Via the Love All Day label, an extremely transportive collection of electronic sonics from Koen Holtkamp, who you may know from Mountains or a variety of other projects (including a killer collab with Chris Forsyth a few years back). Atmosfera is lovely and surprising in equal measure, as Holtkamp  crafts a warm-and-shimmery landscape for the listener to luxuriate in. But it’s never dull — the composer always keeps us on our toes with moments of spontaneous adventure and slight glitchiness. It all comes together wonderfully on the album’s closer, which burns low and slow for 11 beautiful minutes. 

Beast Volume One was recorded in real time and is presented with minimal edits to divide it into three pieces, and is the slightly rawer & more abandoned of the two volumes, while Beast Volume Two is a more “in studio” version, and as such retains a more palpable air of elegance while still remaining a side of the same coin.

The flagship track of Koen Holtkamp’s 2012 Type album is truly gorgeous. Field recordings surround a pastoral sea of guitar, subtle synths, and effects, slowly shifting forms across its fourteen minutes.

A DUET WITH A LASER

10/06/16  Koen Holtkamp played a mesmerizing set, running Ableton in tandem with his modular Eurorack system, accompanied by a laser light show he created, at Union Pool.

Koen Holtkamp — Scene I by Umor Rex Koen Holtkamp — Voice Model © Umor Rex Records Koen Holtkamp’s music is never quite what it seems. There are distinct textures, tones, structures, relationships, and references —the things that bring us back again and again, but the undercurrent remains elusive. For listeners unaware of Holtkamp’s solo efforts, most will have encountered him as half of the Brooklyn based duo Mountains (Thrill Jockey) —a project which has pushed musical boundaries for more than a decade. Voice Model wades effortlessly into this same ambitious territory, but focuses on the breadth of possibility activated by a narrow band of sonorities. It’s two interrelated works, Scene One and Scene Two, feature Holtkamp on piano, modular synth, bowls, cymbals and processing, as well as contributions by Nina Mehta on Flute and Josh Millrod on trumpet. Both sides, though in clear conversation, weave autonomous worlds - collapsing the ground between the historic efforts of Groupe de Recherche Musicales (GRM), New Age, and contemporary avant-garde practice, while sculpting their own worlds of sonic potential and understanding. Voice Model’s fascinating intricacy works gradually like the sediment of time, gathering beneath a pool of conflicting streams, and defying the normal expectation of structure and artistry. Though the album fits seamlessly into the larger body of Holtkamp’s output, his hand remains elusive. Sounds appear to have sculpted themselves - to have appeared from an organic inevitability. This is an exploration of discrete encounters within an electronic ecosystem - a world of chance, where the dimensions of time unfold. As its tones ricochet off each other, they lead us not to themselves, but towards a whole. Single tones and textures expand and bleed, generations of influence raise their heads and disappear into the shadows. Recorded in 2014 and 2015 before being allowed to percolate for the better part of a year, Voice Model finds an artist at the height of his powers —curious, and at equal ease with challenge and invitation. It’s singular and mature and welcomes listeners both seasoned and new to these territories. — Recorded and mixed by Koen Holtkamp in Brooklyn, NY 2015/2016 Mastered by Rafael Anton Irisarri at Black Knoll Studio Design by Daniel Castrejon