with all my parts i hate and love

how much blood is she covered in

are her eyes filled with madness

The key to making a pretty good D&D character is having someone who not only has a reason to leave whatever their life was behind, but also has something they are working towards. However, there are a couple of nuances that bring this from good to great:

understanding the follow-through of what made you leave. It should be something that you are prepared to deal with in the story - eg, if you were kicked out of town, you are going to have to deal with that should you need to go back to your hometown.

if you get what you were working towards, why do you stay? like yeah, found family, but that's not actually that interesting on its own and really runs a risk of making your D&D character feel like an appendage to someone else's character. You need to be prepared to find new purposes. Travis is an incredible generator of plot; he tends to make characters for whom the journey itself is very important anyway (ie, even after Fjord gets a new patron the idea of self-worth and identity is an ongoing process) but he also focuses on other things that would interest this character, rather than being single-minded. (This incidentally is why he gets dinged by the unenlightened for having too many hanging plot threads; it's because he makes sure to have more plot potential than the campaign requires, as it is an improvised work.)

Your ideal environment is:

Hot/Cold

Wet/Dry

Bright/Dark

HWBQ - tropical fish

HWDL - dingy club bathroom hookup

HWDQ - the swamp woman

HDBL - CoachellaBurningmanSouthbysouthwestACL attendee

HDBQ - Lizard

HDDL - Vegas babeyyyy

HDDQ - Trapped in a slot canyon

CWBL - Rowdy Lobsterman Crew

CWBQ - penguin living

CWDL - port angeles basement show

CWDQ - bruminating amphibian/hypothermic mammal

CDBL - ski resort

CDBQ - Christmas in Nebraska

CDDL - mcmurdo station rave