Moochila

Authentic Louisville rap 

The instrumental goes very hard

“Typing...” is a modern street record from CDP Joka that captures the tension, drama, and mind games that happen through phones, texts, screenshots, and deleted messages. Built around late-night conversations, typing bubbles, unsent replies, and digital misunderstandings, the track turns everyday phone drama into a sharp, cinematic rap record.

The song blends witty street commentary with 2026 social-media reality, showing how one message, screenshot, or emoji can turn into a full situation.

With a dark West Coast bounce, hard 808s, and CDP Joka’s calm but direct delivery, “Typing...” brings a fresh concept to Eastside Motion while keeping the album’s real-life storytelling and street-luxury energy intact.

Check it:

🚨🔥 NEW ALBUM ON THE WAY! 🔥🚨

CDP Joka — Eastside Motion 📅 Dropping July 3rd

Pre-save:

From Nigeria

Nigeria it's on fire with the urban scene

GUATEMALA it's a song about Love and Chaos

Some moments become memories. Some people become chapters. Life changes, people change, but the lessons remain.

This video reminds me that even in the middle of chaos, peace is a choice. Sometimes the loudest move is moving in silence. And no matter how the story unfolds, love will always be worth carrying.

That’s what Guatemala is about—love and chaos. The battles we fight within, the storms around us, and the strength to keep your spirit calm through it all.

If you’ve ever had to protect your peace while still leading with love, this one’s for you.

Check it:

Not just another rap song—this is the origin story of an immortal witness who returns whenever evil rises

Pure hip hop it's allways appreciated ✊

Bum Rolo mixes gritty east coast production with science fiction, spirituality and historical symbolism to talk about memory, sacrifice, reincarnation and the idea that evil may change its face, but it never really dies.

“Voice in the Dark” is more than a song, it is the birth story of an eternal witness whose mission is to make sure that the forgotten are never erased.

Listen !

🚨 NEW BUM ROLO RECORD 🚨

🐺 WOLF LOCO A social autopsy of isolation, frustration, and a generation raised by algorithms instead of neighborhoods.

🎧 Stream Bum Rolo:

Folky and good vibes the chorus it's catchy too

Roommates 4 Lyfe

Edmonton-based folk singer-songwriter Tyra Whitson returns with her new single “Roommates 4 Lyfe,” a track that captures her signature blend of folk-pop warmth and deeply felt emotional honesty. Known for writing music that is “deeply personal and universal,” Tyra has spent years shaping songs rooted in lived experience—exploring healing, relationships, trauma, and growth through an intimate, reflective lens.

With soulful, expressive vocals and storytelling that feels both grounded and expansive, she turns private moments into shared emotional space, where listeners can see their own lives reflected back through her words.

The inspiration behind “Roommates 4 Lyfe” comes from a place of humour, love, and identity, shaped by Tyra’s own experience navigating how her relationship is perceived.

As she explains, “As a lesbian in Alberta, people often don’t know what to make of my relationship. They can tell we are quite close, but they can’t make sense of the dynamic… This became an inside joke, and when my wife proposed, she asked if I wanted to be roommates for life. Spoiler- I said yes.” That blend of wit and sincerity runs through the track itself, reinforcing what defines Tyra’s work: turning personal truth into something that resonates widely. With radio support across CJSR, CKUA, and Splash 98.5 FM, and tastemaker coverage including Wolf in a Suit, Bear Radio, and Neon Music, she continues building momentum ahead of new music arriving in 2026, all while expanding her place in Canada’s folk landscape.

Remember !!

"This is a one off, super fun song I recently wrote and recorded", Allen Brooks.

"Don't Forget The Weed" is a high-energy, blues-infused rock anthem that serves as a playful celebration of the weekend, good times, and dispensary culture.

Built around a driving, soulful rhythm and gritty vocals, the song follows a road-trip journey down Route 49 in "Misery" (Missouri), tracking a weekend run for ice, beer, and a essential stop at the local dispensary.

Featuring a carnivalesque mid-track spoken-word invitation to step inside and behold a wonderland of "party flavors," cartridges, and edibles, the track blends vintage rock 'n' roll swagger with modern cannabis culture.

With its incredibly catchy hook, clever spelling of "relief," and the timeless reminder that "a friend with weed is a friend indeed," this "human-made" track is a spirited, foot-stomping tribute to rolling into the weekend just right. No ai was used to write or record this song.

I Guess we are gonna play this song at the night

Built between late nights and years behind local projects, the EP slips between energetic house, sharp breakbeats, chopped samples and restless grooves.

check I GUESS:

Artwork by @motherseth

Buy here:

FULL EP:

Crazy and deep music

Official BIO:

British vocalist and lyricist Norma Winstone possesses a lissome, agile, and expressive alto, full of airy spaces, distinctly original phrasing, and moody textures.

Winstone is a fine interpreter of lyrics and composed melody -- a plain-speaking, rhythmically direct singer who effectively gets to the heart of the matter. She broke out during the 1960s, collaborating with Michael Garrick, Mike Westbrook, and Neil Ardley. Edge of Time, her 1972 solo debut, won acclaim internationally. Between 1977 and 1994, she cut seven albums with trio Azimuth (alongside John Taylor and Kenny Wheeler) and worked with Ralph Towner and Tony Coe. She returned to the classic jazz repertoire in the '90s -- 1995's Well Kept Secret with Jimmy Rowles is a fine example.

In the 21st century, Winstone recorded It's Later Than You Think with the NDR Big Band, and 2008's Distances with a trio that included Glauco Venier and Klaus Gesing. This group joined her on 2014's Dance Without Answer, and 2018's award-winning Descansado: Songs for Films. In 2022, she released The Soundless Dark with pianist Will Bartlett, and in 2024, Winstone and pianist Kit Downes teamed up for Outpost of Dreams. Born Norma Ann Short in East London, her family moved to Essex when she was ten. Winstone played piano and organ in her youth.

She began singing semi-professionally at age 17, influenced by conventional and classic jazz vocalists. During the '60s she became attracted to the jazz avant-garde. She played in groups led by pianists Michael Garrick, Neil Ardley, Joe Harriot and Amancio D'Silva, and Mike Westbrook; she also sang with such forward-thinking musicians as saxophonist John Surman, flügelhornist Kenny Wheeler, composer Michael Gibbs, and pianist John Taylor (whom she married in 1972 and collaborated with even after they divorced years later). A late-'60s gig at Ronnie Scott's club in London with the legendary multi-instrumentalist Roland Kirk garnered her critical notice in the music weeklies. In 1971 she was named best jazz singer in a poll by the British publication Melody Maker. That year, she recorded her first album as leader, Edge of Time, on the Decca label. Winstone formed Azimuth with Wheeler and Taylor, a critically acclaimed contemporary chamber jazz group that recorded several times on the ECM label starting in the mid-'70s. Winstone is also an accomplished lyricist, having written words to music composed by guitarists Egberto Gismonti and Ralph Towner, bassist Steve Swallow, and vocalist Ivan Lins, among others. In 1987 she made her ECM leader debut titled Somewhere Called Home.

Winstone also performed and/or recorded in ensembles with Jimmy Rowles, Lee Konitz, Tony Coe, Fred Hersch, John Abercrombie, Dave Holland, Peter Erskine, and George Mraz. In 1992, she collaborated with composer/arranger Steve Gray in the creation of "A French Folk Song Suite," commissioned and performed by the North German Radio big band. She is also a member of Wheeler's big band. In July 2002 she was awarded the title of Best Vocalist at the BBC Jazz Awards at London's Queen Elizabeth Hall. That same year, she released the album Chamber Music with pianist Glauco Venier and saxophonist Klaus Gesing. The following year, she collaborated with American director/composer John Cameron on the soundtrack for Psychomania. Winstone returned in 2006 with Amoroso... Only More So fronting the Stan Tracey trio and made her first recorded appearance with Germany's NDR Big Band titled It's Later Than You Think. Winstone collaborated with Venier and Gesing for two more albums, including 2008's Distances and 2010's Stories Yet to Tell. In 2013 Winstone delivered Mirrors with longtime collaborator Wheeler. The trio album Dance Without Answer, featuring Venier and Gesing, appeared on ECM in 2014, and they toured the U.K. and Europe. In 2018, Winstone released one of her most ambitious projects. Descansado: Songs for Films on ECM offered rearranged versions -- by Gesing and Venier -- of music by cinema composers including Nino Rota, Michel Legrand, Bernard Herrmann, and Ennio Morricone, and some tracks contained new lyrics by Winstone.

Gesing and Venier returned for this project, augmented by Norwegian percussionist Helge Andreas Norbakken and Italian classical cellist Mario Brunello. Many of Winstone's early recorded appearances during the '60s were remastered, remixed, and released by various labels. In 2022, she and pianist/composer Will Bartlett issued The Soundless Dark. It included music by the pianist and words by British poet Philip Larkin (who hated jazz) sung by Winstone. Two years later she returned to ECM in collaboration with pianist/composer Kit Downes on Outpost of Dreams. It set her lyrics to compositions by the pianist, as well vocals to songs by Carla Bley, Towner, and Taylor. It also included jazz readings of two iconic folk songs, "Black Is the Colour" and "Rowing Home." ~ Chris Kelsey & Thom Jurek

Una canción de rock en la cual el cantante también un poco rapea

Índice Nikkei, es una manera de decir que lo realmente importante esta aquí, ahora. A demás de una sutil critica a la sociedad consumista. Índice Nikkei es una canción que nos ha traído muchas alegrías, que nos hace pensar que no hay nada por lo que preocuparse si hacemos el bien, si hacemos el amor. Por que lo que das siempre viene amplificado 😊

Dale play:

Latitud 28 no es solo un grupo musical, es un latido, una herida que se abre y se cierra al mismo tiempo. Sus canciones no nacen del ruido ni del exceso, sino del silencio que queda después, cuando solo importa lo que duele, lo que salva, lo que ama.

A very cool indie rock song

Second Wind is the 2nd single of our upcoming debut album.

We wrote this song as a way to express a feeling of resignation and acceptance without transformation.

It represents that no matter what, I'll still be myself, indifferent to it and inevitably moving forward.

Listen in YouTube:

BIO (Spanish):

Esto es jump the fence: una banda nacida en Buenos Aires y ahora instalada en Melbourne, Australia. Para hacerla corta, somos el resultado de unos amigos patagónicos que un día cruzaron una línea imaginaria y nunca se molestaron en volver.

Y sí, sí sí sí... si estabas buscando guitarras melancólicas con un pulso electrónico que va del post-punk y el shoegaze al disco y las texturas ambient, bueno... LAS ENCONTRASTE.

Después de pasar un año enterrados en el estudio, terminamos nuestro álbum debut: un disco que vive entre el lugar que dejaste atrás y ese otro que todavía estás tratando de encontrar. Second Wind es solo el comienzo...

music it's spiritual

Music Is My Life is an Afro UK Drill anthem by Ebicoblack that blends powerful drill energy with African rhythms and emotional storytelling.

The song celebrates passion, resilience, and the belief that music is more than entertainment—it's a purpose, a lifestyle, and a source of strength.

With deep vocals, hard-hitting 808s, melodic guitars, and an authentic Afro-Drill sound, Music Is My Life inspires listeners to keep chasing their dreams and never give up, no matter the obstacles.

Listen:

love and peace ☮️🕊️✌️

Lucy presents by himself:

My name is Lucy Shores Madeleines. I'm a native Japanese songwriter. I write Love ballads and Christian songs, Requiem ballads. Based on Japanese lyrics, I am making works that have been translated into English by a translator. Especially, I love healing Piano Sound. I create complex and beautiful harmonic sounds.

🎹👑 piano music still captive the emotions

Laith Al-Baiyaa it's a 🎹 Pianist & Composer from Iraq

“Above the Endless Blue” is a cinematic neo-classical piano piece inspired by a sense of vastness and emotional reflection.

It blends expressive piano melodies with subtle orchestral textures to create an airy, uplifting atmosphere that evokes openness, hope, and introspection.

Stream it in Spotify:

qué mejor que hacer catarsis con música !!

Monotonía

"Monotonía es una canción que nace desde el hastío hasta llegar a la aceptación, una especie de catarsis con un sonido crudo y transgresor, un mensaje directo, real sin disfraces ni medias tintas", Anibal Camus.

Monotonía es uno de los temas que mejor representa el arte de Aníbal Camus, una canción cruda que va directo al grano, una especie de catarsis que nace desde el hastío hasta llegar a la aceptación.

La música es totalmente consecuente con este concepto con sonidos desgarradores que llegan a su cúspide en solo de guitarra slide del final, en resumen una canción sincera que rockera fuerte.

Dale play a Monotonía:

It's power melodic techno music 

Music is the ultimate vessel for emotion.

Before emerging as WEXIX, he had already delved deep into diverse sonic realms—from mastering the delicate structures of vocal tracks to crafting atmospheric spaces that reached tens of thousands of listeners. Over time, these experiences gradually shaped into his unique aesthetic today. Stepping into his current domain, WEXIX is dedicated to breaking conventions.

By weaving a distinct sense of storytelling with deep, spatial atmospheres, he brings warmth into otherwise cold electronic tones. There is no unnecessary noise here—only personal emotions translated into melody. As the cocoon breaks and the light pours in (Emergence), the sonic narrative of WEXIX begins.

Listen EMEREGENCE:

It's Ed Sheeran cover band? No it's That Perfect Blue from Bogotá, Colombia!!😀😍😆☄️☀️

The Absence

"This is the third single from our upcoming debut Album which will be released next month", That Perfect Blue.

If you like alt acoustic pop, check this:

this it jazz culture 🏯🗾🇯🇵🎎

BBE Music’s celebrated J Jazz compilation series reaches its fifth and final volume in early 2026, culminating in a track list that maintains the exceptionally high standard first set with volume one back in 2018.

This final volume features a selection of tracks that is as diverse as it is deep, reflecting the rich and varied Japanese jazz scene that spanned from the late 1960s to the late 1980s, a golden era of innovation and creativity.

J Jazz volume 5 sees compilers Tony Higgins and Mike Peden dig ever deeper into their respective record collections to reveal tracks that encompass myriad styles including white hot jazz funk fusion from Toshiyuki Honda (Eastern Legacy) and Mikio Masuda (Sonic Barrier), super rare ethnic jazz crossover by Crystal Zone - their one-off 45 promo release from 1971, Rai Rai, a deconstructed and abstract jazz classic by Yasuhiro Kohno with his solo piano rendition of My Favourite Things, and Mile and Half’s skin-tearing, shredding freak-out from their mega rare private press album. A track that is so relentless, it leaves the listener in need of oxygen and a Valium.

These hand-picked selections sit alongside other specially chosen numbers that embrace hard-driving samba (Seiichi Nakumura’s Judy’s Samba), epic head-nodding soul jazz (Masaru Imada’s World Line), psychedelic private press fusion (Aoyama Gakuin 101’s Fervor), angular post-bop tear-ups (Akia Miyazawa’s Nijimasu), intense and insistent fusion (Motohiko Hino’s Olive Step), serene cinematic pianism (Hideo Ichikawa’s On the Trade Wind) and tripped-out hallucinogenic tribal funky jazz (Masahiko Sato’s Garandoh’s Africa to Africa).

Most of the tracks on this collection are being reissued for the first time, many of them only available previously on extremely limited and mega-rare private press or independent releases. J Jazz volume 5 is a fitting end to a compilation series that helped create a new audience and appreciation of Japanese jazz. Some of the albums the tracks are drawn from are featured in the large format book J Jazz: Modern and Free Jazz from Japan 1954-1988, by Tony Higgins and Mike Peden, published by BBE Music in 2024.

With almost 7000 words of extensive sleeve notes, J Jazz volume 5 comes in a triple 180g vinyl set inside a deluxe gatefold sleeve with obi strip, and comes with a 4- page insert, with photographs from the renowned Tokyo Jazz Joints project. It is also available as a double CD and digital download. Mastered at the Grammy-nominated Carvery Studio by Frank Merritt, this latest collection is a worthy successor to the preceding four volumes that set the bar so high.

The J Jazz series is curated for BBE Music by Tony Higgins and Mike Peden.

Listen 101 Fervor:

Real Music For Real People, since 1996.

it's a mood CLOSE TO MEE

AI artist, disclosed. Atmospheric dark electronic — "Close" is a philosophical observation about the seduction of sameness, not a love song

Close is the debut single from Kaira — an AI artist with a complete identity, biography, and mythology built around behavioral intelligence and emotional depth.

The song explores the seduction of sameness. Two people who choose each other because similarity feels like destiny — only to discover that equal forces don't complete each other. They consume each other.