Saw this funny post and wanted to draw something w it
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@mochuelo1999
Saw this funny post and wanted to draw something w it

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I still can't believe that in the official published John Winchester's Journal, it is stated outright that 7 year old Sam was accused of murder and consequently 12 year old Dean killed a Hunter to save Sammy from kidnap/murder.
No fucking wonder nobody wants them around.
Imagine, John Winchester rolls up with two scrawny kids. The younger one is whispered to be of the devil, the older is headed straight for prison if what everyone says about him is true, and he's got a gun weighing down the pocket of his little boy coat.
(Source)
they shouldve put sam in more situations fr
not once was he tied to a train track
TIE SAM TO A TRAIN TRACK PLEASE
So uuuuhhhh. I did a thing.
Sorry bout that second one. I had to do it.
One episode the show was severely lacking was a body swap ep where dean and Sam switch. Like obviously they had to think about it since they did the Sam body swap one.
Like obviously we would get some Wincest content cuz dean is a freak and he wouldn’t be able to resist making jokes about Sam’s dick but it’s not even about that.
Think about the ANGSTY implications like if they had done it in season 4-5????
Like dean experiencing Sam’s demon blood addiction and perhaps even having some sympathy for what his brother was going through or even realizing how useful and powerful his abilities were and being more open to him using them. Meanwhile Sam is enjoying the reprieve from being a to-the-bone freak, the absence of the constant nauseating thrum of wanting to drink demon blood and neither of them wanting to switch back.
Missed opportunity.
Oh, but how about this? It's just after Lucifer was freed, Sam still very much struggling with his addiction. Dean being like "I don't trust you around demons" like he was in 5.02. The bodyswap happens shortly after "Free To Be You And Me". Sam has just successfully spit out the blood those hunters gave him. But then Dean has to fight demons in Sam's body and he doesn't have Sam's experience with restraining himself. I mean, let's be real, that man is an alcoholic and doesn't really have a handle on his addiction. Maybe a bit in later seasons, but Dean very much acts out his needs immediately most of the time. So he's experiencing a to him totally unfamiliar addiction and there's fresh demon blood right in front of him. He tries to resist. Really tries his best. But ultimately he gives in. Drinks his fill. Then Sam is in mortal danger and Dean just uses telekinetic power on instinct.
But then they swap back and Sam is the one who has to go through another withdrawal. Because this is SPN and of course Sam has to suffer to the max!
It's eating Dean alive! And of course Sam tries to comfort Dean and tell him it's not his fault. Because this is SPN.
But ultimately, imagine how this would have changed their dynamic thereafter.
Delicious food for thought.

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strongest thing anyone on spn ever did
faced their childhood fear trying to kill them while in a hell-powered psychosis
overpowered thee biblical devil & willingly jumped into an eternity of torture
had no soul &hung out with dean winchester without killing him even a little bit
lived for decades without their canonical soulmate
forgave their brother for getting them possessed on purpose
worked with multiple people who tortured & abused them for the sake of the world
raised the child of their abuser with genuine love and care
forgave their mother for selling them to a demon
killed their friend and mentor at their request to save the world
kept going after watching their lover burn & not abusing any kids about it
made a life after suffering psychosis then losing their entire support system
sacrificed their humanity & their brother’s love to try & stop the apocalypse
NEVER move on NEVER touch grass. Keep posting about Supernatural on tumblr dot com.
1x06, skin
sam|14.20
the boys slowly being turned from a gritty superhero action drama into a glorified supernatural au is so fucking funny we’re like a parasite

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so I ran the numbers and they don't check out
the craziest allegation is “dean connects with their early antagonists more” like are meg and yellow eyes, the OG spn villains, a joke to you? every single special child who went evil, max and ava included?
it's so funny when sam is like don't eat bacon it's bad for you don't eat sugary cereal it's bad for you like okay now the guy who drank demon blood wants to preach to us
Sam Winchester & Queercoding (Pt 1/?)
So. I'm in a bad mood, about something not spn related, just irl. Apparently that means that I should finally post about Sam's queercoding, for inexplicable brains-are-bad-at-decisionmaking reasons. Most of this I've been slowly putting together in the drafts for a loooong while. But the analysis got so long, I realized it probably needed at least two different parts at least to talk about everything. For this post? I just want to talk about Sam and college.
Sam Winchester & College/US Culture & Geography
For some background in case you're not USAmerican? Working class conservative Americana has a Big Dislike of the concept of higher education. Especially at the turn of the millennium. College was a bad place which "brainwashes" your kids into "liberalism."
And for many queer kids before the internet became a mainstream form of connection, this was pretty much the major way you got out and got a chance to find people like you, intentionally or by accident. From the perspective of your conservative parents, church, and community, college and big cities were dangerous dens of iniquity. They were going to Turn You Queer there. Because religious and socially conservative people believe queerness is a choice or a learned ideology, not an identity. It can be caught by being around the wrong people. (You'll note how scared modern day conservatives are that trans kids, for example, are just being trans because of peer pressure. Or because they read the wrong books. Same deal, except 20 years ago, those anxieties were mostly focused on kids going to college.) That queerness is an orientation and an identity is not something social conservatives or conservative religious folk really understand. But they would understand - viscerally, symbolically - John and his reaction to Sam going to college. John, a recognizably red-blooded American man: From his history in the Marines. To driving American-made gas-guzzlers. To raising his kids outside the mainstream and teaching them to "hunt," to use guns from a young age. To making them call him "sir" and teaching them to not question his orders. All the way down to the brands of liquor he drinks. They would Know Him. They would get him. They would recognize, understand, even relate to him... And to his fear of Sam going away to college. The fear of his son leaving the rugged, individualistic, hyper-paternalistic culture of blue-collar America... and coming back wrong. Coming back with new perspectives. Questioning the core values of the culture you left behind. Ready and willing to argue and backtalk. Coming back soft. Too soft. Emasculated, and okay with it. Queer. More important than the fact that Sam went to a college, any college, or that Sam went to a coastal city, any coastal city, is exactly where he went to school. He goes to Stanford - a place in California, and within driving distance of San Francisco. If you're not from the US, that might not mean much. But it's important to understand that Middle American cultural anxieties in relation to the larger American landscape run absolutely rampant throughout the series (especially the Kripke era) as themes. And that no place triggers those anxieties and resentments IRL more than New York and California. Places consistently used by bigoted conservatives as symbolic dogwhistles for two kinds of people: Jewish people, and queer people. The latter who supposedly have an "agenda" solely focused on destroying wholesome mainstream American life and culture. Not only that, but Sam doesn't just move to California. Out of all of the thousands of colleges across the country, he goes to a school within easy driving distance of San Francisco. Again, if you're not from the US, San Francisco is The Gay City. Not literally, but in the popular consciousness. Every really real adult in the US knows that without it having to be explained. It's part of the cultural DNA, and would have been especially so a decade+ ago. The point is, from the very first episode, Sam's rejection of a gun-toting, hypermasculine, mainstream Americana in favor of living a softer, more intellectual life by choosing school over the blue-collar-coded family business? More specifically, choosing of all the thousands of colleges in the country, one that was ~30 minutes outside the gayest city in the gayest state in America? Yeah. That's it. That's the moment. Your elder millennial friends, your GenX parents or relatives, and your Boomer grandparents did not need that spelled out for them. They didn't even need to be conscious of it. These associations are part of the deep lore and motifs of American history and culture. Sam's character is just ticking boxes all over the place that are associated with being a violation/rejection of Midwestern/redstate American cultural values at the turn of the millennium. i.e.: Gay.
sam, living as an othered freak in a family of freak killers: hey i want to be safe. i'm studying law
the most intelligent spn viewer: wow sam was the normal one and hated his freak family
Sam Winchester & Queercoding (Pt 2/?)
Following up on my "Kripke-Era-Sam is a Pretty On-the-Nose Queer Metaphor" series. Which started with Sam and college. Now continuing on with one of my favorite pieces of evidence, although one of the saddest in terms of how it intersects with the lived histories of irl queer people:
The Demon Blood
The largest arc of Sam's storyline, and his supposed Achilles' heel, is demon blood. You know, his bad blood? His cursed blood. His scary, diseased, monstrous blood??
It's HIV. It's AIDS. In case you weren't picking up on that. Intentionally or not, it's an AIDS metaphor. ("I've got HIV demon blood in me, Dean! This disease, pumping through my veins, and I can't ever rip it out or scrub it clean!") I'm not going to belabor this point, I don't think I should have to explain why stories about cursed or tainted blood lend the collective unconscious to an association with real-world diseases transmitted through blood... which in the last 50ish years, is associated with queer people. Specifically men who sleep with other men. This would have been even more strong of a connection when the show began airing back in the mid-2000s, a decade and a half out from the 1980s, which were in large part defined by the AIDS crisis in the US.
Sam's storyline isn't just about him being "infected." It's in having a particular affinity for/with the other people who also carry the diseased blood - men who sleep with men demons. In Sam's inability to completely reject them, even when he wants to. This adds a major dimension to Sam's story arc: denial/repression of desire. The narrative lens is horrified over the fact that Sam "should know better" than to associate with or sleep with other people who could metaphorically also be carriers demons, yet struggles to internalize the danger or stop himself. That he is both metaphorically drawn to/sympathetic with them... and literally physically attracted to them.
Here's a fun gif I found of Sam totally failing to suppress his desire for another character also queercoded by actually being queer in the narrative as well as by being a carrier of the bad blood- I mean, a demon:
Big thanks to the gif-maker!!
Anyway, giving into his desire for demons and demon blood feels good in the beginning, but in the end hurts Sam, causing painful physical and psychological symptoms. Because, when it comes to heteronormative and mainstream imaginings of gayness, AIDS, and how those two go together, it is the gay person's fault that they are diseased. The desire for other people who may have that bad blood is the root, is the cause. And the disease is the punishment. For not being able to suppress desire for the wrong kind of person.
Sam becomes more and more aware as the Kripke era narrative goes on (and in some cases after, like in s8) of the power of this blood and the inherent humanity and attractiveness of the people - like him - who have it. And it gets harder and harder for him to suppress and ignore the connection he feels with them, or his desire for their blood.
Fans of homoerotic vampire fiction are probably also lining up somewhere offscreen to talk about how blood and blood-drinking have been metaphorically associated with taboo sexual desire, especially queer desire, since even before Bram Stoker's Dracula. I'm sure Interview with the Vampire fans would be happy to attest that blood has, uh, erotic symbolism as well. The desire for blood often symbolizes the desire for sex considered other, wrong, infectious, and deserving of suppression. While blood drinkers are often societal outsiders, portrayed as wanting to "destroy" the safe insular domestic realm. Or as tragic figures, eternally cast out, haunting the edges of society, never allowed a home in the inner circle. (Symbolically, queer people.)

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I’m rewatching some early and some late seasons spn and I just noticed something. In the early seasons Sam has his own style of clothing distinct from Dean’s - he wears jackets layered over t-shirts, polo shirts, and patterned button ups. In late seasons he dresses only in plaid and solid colors like Dean. Just another layer to the horror show of Sam becoming completely subsumed into his family. From a Doyalist perspective I think this was not conscious but this only makes it more horrifying.
stackednatural, february 11 (½)
You get that every time you scratch that wall, that you are playing Russian roulette?
5.14 “my bloody valentine” // 6.13 “unforgiven”
happy valentine’s day and may your heart break like mine did after seeing this scene for the first time