Disinherited child of the eighties. Writer, shipper, crafter, wanderer. Old enough to know better but neurodivergent enough to do it anyway. Currently having my anime phase about twenty years after everybody else.
Yes, this is the same navigatorsghost/Rath from Livejournal, Insanejournal, AO3 and a bunch of other places way back when, feel free to follow me if you remember me or indeed if you don't but want to be here anyway. Over 21 (by a significant margin). Follows/likes from @kitrathenar, also used to be @koenigsideblog on here. Craft blog at @rathenarts. Avatar photo (of me) by Karohemd. Header image found on metalmieze.de.
Current fandoms: Death Note, Naruto, always a metalhead, permanent background Warhammer/40k, occasional Magnus Archives, may pivot to classic Transformers or 90s Ghost Rider without warning. Does many crafts and may attempt new ones at any time. Gender currently on hold for reassessment, they/them until further notice please.
Anti-AI: all my original posts, fic, art, etc are hereby guaranteed to be entirely created by me with my own brain and paws. If you spot me reblogging anything created by so-called AI without calling it out as such, please let me know!
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for my fic, i ended up overanalysing Kiichiro Osoreda's incident. I was trying to understand what drug he was addicted to and how I can explain the bus hijack without taking Light into consideration, but then I got to wonder, how were the bus and car drivers legally dealt with?
i studied all the manga panels, the possible speed of the vehicles, the japanese law regarding negligence ("carelessness and the breach of duty of care which results in foreseeable consequences") and the Road Traffic Act, and obviously, neither the bus or the car driver are going to be persecuted. i won't bore you with all the details, just going to say that the bus driver was under duress, so even though he didn't exactly comply to the RTA, that's a (legal) excuse; the car driver did anything he could to avoid the impact, since the car did slide a bit and Kiichiro didn't fly across the road.
this got me thinking back to the truck driver in chapter 2. that does fall under negligence. he was driving at high speed on a pedestrian-heavy area and near the crosswalk. he basically disintegrated that motorcycle, so surely above the speed limit that should be 30-40km/h (18.6-24.8 mph) on that road.
now, the question is, did Light make the truck driver liable for Negligent Driving Causing Death or Injury (article 5) with, i don't know, the death note making the driver lose control of the car? or was the truck driver already having a careless conduct? does the death note make innocent people liable for something or does it take already negligent people and use them (that would've been prosecuted even without its involvement)?
Fanfiction trope: Enemies to Lovers (no friends in between!)
Gonna have to rate that, uh... something that's in between A and C but isn't B, because while one of my all-time signature ships is famously this (and led to the ship tag "nemesis with benefits" which still makes me grin every time) - there is so much enemies to lovers fic out there that I find just plain awful. I love it when it's done as "we have more in common than not, we understand and respect each other, we both see admirable qualities in each other - what if we tried leaning into that?" and the conflict and tension comes from two people who are fundamentally kindred spirits being divided by external barriers, conflicted loyalties, etc. I love it when I can see how both characters can offer the other one something they desperately want - enough so as to justify a moral or ideological leap of faith that goes against whatever they've believed in or stood for until now.
But a lot of enemies to lovers fic is, uh... not like that, shall we say. >_> If I feel like the characters themselves don't actually want it and are being railroaded by the plot, I'm out - I hate that thing where someone's internal narrative is like "ugh whyyyy am I finding him hot when I hate hiiiiim" because to me that feels like the author doesn't know why the character would find their enemy hot either, and is just forcing it to happen anyway. That's an instant x-out for me. Likewise scenarios where only one character compromises or sacrifices anything - I don't want to see A go from B's mortal enemy to their domesticated Stepford-wife while B doesn't have to change at all. (Certainly not if it's obvious that the author wasn't intending to write it as horror, ahem.)
So yeah, basically one of my ultimate favourite tropes when written well but I am incredibly picky about it. XD Thank you for the ask!
Fuck it, Light/Ryuk vignette snippet thingie because I had it lying around in my drafts and I've been brooding about Death Note canon again and wanted to cheer myself up. Set in Light's room, after bedtime on the night following the busjacking incident. SFW but shippy, flirting and UST; manipulative!Light, sub!Ryuk. Rating T.
~~~
"You know, you really impressed me today. Not just how you got that FBI guy to show you his name, but what you did with me and the Death Note. I've told you I'm not on your side, but you figured out a way to use me anyway."
Something flips over in Light's chest and hitches tight in his throat at Ryuk's choice of words - and it maybe should be fear, or even revulsion at himself for exploiting the closest person he has to a real friend, but Ryuk's voice is soft with something that sounds very far from resentment. You figured out a way to use me should by all rights be an accusation but Ryuk says it like praise, and all at once there's a horribly inappropriate heat coiling its way through the pit of Light's stomach.
I did, and did you like it, Ryuk?
You kind of sound as though you did.
"I thought you wouldn't mind getting to throw a scare into a human," he says - keeping his tone light, even as his heartbeat quickens. I'm joking, just the same way as always. "I'm sorry for getting you shot at, but you told me bullets couldn't hurt you, so..."
"Yeah, I figured out how you'd put that together." Ryuk's laugh crackles quietly in the dark. "I have to say, that was fun. Shinigami these days don't get to do things like that up close and personal very often."
"Is that your idea of a good time, then?" Light prods, playfully scolding. Carefully, carefully, tease, don't push. "Frightening humans into mental breakdowns?"
Ryuk's response is a long, low, hissing exhale of laughter, soft and sardonic. "Couldn't say it isn't."
"Well, then." And now push, but not too hard. An easy chuckle of his own as he stretches out and rolls half over in bed like he's simply getting comfortable, like his next words are no more than a bantering, sleepy aside to his friend. "I'll have to see what else I can make you do that might be fun for you, Ryuk."
Ryuk chokes.
He recovers fast; but Light plainly hears the shinigami's breathing stutter, his throat click in the quiet as he dry-swallows. "Not like I can stop you if you're as smart about it as you were today, Light-o," Ryuk says after just a little too long, and his voice sounds shaky.
Just got reminded it was Self Reblog Sunday - so since it's still Sunday in at least a few bits of the world, I'm kicking this back up to the top of my blog because I'm still very happy with it. Might even be going to write more of it...
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Collected funny ones under this post + contributions to this one (my selection). Most involve ass(holes), have god/the devil, (nonsense) names of villages…
🇩🇪German: in the ass of the world/ the pasture- am Arsch der Welt/der Weide; where Fox and Hare bid each other good night - Wo sich Fuchs und Hase Gute Nacht sagen (old-fashioned), where the dead dog lays - Da liegt der tote Hund, in Buxtehude/ (Kuh)kaff, in der Pampa, in Timbuktu
🇮🇹Italian: in assland - in culonia/culandia, in the wolves’ ass - in culo ai lupi, in the ass of the word - in culo al mondo; 🇫🇷 French in the asshole of the world - dans le trou du cul du monde
🇨🇿Czech: Where foxes bid good night to one another - Kde si lišky dávají dobrou noc
🇩🇰Danish: where the crows turn around - Hvor kragerne vender on Lars diarrheas field/on the field of Lars Shitpants - På lars tyndskids mark
🇳🇴Norwegian: far damn from violence - langt pokker i vold, “huttiheita” (gibberish) [ @fireislandvolcano takk for correcting!]
🇸🇪Swedish: out (there) in the spinach - ute i spenaten,“tjotaheiti” (see above, maybe originally from Tahiti)
🇪🇸in Spain: in the fifth hell/pine tree - En el quinto infierno/pino, where Christ lost the sandal/hat/lighter - Donde Cristo perdió la alpargata/gorra/mechero;
🇲🇽 Mexico: Where the devil farts - Donde el diablo se echa un pedo, and sometimes someone answers: “Y nadie lo escucha” And no one hears
🇹🇼in Taiwan: where birds don’t lay eggs and dogs don’t shit - 鳥不生蛋狗不拉屎的地方
🇵🇱Polish - where crows turn around - Gdzie wrony zawracają, where dogs bark from their ass - gdzie psy dupami szczekają 🐶; Where the devil says goodnight - Gdzie diabeł mówi dobranoc, where (black) pepper grows - gdzie pieprz rośnie, (mostly in the context of running as far away as possible or chasing someone away)
🇦🇺Australia: woop woop or “in the middle of woop woop’ 🇳🇿 NZ: wop wops
🇻🇳Vietnamese: holy forests, poisonous waters - rừng thiêng nước độc / where mountain passes are windy/cloudy and winds swirl in vortexes - đèo heo hút gió or đèo mây hút gió (rarely used)
🇨🇦🇫🇷 Québéc: Saint clin clin des meuhs meuhs (actual village name…)
🇸🇦 Arabic (Saudi dialect): in the castle of wadren في مقلاع وادرين (an old castle in the middle of desert)
🇮🇱 in Israel: Israel: at the end of the world, take a turn left - סוף העולם שמאלה
🇫🇮Finnish: behind God’s back - jumalan selän takana, in the devil’s ass - helvetin perseessä; incredible Nevada - huitsin Nevada
🇬🇷 Greek: at the devil’s horn - Στου διαόλου το κέρατο;
🇧🇬 Bulgarian: on the ass of geography - На гъза на географията
🇮🇸 Icelandic Out in an asshole - úti í rassgati;
🇧🇷 in Brazil: in cock’s house - na casa do caralho;
🇦🇷 in Argentina: in the pussy of the parrot- en la concha de la lora 🦜;
🇪🇪 Estonian: in the bear’s ass - karuperses 🐻, back end of hell pärapõrgu, kapa-kohila (random place, Kohila does exist)
🇺🇸 USA: bumfuck Egypt
🇧🇪 in Belgium (Dutch): in a farmer’s asscrack - in een boerengat
🇺🇦 Ukrainian: in the devil’s swamps в чорта на кулічках, where the crow won’t carry bones куди ворон кісток не заносить
In my family (English) we use "the wilds of Wanney", which I think was passed down from someone on my Dad's side and apparently refers to a real place just south of the Scottish border!
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The more I look at the Death Note official splash pages, supplementary art etc, the more I think Tsugumi Ōba added the infamous Rule 36 not because he was mad about shippers in the fanbase but in a desperate bid to stop Takeshi Obata from drawing Shinigami Thirst Trap Light Yagami.
Came back to this post to add more thoughts because @koilungfish spotted that while the shinigami in the pin-up pic appears to be Kinddara (going by the stapled skull, huge number of spikes etc), she's wearing several pieces of what look to be Ryuk's jewellery (that looks like one of his rings on her left forefinger, possibly one of his chains on her hipbone, definitely his bracelet on her left wrist, and it's hard to see but that looks like it could even be Ryuk's belt/buckle).
So now I'm picturing Light getting passed around by various shinigami who all want to pose sexy with him and get photos, and Ryuk going okay you can borrow my human, but here, you have to wear some of my jewellery in the picture so everyone will know who you borrowed him from. ^_^
Updating btw since further headcanons have since been developed regarding this pic/post: maybe that's not Kinddara. Maybe that's actually what Ryuk looks like underneath all that stapled-on leather, and this is his true form. Would certainly make sense of why this shinigami is a) wearing Ryuk's jewellery, b) acting so extremely familiar with Light, and c) important enough to justify getting both the single most spectacular piece of art in all of Death Note (that pin-up folds out to four pages in the Blanc et Noir artbook!!) and their skull cast in brass for the Blanc et Noir special edition box set.
Like, that would be a lot of glory to give to a random character who doesn't even appear in the main canon. But for Ryuk? Deserved to the point of being long overdue. 🖤
The second time Misa meets Light, she reminds him that he never told her what to do about her friend who she had send the tapes to Sakura TV.
"Like I said, I'll do anything for you, so if you think it's better that I kill her -"
Light makes a face and it's something like a grimace so Misa hurries through the rest of her sentence.
"I'll - I'll do whatever you say."
"If you kill her it'll defeat the entire purpose of setting things up so she can take the fall," Light explains slowly. Misa can tell from his tone that he's annoyed she hasn't thought about this, but she has thought about it. If she hadn't she would have killed her sooner.
"Right, that's what I thought," she says so he doesn't think she's completely stupid and discard her, but something bothers her about his expression. The conversation moves on and she sees his shoulders relax.
-
"I probably shouldn't tell him, right?" Misa glances up to where Rem floats along beside her as they walk to the bus stop.
"Tell him what?"
"About Hiro and Souta and Hokuto and Midori."
"Why would you tell him about those people?" Rem asks. "They aren't criminals and he doesn't know them."
Four people is a short list of exes, Misa is sure. She wasn't even dating Midori, but she was her best friend when they were in their third year of middle school and they held hands enough times and told each other enough secrets that Misa thought she'd better count her too, to be safe.
"I did it for him," Misa says, can hear the whine in her voice while she's saying it. "So there wouldn't be anyone else on my mind. Not that anyone else could ever be on my mind now that I've met Light... but I wanted to show that I'm - that I'm serious. That nobody else exists to me now. That they really are dead to me. Dead..."
"You've already promised to do whatever he asks," Rem says. "I'm sure he's convinced of your loyalty —"
"That's not what I'm talking about, Rem," Misa huffs. "It's already done anyway. I can't go back in time and un-kill them. You told me that there's no way to erase what's written in the Death Note, remember? I do pay attention when you talk to me, you know." Well, mostly.
"What difference does it make if you tell him or not, then?" Rem asks. Misa rolls her eyes. Shinigami don't understand anything.
"What I mean is, I probably shouldn't tell him, because..." Misa hesitates. "Because he might get upset with me."
"Because they were innocent?" Rem asks.
"Don't say that," Misa squeezes her eyes shut, turning the corner toward the bus stop. "I don't know why, okay? If he did the same for me I'd think it's so romantic. But Light, he... I don't know. Maybe I should wait until he loves me to tell him something like that. He's just a boy now after all. He only recently graduated from high school. They say men mature slower than women, right, Rem? Maybe he's just too young to understand the nuances of the human heart. He still lives with his parents and everything."
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Okay so because I feel like it and maybe as a warm-up for @talonsinhismouthtues I am here to talk about THIS fucking situation. Ryuk and his personal Death Note - and specifically, how he carries it and what he's implying with that. Because having examined the data, honestly the most logical conclusion I can draw is that there is some shinigami hanky code bullshit going on here and Ryuk is absolutely blatantly flagging.
[Cut below for long post and discussion of kink.]
So. This is Ryuk's own Death Note, worn in a strap holster that's secured by chains to his belt. Consider first that we do not see any other shinigami full-on open-carrying like this. Rem's notebook is kept somewhere entirely unexplained, given that she's not wearing enough clothes to hide her lipstick in let alone a full-size Death Note, and we don't find out where Shidoh puts his after getting it back but there's no obvious slot for it anywhere visible on him. We don't get to see any other shinigami with their Death Notes in hand, but there's also no sign of anyone else wearing anything similar to Ryuk's rig so it seems that "discreetly hidden in wherever you usually keep things" is the customary place for Death Note storage. Incidentally, we know that Ryuk does have alternative stash space of his own - he pulls the shinigami-realm apple that he lets Misa try a bite from, out of somewhere in his feathers. So first of all, it seems the holster is a deliberate choice on his part, not a no-alternative necessity.
And, as accoutrements go, that thing is flash. Black leather, studs, chains, fancy crown-cross and skull emblem on the front. It matches the rest of his gear, meaning it has to have been custom-made or at least extremely carefully selected to match, and it's stylish - by Ryuk's own aesthetic measures - but far from discreet. Also, his Death Note itself has been customised too, in the same way as the one he dropped for Light - it's got "Death Note" conspicuously written on it, in what we know is Ryuk's handwriting because it matches the script used for the various rules that we know he wrote down.
So much for the data. Now for the analysis. Death Notes are used by shinigami to kill and feed; ie, to take human lives. They are hunting weapons, and they have no other known function. So on the shallowest level of what's going on here, by wearing his Death Note so openly (and clearly labelled as such into the bargain), Ryuk is advertising his status as a predator. If you're a human looking at him, he's showing off the tool he could use at any moment to end you; if you're another shinigami, you're notified that you're facing one of your kind who shamelessly embraces their own nature as a hunter and killer. Superficially, it looks like a threat display or macho boast of sorts.
However. That said: despite the above, Ryuk's Death Note is actually less ready to his hand for functional purposes than if it was just stuffed in his feathers, because it's strapped into the holster. While we can't see how the closure on it works, it's going to take him an extra couple of seconds or even longer to draw when he's got to pause to unfasten whatever clasp secures it. So what does that add up to?
A weapon - a frankly vulgar display of power, to a degree that may even be actively violating a cultural norm - placed ostentatiously on show; but in a manner that, at least symbolically, restricts its actual use. Fangs behind a muzzle... or, to move the metaphor closer to the domain of experience I think we're actually occupying here, crotchless pants and a chastity cage. Ryuk's flaunting what he's got, in a very eye-catching fashion, but he's also hinting that he might not be too quick to use it. (And, indeed, over the entire course of the canon we see him draw his Death Note once and it's to euthanise Light at the very end. We never see him write any names on his own behalf at any point beforehand.)
So why might Ryuk be giving this particular mix of signals? Let's start with what we know of his attitude to the use of the Death Notes. Now, this is a bit blink-and-you'll-miss-it in the manga, but it's very much there (previous discussion post here): we get strong and consistent evidence, given right at the start of the manga in chapter 1, that Ryuk likes killing, and he prefers to do it from a front row seat. He says that killing humans while he's in the shinigami realm isn't enough fun for him. He comments that if other shinigami see you writing overmuch in your Death Note they'll laugh at you for working too hard (speaking from experience, we can only suppose). He even adds, perfectly casually, that "if I write the names of shinigami into the book, they don't die" - meaning Ryuk is so bloodthirsty that he's openly down to kill his own kind, let alone his natural prey (humans). He reacts with lit-up glee on seeing how many names Light has written in the Death Note over the first five days of owning it. All indications here, provided upfront as part of the very first reading we get on his character, are that Ryuk is fucking horny for mass murder and not even shy about it. Given which - you'd think that Death Note on his belt, all things being equal, ought to be getting used until it's red hot while he's in the human realm and free to have fun.
And yet it apparently isn't. Pin that thought for the moment though, because next we need to take a quick look at the opinions of those "other shinigami" whom Ryuk claims will laugh at you if you work too hard. We get a couple of scenes in part 1 where Ryuk's adventures are being discussed by his fellow shinigami, but the one that I'm mainly looking at here is in chapter 3, where a few shinigami discuss the rumour that Ryuk has dropped his Death Note. Now, two things get said here that I think are important. First of all, someone comments that if Ryuk has dropped his Death Note and a human picked it up, Ryuk will be stuck with the human until they die or the Death Note is finished (whatever that entails, since we never find out). Then comes the very telling exchange "Not even Ryuk would want to do something like that... you never know with Ryuk, though."
So first of all, apparently Ryuk's reputation in the shinigami realm is as the benchmark for the bottom of the barrel when it comes to behaviour that other shinigami look down on. "Even he wouldn't do that... idk, would he though?" is pretty damning as verdicts go. Nobody is apparently going to be surprised if they learn that Ryuk is doing something they view as distasteful or degrading. And then someone comments "I heard he had two Death Notes," to which someone else replies "why would he want two?"
Why, indeed? The obvious answer: because that second Death Note, the one that never leaves his side, is his safety line. That's his escape if he finds his dropped note has been picked up by someone he doesn't care to play with, or if the finder of it tries to do anything with him that he isn't into - he can always pull out his own notebook and write their name. In other words, Ryuk has planned for his little adventure. The common shinigami understanding is that if a human gets your Death Note, you're captured - effectively made a pet, as it's explicitly described in a later scene in chapter 20. Ryuk has to know this. Ryuk has still gone ahead and dropped a note on purpose, volunteering for this particular form of highly stigmatised subjugation, but he's made damn sure that if he isn't enjoying it, he won't be stuck there. He is, effectively, subbing (to a randomly selected human!) with a lethally-enforceable safeword.
So just by doing any of this at all, Ryuk is already playing on ground that apparently makes most shinigami uncomfortable and a bit squicked to contemplate. But he's pushing even further out into red-line risk territory beyond that, because where is he keeping his all-important safeword Death Note? Not tucked away quietly in his feathers, where his human host wouldn't even know it existed until Ryuk was already killing them - which you'd think would be the safe and sane option.
Oh no. It's on his fucking belt, strapped up in a fucking bondage harness in front of god and everybody. Symbolically restrained from his own hand - but dangerously in reach for someone else's. He frequently stands so close over Light that Light could easily make a grab for the holster if he wanted to. And yes, Ryuk does say in the finale that nobody in the human world can touch his notebook... but is that always true? Is it true even if he's fully phased into material solidity, and maybe a bit distracted one way or another? Is Ryuk really hazarding his freedom on nobody, not even Light, figuring out a way to catch him by that Death Note?
And even if he is that sure it's safe, still what the hell is with the invitation it's implying, the suggestiveness of putting it right there in plain sight and reach? Is he getting off on the added danger here? Does he get turned on by the thought that it could happen and he might be caught and enslaved for real? - because gods damn, that explanation certainly fits the observable facts. He's dangling a leash from around his own neck and inviting catch-me-if-you-can to Light or anyone else who can see him and is brave enough to try. The total of what he's saying with that Death Note worn where and how it is, once you add up all the above-mentioned layers including the fact that he's rather noticeably not using it himself when you'd think he would be, could arguably be summed up as something like: "I can be very dangerous, and I like to be dangerous - but I'm able to control it. I'm willing to control it. I might play nice for you, if you can catch me. Maybe I want you to try and catch me..."
Of course, as I mentioned in my other previous post about Ryuk's submissive tendencies, the tragedy from his point of view is that Light is a comphet-addled vanilla disaster and picks up absolutely none of Ryuk's assorted signals, hints, flags and invitations. When Light does occasionally grab Ryuk and strongarm him into being useful (which always goes suspiciously well btw - look at Ryuk's faultless execution of his role in the part-2 plan when Light has him helping the taskforce with the mafia raid!) it's mostly born of annoyance and a lack of alternative options, not any recognition that Ryuk might be actively craving that kind of treatment.
And unfortunately, of course, Ryuk is badly stuck in the shinigami rules. He's not supposed to help Light at all, and openly confessing that he wants Light to scruff and subjugate him would likely be a bigger hint than he could get away with dropping. If he wants to be able to excuse himself to the shinigami king later by claiming a human made him do whatever mayhem he gets up to, he can't very well be caught on record asking said human to make him do it. (Not to mention of course that having to ask for it might take the shine off the kink element a bit, too. Wrong kind of humiliation entirely...)
So yeah, just some thoughts. Like, sure, I concede there might be an innocent explanation for all of this. The curtains are just blue, Obata drew Ryuk like that because it looked cool, none of this means anything, etc. But quite frankly, I feel like that's a lot less fun. XD
[Shoutout btw to @koilungfish for initially spotting/commenting on this phenomenon and prompting me to write all this!]