Mona Hatoum, Chain, 1999, installation, leather gloves and nylon threads, Center of Contemporary Art, Thiers, France
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Mona Hatoum, Chain, 1999, installation, leather gloves and nylon threads, Center of Contemporary Art, Thiers, France

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Playing Folk. In the 1980s, the South Korean democracy movement came to a head against the brutal Chun Doo Hwan military regime. As a part o
im swimming at the lake and accidentally kicked a fish. this has never happened in my many years of swimming. sorry man

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USA 1986
source
"ingredients you can pronounce" i can pronounce anything
Tokyo, Japan
On Monday morning, the Tour de France's media-wranglers sent us all a text announcing something genuinely shocking for such a French organization: They had banned smoking. The ASO said nobody could smoke in the TV areas "in order to combat fire risks," as that day's racing finished 60 kilometers west of the Trévillach wildfire, which has forced over 12,000 people to evacuate their homes. That day, the race entered France to 44 kilometers of quiet roads after organizers and local politicians told fans to stay away. The next day was the hottest day of racing in the recorded history of the Tour.
The smoking ban may have been primarily about avoiding the queasy optics of a ponytailed TV rigman ripping a cigarette on a day with restricted access, though it's a decent metaphor for the impossible future facing the Tour de France. This year's race is taking place under furnace-like conditions that can't fairly be characterized as extreme any longer. The French countryside is not getting any less combustible. The sun is not abating. There's nothing the Tour can do but manage the effects. The show must go on; the show can't go on. How will the Tour de France adapt to a world on fire? Is that even possible?
The Tour de France’s Infernal Present Portends Its Impossible Future, Patrick Redford

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original url http://www.geocities.com/SoHo/Museum/8739/
archived on 2009-04-27 21:19:08
Fruit vendor in Tbilisi waiting for customers. 2005, Martin Roemers.
Atsuko Tanaka, Electric Dress at The Second Gutai Exhibition,The National Museum of Art, Osaka, Japan, 1956
(Courtesy : The Former members of Gutai Art Association)
Anna Lehmann
Jun Kumaori (Junkuma)
"chasing its tail too much"
「しっぽを追いかけすぎて」

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