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It's a mix between techno and synths with great vocals some like Apparat
Monarch explores psychological dominance in its most invisible form — the kind of power that operates without commands, titles or force. It's about someone whose presence alone rewrites the room, bending reality and eroding autonomy without a single word of instruction.
Thematically it sits in territory that feels increasingly relevant — coercive influence, the quiet surrender of self, control that feels like alignment. But sonically it's anything but passive. Monarch is TVU's most propulsive track — a thumping rhythmic drive beneath cold, precise synth layers that pulls the listener forward even as the lyrics describe losing direction.
It's dark synthpop with momentum — built for listeners who want something that works on the body and the mind simultaneously.
"HORNS it's a Theatrical art-pop anthem of vengeance and liberation, and the focus track of my debut album", says Kat KIKTA
‘Horns’ is the theatrical art-pop anthem of vengeance and liberation, and the focus track of Kat Kikta’s debut album, Moldavite — the artist’s very first full-length album release.
Composed of recently released singles together with new unreleased tracks and featuring high energy remixes by Transglobal Underground, Kat offers a narrative that will chime uniquely in each and every listener.
The Album Moldavite takes its name from a green glassy crystal found in central Europe that formed when a meteorite exploded in the atmosphere and reacted with the air, forming small green glass like stones (tektites) to rain down on the earth. It is alien, potent, complicated and beautiful. The parallels between the tektite and Kat Kikta her self, and her music are diffuse, but undeniable.
Leading us into Moldavite is the song ‘Horns’. It carries punch, sass, humour, rage, and a purpose. Inspired by a story of romantic infuriation and string pulling, the song summons a vengeful deity to bring truth and clarity. Moldavite marks a new chapter for Kat, with ‘Horns’ serving as the album’s flagship track that exemplifies her bold, genre-defying sound.
Following her earlier releases, Kat’s Art-Pop roots have returned with an ear-worm vengeance that’s impossible to listen to just once.
“You should wear horns…” Kat accuses the troublemaker, effortlessly shifting her vocal range from kawaii-victim to fiery goddess.
True to her signature style, within this music lies a magic spell—an incantation wrapped in fun, but with a clear mission: to release the listener from a finger trap of unwelcome people, energy, and habits.
‘Horns’ represents a pivotal shift within Kat’s catalog, serving as the centrepiece of Moldavite. The track is accompanied by a high-energy remix from the legendary and influential Transglobal Underground, alongside a rich visual rollout featuring poetic, non-AI music videos and artwork that reflect the album’s mystic and transformative themes.
Kat’s latest offering is outstanding in her own catalogue. Known as a truly experimental performer and artist with a trademark flourish of rich and poetic visuals, a striking music video is lined up to accompany the release (see stills).
New album it's out now:
The first album is out, second and third are on their way…
Following an explosive set at Electric Brixton recently with IDLES and Kid Bookie, London rock band PROFESSIONAL 101 return with their new single ‘Liar’, a track inspired by Nirvana and Henry Rollins. This single also follows the official announcement of PROFESSIONAL 101’s debut album, This Is The Sound, due for release 6 November 2026.
Fronted by Mani Waldner (vocals), with Rob Hennebry and Paul Fifield on guitars, Daniel Logan on bass and Jonny Brister on drums, PROFESSIONAL 101 delivers a lean, urgent sound forged onstage. Their debut album This Is The Sound, produced and mixed by Grammy Award–winner Danton Supple (Coldplay, Suede, Morrissey), captures that ferocity in recorded form.
New single ‘Liar’ is a study into the psychology of self-belief and a look at what happens when confidence isn’t innate, but constructed - and the line between conviction and self-deception collapses entirely. The track explores imposter syndrome as a quiet survival mechanism: lying to yourself just long enough to act it out, inhabiting belief before you’ve earned it. It asks how thin the margin really is between genius, delusion, and success and whether the difference is simply who commits hardest to the story they’re telling themselves.
Speaking of the single, Mani says, “‘Liar’ is another song dripping with grunge nostalgia. Lots of distorted chorus effects on the lead and a really murky tone on the rhythm which counteracts the high energy of the riff and keeps the mood ominous.”
The release also follows the band’s hugely successful Rock N Roll Freakshow Experience, which landed at Electric Brixton on 21 March, the night after they announced their album. Conceived and curated independently by PROFESSIONAL 101, the travelling event has rapidly become a word-of-mouth phenomenon, blending live music, celebrity DJs, burlesque, circus performers and carnival spectacle into a single immersive night.
This event is designed to turn the traditional gig format inside out while feeding directly into the band’s debut album campaign. Every ticket and album bundle sold contributes toward the release of This Is The Sound. What began as an effort to support local artists has evolved into a model where fans are part of the process itself.
“We wanted to create something that gives back, where people feel like they’re building the album with us, because they are,” says guitarist Rob Hennebry. “When we got described as ‘rewriting what it means to be a live band,’ I was personally, extremely proud. That’s what we set out to do.”
The Electric Brixton launch event featured a stacked lineup including IDLES (DJ set), Kid Bookie, DeVere and Princess Cyberspace (DJ set), alongside roaming performers including sword swallowers and fire breathers. The result is part rock show, part circus, and entirely its own ecosystem. The core idea remains simple: keep tickets affordable, keep energy high, and ensure that the night feeds the music scene rather than draining it.
PROFESSIONAL 101’s origin story is as unconventional as their shows. They formed after Hennebry injured his shoulder lifting beer kegs and was referred to Waldner for physical. Waldner, a poet who had never been in a band, noticed Hennebry’s Hendrix T-shirt and asked if he could play guitar. One cancelled appointment later, they recorded their first track, ‘Madam G.’ Soon after, Paul Fifield joined, and through Danton Supple’s recommendation, drummer Jonny Brister came aboard fresh from touring with Echobelly and Jake Shears.
Since then, the band have built a formidable live reputation, supporting Marky Ramone, The Levellers, and The Luka State, while festival appearances alongside artists ranging from the Sex Pistols to Alanis Morissette and The Streets have earned them recognition as International Festival’s Forum Favourite Showcasing Band. Most recently they went on tour with The Boomtown Rats to support their 50th anniversary across the UK.
Onstage, the band’s performances are pure momentum: stage-diving fans, carnival atmosphere and crowds dressed for the occasion. As Waldner puts it, “It’s fun. We want people to have fun watching live music again. For one night, it’s a freakshow, but it’s also a movement.”
With This Is The Sound arriving this November, PROFESSIONAL 101 are not chasing rock’s legacy. They are building something new around it, a world where live music, spectacle and community collide.
"What If" is the focus track of Attraction, Monde Ray's debut album, out this month. A danceable, dissonant synthpop track driven by cold, nostalgic electronics.
The song captures the suspended moment of a decisive encounter — that vertiginous "what if" before the leap into the unknown. It speaks to the vulnerability of new love.
Credits:
Clip Production: Marta Trigo da Roza & Luís Brito
Director: Luís Brito AD: Marta Trigo da Roza
DOP: André Encarnação 1st AC: Gonçalo Ouro
Art Director: Luís Brito
MUA: Mariana Mauger da Cunha
Editor: Vasco Nico
Colorist: João Alvarinhas
Dancer: Marta Cardoso
Model: Isaac Gens
Location: Sala Lisa (Alejandro Steiner)
Track Production: Antonio Miguel Serra
Mix: Antonio Miguel Serra
Mastering: Hugo Valverde
Lyrics: Mitalee Mehta
Distribution: Ogust Music
Monde Ray is the solo project of French artist Manon Guiol. Making music since childhood, she began with classical piano and basic music theory before gradually moving toward electronic composition and production.
Largely self-taught, she developed an intuitive and personal approach to music early on, shaped outside of any academic framework.
Her first steps took place under the name Manone, where she explored darker electronic territories, before joining the dream pop / synth pop band Tender Tones as a composer, keyboardist and vocalist. With the band, she performed live several times in Paris, playing venues such as Batofar, L’International, La Pointe Lafayette and Olympic Café.
After several years in Paris, a major life shift in 2023 became a turning point: a move southward, driven by a desire for light, space and renewal. This transition gave rise to Monde Ray — a more intimate, introspective and cinematic project. Her music blends synth pop, darkwave and EBM, shaped by 80s textures, dreamlike atmospheres and a soft, ethereal vocal presence.
Suspended between day and night, Monde Ray’s sound explores the tension between softness and darkness, clarity and reverie. Singing in both French and English, she crafts songs that feel both fragile and magnetic. Attraction draws directly from synth pop, darkwave and EBM influences such as Essaie Pas, Boy Harsher, Scratch Massive, Marie Davidson and Chromatics, while also embracing a strong cinematic dimension inspired by filmmakers like David Lynch.
Beyond these direct influences, her broader musical tastes subtly inform her writing: from Brazilian music to exotica, from 1970s Italian film scores to post-punk and EBM. What drives her above all is a fascination with contrast and dissonance — what unsettles, surprises, or, on the contrary, feels instantly and radically self-evident.
Attraction, her debut album, marks the emergence of this singular artistic identity.
New album Attraction
MONDE RAY: My album Attraction is finally out. ✨
It’s the culmination of almost two years of work, born from major personal changes that set everything in motion. The first ideas came on my electric piano, then found their way into Ableton. Solitary evenings in my Parisian apartment, more or less inspired. Those hours alone were as exhausting as they were revealing — it’s in that discomfort that I started to really dig deeper, to look for something more honest in my music.
The project eventually took shape in Lisbon, in the studio, alongside @metamito who produced and mixed the album. That encounter gave birth to 9 tracks, shaped by Chromatics, David Lynch’s cinema, Brazilian music, Italian film scores from the 70s and 80s pop culture.
Attraction explores the tension between softness and darkness, between lucidity and reverie, suspended between day and night. 🌒
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Timmy Trumpet x Bradeazy presents Roses (feat. Richard Judge) 🌹 🌹
Timmy don't miss !
The Australian maestro Timmy Trumpet switches things up with his new single "Roses," out now - and it's a side of him few will see coming. A melodic, club-focused track, "Roses" steps away from the high-energy sound he's best known for in favour of something warmer and more emotive - built for the dancefloor, but carried by feeling rather than force. It's also a personal one: Timmy had originally lined the track up for later in the year, but moved it forward once its lyrics began to mirror where he is right now, following a newly announced change in both his musical direction and his personal life. The single pairs him with bradeazy, the Beatport-topping producer behind "The Baddest," who just sold out his debut LA and New York shows, has a headline Australia and New Zealand tour on the way, and has fronted a flagship Spotify playlist cover for months. It also features vocalist Richard Judge, who has previously worked with Robin Schulz. The two have been circling a collaboration for years: bradeazy first caught Timmy's ear through his radio show, went on to support him on tour, and the pair finally locked "Roses" in once they found the right voice for it in Judge - debuting the record live at Timmy's Silo Dallas show. It follows his recent "All My Life" with John Martin and Frank Walker, and "Not A Place" with Ely Oaks, continuing the more personal, emotive turn his music has taken lately.
"I've been playing bradeazy records in my radio show for the last couple years, watching his sound develop into one of the hottest bass producers on the planet. I brought him out on a college tour show and we started talking about making music together over a year ago but we knew we needed the perfect vocal. I was originally planning 'Roses' for the end of the year, but these lyrics reflect exactly how I feel right now so we bumped it up. Since announcing a new music direction and my separation, the love I've felt around the world has been overwhelming and inspiring. Everything really is coming up roses and it's thanks to the fans - so this one is for them." - Timmy Trumpet
Timmy Trumpet
An award-winning, multi-platinum artist with over 5 billion streams, Timmy Trumpet has built a global reputation as one of dance music's most recognizable live forces. From his breakthrough hit 'Freaks', which has surpassed 1 billion streams, to record-breaking performances at Tomorrowland and headline slots at the world's biggest festivals, his rise has been defined by energy, innovation, and an unmistakable stage presence.
He has collaborated with major names including Armin van Buuren, ALOK, Robin Schulz, Hardwell, Afrojack, and Dimitri Vegas & Like Mike, while his crossover impact has extended far beyond dance music - from 'Narco' becoming a viral MLB phenomenon and reaching #1 on Spotify's US Viral Chart, to composing and performing the official team song for Royal Challengers Bengaluru during their championship-winning IPL season. Classically trained as a jazz musician and named Young Musician of the Year in Australia at just 13, Timmy continues to evolve both musically and culturally, with 'Not A Place' marking a more refined and emotionally charged direction in his artistry.
bradeazy is one of dance music's fastest-rising artists, blending high-energy bass house with the attitude and edge of viral internet culture. After breaking through with "Backstage Baddies" and igniting the viral "Good Girls Go to Heaven, Bad Girls Go Backstage" movement, he has quickly established himself as a global force across streaming platforms, clubs, and festival stages. His breakout records "Up Down" and "The Baddest" have collectively generated more than 20 million streams and 60 million social views, while earning multiple Beatport Top 100 placements - including multiple Beatport #1 Bass House records. In 2026, bradeazy reached #1 Bass House Producer Worldwide on Beatport! His music has earned support from some of the biggest names in electronic music, including FISHER, Tiësto, David Guetta, Marshmello, Afrojack, Timmy Trumpet, Benny Benassi, Miss Monique, Layton Giordani, Westend, Marten Hørger, OMNOM, and SCRIPT. His tracks have been played on the world's biggest stages, including Tomorrowland, Coachella, EDC Las Vegas, Lollapalooza, Hï Ibiza, Ushuaïa Ibiza, and UNVRS. Now averaging 1.4 million monthly Spotify listeners, bradeazy has translated his musical momentum into sold-out headline shows across North America & Europe, cementing himself as one of electronic music's most exciting breakout artists.
A standout gem from the 'New Era' album, 'Neon Nostalgia' perfectly captures the cinematic essence of late-night urban solitude.
The track is built upon a beautifully texturized, heavily effected guitar chord progression that creates a vast, dreamy space. Hovering above this sonic landscape is a smoky, soulful guitar melody, seamlessly intertwined with nostalgic vocal chops that echo like distant memories. It’s a flawless fusion of modern chillhop production and timeless melancholic groove, tailored for late-night drives under city lights.
Stream Neon Nostalgic:
SaneBeatz · New Era · Song · 2026
Active in the music industry since 2008, SaneBeatz has evolved from a traditional hip-hop beatmaker into a master architect of deep, immersive soundscapes.
He initially laid the foundations of his sonic journey by gathering his raw, formative catalog in the "Early Works" and "PatroMuzika Archives" albums. Recently, he closed a nostalgic chapter by unlocking the vault with his three-part "Lost Tapes" trilogy (Vol. 1, 2 & 3), honoring his unreleased archival gems and raw boom-bap roots.
Now, a definitive transition has arrived. With his groundbreaking 10-track album "New Era,(26.06.2026)" SaneBeatz enters a sophisticated realm of Lo-Fi Hip Hop and Atmospheric BoomBap. Characterized by dusty vinyl textures, soulful Rhodes chords, late-night nostalgia, and heavy, head-nodding rhythms, his current sound bridges the gap between classic hip-hop foundations and cinematic chillout music.
From the gritty energy of the archives to the hazy, focus-driven vibrations of a new dawn—welcome to the next era of instrumental hip-hop.
The evolution is complete! 👁️✨ The brand new 10-track album "New Era" is officially out now.
Dive into a sophisticated world of atmospheric Lo-Fi and heavy BoomBap rhythms.
Across The Vine presents: Snow Angels in the Grass
Snow Angels in the Grass
Great name for a track! impulsive rock music
Across The Vine said:
"This song come s from my dream of one day buying my childhood home and being so happy that I imagine myself running into the backyard where I played as a child and laying in the grass and making snow angels with a big smile on my face. With such a positive motive the lyrics literally poured out of me in one go with no edits, and the music was also very organic coming from the guitar on the couch to my studio and all in one weekend".
"This song comes from a very happy thought and I think it translates well into the song as a whole".
Check it:
Following their inception in 2019, Across the Vine have successfully released their debut album titled " +1 " & their innovate and original blend of retro sounds creates music that is easily distinguishable from other bands.
Entre Argentina y España, el proyecto construye un sonido de rock crudo, nocturno y cantable.
Dale play y descubrí a Dosis Cruda:
Dosis Cruda es rock para noches largas y canciones para el golpe después del golpe.
La propuesta es clara: Riffs al frente y canciones que transitan entre drama, energía, impulsos, errores y tensión. No se busca la perfección se busca lo real.
Música hecha para los que encuentran belleza en el caos. "Como un tonto al infierno" es el primer adelanto de una seguidilla de singles que le van a dar vida a "Cordura e instinto". El primer EP de La Dosis, fue grabado entre Argentina, Italia y España.
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MIDNIGHT TO MORNING IS A PSYCHEDELIC BUT RHYTHMICAL ODYSEEY TRACING A SINGLE NIGHT OF CREATIVITY IN THE CHAOS
THE LYRICS ARE MOSTLY AN AFTERTHOUGHT YET KEEP THE TRACK MOVING AS IT WINDS ITS WAY THROUGH A DARK AND DUSTY LANDSCAPE OF THE SOUL AND FINALLY THE MORNING BREAKING THROUGH WITH SOME DEEP LESSONS LEARNED AND A NEW PERSPECTIVE ON YET ANOTHER NEW DAY
Brook Lynn takes on “The Greatest” by Billie Eilish and turns her biggest nerves into a beautiful audition.
Brook says about the song, it was "Released the same day my America’s Got Talent audition airs. I reimagined The Greatest into a cinematic anthem inspired by resilience, hope, and overcoming anxiety"
The Greatest releases the same day my America’s Got Talent audition airs.
"As only the second artist from the Netherlands to appear on the show, this moment feels surreal. I’ve always loved this song because it reminds me to keep going, especially when battling anxiety. Reimagining it for this chapter of my life just felt right", Brook Lynn.
From Ashes to Anthems: The Rise of Brook Lynn
Brook Lynn emerged from the quiet Dutch village located in the forest of Wilp, finding her voice in a place where musical opportunities were scarce. With no formal training or musical lineage, she turned to the internet for inspiration, spending hours immersed in music videos and online performances. Music became her escape from the small-town life and sparked a deep passion that would soon turn into a career.
Four years ago, Brook Lynn had a revelation—music wasn’t just a hobby; it was her calling. Overcoming anxiety and self-doubt, she pushed herself into the spotlight, developing a unique sound characterized by powerful, piano-driven ballads and big, emotional vocals. Influenced by the raw storytelling of NF, the powerful presence of Christina Aguilera, and the soulful depth of Aretha Franklin mixed in with Amy Winehouse, she’s carved out a space for herself that blends intensity with vulnerability.
Brook Lynn’s creative journey is filled with unexpected twists, like the impromptu location change for her “Ashes” music video, which led to a striking, spontaneous shoot inside the remains of a burned-down building. These moments of serendipity define her approach to music: fearless, authentic, and unyielding.
With a debut single on the horizon, Brook Lynn is gearing up to release new music and take her dynamic live performances on the road. Driven by a desire to connect and inspire, she’s poised to make a significant impact, one soulful note at a time.
MADBIL es una banda de Rock y Pop formada por Pablo Ruigómez, Javier Martínez y Joaquín Robles.
Hanky Panky Records publica sus trabajos hasta la fecha.
Discografía:
2018. Album "Magia con precisión". “Francotiradores de los noventa, que se han reunido para atesorar en doce canciones esencia y solera” Cesar Prieto.EFE EME.
2020. Álbum "Noches de Agosto". “Madbil ha construido un disco impecable, donde las canciones están compuestas con una precisión detallista e interpretadas elevando al máximo su potencia". Cesar Prieto.EFE EME.
2021. EP "La Casa Flor"."Tres temas exquisitos que despiertan los sentidos.".Alex Martí Puig Magic Pop.
2023. Álbum "Odisea" ."Una obra completa, llena de magistrales canciones, un tanto más variadas si cabe, pero llenas de ese brillo artesanal que surge de las canciones bien hechas" Cesar Prieto, EFE EME.
Lo nuevo de ellos es Desaparecer, y es contiene muy buena poesía.
Créditos:
Grabado y masterizado en Estudio Zona Creativa.
Invierno 2025.
Música y letra: Joaquín Robles
Interpretada por : Joaquín Robles (Voz, Guitarras), Pablo Ruigómez (Bajo y Teclados), Javier Martínez (Voz), Kike Mora (Prog.Batería).
Hip-hop and rap artist Negi released the album SoHo Activities on July 11, 2025. The 18-track album is a mix of hip-hop, rap, and R&B. The title of the album is thought to be more than just a reference to a location but also a nod to his creative process and the grind required to achieve his goals. The lyrics and overall feel of the album are inspired by his experiences in SoHo during that time.
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James Richardson and Thea Danos presents You're My Someone Special
Folky and relaxing from Nashville, TN.
"You're My Someone Special" is a warm, nostalgic pop-jazz duet from James Richardson featuring Thea Danos, blending bossa nova rhythms with classic easy-listening charm.
Written as a celebration of the person who makes every day brighter, the song pairs intimate vocal harmonies with lush arrangements featuring flute, Stan Getz-inspired saxophone, piano, nylon-string guitar, upright bass, drums, and Latin percussion.
Performed by Nashville-based jazz vocalists and musicians, the track captures the timeless romance of 1970s vocal jazz while remaining fresh, heartfelt, and effortlessly modern.