Mtboss124

goodbye chiikawa

And there was a woman there who was some form of disability advocate (it was the 90s so her existence in the company was a minor miracle) and apparently she completely blew his mind on that project.

See, he'd imagined that this service was exclusively gonna be for deaf people. Obviously very useful for the very small number of people who couldn't hear their phone, but why would you even own a mobile phone if you couldn't hear?

But she described to him all the times he might want to read a message instead of listen to it. Maybe he was in a loud football crowd. Maybe there was important info that he needed to copy down that was spoken too fast. Maybe he was holding his sleeping newborn (me) and didn't want his phone to be loud and wake them up.

This doesn't feel as revolutionary as all that to those of us that have only ever known phones with the ability 'send text message', but given the timing and placement of this conversation I wonder if this woman and this project is *part of the reason text messaging exists*. The first text (SMS) message was sent by Vodafone UK in 1992 - where + when this conversation was happening - and then for a long time it was supported exclusively for 'messages from the carrier', and this project was an early potential extra use of the SMS protocol.

Saying "Not all rap music is about violence, here are alternatives" is not helpful, because the violent music ALSO has meaning.

When Biggie Smalls postures about his gang connections and packing heat, he isn't doing it because wow violence is so edgy, it's a powerful statement. Youth in urban areas where gang activity is heavy are often treated as lesser than by default, especially compared to black people the same age from a wealthy background. There's a reason that the "wholesome and respectable" black-lead entertainment of that era was stuff like the Cosby Show, with doctor-lawyer parents, or Family Matters, with a cop dad. There's a reason why the big joke of Fresh Prince is someone with a more unstable upbringing moving in with one of these model black sitcom families.

Standing up and saying yeah, I came from the mean streets, I was molded by this violence and yes, I did what I had to do to survive in a world that refuses to acknowledge my existence as meaningful or worthy of protection. I protected myself, I made my own way, and fuck anybody who tries to stand in the way of that.

Refusing to demonize that environment and wearing it like armor in a way that protects from the authority that wants you to see them as sub humans incapable of only violence and hatred, and saying HEY. I'm here, I lived this, and there is love and there is pain and there is ART in this.

That is powerful. That is the essence of gangster rap.

It isn't about hurting people for fun, it's about holding a mirror up to a society that does the hurting and then calls you a monster for what it's made you. Its about validating the experiences of the disenfranchised and biting back at authority. It's about turning a pain that the world say you deserve being one of those people from those places into POETRY. Into ART.

And thats why it matters.

And this causes children to be perceived as failures (either by themselves, their parents and/or society at large) when they are not successful according to the logic of capital. It's one of many ways capitalism has commodified our relationships.