing the same story all over again.
Some things I really DO wanna see however are more of the Defenders saga and the rise of White Tiger as a new vigilante. I loved that she joined the fight at the end, and I'm hoping we get more of that character buildup. I also really need more Dex content. His story feels very open ended right now and he still feels just as fascinating as ever to watch on screen.
Really hoping they fix the Muse story, and no, I don't want Matt's ex to be the new Muse. it feels like they're going in that direction and it worries me. Also generally just hoping they bring in lesser known Daredevil villains for less important subplots. Gimme Daredevil fighting Stilt Man on screen, I dare you.
Anyway, that's enough of my incoherent rambling. I really love this series with my whole heart and I like the direction they're going with it, but I know not to get my hopes up too much.
also Karen is so badass this season. holy shit.

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first seasonal plea for Netease to put Bullseye into Marvel Rivals. please. please...
please.
they look like they're about to kiss
was pondering something today and I genuinely believe a lot of the world's problems would be solved if everyone just agreed to stop having children. around 63 million people die each year so if nobody else was born within the next twenty years we'd be back down to 7 billion people worldwide. boom, less overcrowding and stuff. we all should really make this commitment. no more babies until 2046. you're welcome
Note to my followers, the few of you that there are. (Thanks for being here btw) Might not have any new art for a while because I got a job, and I might get another one. I'm also working on a huge project. It's gonna be a concept/pitch for a video game! I'm really excited about it
if there's nobody alive on Earth that hates AI then I'm dead. if there's only one person alive on Earth that hates AI then it's me.

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Deadpool color picked from a strawberry short cake
Got the idea while high last night to draw superheroes only using colors picked from random treats. So I present to you, peach cobbler wolverine
Just a taste of what I'm cooking up. My brain is so neat
Nolannnnn
playing high while minecraft tonight

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people who don’t watch horror movies are SO confident that they know everything there is to know about the genre. like it’s okay to not know things. it’s okay if you don’t like friday the 13th or whatever. i promise you don’t need to make an ass out of yourself on the internet about it
horror is an incredibly diverse genre, because there is potential horror in everything. it’s in nature, it’s in architecture and technology, it’s in human relationships, it’s in folklore, the past, the future, the mundane. there are horror movies from all over the world. it is straight up anti-intellectual to pretend that the handful of B slashers you’ve vaguely heard about comprise the totality of what horror has to offer. If you’re just not interested in horror, or if you dislike certain subgenres of horror, then that’s fine, you’re not obligated to like anything at all. but smugly announcing that you don’t like horror because you dislike a handful of VERY specific non-universal tropes is just as stupid as saying that you hate comedy because you don’t like adam sandler movies.
this is what I mean by anti-intellectualism btw