NAVIGATION
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│ᴍʏ ʏᴜᴍᴇ✿ᴍʏ ᴍᴀʀᴜ✿ʙʏɪ✿ᴛᴀɢꜱ✿ᴍʏ ᴀʀᴛ
│MY YUMELORE ✿ ᴍᴜꜱɪɴɢꜱ✿ᴀɴꜱᴡᴇʀᴇᴅ ᴀꜱᴋꜱ
│ᴄᴀʀʀᴅ✿ʙꜱᴋʏ✿ᴛᴡɪᴛᴛᴇʀ✿ᴛɪᴋᴛᴏᴋ
╰ ☾ ──────────────────────☽╯
cherry valley forever
Keni
Show & Tell
Monterey Bay Aquarium
occasionally subtle
Acquired Stardust
PUT YOUR BEARD IN MY MOUTH

Andulka
Peter Solarz

Stranger Things
"I'm Dorothy Gale from Kansas"
Claire Keane
TVSTRANGERTHINGS
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Janaina Medeiros

shark vs the universe
hello vonnie
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@moonlityume
NAVIGATION
╭ ☾ ──────────────────────☽╮
│ᴍʏ ʏᴜᴍᴇ✿ᴍʏ ᴍᴀʀᴜ✿ʙʏɪ✿ᴛᴀɢꜱ✿ᴍʏ ᴀʀᴛ
│MY YUMELORE ✿ ᴍᴜꜱɪɴɢꜱ✿ᴀɴꜱᴡᴇʀᴇᴅ ᴀꜱᴋꜱ
│ᴄᴀʀʀᴅ✿ʙꜱᴋʏ✿ᴛᴡɪᴛᴛᴇʀ✿ᴛɪᴋᴛᴏᴋ
╰ ☾ ──────────────────────☽╯

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✨☽˚SESSHOMARU˚☾✨THE FINAL ACT - EPISODE 17
I have mentioned my legendary "Sesshōmaru Bible" of middle school, well now its time for a new and improved keepsake of devotion. This is a A5 six ring binder. I haven't glued anything down yet for the cover because I am still collecting things to add.
Fanart is Mmmilk_ on twitter
I plan to make an index in the back of the binder that will have artist credits so I can keep track ♡
So I couldn't find any alphabet stickers I liked, so I made the words I wanted myself, printed them out, used my Silhouette 4 to cut them perfectly, then painted the edges with my metallic silver water colors paint. It shimmers real nice.
Also found some paper sakura flowers too! I am just waiting on some glue and I'll be assembling the cover soon ♡
I have mentioned my legendary "Sesshōmaru Bible" of middle school, well now its time for a new and improved keepsake of devotion. This is a A5 six ring binder. I haven't glued anything down yet for the cover because I am still collecting things to add.
Fanart is Mmmilk_ on twitter
I plan to make an index in the back of the binder that will have artist credits so I can keep track ♡
I never wanted an iphone more until the damn yumeship app came out uugh, its literally a yumeship app that is like the yumeship charts people like to fill out UUGH.
I no longer desire this app and you shouldn't either. They straight up just stole everything they got going in the app, and are profiting off of it, and plan to introduce AI so........ Yeah NEVER MIND.

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So this was literally blacked out from my memory. I didn't realize I owned this game, I was finna by it, yall. I genuinely feel I bought this and never played it cause I seriously can not recall anything about it! I am glad I checked my shelf of games just to double check what old games I had!
The reason why I have no memory of this game is because I have in fact not been able to play it. So I have a PS3 and thought it was backwards compatible, it is not. I have no doubt in my mind I thought it was when I bought it, then never got to play it after all these years because I don't have a ps2 UUUGH
Am I considering buying an old ps2 just to play one Inuyasha game? Yes. I am.
So this was literally blacked out from my memory. I didn't realize I owned this game, I was finna by it, yall. I genuinely feel I bought this and never played it cause I seriously can not recall anything about it! I am glad I checked my shelf of games just to double check what old games I had!
I never wanted an iphone more until the damn yumeship app came out uugh, its literally a yumeship app that is like the yumeship charts people like to fill out UUGH.
[New blind box figurines by Gong].
Source: Twitter
I can't believe we're getting new merch for Rin AND JAKEN 🤯 (even though I feel bad for mirsan fans).

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Kaede: Sesshōmaru you have to stop scaring off any potential suitor for Rin with your looming presence.
Sesshōmaru: A man who fears me, is not a man worthy of my daughter.
⌯ᵔ ⩊ ᵔ⌯⠀Green/Pink PNGs ♡
Requested by;Anonymous ♪ Like or Reblog is appreciated!
Here is the video I made for reaching 100 followers on tiktok ♡ It was fun making an overlay and drawing sprites to make it a little more interesting to watch ♡
he always gotta be glamourous
as blorbo from my shows, sesshomaru has been eating my brain for years now. so many aspects of his character are interesting in ways i don't tend to see analyzed much, and while it may just be that im looking in the wrong places, i feel like he, like many characters at hands of fans nowadays, gets reduced to a few traits. surely doesnt help that this fandom is being kept alive by medical machines .
things that im charmed about him is his insecurity, as it manifests as jealousy of his brother, and his motivations to become someone strong, greater than his father, out of his own merit and not being an extention of him. but if so, why is it that sesshomaru seeks his late fathers sword like he does? why is he so obsessed with it?
the answer to that lies is the entire thing that his character arc revolves around - learning how to love.

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Finished the basic concept for my sona's look and fit and wanted to ramble a little about the design choices because clothing is a huge means of my self expression.
Fictorose Gachikoi vs Yumeshipping — Being in Love vs Telling a Story and doing both.
Only recently did I start looking at my feelings for Sesshōmaru through a storytelling lens.
What I mean is that the feelings always came first. Not the sona. Not the ship dynamic. Not self insert fantasy.
Just...loving him as me in my day to day life.
As a kid, I daydreamed about Sesshōmaru existing in my world, not myself existing in his. And honestly? I still did/do that as an adult too. Hopefully, that distinction makes sense.
At the same time, I’ve always been deeply invested in OCs and storytelling. I grew up roleplaying OC x OC plots on places like Neopets and GaiaOnline, drawing characters, building worlds, developing arcs and interpersonal dynamics. Creating stories has always been one of my hobbies I am rather passionate about.
But Sesshōmaru existed strangely separate from that for me.
I idolized him to such a degree that changing him at all used to genuinely repulse me. I was EXTREMELY canon compliant about him when I was younger. Outside of occasionally using him as a comfort character in art, I needed him to remain as untouched by fandom interpretation as possible.
I hated Sesshōmaru fanfics as a kid and remain impossible to please as an adult lmao. (Which is fine. I don’t make that anyone else's problem. )
I’m honestly not sure why that mental block existed for so long, or why it took me years to realize....
hey...you are actually allowed to interpret and build on a character privately for yourself.
So—
Once I finally allowed myself to do that, I took all the passion I already had for OCs, storytelling, roleplay, plotting, character arcs, themes, symbolism, and worldbuilding—and poured it directly into my yumeship.
And I mean FULLY.
I am busting out my story structure books off my shelf. Plotting acts. Character development. Villains. Side characters. Interpersonal dynamics. Theme work. Parallels.
The whole thing. THE WORKS.
Then I had to ask— where can I insert myself into canon, and what changes if I do?
And the answer became
Episode 176 — Sesshōmaru in the Underworld.
Specifically, I became fascinated with the implications of Sesshōmaru killing the guardian of the underworld in an attempt to save Rin.
Because canon kind of...handwaves this.
He destroys what appears to be an important cog in the processing of souls and the cosmic order and the series just sort of goes—anyway moving on!
And I couldn’t stop thinking. WAIT. That absolutely should have consequences.
So in my lore, it does.
I also changed one major event.
-braces you-
Rin does not come back the second time.
Not because I dislike Rin, but because I personally felt the emotional weight of Sesshōmaru finally experiencing helpless grief and loss was softened too quickly by immediately undoing it.
And more importantly, if Sesshōmaru destroys part of the underworld’s machinery in desperation to save someone he loves, I wanted that choice to matter.
So, in my yumelore, Sesshōmaru’s actions destabilize the barriers between life and death.
The veil weakens. The sorting and processing of souls becomes damaged. Reality itself slowly destabilizes.
And because I love the idea that souls exist somewhat outside linear time (thank you, The Haunting of Hill House, you did it best!), the damage doesn’t only affect death—it affects time too.
That weakening of reality is what causes my sona to fall through time into the feudal era.
They become liminally displaced, spiritually sensitive, but not in a holy or priestess way—more like someone vulnerable to the spaces between worlds and medium.
So the external plot of the story becomes driven by gradually worsening consequences caused by Sesshōmaru removing a critical piece of the underworld’s structure.
Which then led me to the BIG problem I couldn’t solve for the longest time— How do they fix it?
Replacement guardian? Star crossed lovers ending? Does Sesshōmaru sacrifice himself? Does my sona?
But every answer I came up with conflicted with another theme I loved— Reincarnation, soul bonds, reunion across time, traghic devoution, love surviving death. (You might guess I love all versions of Dracula love stories)
My desire for angst and my desire to exist beside Sesshōmaru in every possible lifetime were fighting each other constantly lmao.(there will be a yumeship multiverse!)
Then, yesterday at work, mulling a visual character design idea considering spider lilies and life and death imagery, I finally figured it out.
The answer is Tenseiga. Or more specifically— giving up what Tenseiga was.
Instead of replacing the underworld guardian with a single being, Sesshōmaru permanently alters the function of Tenseiga itself by sealing the remnants of the guardian into it.
And because Tenseiga is already deeply tied to life, death, and souls, it changes. It becomes a new stabilizing force. But not without cost.
Part of Sesshōmaru’s soul/demonic aura/essence and part of my sona’s soul/essence become intertwined with it in the process.
(If Kagome can function while missing part of her soul, so can they lmao.)
The consequence is that Sesshōmaru loses the original miracle working nature of Tenseiga. No more casually overturning death. But in exchange, the barriers stabilize, the world survives, and our souls remain permanently connected across time and reincarnation.
Which honestly feels VERY "Inuyasha: A Feudal Fairytale" to me. (I hope 😭🙏🏽😅)
Anyway this post is already insanely long and I could ramble about themes and symbolism forever, but yeah.
Reckless love destabilizing the cosmos, then reshaping fate itself trying to repair the damage.
God I love Sesshōmaru.