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I'd rather be in outer space 🛸
we're not kids anymore.
hello vonnie
Three Goblin Art

Origami Around
Sweet Seals For You, Always
One Nice Bug Per Day
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@mrspasser
Updated patch tour

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I needed another hug
Joy Sullivan, from “Move to Oregon in July”, Instructions for Traveling West
you can kinda tell when a writer has spent a lot of time around kids bc they avoid most of the pitfalls that come with writing children. namely, not giving them a too cutesy or twee voice but making them sound more like extremely weird little adults. kids playing pretend will almost never cutely slot into some romantic scenario for the adults' benefit bc the adults are usually too busy cleaning up or wondering what the fuck is wrong with their child. kids also have surprisingly stringent hangups ranging from very petty grievances to downright chauvinist gender roles, more often than not the result of a tragic education but sometimes far surpassing what they were taught in intensity. what im saying is there's nothing inherently wrong with treating fictional kids as stock characters but it's always quite nice to see when they aren't
It's extremely common for very young children to suddenly say something extremely cogent and articulate, that's jarringly inconsistent with their normal speech. This is usually something that they heard an adult say recently. A kid will spend ten minutes telling you a story about how they fought a wolf yesterday using simple sentences of fifty cent words, then nibble a snack, wrinkle their nose and say something like "I feel like Mum was overenthusiastic with the salt today, and not for the first time either" before going back to their clumsy story. (They do understand what they're saying when they do this. Kids' communication is usually held back by their vocabulary and pronunciation, not their understanding.)
Young kids are also a lot more socially aware than people give them credit for. Young children are perfectly aware that adults don't take them seriously. They know when their parents don't actually like them. They listen and remember when adults talk about them while they're in the room. Kids will develop basic abilities to charm etc. from babyhood and will begin experimenting with social norms and concepts of deception, appropriate information, and acceptable language and attitudes in toddlerhood. By the time a kid is five or six, they have solid social strategies for relating to adults and separate ones fr relating to their peers, that they'll continue to refine for the rest of their lives. They will also say completely off the wall shit because they don't have the context to know what is and isn't considered super fucked up yet.
By the time a kid is eight or nine, their main difference from adults is in experience, interests, and ability for long-term focus. An eight year old can think as intelligently and coherently as a thirty year old, they just have less experience and information to draw from, and are likely interested in very different things. They're also likely still slightly hamstrung by vocabulary and literacy, though much less so than a younger kid.
Teens will behave like adults who have little power (a teen is often at the mercy of their parents and the state and rarely taken seriously, which is extremely frustrating) and who are high stress and mid-crisis, because they're going through a transitory period where their bodies and moods are changing and are having to constantly learn and adjust; a fourteen year old in a stable situation will act pretty much like a thirty year old with an oppressive boss who's just left a tumultuous relationship.
A fourteen year old in a stable situation will act pretty much like a thirty year old with an oppressive boss who's just left a tumultuous relationship.
I never thought about it like that, but as a highschool teacher I have to say it makes a lot of sense.
Open, Andre Agassi

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For the flippers 🫡
Humpback whales singing off the leeward coast of O’ahu
(sound on 🔉)
<— to answer these tags on main, since it’s a fun question, our guide lowered a hydrophone and so my phone is leaning on the railing right next to the hydrophone
Need to start doing/posting art again by the time MW4 comes out so I can do more Ghoap sketches I will never end up painting 🙂↕️
Derek Hale is having a perfectly normal morning.
Which is to say: the coffee tastes burnt, the fridge is making a noise that sounds ominously sentient, and Peter is sitting at the kitchen island wearing Derek’s hoodie like he owns it.
Cora is there too, perched on the counter, swinging her legs and scrolling through her phone.
Stiles is also there.
Which is, Derek realizes belatedly, probably the problem.
Stiles is pacing.
Not the usual Stiles pacing, either. This is aggressive pacing. Arms flailing, words spilling out faster than Derek can track, socked feet slapping against the loft floor like he’s trying to wear a groove into it.
“I’m just saying,” Stiles says, gesturing wildly at absolutely nothing, “if you’re going to ignore your phone for twelve hours, maybe you could consider the fact that I might assume you’re dead? Or kidnapped? Or dead and kidnapped?”
“I was at the shop,” Derek says, evenly. Calmly. Patiently. Like a man who has had this argument before. “My phone died.”
Stiles spins on him. “Phones don’t just die, Derek. They give warnings. They blink. They vibrate. They cry out for help.”
Peter hums into his mug. “That last one might be projection.”
Cora snorts.
Derek shoots Peter a look. “Why are you still here?”
Peter smiles sweetly. “Your hospitality is unmatched.”
“Get your own coffee.”
“I did.” Peter taps the mug. “From your cabinet.”
Stiles throws his hands up. “See? This is what I’m talking about. Zero boundaries. No communication. Absolute emotional negligence.”
Derek frowns. “Why are you this upset?"
Stiles opens his mouth.
Closes it.
Opens it again.
“Well maybe,” Stiles says, voice rising just a little, “because when you disappear without telling me, my brain immediately decides you’ve run off on some reckless alpha martyr mission and I don’t find out until I’m identifying a body and-”
“I left you a note,” Derek says.
“You left me a Post-it that said ‘Back later.’”
“That is a note.”
“That is a threat.”
Cora leans toward Peter. “Is this-”
Peter nods. “Yes.”
Derek rubs his temples. “Stiles. I was gone half a day.”
“Half a day is six hours too long when you have a habit of almost dying,” Stiles snaps. “Sorry that I care about you.”
There it is.
The silence lands like a dropped plate.
Stiles freezes.
Derek freezes.
Peter slowly lowers his mug.
Cora blinks.
Stiles swallows, eyes wide, and then - because this is Stiles Stilinski and there is no off switch - he barrels straight through it.
“I mean obviously I care,” Stiles says quickly. Too quickly. “Because you’re, you know…you. And you’re important. And if something happened to you it would be bad. For me. Emotionally. Like, devastatingly bad. World-ending bad. Can’t-breathe bad. Which is normal. For friends. Best friends. Or…whatever we are.”
Derek’s brain has left the building.
Peter’s eyebrows are somewhere near his hairline.
Cora looks between them. “Wait,” she says slowly. “You’re not together?”
Stiles laughs. A little hysterically. “What? No. Why would we-”
Peter cuts in, delighted. “Oh, sweetheart.”
Derek croaks, “What?”
Cora hops off the counter. “We thought you were dating.”
Stiles stares at her. “I’m sorry, what?”
Peter gestures vaguely between Derek and Stiles. “The domesticity. The way you argue like an old married couple. The fact that Stiles sleeps here more than at his father’s house.”
“I sleep on the couch!” Stiles protests.
“With his hoodie as a pillow,” Peter says. “And his scent soaked into it.”
Derek’s ears are burning.
Cora shrugs. “Also you pack his lunch.”
“I pack everyone’s lunch!”
“You cut the crusts off his sandwiches.”
Stiles’ mouth opens. Closes. “He doesn’t like crusts.”
Derek mutters, “They’re unnecessary.”
Peter beams. “See? Courtship.”
Stiles turns slowly toward Derek. “Did you think that we were dating too?”
Derek finally finds his voice. “I…no. well…I didn’t-”
“You didn’t think to mention that?” Stiles demands.
Derek looks miserable. “I thought you knew.”
“Knew what?!"
“That I-” Derek stops. Breathes. Tries again. “That I like you.”
The world stops.
Stiles’ face goes completely blank.
“Oh,” he says.
Peter hums. “There it is.”
Cora grins. “Told you.”
Stiles’ laugh this time is soft. Disbelieving. “You - wait - you like me?”
Derek nods once. Then, because apparently today is the day of honesty, adds, “A lot.”
Stiles sways slightly. “Cool. Cool cool cool. Because I-” He gestures vaguely at himself. “I may have just accidentally confessed my undying devotion in front of your entire family.”
Peter raises his mug. “We’re touched.”
Cora claps. “This is better than TV.”
Stiles looks at Derek, eyes bright and a little watery. “I like you too. A lot. Like…ridiculously. I just didn’t think-”
Derek steps closer. Careful. Like Stiles might spook.
“I was going to ask you out,” Derek says. “Eventually.”
“Eventually,” Stiles echoes. “We live together.”
“I wanted to do it right.”
Stiles smiles. Soft and fond and completely undone. “You are doing it right.”
Peter clears his throat loudly. “So. Are we interrupting or-”
“Yes,” Derek and Stiles say in unison.
Cora laughs and heads for the door, grabbing Peter by the arm. “Come on. Let them figure it out.”
Peter allows himself to be dragged, calling over his shoulder, “Use protection! And labels!”
The door closes.
Silence.
Then Stiles exhales a laugh. “Well. That was a thing.”
Derek nods. “We should talk."
“Definitely.”
A beat.
Stiles steps forward and presses a quick, awkward kiss to Derek’s mouth.
Pulls back.
Grins.
“Hi,” he says.
Derek smiles back, slow and warm and absolutely certain. “Hi.”
And somewhere downstairs, Peter Hale smiles smugly, because honestly, it was about time.
they want you to make fried rice
who is "they"
the wok left
how am I supposed to make fried rice if the wok left
skillet issue

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I was thinking of a pride art challenge people could do with their OCs, because I thought it'd be cute! A queer/trans artist with their creations.
but then I realised that same challenge would be infinitely more funny with folks who have atypical or horror OCs
Ilya is so lucky that Shane proposed. Ilya would have been a nervous fucking wreck for the entire day beforehand. Wake up in the morning. Look in the mirror. Today's the day. Sob. Breathe. Okay I'm good! Turn around and Shane's hair is all in his face, still asleep on Ilya's pillow. I am NOT good. Cold shower. Breakfast that Ilya does not eat. Morning jog wherein Ilya runs like someone is chasing him. Lunch that Ilya does not eat. Drive out to the cottage. Make Shane pull over because Ilya needs to dry heave on the side of the road. "Baby we don't have to drive out today if you're not feeling well." "NO WE HAVE TO." Get to the cottage. Immediately send Shane on some kind of extended fool's errand. Shane wants to stay because Ilya is SHAKING and he is so worried. "No my love I'm fine it's just the breeze off the lake haha." It's thirty fuckig degrees Celsius. Shane finally gtfo's. Yuna, David, Rose FUCKING Landry all descend to help Ilya set up. Well. Ilya is supposed to be helping but he is standing on the deck fully dissociating. Yuna brings him tea. "Are you going to throw up the tea?" "Yes probably." Yuna takes away the tea. 800 electronic tea lights on the deck. In a parallel Ilya has no way of understanding, he both puts on and takes off a suit. Yuna fixes his curls into the hockey boy quasi-mullet that magnetizes Shane's fingers to Ilya's hair and says, "Oh, you're so handsome!" Ilya cries big fat tears. David tells a story about how his proposal to Yuna almost didn't happen because David went to the hospital for heart palpitations that morning. Thank You David That Does Not Help Even Remotely. Ilya slav squats on the lawn for twenty minutes. Shane's car pulls up in the driveway and everyone hides while Ilya vibrates in the entryway. Shane has no less than thirty grocery bags hanging from his arms, still complaining about why the grocery service cancelled their delivery last minute. Ilya leads Shane and all thirty of his grocery bags onto the deck. Shane is doing his favorite thing (bitching) and his second favorite thing (Follow Ilya) so he doesn't notice his own mother tiptoing behind him collecting the grocery bags he drops like breadcrumbs. There is an Oscar-winning actress hiding under his sofa and Shane does not notice because Ilya takes him on the deck and drops to his knees and Shane is like, "Haha, right now?" and then he sees that Ilya has a look on his face like he's just been told the sun is never coming up again and he has his hands on Shane's knees and he is saying, "Shane. Please?" and Shane puts his hands on his head and says "Oh my God baby what's happening to you" as Ilya melts and melts and then from the depths of the cottage someone who sounds a lot like Shane's very own father is whispering "The ring the ring" and when he looks back down Ilya is fumbling a ring box out of his pocket. The first picture of their proposal is Shane glaring into the middle distance with a hand cradling Ilya's curls like a baby while Ilya ugly sobs into his knee.
I can't believe home depot literally produced a wildly successful science fiction musical and we all just pretend it didn't happen. on one hand yes it had a boring white guy main character but like.... home depot just... Made it? And it had shit ton of box office sales? and no one even talks about this. this is like avatar (2009) all over again
OK so. After a lot of frantic googling I realized this was all a dream. home depot did not in fact produce a wildly successful science fiction musical. I was on allergy meds and took a nap and my brain simply prophesized this. slightly disappointed because I wanted to watch it.
(by @galwednesday)
Quiet Morning - Anke Roder , 2026
Dutch, b. 1964 -
Encaustic and oil on wood , 23 x 18 cm.

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one person's "ugghh this trope is so overdone" is another person's "oooooohohohohohohohoho"