interpretation of Mothman || about || rules
21+ only. mutuals only. written by holly (30+, any pronouns)
WIP

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@mothfluffed
interpretation of Mothman || about || rules
21+ only. mutuals only. written by holly (30+, any pronouns)
WIP

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
ā o2ļ¹ sender Ā offers Ā receiver Ā a Ā bite Ā from Ā their Ā fork . yummy yummy uhh, let's say this is a milkshake asfsf
100 Nonverbal Prompts || Accepting!
Moth peered with large unblinking eyes at the drink held out to him. It was pink like the Shirley Temples he enjoyed, but... thicker. And much colder, it would seem.
Smaller secondary hands took the glass as his proboscis unfurled into the drink. Cold, yes, freezing... but sweet, fruity, and... something else. He didn't have a thought for this. He was about to "ask" the woman when the cold hit much harder somewhere inside his head, and he quickly pulled the drink away from his face.
Ow?? Ow ow???? He gave a pained, saddened warble and held it back out to her. He didn't want drinks that hurt him, no matter how good they tasted!
ā For something damned, you have a hell of a gentle touch. ā (Platonic)
Hellboy Inspired Starters || Accepting!
Moth trilled softly at her comment.
"Damned". He'd heard that before among the beings of this dimension. Usually a bad thing to be, usually said in the heat of an argument. But she wasn't angry, and he didn't believe the phrase applied to him.
He ruffled his wings and projected an image into her mind: swirls of starlight and white stone structures reaching for the pale violet sky. Multitudes of eyes glittering like vibrant jewels and the blur of soft flitting wings. His home. And certainly not the hellscape he'd heard the radio speaking of on old Sunday mornings.
Applebees has a version of a Shirley Temple called a Rockinā Poppinā Shirley and itās got pop rocks in it. Theyāre pretty darn good too.
The creature tilted his head with a questioning trill. He didn't know what "pop rocks" were. He surely didn't want rocks in his drink, popping or otherwise!
Hmm... he's tried both types of Shirley Temples now-- with citrus soda and with ginger ale-- and he definitely prefers the citrus ones.

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šššš«ššš«š¬ šš§š¬š©š¢š«šš šš² ššš„š„ššØš²
(demons, relics, old gods, cigarettes burning low, and the scent of rain on ruin)
Dark Investigation
ā You ever seen something like this before? Because itās not human. ā
ā Donāt touch that sigil unless you want to wake it up. ā
ā The church called it a haunting. I call it a warning. ā
ā Whateverās in those catacombsāitās older than Christianity. Older than us. ā
ā I told them to burn it. Nobody ever listens until itās too damn late. ā
ā Great. Another night, another dead language I canāt read. ā
Demon Blood, Human Heart
ā You think being half-demon makes me evil? Try living with it every day. ā
ā I wasnāt born to destroy the world. I was made to stop it. ā
ā Sometimes I wonder if thereās anything left in me worth saving. ā
ā They call me a monster. Iām starting to believe them. ā
ā You see scarsāI see reminders of every fight I didnāt start but had to finish. ā
ā I donāt want prophecy. I just want peace. ā
Supernatural Encounters
ā That thing under the bridge isnāt a trollāitās a guardian. Or it was. ā
ā Thereās a name carved into these stones. It shouldnāt still be whispering. ā
ā Iāve been hunting this creature for decades. Itās not runningāitās waiting. ā
ā The museum said the relic was cursed. They werenāt wrong. ā
ā Somethingās been following me since Prague. I think it wants to talk. ā
ā Donāt breathe too loudāit knows when youāre afraid. ā
Humanity & Monsters
ā Maybe weāre all monsters. Some of us just hide it better. ā
ā Tell meāwhen you look at me, do you see a man or a mistake? ā
ā Iāve bled for people whoād burn me if they knew what I was. ā
ā Do you think monsters ever dream of being human? ā
ā Iām not afraid of the dark. Iām afraid of what it remembers. ā
ā You canāt save everyone. But that never stopped me from trying. ā
B.P.R.D. Files
ā Headquarters said this mission was āroutine.ā They always say that. ā
ā Youāre new, right? Donāt worryāthe screaming usually stops after midnight. ā
ā You brought the flamethrower? Good. Weāre going to need it. ā
ā The Bureau doesnāt cover āpossessed artifacts,ā do they? ā
ā You ever notice every file marked āclassifiedā is just another ghost story? ā
ā Next time, we bring backup. And holy water. Lots of it. ā
Love in the Dark
ā You shouldnāt be here. People like you donāt survive nights like this. ā
ā Iām not afraid of what you areāIām afraid of what theyāll do to you. ā
ā You couldāve killed me. You didnāt. Why? ā
ā For something damned, you have a hell of a gentle touch. ā
ā You remind me what itās like to feel human again. ā
ā Donāt say my name like itās a prayer. I stopped believing in those a long time ago. ā
Folklore & Apocalypse
ā The runes say heāll rise again when the blood moon touches the sea. ā
ā They built this city over a grave. Every street hums with its heartbeat. ā
ā I saw the end of the world once. It looked⦠beautiful. ā
ā They think the apocalypse is coming. I think itās already here. ā
ā The witch promised me power. I just didnāt ask what it would cost. ā
ā Every prophecy has a loophole. Iām the one who found mine. ā
sorry i cant hang out i forgot how to mimic human like behaviour
I mean if you wanna just loom in the corner like some kinda creature that's cool, we just don't want you getting left out
Headcanon: The glow of Moth's eyes brightens and dims with different emotions. Excitement and anger cause them to glow brighter, while things like fear and contentment make them go dimmer.
ā 95ļ¹ senderĀ cradlesĀ receiverāsĀ face . (FOR SCRITCHES!!)
100 Nonverbal Prompts || Accepting!
The creature wasn't exactly sure what this woman was. He could sense that she wasn't entirely human; some other entity and traces of a shadow dimension graced her as well. But she'd never raised a hand or weapon to him. In fact, she seemed quite endeared with his presence.
Why else would she gift him with sweet fizzy drinks and scritches?
Speaking of scritches, he was currently leaning his head into her hands, trilling with his eyes dimmed in contentment. He turned his head so those scritching fingers reached between his antennae and back a bit, causing his wings to flutter for a second.
There was a lot he'd do to protect this woman now. She seemed able to take care of herself, but hopefully she wouldn't mind!
hereās a concept: me, riding your ceiling fan like a gargoyle. you, smacking me with a broom. both of us are yelling

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Headcanon: Moth's teleportation is just him slipping into a neighboring dimension. If he's hurt badly enough for whatever reason, he'll teleport and generally not reappear in this dimension until he's (at least mostly) healed.
Shirley Temple appreciation : one / two / three / four / five / six / seven / eight / nine
Can you tell I have a thing for cherries?
July 7, 2012
Headcanon: Moth can't communicate verbally, except through trills, purrs, and the occasional screech. Instead, he gets ideas across by projecting images or scenes into people's heads.
In addition, he can't read minds, but he can pick up on people's emotions and intentions.
ššš šµš¶šµš½š¬š¹š©šØš³ š·š¹š¶š“š·š»šŗ . Ā Ā ( Ā a Ā collection Ā of Ā 100 Ā nonverbalĀ actionĀ prompts .Ā Ā matureĀ andĀ potentiallyĀ triggeringĀ themes Ā are Ā present . Ā add Ā ā + reverse ā Ā to Ā swap Ā assigned Ā roles .Ā )
ā o1ļ¹Ā senderĀ tucksĀ hairĀ outĀ ofĀ receiverāsĀ face . ā o2ļ¹ sender Ā offers Ā receiver Ā a Ā bite Ā from Ā their Ā fork . ā o3ļ¹ senderĀ placesĀ theirĀ feet / legsĀ inĀ receiver'sĀ lap . ā o4ļ¹ senderĀ offersĀ receiverĀ anĀ earbudĀ toĀ shareĀ theirĀ music . ā o5ļ¹ senderĀ comfortsĀ receiverĀ inĀ theĀ aftermathĀ ofĀ aĀ nightmare . ā o6ļ¹ senderĀ givesĀ receiverĀ companyĀ inĀ theĀ hospital . ā o7ļ¹Ā sender Ā wraps Ā their Ā arms Ā around Ā a Ā hysterical Ā receiver Ā to Ā calm Ā them . ā o8ļ¹ senderĀ showsĀ upĀ atĀ receiverāsĀ homeĀ lateĀ atĀ night . ā o9ļ¹ senderĀ fallsĀ asleepĀ leaningĀ againstĀ receiver . ā 1oļ¹ senderĀ wieldsĀ aĀ [ gun / knife ]Ā atĀ receiver . ā 11ļ¹Ā senderĀ runsĀ theirĀ fingersĀ throughĀ receiverāsĀ hair . ā 12ļ¹ senderĀ invitesĀ receiverĀ toĀ dance . ā 13ļ¹ senderĀ takesĀ aĀ [ picture / video ]Ā ofĀ receiver . ā 14ļ¹ senderĀ placesĀ theirĀ headĀ inĀ receiverāsĀ lap . ā 15ļ¹ senderĀ andĀ receiverĀ makeĀ eyeĀ contactĀ acrossĀ aĀ busyĀ room . ā 16ļ¹ senderĀ pushesĀ receiverĀ againstĀ aĀ wallĀ toĀ kissĀ them . ā 17ļ¹Ā senderĀ andĀ receiverĀ cookĀ together . ā 18ļ¹ senderĀ comesĀ toĀ receiverĀ afterĀ beingĀ injured . ā 19ļ¹ senderĀ sitsĀ inĀ receiverāsĀ lap . ā 2oļ¹ senderĀ liftsĀ receiver'sĀ chin ,Ā invokingĀ eyeĀ contact . ā 21ļ¹ senderĀ overtakesĀ receiverĀ inĀ combat . ā 22ļ¹ senderĀ findsĀ receiverĀ [ injured / bloodied ] . ā 23ļ¹ senderĀ straightensĀ anĀ articleĀ ofĀ receiverāsĀ clothes . ā 24ļ¹ senderĀ crawlsĀ intoĀ bedĀ withĀ receiver . ā 25ļ¹ senderĀ rollsĀ theirĀ eyesĀ atĀ receiver . ā 26ļ¹ senderĀ lightsĀ receiverāsĀ [ cigarette / joint ] . ā 27ļ¹ senderĀ isĀ caughtĀ wearingĀ receiver'sĀ clothes . ā 28ļ¹ senderĀ strikesĀ receiverĀ withĀ aĀ pillow . ā 29ļ¹ senderĀ writesĀ aĀ noteĀ onĀ receiverāsĀ skin :Ā [ note ] . ā 3oļ¹Ā senderĀ wrapsĀ aĀ blanketĀ aroundĀ receiverāsĀ shoulders . ā 31ļ¹Ā senderĀ runsĀ andĀ jumpsĀ intoĀ receiverāsĀ arms . ā 32ļ¹ senderĀ shovesĀ receiverĀ outĀ ofĀ anger . ā 33ļ¹ sender Ā hovers Ā over Ā receiverās Ā shoulder Ā as Ā they Ā complete Ā a Ā task . ā 34ļ¹ senderĀ isĀ foundĀ byĀ receiverĀ somewhereĀ theyĀ shouldnātĀ be . ā 35ļ¹ senderĀ curlsĀ upĀ againstĀ receiverĀ inĀ theirĀ sleep . ā 36ļ¹ senderĀ isĀ foundĀ drunkĀ byĀ receiver . ā 37ļ¹ senderĀ throwsĀ anĀ itemĀ ofĀ sentimentĀ bitterlyĀ atĀ receiver . ā 38ļ¹ senderĀ joinsĀ receiverĀ inĀ theĀ shower . ā 39ļ¹ senderĀ isĀ caughtĀ followingĀ receiver . ā 4oļ¹Ā senderĀ tracesĀ oneĀ ofĀ receiverāsĀ [ scars / bruises ] . ā 41ļ¹ senderĀ twinesĀ theirĀ fingersĀ withĀ receiverās . ā 42ļ¹ senderĀ bargesĀ intoĀ receiverāsĀ homeĀ unannounced . ā 43ļ¹ senderĀ kicksĀ receiverāsĀ shinĀ beneathĀ aĀ table . ā 44ļ¹ senderĀ aggressivelyĀ shovesĀ pastĀ receiver . ā 45ļ¹ senderĀ kissesĀ receiverāsĀ [ forehead / cheek ] . ā 46ļ¹ senderĀ pullsĀ receiverĀ outĀ ofĀ harmāsĀ way . ā 47ļ¹ senderĀ isĀ foundĀ sobbingĀ byĀ receiver . ā 48ļ¹ senderĀ locksĀ receiverĀ outĀ ofĀ theirĀ room . ā 49ļ¹ senderĀ bringsĀ receiverĀ [ coffee / tea ]Ā inĀ theĀ morning . ā 5oļ¹ senderĀ restsĀ theirĀ foreheadĀ againstĀ receiverās . ā 51ļ¹ senderĀ playsĀ aĀ songĀ forĀ receiverĀ thatĀ remindsĀ themĀ ofĀ them :Ā [ song ] . ā 52ļ¹ senderĀ takesĀ aĀ [ punch / stab / bullet ]Ā meantĀ forĀ receiver . ā 53ļ¹ senderĀ buysĀ receiverĀ aĀ drinkĀ atĀ aĀ bar . ā 54ļ¹ senderĀ needsĀ receiverāsĀ helpĀ gettingĀ inĀ theĀ bath . ā 55ļ¹ senderĀ andĀ receiverĀ crossĀ pathsĀ inĀ theĀ kitchenĀ lateĀ atĀ night . ā 56ļ¹ senderĀ twistsĀ receiverāsĀ armĀ behindĀ theirĀ back . ā 57ļ¹ senderĀ winksĀ atĀ receiver . ā 58ļ¹ senderĀ isĀ foundĀ collapsedĀ byĀ receiver . ā 59ļ¹ senderĀ preventsĀ anĀ injuredĀ receiverĀ fromĀ gettingĀ up . ā 6oļ¹ senderĀ clapsĀ aĀ handĀ overĀ receiverāsĀ mouthĀ toĀ silenceĀ them . ā 61ļ¹ senderĀ cagesĀ receiverĀ againstĀ aĀ [ wall / the floor ]Ā withĀ theirĀ arms . ā 62ļ¹ senderĀ stormsĀ awayĀ fromĀ receiverĀ duringĀ anĀ argument . ā 63ļ¹ senderĀ isĀ foundĀ byĀ receiverĀ sleepingĀ inĀ receiverāsĀ bed . ā 64ļ¹ senderĀ [ applies / touches up ]Ā receiverāsĀ makeup . ā 65ļ¹ senderĀ throwsĀ receiverĀ intoĀ aĀ wallĀ duringĀ combat . ā 66ļ¹ senderĀ dancesĀ sensuallyĀ withĀ receiver . ā 67ļ¹ sender Ā strikes Ā receiver Ā across Ā the Ā face . ā 68ļ¹ senderĀ placesĀ theirĀ handĀ onĀ receiverāsĀ legĀ whileĀ driving . ā 69ļ¹ senderĀ pullsĀ aĀ chairĀ outĀ fromĀ underĀ receiver . ā 7oļ¹ senderĀ catchesĀ receiverāsĀ wristĀ whenĀ theyĀ turnĀ toĀ leave . ā 71ļ¹ senderĀ leavesĀ anĀ intimateĀ markĀ onĀ receiver . ā 72ļ¹ senderĀ beatsĀ receiverĀ inĀ aĀ videoĀ game . ā 73ļ¹ senderĀ andĀ receiverĀ standĀ inĀ stunnedĀ silenceĀ afterĀ aĀ fight . ā 74ļ¹ senderĀ caresĀ forĀ receiverĀ whileĀ theyāreĀ sick . ā 75ļ¹ sender Ā andĀ receiverĀ goĀ onĀ aĀ hike . ā 76ļ¹ senderĀ isĀ caughtĀ snoopingĀ inĀ receiverāsĀ things . ā 77ļ¹ sender Ā andĀ receiverĀ cuddleĀ whileĀ watchingĀ television . ā 78ļ¹ senderĀ throwsĀ somethingĀ aggressivelyĀ atĀ receiver . ā 79ļ¹ senderĀ creepsĀ upĀ behindĀ receiverĀ toĀ scareĀ them . ā 8oļ¹ senderĀ andĀ receiverĀ goĀ shoppingĀ together . ā 81ļ¹ senderĀ helpsĀ receiverĀ [ dye / style ]Ā theirĀ hair . ā 82ļ¹ senderĀ drawsĀ receiverĀ intoĀ aĀ kissĀ byĀ theĀ backĀ ofĀ theirĀ neck . ā 83ļ¹ senderĀ isĀ discoveredĀ havingĀ aĀ panicĀ attackĀ byĀ receiver . ā 84ļ¹Ā senderĀ accidentallyĀ injuresĀ receiverĀ duringĀ sparring . ā 85ļ¹Ā senderĀ grabsĀ receiverĀ roughlyĀ byĀ theĀ hair . ā 86ļ¹ senderĀ bringsĀ receiverĀ toĀ theirĀ kneesĀ duringĀ combat . ā 87ļ¹ senderĀ showsĀ receiverĀ evidenceĀ ofĀ aĀ lieĀ theyĀ told . ā 88ļ¹ sender Ā winksĀ [ seductively / mockingly ]Ā atĀ receiver . ā 89ļ¹ senderĀ yellsĀ atĀ receiverĀ toĀ putĀ theirĀ handsĀ inĀ theĀ air . ā 9oļ¹ senderĀ helpsĀ receiverĀ patchĀ upĀ aĀ wound . ā 91ļ¹ senderĀ holdsĀ receiverĀ asĀ theyĀ cry . ā 92ļ¹ senderĀ silentlyĀ andĀ angrilyĀ pointsĀ receiverĀ towardsĀ theĀ door . ā 93ļ¹ sender Ā gesturesĀ forĀ receiverĀ toĀ sitĀ down . ā 94ļ¹ sender Ā pullsĀ receiverĀ intoĀ theirĀ lap . ā 95ļ¹ senderĀ cradlesĀ receiverāsĀ face . ā 96ļ¹ senderĀ tacklesĀ receiverĀ outĀ ofĀ theĀ wayĀ ofĀ danger . ā 97ļ¹ senderĀ hasĀ hiddenĀ anĀ injuryĀ fromĀ receiver ,Ā andĀ receiverĀ findsĀ out . ā 98ļ¹ senderĀ confrontsĀ receiverĀ aboutĀ theirĀ unhealthyĀ behavior . ā 99ļ¹ senderĀ proposesĀ toĀ receiver . ā 1ooļ¹ sender Ā has Ā just Ā died , Ā receiver Ā finds Ā out .

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Forever obsessed with your drawing of tipsy mothman
thanks you know of the substantial number of mothmans i've drawn over the years i think this is my fave too tbh
Up all night long and thereās something very wrong