Tills Books, Edinburgh
Cosmic Funnies
NASA
EXPECTATIONS
š

@theartofmadeline
he wasn't even looking at me and he found me
Lint Roller? I Barely Know Her
I'd rather be in outer space šø
almost home

Fai_Ryy
Game of Thrones Daily
untitled
𩵠avery cochrane š©µ
todays bird

oozey mess
wallacepolsom
ojovivo
we're not kids anymore.

pixel skylines

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@ebookporn
Tills Books, Edinburgh

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https://www.nytimes.com/2026/07/10/books/review/michel-foucault-ai-tech-power.html?smid=nytcore-ios-share
Untitled - Charles Martin
Literati Bookstore - Ann Arbor, MI
saw a vintage card that was so them i went into a fugue state and woke up to this
original under here ā¬ļø
Well, now I know what kipling is...

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āMore postmodern than ancientā: why the Odyssey is everywhere, from Oz to Westeros
The question is: why are we still connecting with stories that were told in those ancient halls, their animating sparks perhaps as old as the Greek bronze age? Why has the director ofĀ InceptionĀ andĀ OppenheimerĀ been so determined to adapt them, and why will so many people want to experience his vision of them?
The answer partly lies in the fact that the Odyssey ā the story of a warriorās homecoming, his long and tortuous journey to reintegrate himself within his own household ā has passed into the bloodstream of many storytelling traditions. In his introduction to his recent translation, classicist and essayist Daniel Mendelsohn lists Danteās Inferno, Star Trek, Aliceās Adventures in Wonderland, The Wizard of Oz, Finding Nemo, The Catcher in the Rye, Gladiator, Pride and Prejudice, and Game of Thrones as works in which the Odysseyās ideas and motifs resurface.
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https://www.instagram.com/reel/DaEfspkJIOk/?igsh=aTV3Ym41eXZnNDk4
Librarians and booksellers, do you cry when you "weed"?
Going through some books I had in storage. For once I marked what was inside.
Cormac (McCarthy)
Buckminster (Fuller)
Stern (Howard)
...shut up, you don't know me.
This is just one of the limited edition prints available. For the full list , contact Glen at [email protected]
Glen Baxter is one of my favorites. As an artist, he uses absurdism the way Rothko uses color.

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News outlets urge a judge to sanction OpenAI in a high-stakes AI copyright fight
by Matt O'Brien and Jocelyn Noveck
NEW YORK (AP) ā The New York Times, the Daily News and other media outlets are asking a federal judge to impose sanctions on OpenAI, escalating a fight overĀ artificial intelligenceĀ and copyright that could shape the future of aĀ struggling news industry.
The newspapers allege the ChatGPT maker is hiding evidence important to what could be a landmark copyright infringement trial over how OpenAI and its business partner, Microsoft, built their AI technologies using millions of news articles. At issue is whether AI chatbots are unfairly competing as an information source, siphoning off web traffic without doing the journalistic work involved in gathering the news.
A filing Thursday in a Manhattan federal courthouse alleges OpenAI āchose obstructionā over releasing datasets and ChatGPT logs that could show how the AI system used copyrighted news content. The plaintiffs are asking the judge to penalize the company for ādiscovery misconductā that could distort evidence, saying the recent deposition of an OpenAI employee contradicts the companyās earlier claims.
New York Daily News attorney Steven Lieberman said OpenAI has been āmaking misrepresentationsā for two years about its ability to search for copyrighted content in its AI training datasets and logs.
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Mildred Benson | Mildred Augustine Wirt Benson (July 10, 1905 ā May 28, 2002) was an American journalist and writer of children's books. She wrote some of the earliest Nancy Drew mysteries and created the detective's adventurous personality. Benson wrote under the Stratemeyer Syndicate pen name, Carolyn Keene, from 1929 to 1953 and contributed to 23 of the first 30 Nancy Drew mysteries, which were bestsellers. Via W
Typewriter used by Mildred Wirt Benson to type early Nancy Drew books
From: HOW TO READ A PERSON LIKE A BOOK (1971), by Gerard I. Nierenberg and Henry H. Calero.
Childrenās novels, to me, spoke, and still speak, of hope. They say: look, this is what bravery looks like. This is what generosity looks like. They tell me, through the medium of wizards and lions and talking spiders, that this world we live in is a world of people who tell jokes and work and endure. Childrenās books say: the world is huge. They say: hope counts for something. They say: bravery will matter, wit will matter, empathy will matter, love will matter.
Katherine Rundell, Why You Should Read Childrenās Books, Even Though You Are So Old and Wise
Federico Federici, cumulative composition (of simultaneous conversations), (Olivetti Studio 46, pigment liner, graphite on paper), 2026 [Ā© Federico Federici]

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shirley jackson casually asking the pharmacist how much arsenic would be necessary to kill a family
from on fans and fanmail, a lecture by shirley jackson