Beach poppies at the Koster Islands - Mona Huss Walin
Swedish, b. 1944 -
Colour lithograph , 51 x 35 cm. Ed. 145/450.
almost home

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Today's Document
Three Goblin Art
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2025 on Tumblr: Trends That Defined the Year
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@myrtlefics
Beach poppies at the Koster Islands - Mona Huss Walin
Swedish, b. 1944 -
Colour lithograph , 51 x 35 cm. Ed. 145/450.

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Monochrome (blue #1)
Acrylic on antique holy cards 50 x 40 cm 2019
Blueberries - Shawn Kenney , 2011.
American , b. 1971 -
Acrylic on canvas , 20 x 20 in.
This is actually so real

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there is a beast who lives in my house
Sound on if you guys wanna know what a little King Vulture sounds like 👀
creachur… 🥺
btw if anyone wants to know what she looks like now. she’s one :)
they should teach dogs how to type so they can go on Fragrantica
If a fantasy world has an ancient tree of wisdom, that means it must also have young trees that are dumb as shit. Just giving terrible advice like, "the evil wizard is kinda hot"'

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The Simple Truth by Philip Levine
"For decades, wolf researchers believed ravens followed wolf packs to find food. Every biologist who flew aerial surveys over Yellowstone saw the same thing.
Wolves moving across the snow with ravens overhead, black shapes trailing the pack like a shadow with wings. The assumption was simple. The ravens were following the wolves. The wolves would kill. The ravens would eat. A study published in March 2026 using GPS transmitters on wolves, cougars, and ravens in Yellowstone proved the assumption wrong.
The ravens were not following the wolves. They were remembering where kills had happened before and flying over those locations looking for new carcasses. The relationship between the two species is real. The mechanism is not what anyone thought it was.
Bernd Heinrich, a University of Vermont biologist who spent years studying ravens in Maine and Yellowstone, first documented the scale of the association. His data showed ravens present near wolf packs 99.7 percent of the time during winter in Yellowstone. Not occasionally. Not frequently. Essentially always. On Isle Royale, researcher John Vucetich observed the same pattern from the air.
Every wolf pack had ravens with it. The birds were just always there.
The numbers at kill sites are staggering. The average number of ravens documented at a Yellowstone wolf kill is thirty. The maximum recorded at a single carcass is 135.
A wolf pack brings down an elk in the Lamar Valley, and within hours over a hundred ravens have materialized from across the drainage to feed. They do not wait politely. They land on the carcass while the wolves are still eating. They grab chunks of meat and cache them in the snow and in tree crotches for later retrieval. Research estimates that ravens can consume up to forty percent of a carcass, which means a wolf pack that kills a seven-hundred-pound elk may lose nearly three hundred pounds of it to birds.
That loss is so significant that one study proposed a theory that reshapes how we think about wolf pack size entirely. If a pair of wolves can take down an elk, why do wolves hunt in packs of four, six, eight, or more? The per-capita meat return decreases with every additional mouth. A pair gets the most meat per wolf. The answer may be ravens. Two wolves cannot eat fast enough to outpace a hundred ravens stripping the carcass simultaneously. A larger pack can post guards, feed in shifts, and physically dominate the carcass long enough to retain a greater share of the kill. Wolves may hunt in packs not because they need more teeth to bring down prey, but because they need more bodies to defend the kill from birds.
The ravens pay for their meals. Heinrich documented in his book Mind of the Raven that ravens serve as an early warning system at kill sites. Ravens are more vigilant than wolves. They perch in trees overlooking the carcass and scan the horizon in every direction. When a grizzly bear approaches, or a rival wolf pack, or a mountain lion, the ravens see it first. Their alarm calls alert the feeding wolves to the incoming threat before the wolves' own senses detect it. The wolves get airborne sentries. The ravens get an animal with the jaw strength to open a frozen elk carcass that no raven beak can penetrate.
That is the core of the mutualism. The raven cannot open the hide. The wolf can. The wolf cannot see a threat approaching from a mile away while its head is buried in a rib cage. The raven can. Each species fills a gap in the other's capability, and the result is a partnership so consistent that L. David Mech, the most published wolf researcher in the world, wrote that each creature is rewarded in some way by the presence of the other and that each is fully aware of the other's capabilities.
The play behavior is the part that makes biologists uncomfortable because it implies something beyond transactional mutualism. Wolves and ravens play together. Not at kill sites. Not during feeding. During downtime. Yellowstone observers have documented ravens diving at resting wolves, pulling their tails, and flying away. Wolf pups chase ravens across meadows. Ravens steal sticks from pups and hold them just out of reach. The interactions look like the cross-species equivalent of two bored kids messing with each other because there is nothing else to do.
Doug Smith, the retired lead biologist of the Yellowstone Wolf Project, had watched this relationship from the air for decades. Wolf researchers have believed forever that ravens follow wolves, he wrote after the 2026 study was published. Every wolf researcher has seen it. I have seen it routinely from the plane while wolves are chasing an elk in Yellowstone Park, numerous times. Ravens are just always there. This is an age-old observation. But it has never been rigorously tested until now.
The 2026 study, which used 2.5 years of GPS data from transmitters on wolves, cougars, and ravens simultaneously, revealed that ravens were not tracking wolf movements in real time. They were patrolling known kill sites. A raven that fed at a wolf kill in a specific drainage in November would return to that drainage repeatedly over the following weeks and months, flying over the exact location where the carcass had been, checking whether a new kill had appeared. The ravens were not following the wolves. They were following the memory of where wolves had killed before.
That distinction matters because it changes the raven from a passive follower into an active strategist. A bird that follows a wolf pack is reacting. A bird that memorizes kill locations across an entire landscape and patrols them systematically is planning. The raven is not tagging along. It is running a surveillance network across hundreds of square miles of Yellowstone, checking sites where food has appeared before, and showing up fast enough when it appears again that every observer since the 1995 reintroduction assumed it had been following the wolves the whole time.
The wolf and the raven share almost identical geographic range across the Northern Hemisphere. Everywhere wolves live, ravens live. The association is not a Yellowstone novelty. It is a continental relationship between two of the most intelligent species in North American wildlife, running continuously across boreal forest, tundra, mountain, and prairie, built on meat, memory, and a mutual awareness that neither species has ever needed to be taught."
Sources: Heinrich, B. "Mind of the Raven: Investigations and Adventures with Wolf-Birds." / Stahler, D. et al. (2002). Animal Behaviour. / Mech, L.D. "The Wolf: The Ecology and Behaviour of an Endangered Species." / Cornell Lab of Ornithology, Living Bird, 2020. / Bozeman Daily Chronicle, March 2026.
Small Fandom Summer 2026!
For the fourth year in a row now, it's time for Small Fandom Summer! Join me for Small Fandom Summer! It's real easy to play:
Make a fanwork for something that has fewer than 1000 English-language works on AO3
Post it to AO3
And then you've done it! You've made a thing and you've diversified the fandom ecosystem! You're basically a hero.
Q: The fandom I want to create for has more than 1000 English-language works on AO3, but the specific pairing I want to write for has fewer than that. Does that count? A: Yes! Q: What if it has more than 1000 English-language works on AO3, but, like, just barely? A: Okay! Q: What if it actually has a lot more than 1000 English-language works on AO3, but it still feels small? A: Sure! Q: What if I don't want to post it to AO3? What if I don't even have an AO3 account? Can I post it somewhere else? A: Wherever! Q: What if-- A: Just do a thing, friend. Make a thing. Share the thing. This is not meant to be restrictive; this is meant to be inspirational. Create the fanworks you want to see in the world. Make a stranger happy by appealing to their niche interests. Bring joy.
And if you want to give yourself some silly little Steam-like achievement badges to commemorate your accomplishments, well, you're in luck! I've made a bunch of them right here! You can grab the ones that apply to your work and paste them wherever you like and feel good about what you've done. Here's a few of my favorites:
So you see? This is meant to be silly and fun.
There's nowhere to sign up. There's nothing to commit to. There's zero pressure. You just do it if you do it, and don't if you don't. But if you do want to play (yay!), tag your stuff with #small fandom summer so we can all swoop in and appreciate everyone else's efforts.
Here's to creativity!
Images are white text on a black background with a coloured icon taking up the leftmost third of the image. They are as follows:
Green icon of a magnifying class over a beetle. Who's That Boy? (wrote for a character that previously had no AO3 tag)
Orange icon of a tape measure. Size Matters (wrote the longest fic to date in the fandom)
Grey icon of two women holding hands. Lesbifriends (wrote the first F/F fic in the fandom)
Yellow icon of a smiling face surrounded by hearts. My Special Person (wrote something because you knew that one person who'd appreciate it)
Blue icon of an elephant and a mouse. Lorge and Smol (wrote a crossover between a fandom with more than 1000 works and a small fandom)
Grey icon of handcuffs. Testing the Waters (this had better not awake anything in you)
Yellow icon of two fish approaching a hook. Hooked! (wrote something for the first time and are already planning on writing something else for it)
Green icon of a bag with a leaf on it implying soil or plant food. A Brand-New Bag (wrote for a fandom so small you had to teach AO3 what it was)
spiral harpy
Richard Scarry's Monastic Menagerie

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Still Life with Foxgloves and Ferns , Digitalis - Martha Darley Mutrie
British , 1824-1885
Oil on canvas , 102 x 85 cm.
The Dragon Flies Off with the Empress, from The Violet Fairy Book by Henry Justice Ford (1901)