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@ebookporn

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For me, coming up with titles is always a team effort. Titling my first book, a quirky history of people who look for the Garden of Eden on
"All of this might seem a lot to go through for a few short words, but since those words are the first impression of the book, and have to be intriguing all on their own, the effort was well worthwhile."
It's a living.
We write for ourselves, but we post for others.
(this came out of a conversation in the comments on a previous post about an author threatening to stop updating a fic because of lack of engagement)
So there’s this idea that fic writers should write for themselves and not care too much about stats or engagement,
and i totally get the sentiment behind that. if writing becomes entirely about stats and external validation, something important does get lost - creative freedom and joy, conviction in your own writing
but i also think:
“i write for myself, but i post for others.”
because posting fic is not only self-expression. it’s social. ao3 is called an archive, but emotionally it often functions as a community space.
people post for connection, for participation, for others to bear witness to their pain and trauma and grief,
and i don’t think most people are asking to be admired so much as acknowledged. there’s something deeply human about wanting another person to encounter something that mattered to you and go:
“ok, yeah, I see what you were trying to say. I see you.”
especially because fanfic is often people processing very real feelings through fictional characters at a safe distance, one step removed,
and then uploading that deeply personal thing into a shared archive and hoping somebody else might connect with it.
And i think that’s why it hurts so much when you summon up the courage and post a fic into the void and you get nothing back,
and then it’s like,
does anyone see me? does anyone even care?
This.

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The New York Public Library (NYPL) has announced its Best Books of 2025, a list of 225 titles curated by NYPL staff. More than 80 librarians
‘AI simply can’t replicate it’: Japan embraces zine trend
by Natsuko Fukue and Atish Patel
Kyoto – Through the noise of rushing papers and whirring belts at a print factory in Kyoto, two creators watch their photo essay come to life in broadsheet form — part of an effort to win new audiences in the age of AI.
Despite the decline of the publishing industry, self-publication and handmade “zine” magazines are growing in popularity in Japan, reflecting the country’s enduring love of paper in the digital era.
“I think (paper) is a medium that engages all five senses, (unlike social media),” says 40-year-old photographer Kazuma Obara.
Obara and his creative partner Akihico Mori are among the latest artists to use a printing press offered by the Kyoto Shimbun newspaper, which is aiming to find alternative uses for its machines as subscriptions fall.
READ MORE
Ian Boothby & Pia Guerra

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Remember to dust your books.
Cartoonist you should know #3: Voutch
New video! Get an in-depth look on how I create the artwork for my Eisner nominated webcomic
Would not turn down this library - and since my jeans stopped fitting, this smoking jacket looks to solve a lot of problems.
Jean Jacques Sempe

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It’s easy to become nihilistic and pessimistic when thinking about the arts and AI. To recover your optimism, return to the simple idea of p